4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
With October approaching, it will soon be time for our annual Horrorthon here at the Shattered Lens. We’ve been working hard getting things ready! Here are 4 shots from 4 of the many films that we will be reviewing this October.
4 Shots From 4 Horror Films
The Cabinet of Dr. Caligari (1920, dir by Robert Wiene)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we remember actor David Hess on his birthday. It’s time for….
4 Shots From 4 David Hess Films
The Last House On The Left (1972, dir by Wes Craven, DP: Victor Hurwitz)
Hitch-Hike (1977, dir by Pasquale Festa Campanile, DP: Franco Di Giacomo and Giuseppe Ruzzolini)
The House On The Edge of the Park (1980, dir by Ruggero Deodato, DP: Sergio D’Offizi)
Body Count (1986, dir by Ruggero Deodato, DP: Emilio Loffredo)
GUEST REVIEWER ALERT!!! Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!
Judy (Siobhan McCafferty) is living a very terrible life. Tom (John DeMita), Judy’s husband, is a spoiled manchild hiding out in school to avoid working. Tom’s parents live with Judy and Tom and they treat Judy like an indentured servant. Judy’s only escape for a better life is to buy lottery tickets and apply to appear on gameshows. Like all Freddy’s I’ve seen, the initial story was not bad and should have remained 22 minutes. However, I will say that in NO WAY was this a horror script at all. It was meant to be a mediocre Twilight Zone script or that should’ve been where it was pitched. In fact, the only real blood was at the very end of the episode where Freddy squeezed a fake heart with blood in it. Really, that was it!
Back to the show, Judy gets called to be contestant on a gameshow, but it gets…weird. Not scary weird, but weird. The game show became a “Pit and the Pendulum” knock off where the host asked Judy personal questions and every answer led to her family members being NOT KILLED, but scratched. They could’ve had the deaths off screen. The show goes on and she wins the gameshow, but instead of the show allowing her to evolve and leave her abusive husband and in-laws, the story continues into ….. time travel. For real, the story took a turn into time travel, which is impossible. Look, I’m an applied physicist- let time travel go because It does not work. Let it go! You can’t save Kennedy! LET IT GO!
Once again, the story ached to end at the 22 minute mark, but had to keep going and where did it go? Time travel. Judy gets the money, stays married, and spends a lot. Then, her older -self time travels by “I went a long way”… so like Trader Joe’s and back because that is difficult with the small-ass parking spaces! Anyway, the older Judy warns her that her husband will cheat on her and she’ll stab him to death. Her older self advises her to give the money away and she’ll be happy. THIS IS STUPID! She was poor at the beginning of the story and miserable! Hey writers, weren’t you there?!!! Simple solution: just get a divorce – California is a no-fault state- Move on!
The problem with this show is that instead of doing re-writes, they took 22 minute stories and doubled them in the stupidest ways possible.
GUEST REVIEWER ALERT!!! Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!
I am your guest reviewer for the next few “Freddy’s Nightmares”. I have watched three of them and can tell you without a doubt that this show was never really meant to be. At this time, there were two other similar and better shows that were in production or getting greenlit: “The Twilight Zone (reboot)” and “Tales from the Crypt”. This show likely wanted to be “Tales from the Crypt” and I guarantee that the Boomers who wrote “Freddy’s Nightmares” were fans of “Tales”. This story and the other two I watched were likely failed pitches for “Tales” and “Zone”.
The show struggled because network television was not ready for a blood and guts story and certainly not one where Freddy Kreuger, a child murderer pedo, is heavily in the stories. Therefore, he had the role of Crypt Keeper. I’m sure that this was frustrating for Miramax and Wes Craven because Nightmare had amassed nearly 500 Million Dollars. Also, this show was 16 years before Supernatural premiered where audiences craved and demanded gore. The Freddy stories themselves didn’t really lend to horror as much as they were morality play Outer Limits episodes with a story McGuffin to push the clumsy narrative forward.
However, the show could have been saved, IF it were a 30 minute show. In every episode that I watched, the stories ached to roll credits at the 30 minute mark, but the show had an hour slot and the writers tacked on 3 additional act breaks that were always a big oogey mess. Twilight Zone was an hour, but broken into two stories. Tales was 30 minutes and got to do all the gore and nudity it wanted because it was on HBO. Freddy’s overlong padded stories and the FCC restrictions killed what could have been an aggressively mediocre show.
