Commando (1985, directed by Mark L. Lester)


John Matrix (Arnold Schwarzenegger) is a former colonel in the U.S. Amy Special Forces.  He was one of the best at what he did but he’s now retired from all that and lives in the mountains of California with his young daughter, Jenny (Alyssa Milano).  When Capt Bennett (Vernon Wells), Martix’s former comrade-in-arms, kidnaps Jenny, Matrix is told that he has 11 hours to assassinate the leader of the country of Val Verde so that General Arius (Dan Hedaya) can launch a coup.  Knowing that the bad guys are planning on killing both him and Jenny no matter what he does, Matrix instead takes out Arius’s men as he makes his way to where Jenny is being held captive.

Commando is one of my favorite Schwarzenegger films.  It has some of the best one-liners (“I like you, Sully, I kill you last,”), some of the best character actors (Sully is played by David Patrick Kelly), and also one of Schwarzenegger’s best performances.  In Commando, Schwarzenegger shows that he’s willing to poke fun at himself, which was something that set him apart from many of the action heroes of the 80s.  (Stallone eventually learned how to poke fun at himself but it took a very long time.)  At his California home, Matrix chops down and carries a tree without breaking a sweat.  During a chase through a mall, Matrix easily lifts up a phone booth.  Matrix may be trying to save the life of his daughter but he still takes the time to come up with one-liners and fall in love with flight attendant Cindy (Rae Dawn Chong).  Commando is essentially just a big comic book brought to life and Schwarzenegger understands that and gives a very knowing, self-aware performance.  Director Mark Lester wastes no time getting to the action and the result is one of the most entertaining action films of the 80s.

Believe it or not, Commando was originally envisioned as being a Gene Simmons picture.  When the KISS frontman turned down the film, the script was rewritten for Arnold Schwarzenegger.  Schwarzenegger made this film after The Terminator and it was another box office success.  As for Gene Simmons, he would have to wait for Runaway to make his action debut.

Nam Angels (1989, directed by Cirio H. Santiago)


During the Vietnam War, an American patrol is captured by a German (Vernon Welles) who plans to sell them to the VC.  Only their commanding officer, Lt. Vance Calhoun (Brad Johnson), manages to get away.  When he’s told the the Army can’t spare any men for a POW rescue mission, he instead recruits a group of Hell’s Angels who just happen to be hanging out in Vietnam.  When the Hell’s Angels learn that there’s gold hidden in the caves near the POW camp, they hop on their motorcycles and heard on out.

You might wonder why the Hell’s Angels were in South Vietnam to begin with.  The easy answer is that they were there to raise Hell and spread the legend of their motorcycle club.  The truth is that they were there to win the war for America.  Like many Vietnam films released in the 80s, the main message of Nam Angels is that America could have won if not for the cowardly officers who weren’t willing to rescue our POWs.  America should have listened to Vance Calhoun and the Hell’s Angels.  Meanwhile, the real-life Hell’s Angels sued the filmmakers for trademark infringement.  It doesn’t get more American that!

As for Nam Angels, it has all of the explosions and motorcycles that are promised by the title and, as always, Vernon Wells is a good villain.  Considering the premise, it’s disappointing that Nam Angels proves itself to be a typical straight-to-video war movie but it still features all of the action, torture, and tough talk the fans usually want from these movies.  It ends with a quote from John Milton that doesn’t really have anything to do with the film that we just watched.

This was one of the 104 films that Cirio Santiago directed over his career.  Reportedly, Steven Spielberg was a fan of this one, casting Brad Johnson in Always on the basis of his performance in Nam Angels.  Make good movies because you never know who might be watching.

Glass Jaw (2018, directed by Jeff Celentano)


When the daughter of his trainer dies of a drug overdose at his house, world light heavyweight champion Travis Austin (Lee Kholafai) takes the blame and goes to prison, even though the drugs were brought into his house by his sparring partner, Joe (Brandon Sklenar).

After four years of being incarcerated, Travis is released into a brand new world.  His wife (Korrina Rico), who waited for his release and only cheated on him once in a moment of weakness, now works as a waitress and lives in a small apartment.  Joe is now not only the light heavyweight champion but also refuses to help Travis get back on his feet.  Travis finally ends up working at a gym, owned by the cantankerous Frank Maloney (Mark Rolston).  It’s a tough life but an unexpected opportunity gives Travis a chance to win back his title.

Glass Jaw pretty much lost me as soon as Travis decided to take the rap and go to prison for something that Joe was responsible for.  Being loyal is one thing but being stupid is something else and, by taking the fall, Travis put his wife in a terrible position.  The film had all of the usual boxing cliches but the Big Fight at the end was strangely anti-climatic, even if both Kholafai and Sklenar looked credible while they were throwing punches at each other.

The best performance in the film was delivered by Jon Gries, who had a small role as Travis’s alcoholic father.  I would have liked for the entire movie to have been about his character.

Retro Television Reviews: T and T 1.21 “Private Eyes”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. Turner searches for a missing teenage boy and finds Vernon Wells instead.

Episode 1.21 “Private Eyes”

(Dir by Stan Olsen, originally aired on May 30th, 1989)

“On tonight’s episode,” Mr. T informs us during the pre-credits, “the mob hunts for a young kid to prevent his father from testifying in court.”

Now, I understand that it’s tempting to roll your eyes at the mention of the mob, seeing as how this is a Canadian show.  But what many Americans don’t know is that the Mafia is actually very active in Canada and they have been since the days of Prohibition.  All that liquor that Al Capone was selling on the streets of Chicago?  It came from Canada!

