Retro Television Reviews: The Love Boat 2.3 “Rocky/Julie’s Dilemma/Who’s Who?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Julie’s parents set sail on The Love Boat!

Episode 2.3 “Rocky/Julie’s Dilemma/Who’s Who?”

(Dir by Allen Baron and Roger Duchowny, originally aired on September 23rd, 1978)

After last week’s hurricane and hostage situation, things calm down a bit for this week’s episode of The Love Boat.

Julie is super-excited because her parents, Bill (Norman Fell) and Martha (Betty Garrett), are going to be on this cruise.  Her parents, meanwhile, are only slightly excited about seeing where Julie works and getting to see all of the members of the crew.  They would perhaps be more excited if not for the fact that they’re planning on getting a divorce as soon as the cruise is over.  They haven’t told Julie, of course.  In fact, they tell Captain Stubing before they tell Julie.  Why would they tell someone whom they’ve only know for ten minutes before they would tell their own daughter?  What awful parents!

When they do eventually tell Julie, she has an emotional breakdown and runs through the corridors of the ship, sobbing.  Listen, I’ve been there.  When my parents told me that they were getting divorced, I had a difficult time with it as well.  Of course, I was twelve years old, whereas Julie is in her late 20s.  Still, it’s never easy.  Fortunately, Julie realizes that her parents still love each other so she just sets them up with different people on the boat so that they can get jealous and fall back in love.  And it works!  Julie’s parents get back together….

Which is nice, I guess.  I mean, one doesn’t watch The Love Boat because one wants to see a realistic story about the complexities of love and marriage.  Still, the show made it look so simple that it got on my nerves.  It’s not that simple and any actual child of divorce can tell you that.  Again, it’s The Love Boat so perhaps I shouldn’t judge too harshly but I would have had so much more respect for the show if Bill and Martha had told Julie that they were still getting a divorce at the end of the cruise.  It would have been a lot more honest than presenting a story where a marriage can be saved by wishful thinking.

While Julie was trying to save her parent’s marriage and prevent several years of awkward holidays, a young girl named Rocky (Melissa Gilbert) was developing her first crush on a boy named Norman (Jimmy Baio).  It was actually a sweet little story and both Melissa Gilbert and Jimmy Baio gave likable performances.  When Rocky learned that her family would be moving after the cruise, she was upset until she learned that their new home would be in El Paso, which was also where Norman and his family lived.  Again, it was simple but sweet.  And it went along well with the divorce storyline.  While one relationship nearly ended, another began.

Finally, in the silliest story of the week, TV network censor Pat (Dody Goodman) boards the ship and is told that she will be sharing a cabin with Marion Atkins.  That’s fine with Pat.  Her main concern is making sure that nothing shocking or sordid happens on the cruise.  However, it turns out that Marion Atkins (played by James Coco) is actually a guy!  Fortunately, Marion turns out to be just as puritanical as Pat.  He even brings a bunch of pamphlets on chastity with him for the cruise.  Pat and Marion first meet while wandering around the ship and they fall very chastely in love.  Since their morals forbid them from following each other to their  cabin, they somehow manage to go nearly the entire cruise without realizing that they are living together.  When they do realize that they’re cabinmates, they resolve to get married as soon as the boat docks.  This whole story was just incredibly dumb and not in a fun way either.  Obviously, The Love Boat was taking a swipe at the same network censors who probably insisted that the show be relatively discreet about what was going on behind the closed doors of the ship’s cabins.  But Pat and Marion were both so incredibly clueless that it was hard to care about them one way or the other.

This was a bit of uneven episode but, in the end, the boat still looked like a fun place on which to hang out and work.  And really, that’s the important thing.

Retro Television Reviews: Fantasy Island 2.11 “Carnival/The Vaudevillians”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles everyone!  Smiles!

Episode 2.11 “Carnival/The Vaudevillians”

(Dir by Georg Stanford Brown, Originally aired on December 2nd, 1978)

Tattoo has come up with a new way to become a millionaire!  He’s invented a sleeping bag that he claims can hold two people.  Mr. Roarke is a bit skeptical that the small roll of material that Tattoo is holding could possibly be big enough to hold two people.  Tattoo tells him that all he has to do is remove a key and the material will inflate.  Roarke removes the key and several feathers explode into the air.  Tattoo shrugs and says that he obviously has to get back to the drawing board.

“Inventor indeed,” Mr. Roarke says, in a tone that suggests that the only he reason he’s not physically killing Tattoo is because it’s time for them to greet their guests.

(Why is Tattoo always trying to make extra money?  Does Fantasy Island not pay well?)

This week, the fantasies are all about reliving the past.  Charlie Parks (Phil Silvers) and Will Fields (Phil Harris) used to be stars on Vaudeville but, like so many of the old time entertainers, they’ve now found themselves forgotten.  Charlie’s even been put in a nursing home.  Still, he manages to make the trip to Fantasy Island, where his fantasy is to be reunited with Will so that they can try to bring Vaudeville back to life.

Unfortunately, it doesn’t quite work.  Tattoo loves their corny old jokes but when they perform for a larger audience, they only get a few pity chuckles.  Dejected, Charlie plans to return to his retirement home when he and Will are approached by a man who claims that he works for the city of Baltimore.  (Oh no!  Run!)  The man explains that he wants to hire Charlie and Will to perform at nursing homes, where their old-fashioned routines will enliven the golden years of people who don’t like loud music and R-rated movies.  Charlie and Will agree.  Yay!