This episode: “Killer Instinct” had a good beginning. Chris Ketchum (Lori Petty) just lost her mother and she wants to honor her by winning track meets even it means losing her soul. BOOM- That is a story- A 30 minute story. At the 30 minute mark, I had seen enough, but I kept going. Chris has heart, but she is losing out to the faster and cuter Nickie (Yvette Nipar) who always beats her in every race and unbeknownst to Chris, Nickie also want to knock boots with Chris’ boyfriend. Chris’ track coach doesn’t help because she is written inconsistently- one moment she’s booting Chris from the team for not trying hard enough and the next she’s giving her evil costume jewelry…. that can kill!!!
Chris gives the evil McGuffin a try and she: runs blurry-fast (which would likely blow out her joints), kills a teacher by choking him with cotton (Yes, that happened), and causes Nickie’s treadmill to go a little faster- it doesn’t hurt Nickie, but Nickie’s workout was slightly more difficult. Wes Craven really needed to give this story another pass. Before Chris can eliminate Nickie (Yvette Nipar) permanently, Nickie strikes first and steals the costume jewelry of doom TCJOD! Nickie uses TCJOD to kill Chris by causing the finish line tape to either decapitate her or break Chris’ neck. It’s unclear how Chris dies, but she does.
The story devolves into a quasi-ghost-zombie-hallucination story. Chris wants revenge and so she sleeps with her boyfriend all gnarly with rotting flesh and she demands that her boyfriend tries to kill Nickie. He doesn’t though- I guess sleeping with a dead person just isn’t what it’s all cracked up to be. Chris starts showing up everywhere in Nickie’s life to drive her insane – including dinner parties and it works really quickly- very quickly. Before the end of the week, Nickie is bludgeoning her boyfriend to death with a…. track trophy, but in her defense she thought it was Chris’ boyfriend! Confused? Yeah, it’s that kind of show. I guess Nickie came in first place in murder!
Today’s song of the day comes from Wes Craven’s infamous Last House On The Left. Of course, many people might know it better from it’s use in Quentin Tarantino’s The Hateful Eight.
This haunting piece of music was composed by David Hess, who played the murderous Krug in Craven’s film.
Today’s scene that I love comes from 1984’s A Nightmare on Elm Street. Directed by the great Wes Craven, A Nightmare on Elm Street remains a frightening and creepy masterpiece. It’s ability to scare its audience has not been diminished by countless sequels and rip-offs.
In this scene, Nancy (Heather Langenkamp) discovers that she’s not even safe from Freddy (Robert Englund) at school.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
86 years ago today, Wes Craven was born in Cleveland, Ohio. Craven started his career as an academic, teaching high school English. However, realizing that there was more money to be made in the film industry, Craven changed careers. By his own admission, he started his career directing “hardcore, X-rated films” under a pseudonym and it has been rumored that he was a member of the crew of the first “porno chic” film, Deep Throat. Eventually, Craven broke into the mainstream with some of the most influential and often controversial horror films ever made. From being denounced for the original Last House On The Left to changing the face of horror with A Nightmare on Elm Street to becoming something of a revered statesman and a beloved pop cultural institution with the Scream franchise, Wes Craven had a truly fascinating career.
In honor his films and legacy, it’s time for….
4 Shots from 4 Wes Craven Films
Last House on the Left (1972, dir by Wes Craven, DP: Victor Hurwitz)
A Nightmare on Elm Street (1984, dir. by Wes Craven, DP: Jacques Hatikin)
New Nightmare (1994, dir by Wes Craven, DP: Mark Irwin)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!
Having finished up Friday the 13th, I’m not going to take a look at another syndicated horror show that aired around the same time. Freddy’sNightmares was an anthology show hosted by Robert Englund, in character as Freddy Krueger. Each story would take place in Freddy’s hometown of Springwood, Ohio. Would the show be a dream or a nightmare? Let’s find out!
Episode 1.1 “No More Mr. Nice Guy”
(Dir by Tobe Hooper, originally aired on October 9th, 1988)
Freddy Krueger has become such a familiar and popular figure that I think it’s sometimes forgotten that, when he first appeared, he was truly a horrifying character. He was a child molester and a serial killer, one who escaped legal justice only because someone forgot to read him his rights when he was arrested. He was killed by the citizens of Springwood, Ohio, set on fire in the same boiler room where he killed his victims. Yes, he was brutally murdered and yes, the respectable people who murdered him covered up their crime. At the same time, what would you do if a monster like Freddy was loose in your town and stalking your children? “I’m burning in Hell,” Freddy says and that’s exactly what he deserved.
