Brad reviews THE NAKED GUN (2025), starring Liam Neeson!


When I first saw that THE NAKED GUN was being rebooted with Liam Neeson as Frank Drebin, Jr., I must admit that I was quite skeptical. You see, the original THE NAKED GUN (1988) with Leslie Nielsen came out when I was 15 years old, and I remember watching it at the movie theater on a field trip with our high school’s Future Business Leaders of America (FBLA) club. I loved it so much! I eagerly watched THE NAKED GUN 2 1/2 (1991) and NAKED GUN 33 1/3 (1994) at the theaters as well. To be completely honest, this series is one of my favorites of my “growing into an adult” years, and I didn’t want to see it screwed up. When the trailer was released a couple of months ago my reaction was cautious optimism as I must admit it looked quite funny, and I decided that I would go watch it in the theater when it came out. Well, tonight my wife and I headed to the Cinemark in Little Rock to see what director Akiva Schaffer and his crew had come up with…

In THE NAKED GUN (2025), dedicated Detective Lt. Frank Drebin Jr. (Liam Neeson) follows in his father’s footsteps by leading Police Squad and causing an endless array of problems for Police Chief Davis (CCH Pounder). When a bank heist is staged by Sig Gustafson (Kevin Durand) in order to obtain a mysterious P.L.O.T. Device, Drebin teams up with his partner, Captain Ed Hocken Jr. (Paul Walter Hauser), and the beautiful crime novelist Beth Davenport (Pamela Anderson) to investigate. Their subsequent probe leads them to tech mogul Richard Cane (Danny Huston) and his sinister plot to use the device to revert humanity to a base barbaric state as the balls drop on New Year’s Eve. With the help of his deceased father’s spirit that’s being housed in the body of a large owl, Drebin goes all out to foil Cane’s plans while simultaneously falling in love with Beth! 

I’m going to go ahead and alleviate any suspense and state that I love the new NAKED GUN movie. I laughed out loud throughout the entire film, including the end credits, and I wasn’t the only one as there were people in our showing that were laughing much louder than me. It was a fun “crowd experience,” and I’m so glad we caught it in the theater. Not every joke is funny, but in the tradition of the original series, they come so fast and furious that there’s a good chance the next joke will be hilarious. Liam Neeson does a great job as Frank Drebin, Jr., infusing the character with just the right amount of seriousness to allow the absurdity all around him to be played for laughs. I told a friend a few months ago that I’d be really impressed if Neeson was able to pull this role off, and I’m glad to report that he passes with flying colors. He doesn’t make you forget the comedic genius of Leslie Nielsen, but he’s darn good. And Pamela Anderson is perfect in the crime novelist / love interest role. I haven’t seen her in anything in a long time, but she’s truly hilarious in the film. After watching her performance, I honestly don’t think any actress could have done any better. The rest of the game cast, including Paul Walter Hauser, Danny Huston and Kevin Durand each have good moments that add to the fun. I also enjoyed some of the specific throwbacks to the original series, including brief appearances by Priscilla Presley, Weird Al Yankovic, and especially the stuffed beaver, which got a big laugh out of me, just like it did when I was 15! 

Overall, I had a great time at the movie theater with THE NAKED GUN (2025). Director Akiva Schaffer delivers a hilarious, 85 minute film that’s a worthy follow-up to the original Zucker-Abrahams-Zucker / Leslie Nielsen classics. What else could you ask for?!!

Music Video of the Day: Eat It by Weird Al Yankovic (1984, directed by Jay Levey)


Reportedly, Michael Jackson really liked the video for Weird Al Yankovic’s Eat It and why shouldn’t he?  The video so closely followed the video for Beat It, duplicating it scene-for-scene, that Jackson was actually paid royalties from it.

Another fan of this song and also of Fat was Kurt Cobian who was flattered when Weird Al asked to parody Smells Like Teen Spirit but who also specifically asked, “Is it going to be about food?”  (Al assured Kurt it would be about how no one could understand his lyrics.)

This is the song and the video that put Weird Al on the map.

Enjoy!

Music Video of the Day: Fat by Weird Al Yankovic (1988, directed by Jay Levey)


Yesterday, the video was bad.

Today, it’s fat.