Meanwhile, Dorothy Weller (Carol Lynley) is a woman who has spent the past few months in a coma.  Now, she’s not sure if the man she thought she loved really existed or if he was just someone she dreamed up while she was in the hospital.  Mr. Roarke arranges for her to travel to a recreation of the same Mexican town where she met the mystery man.  She finds her former lover, Tom Parnell (Stuart Whitman), on the beach.  Tom explains that he is real and he is in love with her.  He’s also a spy and there’s an international assassin (an appropriately sinister Luke Askew) after him!

This episode was kind of a mixed bag.  The Vaudeville fantasy featured charming performances from Phil Silvers and Phil Harris but their jokes were never quite as funny as Tattoo seemed to think that they were.  The spy fantasy was not helped by the casting of the reliably dull Stuart Whitman but the story itself was intriguing and Carol Lynley gave a believable and emotional performance as Dorothy.  The end result was a thoroughly pleasant but not altogether memorable trip to Fantasy Island.  But really, when it comes to Fantasy Island, hasn’t the appeal always been just how pleasant everything is?

Well, except for the relationship between Tattoo and Mr. Roarke, of course.  I still suspect Tattoo is secretly plotting to kill Mr. Roarke and take over the island.  Who knows?  Maybe that’ll be a future episode.  We’ll find out soon!

Retro Television Reviews: Hang Time 3.23 “Twister” and 3.24 “Goodnight, Vince”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

Please, oh please, let the whole basketball camp thing be over with….

Episode 3.23 “Twister”

(Dir by Patrick Maloney, originally aired on November 29th, 1997)

At Coach Fuller’s basketball camp….

OH GOD, WE’RE STILL DOING THIS CAMP CRAP!

Anyway, the episode opens with Fuller telling his counselor that the camp is nearly finished — YAY! — and that he’s going to be leaving the counselors in charge of the kids while he goes to the airport to pick up a special guest.  However, the counselors have won tickets to a concert.  They decide to violate Coach Fuller’s number one rule by taking the campers to the pizza parlor and leaving them there while the counselors take turns going to the concert.  Coach will never find out, right?

Speaking of stupidity, Fuller also gives Mary Beth a priceless antique quarter to keep safe.  The quarter is worth $50,000.  Of course, Vince uses the quarter to get a Coke.  So, while the other counselors abandon the kids in a strange pizza parlor, Mary Beth and Vince try to get the quarter out of a vending machine.

Now, you’re probably already guessing that Fuller comes back early.  Accompanied by someone who I assume what a member of the WNBA, Fuller stops off at the pizza place.  Kristy and Teddy see him pulling up and, in a panic, they rush the kids out through the back door and head back to camp.  Unfortunately, a tornado also happens to show up and….

EVERYONE DIES!

No, actually, everyone survives.  But, at the same time, they learn a valuable lesson about not allowing themselves to be conned into working as camp counselors by their high school basketball coach.  And hopefully, their coach learned a lesson about giving too much authority to a bunch of teenagers who, over the course of 50 episodes, have repeatedly screwed up even the simplest of tasks.

The good thing is that the tornado pretty much destroys the camp so I guess that’s over with now.

Episode 3.24 “Goodnight, Vince”

(Dir by Patrick Maloney, originally aired on November 29th, 1997)

Yay!  We’re back at Deering High!  Once again, the team just needs to win one more game to go the state championships but Vince has missed his last few free throws and is suffering from a crisis of confidence.  Will he recover?  Of course, he does.  He takes a nap and has a dream where he sees the future and is reminded that losing one game is not the end of the world.  Actually, that’s not a bad message at all.  After all the nonsense with the ski lodge and the basketball camp, it’s nice to see a simple episode of Hang Time that actually has something decent to say.

That said, this is a bit of an odd episode in that Julie and Michael do not appear to be dating (indeed, Michael talks about how he can’t wait to hit on the college girls at the state championship).  For that matter, Mary Beth is not at all concerned that Vince is having a meltdown and she and Kristy are back to acting like ditzes.  My guess is that this episode was probably written and filmed at the start of the season, before the writers decided to turn Julie & Michael and Vince & Mary Beth into couples.  It’s not quite as bad as that season of One World where Cray’s age (and height) changed from episode-to-episode but it’s still a bit jarring for those of us who have been paying attention.

But, in the end, continuity be damned.  The Tornadoes are going to the state championship!

The NAACP Image Awards Honor Black Panther: Wakanda Forever


The NAACP Image Awards were handed out last night.  You can find the nominees here and the winners below!

ENTERTAINER OF THE YEAR NOMINEES

Angela Bassett

MOTION PICTURE CATEGORIES

Outstanding Motion Picture
Black Panther: Wakanda Forever (Marvel Studios)

Outstanding Actor in a Motion Picture
Will Smith – Emancipation (Apple)

Outstanding Actress in a Motion Picture
Viola Davis – The Woman King (Sony Pictures Releasing)

Outstanding Supporting Actor in a Motion Picture
Tenoch Huerta – Black Panther: Wakanda Forever (Marvel Studios)

Outstanding Supporting Actress in a Motion Picture
Angela Bassett – Black Panther: Wakanda Forever (Marvel Studios)

Outstanding Independent Motion Picture
The Inspection (A24)

Outstanding International Motion Picture
Bantú Mama (ARRAY)

Outstanding Breakthrough Performance in a Motion Picture
Jalyn Hall – TILL (United Artists Releasing/Orion Pictures)

Outstanding Ensemble Cast in a Motion Picture
Black Panther: Wakanda Forever (Marvel Studios)

Outstanding Animated Motion Picture
Wendell & Wild (Netflix)

Outstanding Character Voice-Over Performance – Motion Picture
Keke Palmer – Lightyear (Walt Disney Studios)

Outstanding Short-Form (Live Action)

Dear Mama… (Film Independent)

Outstanding Short-Form (Animated)
More Than I Want To Remember (MTV Entertainment Studios)

