Interestingly enough, New York City may be the center of wealth and politics in the United States but being Mayor of New York rarely leads to any sort of greater office.  Though the Americans Elect people tried to unsuccessfully recruit Michael Bloomberg in 2012 and there’s a few deluded souls who seem to think that Bill de Blasio could run and win in 2016, only three NYC mayors have taken the plunge and actually run for President.  Of the three of them, DeWitt Clinton was the most successful.  He not only won the Federalist nomination but he came close to beating James Madison in the election of 1812.  However, both John V. Lindsay and Rudy Giuliani were forced to end their campaigns when their electoral success in New York failed to translate into votes outside of the Northeast.

And that’s the thing really.  Everyone in America knows that New York is an important city, perhaps the most important city in the United States.  And they resent the Hell out of it.  It’s kinda like how the rest of country hates my home state of Texas because they need our oil more than we need … well, whatever the Hell it is that the rest of the country brings to the table.

I mean, let’s face it.  There’s a lot of resentment out there.  And that resentment will probably keep anyone from going from Gracie Mansion to the White House.

That’s one of the problems that I had with the 1996 film City Hall.  In order for City Hall to work, you have to believe that Mayor John Pappas has a legitimate chance to not only be nominated for President but to win the election as well.  At the start of the film, we’re informed by Deputy Mayor Kevin Calhoun (John Cusack, speaking in one of the worst attempts at a Louisiana accent that I’ve ever heard) that Pappas is the greatest mayor that New York City has ever had.  I guess that might be true, even though we really don’t see any evidence of that fact.  (Pappas does get to deliver a few monologues about how much he loves New York but if love is all it took, I’d be a really kick ass Prime Minister of Canada.)  However, it’s because Mayor Pappas is such a product of New York City that he’d probably never be able to actually win a primary in Vermont and capture Iowa’s electoral votes.  That’s one reason why it’s difficult to buy Mayor Pappas as a future President.

The other reason is that Mayor Pappas is played by Al Pacino.  And we’re not talking about Godfather or Dog Day Afternoon Al Pacino here.  Instead, we’re talking about raspy voiced, constantly bellowing, thousand-yard state Al Pacino.  As played by Al Pancino, it takes only one look at Mayor Pappas to imagine thousands a middle American voters running in terror away from the voting booths.

(One gets the feeling that if a large group of police officers ever turned their back on Mayor Pappas, he would immediately start jumping up and down while yelling, “YOU ARE TURNIN’ YOUR BACKS ON DA MAYOR HERE!  WHAT DA FUCK IS GOIN’ ON WITH THIS SHIT HERE!?”)

That said, there’s another reason why Mayor Pappas may never be President.  There’s been a shooting.  An undercover cop and a drug dealer shot each other.  A little boy was hit by a stray bullet.  The little boy is black but, oddly enough, nobody in the film ever suggests that there was any sort of racial element involved.  Instead, Mayor Pappas goes to the boy’s funeral and is enthusiastically applauded by the entirely African-American congregation.

It turns out that the drug dealer is the nephew of a mafia don.  He should have been in prison at the time of the shooting but instead, he was given an early release by a seemingly incompetent judge (Martin Landau).  As Calhoun and a lawyer named Marybeth Cogan (Bridget Fonda, giving a good performance in a generically written role) investigate how the dealer came to be released, they discover that local politician Frank Anselmo (Danny Aiello) may have had something to do with it.  Calhoun also discovers that his idol, Mayor Pappas, may know more than he’s saying as well…

If you do happen to watch City Hall, be sure to compare Danny Aiello’s performance with Al Pacino’s.  Both Aiello and Pacino are playing larger-than-life characters.  And both Aiello and Pacino have a tendency to bellow and to play big.  But, whereas Pacino’s performance feels forced and oddly empty, Aiello’s performance feels totally natural.  You actually believe that Aiello could be elected to a citywide office whereas Pacino — or at least the version of Al Pacino that shows up for City Hall — seems like he’d have a hard time getting elected to a student council, much less Mayor of America’s largest city.

Anyway, City Hall is currently making the rounds on cable, which is how I saw it.  It had the potential to be an interesting look at urban politics but, ultimately, it just doesn’t work.  To a certain extent, I hate to be negative about any film that, like City Hall, has its heart in the right place but the movie just doesn’t work.