Tonight’s episode opens with Frank (Angelo Pedari), who has an impressive flat top, walking and then driving down the snowy streets of Canada.  He’s on a mission to prevent a married couple from testifying in court.  As the local mob boss puts it, the couple will be less likely to testify if their son is missing.  Interestingly, these two important witnesses do not have any police assigned their house so Mr. Flaptop and his criminal associate are able to walk right in and announce that they’re taking young Steve (Noam Zylberman) hostage.  In his bedroom, Steve overhears and slips out the window.  The mobsters decide to chase after Steve as opposed to kidnapping (or doing something even worse) to his parents.  I mean, if their goal is to keep the parents from testifying and Canada won’t even send a patrol car to check on the house, I’m not sure why the mob is wasting their time on some teenager.

At the courthouse, Officer Jones (Ken James) gives Amanda a picture of Steve and then asks if T.S. Turner can hit the streets and look for him.  (So, why not just give the picture to Turner?)  Turner agrees to look for the kid, even though he and Amy agree that they’re obviously only getting half the story.

Turner heads to down to the local pool hall, where the local pool hustler says that someone already came into the place looking for the kid.  “He talked like that Alligator guy in the movie.”

“Australian!?”  Turner asks, as if this is the first time that an Australian has ever been spotted in Toronto.

Now fully aware that there is an Australian searching for the kid, Turner reminds everyone in the pool hall to “call me” and not the Australian.

Who is the Australian?  Why, it’s veteran screen tough guy, Vernon Wells!  (Wells played played Wez in The Road Warrior.)  In this episode, Vernon is playing Nigel and he is determined to find that kid.  When T.S. stumbles across Nigel at the local Canadian high school, showing the students picture of Steven, Turner demands to know what’s going on.

“I’m not talking to you, mate!” Nigel replies.

“Yes, you are.” T.S. replies.

“No, I’m not!”

“Yes, you are!”

“No, I’m not!”

Okay, guys, come on now….

Eventually, the police are called and Nigel and T.S. are both dragged down to the police station.

“When I get out of these cuffs, my friend!” Nigel says to T.S.

“You ain’t my friend, brother!” T.S. replies.

Detective Jones tells them to stop both yelling at each other.  He explains that Nigel has been hired by Steven’s parents to find their son.  He suggests that T.S. and Nigel work together.

“I work alone,” Nigel says before storming out of the police station.  However, Nigel changes his mind, returns, and says that maybe he and T.S. should work together.

“No hard feelings, mate?” Nigel asks.

“I guess not,” T.S. replies, “I can always beat on your later.”

“That won’t be a easy from a hospital bed, mate.”

“I ain’t your mate, brother.”

Guys, come on now.  The machismo is getting almost overwhelming.

At the gym, T.S. and Nigel meet a taxi driver who gave Steve a ride to the hotel where he is currently hiding out.  T.S. and Nigel decide to head over to the hotel but the mob has already learned where Steve is hiding out.  (Somehow, Steve’s disguise of a trench coat and dark glasses has failed to fool anyone.)

While T.S. and Steve head over to the gym, Amy confronts Detective Jones about the fact that there was supposed to be a police car in front of Steven’s parents house on the day that Steven disappeared.  Someone called off the car.  Jones admits that there is a mafia informant in the police department and that’s why he had to hire T.S. to look for the kid.  Jones demands to know where Amy got her information.  Amy says that she never reveals her sources.  Then Sophie (Catherine Disher) wanders into the office and reveals that she got the information from a guy in fingerprinting that she’s dating.  Go Sophie!

Meanwhile, at the hotel, T.S. and Nigel discover that Steve is not in his room.  Nigel suggests that maybe one of them should wait outside in case Steve returns.

“That’s a good idea, brother!” T.S. says.

“I’m not your brother,” Nigel replies.

Okay, guys, come on, everyone is supposed to be working together here….

Anyway, the kid and the mob show up at the same time so Nigel and Turner get to beat some people up and save the kid.  Yay!

Steven’s parents testify against the mob and then enter Witness Protection, which I guess means moving from Toronto to North York.  At the courthouse, Nigel and T.S. finally find something that they can agree on, American football.

“Greatest football team ever made!” T.S. announces.

“The Redskins!” Nigel agrees.

Uh-oh.  Guys, you might want to stop bonding….

Anyway, this episode was actually kind of fun, due to the bickering between Mr. T and Vernon Wells.  They made for a fun team.  Once again, it doesn’t really do anyone any good to try to tell an hour’s worth of story in only 30 minutes but Vernon Wells made me smile.  That’s the important thing!

Vernon Wells, in Commando

Live Tweet Alert: Join #FridayNightFlix for Commando!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1985’s Commando!

How much do you like Sully?

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Commando is available on Prime and Tubi!  See you there!

Scenes I Love: The Road Warrior


RoadWarriorHumongous

“…warrior of the wasteland, the Lord Humungus, [and] the ayatollah of rock-and-rollah.”

This past weekend saw George Miller release the fourth film in his classic Mad Max film series. Mad Max: Fury Road has been receiving critical-acclaim both from film critics and the general public. It’s a film that has shown the return of an action-film maestro to the forefront of a genre he helped create.

Leonard Wilson has made his thought’s known about Mad Max: Fury Road and all should check it out.

Yet, today I would like to share a favorite scene of mine from the second film in the series, Mad Max 2 aka The Road Warrior. This scene introduces the leader of the roving band of post-apocalyptic raiders who have besieged the small-community and it’s supply of precious oil and gasoline. Lord Humungus has become such an iconic figure in this series and in action-film lore.

The look of Humungus and his band of raiders would influence other post-apocalyptic films for years to come. It has even had a hand in creating the look for the Dr. Dre and Tupac music video “California Love.”