Outstanding Breakthrough Creative (Motion Picture)
Ericka Nicole Malone – Remember Me: The Mahalia Jackson Story (Hulu)

TELEVISION + STREAMING CATEGORIES

Outstanding Comedy Series
Abbott Elementary (ABC)

Outstanding Actor in a Comedy Series
Cedric The Entertainer – The Neighborhood (CBS)

Outstanding Actress in a Comedy Series
Quinta Brunson – Abbott Elementary (ABC)

Outstanding Supporting Actor in a Comedy Series
Tyler James Williams – Abbott Elementary (ABC)

Outstanding Supporting Actress in a Comedy Series
Janelle James – Abbott Elementary (ABC)

Outstanding Drama Series
P-Valley (Starz)

Outstanding Actor in a Drama Series
Nicco Annan – P-Valley (Starz)

Outstanding Actress in a Drama Series
Angela Bassett – 9-1-1 (FOX)

Outstanding Supporting Actor in a Drama Series
Cliff “Method Man” Smith – Power Book II: Ghost (Starz)

Outstanding Supporting Actress in a Drama Series
Loretta Devine – P-Valley (Starz)

Outstanding Television Movie, Limited-Series or Dramatic Special
The Best Man: The Final Chapters (Peacock)

Outstanding Actor in a Television Movie, Limited-Series or Dramatic Special
Morris Chestnut – The Best Man: The Final Chapters (Peacock)

Outstanding Actress in a Television Movie, Limited-Series or Dramatic Special
Niecy Nash-Betts – Dahmer – Monster: The Jeffrey Dahmer Story (Netflix)

Outstanding Supporting Actor in a Television Movie, Limited-Series or Dramatic Special
Keith David – From Scratch (Netflix)

Outstanding Supporting Actress in a Television Movie, Limited-Series or Dramatic Special
Nia Long – The Best Man: The Final Chapters (Peacock)

Outstanding News/Information (Series or Special)
ABC News 20/20 Michelle Obama: The Light We Carry, A Conversation with Robin Roberts (ABC)

Outstanding Talk Series
Sherri (Syndicated)

Outstanding Reality Program, Reality Competition or Game Show (Series)
Lizzo’s Watch Out for the Big Grrrls (Amazon Studios)

Outstanding Variety Show (Series or Special)
The Daily Show with Trevor Noah (Comedy Central)

Outstanding Children’s Program
Tab Time (YouTube Originals)

Outstanding Performance by a Youth (Series, Special, Television Movie or Limited-Series)
Ja’Siah Young – Raising Dion (Netflix)

Outstanding Host in a Talk or News/Information (Series or Special) – Individual or Ensemble
Jennifer Hudson – The Jennifer Hudson Show (Syndicated)

Outstanding Host in a Reality/Reality Competition, Game Show or Variety (Series or Special) – Individual or Ensemble
Tabitha Brown – Tab Time (YouTube Originals)

Outstanding Guest Performance
Glynn Turman – Queen Sugar (OWN: Oprah Winfrey Network)

Outstanding Animated Series
The Proud Family: Louder and Prouder (Disney+)

Outstanding Character Voice-Over Performance (Television)
Kyla Pratt – The Proud Family: Louder and Prouder (Disney+)

Outstanding Short Form Series – Comedy or Drama
Between The Scenes – The Daily Show (Comedy Central)

Outstanding Short Form Series or Special – Reality/Nonfiction
Daring Simone Biles (Snap)

Outstanding Breakthrough Creative (Television)
Quinta Brunson – Abbott Elementary (ABC)

RECORDING CATEGORIES

Outstanding New Artist
Coco Jones – ICU (Def Jam Recordings)

Outstanding Male Artist
Chris Brown – Breezy (Deluxe) (RCA Records/Chris Brown Entertainment)

Outstanding Female Artist
Beyoncé – Renaissance (Columbia Records/Parkwood Entertainment)

Outstanding Gospel/Christian Album
Kingdom Book One – Maverick City Music & Kirk Franklin (Tribl Records, Fo Yo Soul Recordings and RCA Inspiration)

Outstanding International Song
No Woman No Cry – Tems (Def Jam Recordings)

Outstanding Music Video/Visual Album
Lift Me Up – Rihanna (Def Jam Recordings)

Outstanding Album
Renaissance – Beyoncé (Parkwood/Columbia Records)

Outstanding Soundtrack/Compilation Album
Black Panther: Wakanda Forever – Music From and Inspired By – Ryan Coogler, Ludwig Göransson, Archie Davis and Dave Jordan (Hollywood Records)

Outstanding Gospel/Christian Song
Positive – Erica Campbell (My Block Inc.)

Outstanding Jazz Album – Instrumental
JID014 (Jazz is Dead) – Henry Franklin, Ali Shaheed Muhammad, Adrian Younge

Outstanding Jazz Album – Vocal
Legacy – Adam Blackstone (BASSic Black Entertainment Records / Anderson Music Group / Empire)

Outstanding Soul/R&B Song
Cuff It – Beyoncé (Columbia Record/Parkwood Entertainment)

Outstanding Hip Hop/Rap Song
Hotel Lobby – Quavo, Takeoff (Motown Records/Quality Control Music)

Outstanding Duo, Group or Collaboration (Traditional)
Silk Sonic – Love’s Train (Atlantic Records)

Outstanding Duo, Group or Collaboration (Contemporary)
Chris Brown feat. Wizkid – Call Me Every Day (RCA Records/Chris Brown Entertainment)

DOCUMENTARY CATEGORIES

Outstanding Documentary (Film)
Civil (Netflix)

Outstanding Documentary (Television)
Everything’s Gonna be All White (Showtime)