This video was shot on the same set where the video for Bad was filmed.  Weird Al had to get permission for Michael Jackson to use the set and Jackson granted it.  Jackson appreciated almost all of Weird Al’s parodies, though he did ask Weird Al not to do a parody of Black or White.

I’ve always thought Fat was the better song.

Enjoy!

Music Video of the Day: Money For Nothing/Beverly Hillbillies by Weird Al Yankovic (1989, directed by Jay Levey)


On Friday night, myself, Lisa, Leonard, and several other people all watched UHF, the ahead-of-its-time comedy starring Weird Al Yankovic.  One of the highlights of the movie was this music video, which combined Dire Straits’s Money For Nothing with the Beverly Hillbillies.

The video’s animation was done by David Silverman, who would go on to work on The Simpsons.  Mark Knopfler and Guy Fletcher, both of Dire Straits, both performed on the song.  Knopfler later said was that his one condition for allowing the parody was that he and Fletcher be allowed to play on it.

According to Yankovic, the song’s strange title was due to the demands of the lawyers.  He prefers to call the song “Beverly Hillbillies For Nothing.”

Enjoy!

Live Tweet Alert: Join #FridayNightFlix For UHF!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1989’s UHF, starring Weird Al Yankovic!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

UHF is available on Prime and Tubi!  See you there!

Music Video of the Day: Stop Forwarding That Crap To Me by Weird Al Yankovic (2011, directed by Koos Decker)


In honor of the coming release of his biopic, today’s music video of the day is from Weird Al Yankovic.  Stop Forwarding That Crap To Me is one of his more underrated song but, as anyone who has ever had to clean out their email inbox knows, it’s also one of his most important.  Thanks to the rise of Facebook and Twitter, it’s not as much of a problem as it used to be but there was a time when I dreaded sharing my email address with anyone because I knew I would soon be forced to deal with anything that made them laugh, cry, or think.  Anyone who says that they’ve never wanted to say, “Stop forwarding that crap to me!” is lying.

Enjoy!

Daniel Radcliffe & Evan Rachel Wood dare to be stupid in the Weird trailer!


That might sound like a rude title, but it’s not.

Most people who know Weird Al Yankovic’s music are aware of Dare to be Stupid, off The Transformers: The Movie soundtrack. If not that, then songs like Eat it! or the equally epic Trapped at the Drive Thru quickly come to mind. Though I don’t own a Roku (yet!), I’m kind of excited for this. The movie covers Weird Al’s humble beginnings and rise to accordion superstar. Daniel Radcliffe (Horns, Swiss Army Man) and Evan Rachel Wood (HBO’s Westworld, Kajillionaire) seem perfectly cast as Weird Al and Madonna here.

Weird: The Al Yankovic Story will be available on November 4 on The Roku Channel.

Music Video Of The Day: Christmas At Ground Zero by Weird Al Yankovic (1986, directed by Weird Al Yankovic)


http://www.youtube.com/watch?v=t039p6xqutU

“The sad part is, I can’t really play the song live anymore because too many people misunderstand the connotations of Ground Zero. It’s not a reference to 9/11, obviously. It was written in 1986 when ‘ground zero’ just meant the epicenter of a nuclear attack.”

— Weird Al Yankovic

Try to force Weird Al to do a Christmas album and this is what you’re going to get.

In 1986, Weird Al’s record label insisted that he record something for the holiday season.  In response, Yankovic came up with Christmas At Ground Zero, a Phil Spector-style production about Christmas in the aftermath of a nuclear attack.  It wasn’t really what the record company had expected and, at first, they refused to release it.  Yankovic responded by creating his own music video for the song.  This video was not only his first stab at directing but it also proved to be popular enough to convince the record company to change their position on the song.

Though the majority of this video is made up of stock footage, the live action scenes of Weird Al and the carolers performing surrounded by rubble were filmed in The Bronx.  No nuclear explosions were needed to get the bombed-out feel.  Instead, they just filmed in New York in the 80s.

Enjoy and Merry Christmas!

Music Video of the Day: I Lost On Jeopardy by Weird Al Yankovic (1984, directed by Frances Delia)


http://www.youtube.com/watch?v=BvUZijEuNDQ

Based on Greg Kihn Band’s Jeopardy, I Lost On Jeopardy was an early song parody from the master of the form, Weird Al Yankovic.