How did Freddy Krueger then become an oddly beloved pop cultural icon? Some of that was undoubtedly due to his one-liners, which tended to be a slightly better than the typical slasher film banter. If Freddy was pure evil in the first three NightmareonElmStreet films, he became more a homicidal prankster as the series continued. I think another reason why Freddy became popular is because the actor who first played him, Robert Englund, himself always comes across as being such a nice guy. Unlike the personable but physically intimidating Kane Hodder, who looked like he could kill you even when he wasn’t playing Jason Voorhees, Englund always comes across as being slightly nerdy and very friendly. He’s the neighbor who you would trust to get your mail while you’re on vacation. If Englund hadn’t been cast as Freddy Krueger in 1984, he probably would have spent the 90s playing quirky programmers and hackers in tech thrillers. The thing with Robert Englund is that seems to have a good sense of humor, he’s at peace with his place in pop culture, and he always seem to be having fun. (In his autobiography, he even jokes about something that fans had been laughing about for years, the fact that the female lead in A Nightmare In Elm Street 2 looked almost exactly like Meryl Street.) Those are qualities that bled over into Freddy.
As a result, Freddy became popular enough to host his own horror anthology. The premiere episode of Freddy’sNightmares open with Englund, in full Freddy makeup, telling us that we’re not about to see one of our nightmares. Instead, we’re going to see his nightmare. The episode gives us Freddy’s origin story, starting with Freddy getting off on a murder charge on a technicality and ending with Freddy getting bloody revenge of the police chief (played by Ian Patrick Williams) who set him on fire.
By almost any standard, it’s a disturbing story. We open with Freddy on trial and we hear details about an 8 year-old boy that he left in a dumpster. After the charges against Freddy are dismissed (damn those Carter judges!), Freddy happily gets into an ice cream truck and later, the police chief has a vision of the same truck coming straight at him. After getting set on fire, Freddy doesn’t waste any time coming back and using his razor-blade gloves to slash his way to vengeance. I think what’s particularly disturbing about this episode is that the police chief is not a bad guy. He arrested Freddy as Freddy was trying to attack his twin daughters. Throughout the episode, Freddy — in both life and death — makes it clear that he’s coming for the man’s daughters. And in the end, Freddy will probably get them because their father fell asleep in a dentist’s chair and got his mouth drilled by Dr. Krueger.
Agck! That’s disturbing stuff. Of course, it would be even more disturbing if the show’s special effects and gore were anywhere close to being a realistic as what was present in the movies. The show itself looks remarkably cheap. I would say it almost looks like a community theater production of A Nightmare on Elm Street. Director Tobe Hooper (of TexasChainsawMassacre fame) manages to wring a few jump scares out of the material and a scene where we see one of Freddy’s courtroom fantasies is genuinely horrifying but, for the most part, the budget is low enough that the viewer can safely say, “It’s only a TV show, it’s only a TV show….” In the end, it’s very much an 80s TV show, right down to the oddly gratuitous scene where the police chief suddenly imagines the dental hygienist in her underwear.
Where will Freddy’sNightmares lead us? We’ll find out. I’m sure it will be bloody, wherever it is!
Or maybe you don’t. Sometimes, I forget that not everyone can read my mind. Anyway, I used to do a weekly post of my favorite grindhouse trailers. Eventually, it went from being a weekly thing to being an occasional thing, largely due to the fact that there’s only so many trailers available on YouTube. Now, Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers is something that I usually only bring out on a holiday.
Like today!
So, here are 6 trailers for the last week of October!
Last House On The Left (1972)
“Two girls from the suburbs. Going to the city to have …. good time….” Wow, thanks for explaining that, Mr. Creepy Narrator Dude. That classic tag line about how to avoid fainting would be imitated time and again for …. well, actually, it’s still being imitated. This was Wes Craven’s 1st film and also one of the most influential horror films of all time.
2. The Texas Chainsaw Massacre (1974)
Speaking of influential horror movies, the trailer for The Texas Chainsaw Massacre is almost scarier than the film itself!
3. Lisa Lisa (1977)
I love this trailer! Can you guess why?
4. Ruby (1977)
Ruby, starring Piper Laurie! I’m going to assume this was after Piper Laurie played Margaret White in Carrie. Don’t take your love to town, Ruby.
5. Jennifer (1978)
Jennifer was another film that pretty obviously inspired by Carrie. In this one, Jennifer has psychic control over snakes. So, don’t mess with Jennifer.
6. The Visitor (1979)
Finally, this Italian Omen rip-off features Franco Nero as Jesus, so it’s automatically the greatest film ever made.
Today’s horror scene that I love comes from 1984’s A Nightmare on Elm Street. Directed by the great Wes Craven, A Nightmare on Elm Street remains a frightening and creepy masterpiece. It’s ability to scare its audience has not been diminished by countless sequels and rip-offs.
In today’s scene, Nancy (Heather Langenkamp) discovers that she’s not even safe from Freddy (Robert Englund) at school.