WRITING CATEGORIES

Outstanding Writing in a Comedy Series
Brittani Nichols – Abbott Elementary – “Student Transfer” (ABC)

Outstanding Writing in a Drama Series
Marissa Jo Cerar – Women of the Movement – “Episode 101” (ABC)

Outstanding Writing in a Television Movie or Special
Ian Edelman, Maurice Williams – Entergalactic (Netflix)

Outstanding Writing in a Motion Picture
Ryan Coogler – Black Panther: Wakanda Forever (Marvel Studios)

DIRECTING CATEGORIES

Outstanding Directing in a Comedy Series
Angela Barnes – Atlanta – “The Homeliest Little Horse” (FX)

Outstanding Directing in a Drama Series
Giancarlo Esposito – Better Call Saul – “Axe and Grind” (AMC)

Outstanding Directing in a Television Movie or Special
Anton Cropper – Fantasy Football (Paramount+)

Outstanding Directing in a Motion Picture
Gina Prince-Bythewood – The Woman King (Sony Pictures Releasing)

Outstanding Directing in a Documentary (Television or Motion Picture)
Reginald Hudlin – Sidney (Apple TV+)

LITERARY CATEGORIES

Outstanding Literary Work – Fiction
Take My Hand – Dolen Perkins-Valdez (Penguin Random House)

Outstanding Literary Work – Nonfiction
Finding Me – Viola Davis (HarperCollins Publishers)

Outstanding Literary Work – Debut Author
Illustrated Black History: Honoring the Iconic and the Unseen – George McCalman (HarperCollins)

Outstanding Literary Work – Biography/Autobiography
Scenes from My Life – Raphael G. Warnock (Penguin Random House)

Outstanding Literary Work – Instructional
Black Joy: Stories of Resistance, Resilience, and Restoration – Tracey Lewis-Giggetts (Gallery/Simon and Schuster)

Outstanding Literary Work – Poetry
To the Realization of Perfect Helplessness – Robin Coste Lewis (Alfred A. Knopf)

Outstanding Literary Work – Children
Stacey’s Remarkable Books – Stacey Abrams, Kitt Thomas (HarperCollins – Balzer + Bray)

Outstanding Literary Work – Youth/Teens
Cookies & Milk – Shawn Amos (Little, Brown Books for Young Readers)

PODCAST CATEGORIES

Outstanding News and Information Podcast
Beyond the Scenes – The Daily Show (Central Productions, LLC)

Outstanding Lifestyle/Self-Help Podcast
Therapy for Black Girls (Therapy for Black Girls)

Outstanding Society and Culture Podcast
LeVar Burton Reads (SiriusXM’s Stitcher Studios)

Outstanding Arts and Entertainment Podcast
Two Funny Mamas (Mocha Podcasts Network)

COSTUME DESIGN, MAKE-UP & HAIRSTYLING CATEGORIES

Outstanding Costume Design (Television or Film)
Ruth Carter – Black Panther: Wakanda Forever (Marvel Studios)

Outstanding Make-up (Television or Film)
Debi Young, Sandra Linn, Ngozi Olandu Young, Gina Bateman – We Own This City (HBO Max)

Outstanding Hairstyling (Television or Film)
Camille Friend – Black Panther: Wakanda Forever (Marvel Studios)

OUTSTANDING SOCIAL MEDIA PERSONALITY OF THE YEAR NOMINEES
@KevOnStage – Kevin Fredericks

Lisa Marie’s Week In Television: 2/19/23 — 2/25/23


With this being the week of Mardi Gras and Ash Wednesday, I didn’t watch much but I did watch some.  And here are my thoughts!

Abbott Elementary (Wednesday Night, ABC)

PESCA …. PESCA …. PESCA …. I’m not really a fan of the whole “the charter school is coming for us!” storyline but I do love the Gregory/Janine storyline.  Some of Tyler James Williams’s line deliveries made me laugh so hard that I nearly fell out of my chair while watching this week’s episode.

Animal Control (Thursday Night, FOX)

I like Joel McHale and I really like animals so I was hoping that I would really, really like this new sitcom but …. eh.  The first two episodes just didn’t work for me.  As tired as I am of the whole mockumentary format, I do kind of feel that maybe that was the approach that should have been taken with Animal Control.  Right now, the show just feels a bit forced and awkward and the frequent lowbrow humor feels cheap.  Despite the presence of McHale, this is definitely not Community.  I did laugh when the weasel set that guy’s house on fire, though.

The Brady Bunch Hour (YouTube)

I wrote about The Brady Bunch Hour here!

California Dreams (YouTube)

Here’s this week’s review.

City Guys (Tubi)

Here’s this week’s review!

Fantasy Island (Tubi)

Here’s this week’s review!

Law & Order (Thursday Night, NBC)

I watched last week’s episode of Law & Order on Monday night.  It dealt with a shooting at a nightclub.  The shooter was stalking his ex-girlfriend but the majority of the episode dealt with the cop who responded to the 911 call and who froze and sat in his police car for 3 minutes before entering the club.  Obviously, this was meant to remind the viewers of both the cowardly deputy at the Parkland shooting and the cops who stayed outside of the classroom in Uvalde.  The show had sympathy for the cowardly cop.  I did not, just like I didn’t have any sympathy for Scott Israel’s deputies.  This was another episode that ended with Price getting his conviction but still getting punched outside the court because all of the bad publicity led to the cowardly cop committing suicide.  Again, the show attempted to put the blame on the tabloid press.  Myself, I put the blame on the cop who let others die.