Today, Jeopardy is an American institution but, at the time this video was filmed, it was considered to be a nostalgic memory.  The original Jeopardy ran from 1964 to 1975, with Art Fleming as the host and Don Pardo as the announcer.  (Famously, Pardo went from announcing for Jeopardy to announcing for Saturday Night Live.)  This video was shot on the original Jeopardy set, with Fleming and Pardo playing themselves.  As you can tell, Jeopardy has changed considerably from what it once was.  The version of Jeopardy that we all know and revere, with Alex Trebek at the helm, would not start until three months after the release of this video.

After Weird Al is kicked out of the studio, the man in the convertible is played by Greg Kihn, in a parody of the ending of the original video for Jeopardy.  At the time, Kihn told The Washington Post that he didn’t mind the parody and that it was his idea to appear at the end of the video.  As Kihn put it, “It was a vote of confidence.  If you’re not well-enough known to be parodied, well, you’re just not well-enough known.”

This attitude seems to be true of most musicians whose songs have been parodied by Weird Al over the years.  It helps that Weird Al rarely pokes fun at the original artist or the subject matter of the original song.  It seems like one of the easiest ways to get a bad reputation is to complain about Weird Al parodying one of your songs.  For instance, just take a look at Coolio (if you can find him).

This video was directed by Francis Delia, who also directed videos for Wall of Voodoo, The Bangles, and Timothy B. Schmit.

Playing Catch-Up: Popstar: Never Stop Never Stopping (dir by Akiva Schaffer and Jorma Taccone)


Have you heard of Conner4Real?

If you haven’t, you’re probably just old or else you don’t keep up with what’s happening in the world of popular music.  His real name is Conner Friel and he used to be a member of the Style Boyz.  Of course, the Style Boyz eventually broke up.  Kid Brain became a farmer.  Kid Contact became a DJ.  And Kid Conner — well, he became Conner4Real and he became a bigger star as a solo artist than he ever was as a Style Boy.  His debut album, Thriller, Also, broke records.

But the follow-up, Connquest … well, Connquest wasn’t quite as acclaimed.  In fact, it was hated by just about everyone.  This is despite featuring classic songs like:

Finest Girl (Bin Laden Song)

Mona Lisa

and Equal Rights (featuring P!nk).

Fortunately, when Conner4Real was facing his greatest existential crisis, a film crew was present to record his struggle.  For those of us who were fascinated by the career of Conner4Real, Popstar: Never Stop Never Stopping is a chance to see how Conner dealt with everything from his terminally ill pet turtle to the elaborate marriage proposal ceremony that led to Seal being attacked by wild wolves.  We would have gotten to see Conner and his manager defeat a swarm of mutant bees but, unfortunately, that happened right after the only time that Conner’s manager asked the film crew to stop filming.

Oh well, these things happen.

So, as you should have guessed from all that, Popstar is not a serious film.  It’s a mockumentary, with the emphasis on mock.  It was also one of the funniest films of 2016, a spot-on parody of the silliness and pretensions of fame.  Conner is a combination of Justin Bieber and Macklemore at their shallowest, a well-meaning but thoroughly empty-headed singer.  In fact, if Conner was played by anyone other than Andy Samberg, he would be so annoying that the film would run the risk of being unwatchable.

But fortunately, Conner is played by Andy Samberg.  It’s hard to think of anyone who plays dumb with quite the same panache as Andy Samberg does.  There are plenty of lines in Popstar that shouldn’t work but they do, specifically because they’re being delivered by Samberg.  He brings just the right amount of sweetly sincere stupidity to the role.  Almost despite yourself, you find yourself hoping that things will work out for Conner and the other Style Boyz.  Conner may not deserve to be as big a star as he is but it was obviously going to happen to some idiot so why not a sincere one?

Samberg is not the only funny person in Popstar.  The movie is full of funny people, from Sarah Silverman to Bill Hader to the always underrated Tim Meadows.  It’s also full of celebrity cameos and I have to admit that I usually tend to cringe when I see too many people playing themselves.  But in Popstar, it works.  One need only rewatch something like Zoolander 2 to see how well Popstar pulls off its celebrity cameos.

Sadly, as funny as Popstar was, it was also one of the biggest bombs of 2016.  (The trailer, it must be said, did not do the film justice.)  However, I expect that it will soon develop a strong cult following.  In a few years, we’ll get a sequel.  It probably won’t be as as good.

Oh well.  These things happen.