Scenes I Love: The Vampire and The Ballerina


I don’t really know much about The Vampire and the Ballerina, other than it was released in 1960 and it’s an Italian film, but — after watching a few clips on YouTube — this movie has become my new Holy Grail.  What that means, of course, is that King Arthur will continue to weaken and Mordred shall continue to conquer England until my freaky, mismatched, Irish eyes catch sight of this movie in its entirety.

If you’ve read enough of my previous posts, you can probably guess why this movie appeals to me.  First off, it’s Italian.  Second off, it apparently features at least one vampire.  And, of course, the main reason is that apparently it’s got something to do with ballet. 

Back when I still thought I was going to grow up to be a professional dancer, I have to admit that I went through a very long period of time where my *ahem* fantasies were pretty much dominated by dark, tortured men with fangs who drank blood to survive.  So just seeing the title The Vampire and The Ballerina is like a serious jolt from the past for me.

(Though from the clips I’ve seen on YouTube, the vampire in question is not exactly material for an erotic interlude…)

Anyway, from what I’ve seen of The Vampire and the Ballerina, here’s the scene I keep coming back to.  Yes, it is a dance sequence but it’s not exactly ballet.  In fact, I have yet to see any signs of ballet in any of the clips I’ve found on YouTube but I figure it must have a ballet subplot.  I mean, titles never mislead!

As for why I like it — well, there’s the endearing quaintness of the fact that leotards and tights were once considered to be daring and risqué.  There’s a shamelessness to it as well that I think perfectly defines everything I love about Italian films.  You can almost hear the director saying, “Did we get her ass in that shot?”  And the dance itself is such a combination of stupid and brilliant that it reminds me — in a good, nostalgia-filled way, of just about every modern dance recital I was ever featured in.

I have to admit that there’s a part of me that wishes I had been alive in 1960 so I could have caught a plane to Italy and been one of these dancers.  Why not?  I love to dance, I’ve been told I have a nice ass, and occasionally, I guess, I do kinda sorta maybe act out just to get attention.   Seriously, with all of that in mind,  I would have been great for this film.  Or, seeing as how I have yet to see the entire film, this sequence.

Unfortunately, I was born a good six decades or so too late.  However, even though it’s too late for me to star in the movie, I still believe that one day soon I will sit down and I will watch an entire, uncut showing of The Vampire and The Ballerina.

And on that day, the fate of England will be determined…

4 responses to “Scenes I Love: The Vampire and The Ballerina

  1. When Interview with a Vampire came out that must’ve been quite the film for you.

    I would be surprised if Italian films of any era didn’t try to get the camera to frame a fine Southern Italian woman’s ass on film at least thrice.

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    • Nah, I was too young for Interview. I think I was like eight or nine when that movie first came out and, to be honest, I only recently actually saw the entire thing on DVD. (I was kind of bored by it, to be honest. Liked Antonio Banderas, though.) My vampire movies were Queen of the Damned and Underworld. 🙂

      For a while, there was apparently a whole cinematic genre of Italian comedies all devoted to stories about men being obsessed with the female posterior. Even Lucio Fulci directed one in the years before he devoted his career to eye injuries and zombies.

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      • Who can blame the Italians. I mean Southern Italy booty are some powerful stuff.

        Ah, Queen of the Damned. I did think Stuart Townsend made for a better Lestat than Cruise. I didn’t care much for the film itself, but Townsend did do justice to the character. Now, Underworld…well that’s a classic for so many reasons and all of them centering on one Ms. Beckinsale.

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