As for this week’s episode, it dealt with race as Detective Shaw filed a report on two cops who profiled him at a crime scene while the show’s defendant was a real estate guy who was spreading rumors about mostly black criminals in order to run down property values.  This was one of those episodes where the person on trial was definitely a bad guy and he was probably guilty but I still didn’t think Price proved the case beyond a reasonable doubt.  I think the Law & Order revival would benefit from occasionally admitting that even a good prosecutor can lose a weak case.  It would make the show a bit more realistic.  At this point, Price is apparently the greatest prosecutor who has ever lived because he has a 99% success rate despite the majority of his cases being noticeably weak.

What’s interesting is that, after basically spending a season and a half as a self-righteous loose cannon who did things like prosecute a pharmaceutical firm just to get revenge for his brother’s unrelated death, Price is now being portrayed as being a pragmatist while the cops are now the social justice warriors.  Of course, who knows?  The next episode could find Price once again tilting at windmills and Cosgrove once again acting like a reactionary.  Narrative consistency is not one of this show’s strengths.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

Night Court (Tuesday Night, NBC)

When Abby’s train is delayed, she annoys all of the other passengers with her upbeat personality.  I have no idea to whom this show is meant to appeal.  The only reason I watched it is because I needed to have something in the background for thirty minutes while I did some dusting.

Retro Television Reviews: California Dreams 4.3 “Principal Tiffani” and 4.4 “The Dateless Game”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996.  The entire show is currently streaming on YouTube!

Surf dudes with attitudes….

Episode 4.3 “Principal Tiffani”

(Dir by Don Barnhart, originally aired on September 30th, 1995)

Earl Boen returns as Principal Blumford!  The last two times that Blumford appeared, he was given dialogue that deliberately harkened back to his days of appearing in the first two Terminator films.  Unfortunately, that doesn’t happen here but Principal Tiffani is still an important Blumford episode because this is the episode where it becomes clear that Tiffani and Blumford are having a secret affair.

Seriously, how else do you explain Blumford’s decision to appoint Tiffani to the role of “student principal?”  In fact, I’m not even sure that there is such a thing as the student principal program, despite the fact that both Saved By The Bell and California Dreams did episodes about it.  It just doesn’t make any sense.  Why would a student be put in charge of the school for a week?  In this episode, Blumford not only names Tiffani as student principal but he also expects her to run the school during mid-terms week.  I mean, shouldn’t Tiffani be studying for her mid-terms?  And why make Tiffani principal as opposed to someone who actually wants the job?

I think we all know the answer.

At first, Tiffani struggles with her new position.  No one will listen to her.  Then her other boyfriend, Jake, gives her a lesson in how to yell at people.  Tiffani takes his lessons to heart and goes mad with power, handing out detentions and forcing troublemakers to stand in the corner of her office in time-out.  Eventually, the entire school rebels and, on cut day, Tiffani discovers that the halls are completely deserted.

The entire school goes to Sharky’s, of course.  The Dreams, minus Tiffani, perform.  I imagine there’s nothing better than getting hired for a sweet cut day gig.  Eventually, Tiffani and Blumford show up at Sharky’s but Tiffani has learned to not be such a martinet so she lies and says that students had her permission to go to Sharky’s.  She then orders all of them to start studying, which they do.

Blumford pretends to fooled by Tiffani but, obviously, he knows what’s really going on.  Technically, Blumford could have gotten in trouble for giving an important role like student principal to someone who was obviously unqualified for the job but the hearts wants what the heart wants.

This was a very romantic episode.

Episode 4.4 “The Dateless Game”

(Dir by Don Barnhart, originally aired on October 7th, 1995)

Speaking of romance, it’s time for Jake and Tiffani’s first anniversary!  They’ve only been dating for 2 episodes but whatever.  Everyone acts like they’ve been together forever.  (Actually, Lorena specifically says that Tiffani and Jake have been a thing for 3 months.)

However, before Jake can celebrate their anniversary, he decides help Sly and Mark out with their plan to take part in a charity dating game.  When the third bachelor fails to show up for the event, Jake agrees to take the stage with Sly and Mark.  Of course, despite his best efforts to pretend to be a shallow burn-out, Jake wins and it turns out his date is scheduled for the night of his anniversary!  Instead of just coming clean to Tiffani, Jake attempts to go on both dates at the same time.  That was a pretty dumb idea on Jake’s part and it helps to explain why Tiffani has been cheating with Blumford.

Needless to say, Jake’s dumbass plan explodes in his face.  Fortunately, the Dreams know how to fix the situation,  They hold a dating game of their own so that Jake and Tiffani can see that they belong together.  Tony is the host and William James Jones totally throws himself into the performance.  For some reason, the fake dating game is held at Sharky’s.  As far as I could tell, no one was ordering food during the dating game.  If Sharky’s goes out of business, blame it on the Dreams and their constant drama.

These two episodes felt very much like they belonged more on Saved By The Bell than California Dreams but no matter!  This cast long ago proved that they had the chemistry necessary to transcend even mundane material and that’s certainly what happens here.  Jake and Tiffani forgive each other and the audiences says, “Awwww!’ but somewhere, Principal Blumford’s heart is breaking.

Retro Television Reviews: The Brady Bunch Hour Episode 1.6


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

Oh, we’re doing this again.

*sigh*

Okay….

Episode 1.6

(Dir by Jack Regas, Originally aired on March 28th, 1977)

As always, we open with the Kroftettes doing a kick line and then jumping into the pool as the announcer warns us all that we’re about the spend an hour with The Brady Bunch, Rip Taylor, Rich Little, and Edgar Bergen.

The audience goes crazy as the Bradys run out on to perform their opening number and why shouldn’t the audience be excited?  For once, the Bunch is performing a song that was written after the Great Depression.  In fact, I’ve Got The Music In Me was only 3 years old when the Brady Bunch performed it.  Wisely, Fake Jan gets to sing the majority of the song while the rest of the Bradys just focus on the chorus.  While the other members of the cast stare directly at the camera and struggle to remember one of the simplest choruses ever written, Geri Reischl shows off why she was the only Brady kid to have a truly successful musical career after this show ended.

The Kroftettes smile as they perform this week’s water ballet.  The pool is full of balloons.  Somehow, the underwater Krotettes manage to smile and hold their breath at the same time.  Still, as the song ends, we get one of the show’s trademark close-ups of all of the Bradys gasping for breath, just so we know who really had to work hard on this show.

It’s time for the opening banter!  Greg thinks that the Bradys should make a movie.  Carol suggests that they make a movie called Greg Doesn’t Live Here AnymoreUhmm, Carol, you tried that a few weeks ago.  Remember?  Greg moved out for 16 hours and everyone had a nervous breakdown.

We then cut to a production number so hideous that I can’t even get a decent screenshot of it.

The Bradys are all dressed up as scarecrows and, along with someone dressed up like a crow, they do a square dance while singing Consider Yourself.  Consider Yourself is a song from Oliver!, which is a music that is based on Charles Dickens’s Oliver Twist.  How exactly one associates Oliver! with a bunch of scarecrows dancing with a crow, I’m not sure.  Cocaine was very popular in the 70s and that sun in the sky looks like it probably just took a snort from the moon’s coke spoon.

As the song ends, Bobby, Cindy, and Fake Jan announce that their next guest will be ventriloquist Edgar Bergen.  They then argue about whether or not Bobby should have introduced Bergen’s dummy, Charlie McCarthy, as well.  Edgar comes out and tells the Brady kids about how ventriloquism works.  He says that his job involves using a dummy.  “In our house, our dummy is Bobby,” Cindy says.  That’s kind of mean, especially coming from Cindy who isn’t exactly going to be joining the Honor Society anytime soon.

Finally, Edgar brings out his dummy and they discuss pizza.  “I don’t like those EYE-talian dishes,” the dummy says.

THAT DUMMY’S A BIGOT!

Speaking of dummies, we then cut to Rip Taylor who says that he was was supposed to introduce impressionist Rich Little but he can’t because there was an accident at rehearsals yesterday.  We then get a flashback of Rich Little attempting to impersonate a swimmer by jumping into the pool.  Underwater, Rich Little’s stunt double collides with Cindy and — oh no! — Rich Little has amnesia.

(In the 70s, Rich Little was one of the original cast members of Orson Welles’s The Other Side of The Wind.  Despite having a key supporting role, Little reportedly left the production rather abruptly.  I sincerely hope that he didn’t leave because he got offered The Brady Bunch Hour.  That said, Peter Bogdonavich replaced Little on Welles’s film and gave an excellent performance as Brooks Otterlake.)

At the Brady Compound, Cindy feels bad for giving Rich Little amnesia and really, she should.  STUPID CINDY!  Things get even more awkward with Rich Little’s wife calls and asks how her husband is doing and Carol just can’t bring herself to admit that Rich has amnesia.  Rich eventually shows up in the living room and tries to remember who he is by doing a series of imitations of people who he claims not to remember.

“What are we going to do!?” Carol wails.

“Frankly my dear,” Rich replies, “I don’t give a damn.”

Cut to Edgar Bergen and a dummy welcoming us to the second half of the Brady Bunch Hour.  “These people don’t care about our problems,” Edgar says, “They want to know what happened to Rich Little.”  Damn straight, Edgar.

At the Brady Compound, Alice tells Carol and Mike that Rich is asleep and they both hope that he’ll wake up as Rich.  Cindy then comes in, still whining about how she’s responsible for Rich losing his memory.  Carol tells her that, “This could have happened to anyone.”  Stop lying, Carol.  This literally could not have happened to anyone.

Rich wakes up and announces that he now remembers that he’s one of the Brady kids.  Unfortunately, it turns out that he thinks that he’s the youngest and therefore most immature of all the Bradys.  Of course, Rip Taylor shows up and explains that he’s also a psychologist and he can help Rich gets his memory back.  What’s odd is that Rip is playing his character, Jackie Merrill, in this scene but he previously appeared as himself when he told us that Rich got amnesia at rehearsals.  Seriously, not even the show could keep straight what was going on.

Anyway, Rich jumps into the ocean and bumps into Rip Taylor and he gets his memory back.  Gee, I’m glad that worked out.

We then cut to Peter begging Greg not to toss him into the pool this week because he has a crush on this week’s musical guest.  Mike shows up and says the weekly pool thing is getting boring and if there’s anything Mike knows, it’s how to be boring.  Greg and Peter work together to throw Mike in the pool.  Mike looks pretty mad so I guess we know which two sons are going to end up getting beaten once filming on the episode is wrapped.

A folk singer named Melanie comes out and sings a song in front of the pool.

Screenshots From Hell

Carol comes out and sings a song called Beautiful Noise.  Beautiful Noise was only a year old when it appeared on The Brady Bunch Hour.  Did someone at the show finally get the memo that trying to make The Brady Bunch look cool by having them sing showtunes from 1920s wasn’t working?  As for the song itself, Florence Henderson has a good voice but she still oversings it.  In all fairness, it’s hard to blame her for that.  That was just her style of singing and it’s not her fault that she was often given songs that really weren’t right for her.

Next up is a weird skit where Ann B. Davis plays Apple Annie, a woman in the 40s who, one day, is given a wooden puppet named Pinocchio who dreams of being a real boy.  Christopher Knight plays the puppet while Florence Henderson provides the voice of the fairy godmother who promises that he will someday become a real boy.  Then Rip Taylor shows up as a director who wants to turn Pinocchio into a star.  Maureen McCormick and and Barry Williams play Pinocchio’s co-stars and somehow, it all ends with everyone singing Ease On Down The Road from The Wiz.  This skit goes on forever and it’s painfully unfunny.  Cocaine was very popular in the 70s.

We then cut Greg, Peter, and Marcia talking about how Peter never knows what the finale is going to be.  This time, Peter swears he knows what the finale is but then he admits that he doesn’t know what the finale is.  Greg says, “You never what the finale is,” and OH MY GOD, MAKE IT STOP!

Carol and Mike come out.  “Hi, kids are you ready for the finale?”

“I don’t know what the finale is,” Peter replies.

“You never what the finale is,” Mike says….

SHUT UP!

Anyway, Carol says that the finale is songs about the movies and then everyone scurries off stage.  I will never understand why this show always thought it was a good idea to start every finale with everyone running off stage in a panic.

Mike and Carol get things started by singing That’s Entertainment!  There’s nothing more hip than that, right?

Speaking of hip, here comes Greg to sing Pinball Wizard!  Greg pays homage to Elton John by wearing big sunglasses.

Carol oversings For All We Know, from the 1970 films Lovers and Other Strangers.

The Kroftettes stand around while The Pink Panther theme plays.

The Brady Kids sing Live and Let Die with all of the wholesome enthusiasm of a church youth group.

Yes, they’re singing Live and Let Die.

Rip Taylor sings that annoying Superblahblahblah song from Mary Poppins.

Melanie, looking as if she realizes her career will never recover, sings Over The Rainbow.

And then the entire cast comes out to reprise That’s Entertainment!

And that’s it!  This episode actually had potential.  Rich Little thinking that he was a Brady Kid could have actually been funny but, in the end, the show didn’t really do much with it.  The show tried to liven things up with some songs that had been written after the 20s but the Bradys were so naturally square that it didn’t really make much difference.

Next week: Marcia gets engaged!  Awwwwwww!

Retro Television Reviews: City Guys 3.25 “Mom on the Rocks” and 4.1 “Kickin’ It”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

This week, one season ends and another begins.  Will City Guys never end!?

Episode 3.25 “Mom on the Rocks”

(Dir by Frank Bonner, originally aired on June 10th, 2000)

The third season comes to an end with …. mid-terms!

Mid-terms?  Does school never end in the world of City Guys!?  Is there no summer in New York City?  Still, Ms. Noble assures everyone that they’ll be fine if “you’ve kept up with the school work.”  I’m not sure how they’re supposed to keep up with anything when Ms. Noble is constantly giving them community service assignments but whatever.  Someday, these students will graduate and discover that none of them have the slightest idea how to live without Ms. Noble telling them what to do.

Dawn is directing the school’s ballet (which is called, I kid you not, Cinderella In The Hood) and she needs an extra dancer.  L-Train volunteers (“Can I get jiggy with it?”)  and this, of course, leads to a lot of “Oh my God, a man is wearing tights” jokes.  Jamal and Al also volunteer to work crew, mostly so they can hit on the dancers.  (From my experience, this was actually a pretty accurate reflection of what the crew usually did during high school dance performances.  Of course, it was also my experience that the stage crew tended to get in the way and no one would be caught dead checking any of them out.)  Isn’t Al dating Dawn?  I guess this is another case of NBC showing the episodes out-of-order.  Anyway, if you couldn’t guess that two dancers are going to end up with broken toes and Jamal and Al are going to end up having to replace them, then you obviously didn’t see the episode of Saved By The Bell where Zack discovered he was one credit short of graduating.

(Of  course, the dance is being performed on the roof of the school!  How is that even practical?  Does Manny High not have an auditorium?)

Dawn has more problems than just the fact that she’s apparently not a very good ballet director.  She’s also agreed to tutor Chris and Cassidy on Biology but when they show up at Dawn’s house, they discover that Dawn’s mother (Jennifer Savidge) is an alcoholic!  The next day, at school, Cassidy shows Chris all of the AA and Al-anon pamphlets that she’s spent the night collecting.  Chris suggests that maybe they should stay out of it.  “We have to do something!” Cassidy exclaims.  Why, Cassidy?  Why do you have to do something?  It’s not your problem.  To me, this is more evidence of the influence of Ms. Noble.  Sometimes, the best thing to do is to leave people alone and let them deal with things on their own schedule.

Anyway, just as you probably guessed that Al and Jamal were going to end up wearing tights, you probably also guessed that Dawn’s mother is going to show up for the performance drunk.  Dawn gets embarrassed but luckily Ms. Noble is there to tell Dawn that she shouldn’t have tried to hide her mother’s problem in the first place.  Wait?  What?  Go away, Ms. Noble.  Seriously, what was Dawn supposed to do?  Walk into school and tell everyone that her mother was an alcoholic?  Add to that, this is season 3 of this dumbass show.  After three years of Dawn relentlessly pushing herself to always be the best and basically having a panic attack over the least little thing, how did it never occur to anyone that maybe Dawn had issues at home?  It’s not Dawn’s responsibility to tell anyone.  If anything, it seems like everyone else failed in their responsibilities towards her.

Ms. Noble also mentions that Cassidy and Chris got Dawn’s mother some coffee.  Dawn’s mother then shows up, magically sober, and says that she’s willing to go to AA.  Screw AA.  It looks like all she needs is coffee!

This episode was cringe city.  Let’s move on to the fourth season.

Episode 4.1 “Kickin’ It”

(Dir by Frank Bonner, originally aired on September 23rd, 2000)

The fourth season begins with the school year already in swing.  Al is a star soccer player and….

Wait.  Let me re-read that to make sure I didn’t get that wrong.

Since when — in all of the episodes that have preceded this one — has Al ever shown any athletic ability?  Then again, the show randomly turned Jamal into a baseball superstar so I guess I shouldn’t be surprised that Al is suddenly New York’s best teenage soccer player.  Unfortunately, Al is so good at soccer that his coach encourages him to focus more on playing than studying.  Fortunately, Ms. Noble catches him and L-Train giving a weakass oral report on Abraham Lincoln and she not only tells Al to get himself together but that he’s getting an F on his report.  (L-Train, meanwhile, is just an innocent bystander who also gets an F because he was unlucky enough to be partnered with Al.)  Al realizes that he needs to do better in school so he tells the coach not to give him any more special treatment.  (That would definitely happen, as teenagers are notorious for refusing special treatment.)

Meanwhile, Ms. Noble wants to lose some weight because her high school reunion is coming up and she is looking forward to seeing an old boyfriend.  Cassie, Chris, and Jamal make it their duty to help Ms. Noble get in shape.  Cassie is so excited when she hears that Noble want to impress a man.  Uh, kids — WHY DO YOU CARE!?  SHE’S YOUR PRINCIPAL!  NO ONE CARES ABOUT THEIR PRINCIPAL!  And, seriously, doesn’t Ms. Noble ever get tired of having to share every aspect of her personal life with her students?

Anyway, the kids decide to crash Ms. Noble’s high school reunion so that they can tell her ex-boyfriend about all the success that Ms. Noble has had in her life since she was in high school and …. actually, you know what?  This is too stupid to even detail.  I mean, the reunion is held on the freaking roof of Manny High, for God’s sake.  This is such a dumb show and I’ve still got 51 more episodes left to review.  So, I’ll just wrap things up that Ms. Noble and her boyfriend head off to the auditorium, where I assume they’re going to spend the entire reunion having nostalgia sex.  As a result, we now know that this school has an auditorium and there’s absolutely no reason why everything has to be done on the roof.

As for next week’s episodes, I’m sure something will happen that will annoy me.

Retro Television Reviews: The Love Boat 2.1 and 2.2 Marooned / The Search / Issac’s Holiday: Parts 1 & 2


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the second season begins with a super-sized episode!

Episodes 2.1 & 2.2 “Marooned / The Search / Issac’s Holiday”

(Dir by Paul Stanley, originally aired on September 16th, 1978)

The second season of The Love Boat started with double-sized episode, promising twice the romance, twice the comedy, and twice the running time!

(Subsequently, this episode was split in two for syndication, hence the double numbering.)

Among the passengers on this cruise is none other than Isaac Washington (Ted Lange)!  The Love Boat’s iconic bartender has decided to spend his vacation where he works and he’s bought a ticket to sail on the Pacific Princess.  It might seem strange to want to spend your vacation at the office but in Isaac’s case, I can see the appeal.  As we saw during the first season, no one works harder than Isaac.  He somehow always manages to be behind every single bar on the ship and it often appears that he’s the only bartender on the boat!  To top it off, he’s always on call.  He’s earned a vacation and he’s earned the right to be served for once.  From the minute Isaac boards the boat, he’s playfully asking the crew to do things for him and none of them mind because he’s their friend Isaac.  One of the key reasons why The Love Boat worked was that the friendships between the members of the crew felt very real.  As such, there’s never any doubt that Isaac would want to spend his vacation with Gopher, Doc, and Julie.

(Interestingly enough, the Captain doesn’t seem to realize that Isaac’s on the boat until Isaac takes his seat at the captain’s table.)

Of course, there are some problems with Isaac’s vacation.  Isaac quickly notices that the substitute bartender, Wally (played by Norm Crosby), is a bit sullen and not very knowledgeable about his drinks.  As well, Isaac has lied to a passenger named Mara (Lola Falana), telling her that he’s a wealthy race car driver.  Bitter old Wally just can’t wait to tell Mara the truth.

Even worse, when Captain Stubing goes to visit a nearby island, Deputy Captain Cunningham (Dick Martin) is left in charge and he quickly proves himself to be thoroughly incompetent.  (The show makes a point of assuring viewers that Cunningham actually works for a different cruise line and is just training on the Pacific Princess.)  Cunningham ignores the news that a hurricane is on the way.  When the hurricane hits, it’s falls on Isaac to take charge and make sure the passengers are safe.  Of course, to do this, he has to admit that he’s not a race car driver.  He’s just a bartender who, in a just world, would probably be a captain.

Meanwhile, Stubing, Doc, Gopher, Julie, and a group of passengers (Avery Schreiber, Barbi Benton, Edie Adams, and Audra Lindley) are all being held captive on that nearby island.  Their captor is an eccentric hermit named David Crothers (played by John Astin, who was often cast as eccentric hermits).  David has a gun, one that later turns out to be full of not bullets but dirt.  Unfortunately, the hurricane that threatens the Pacific Princess also maroons everyone else on the island and they have to wait for someone to rescue them.  Injured by a falling tree, Gopher spends his time deliriously speaking to imaginary women in foreign accents.  Doc, for once, actually gets to do some medical stuff and assures everyone that Gopher will be fine.  Interestingly enough, no one seems to be that worried about being captured by a crazed hermit.  Perhaps that’s because John Astin is just too naturally friendly to be viewed as a threat.

Finally, Jeannie Carter (Donna Mills) is on the boat because she’s been told that one of the passengers is her long-lost mother.  Soap opera actor Mike Adler (David Birney) offers Jeannie the moral and emotional (and romantic) support to confront the woman but the woman (Laraine Day) turns out to be Mike’s mother as well!  Agck!

The 2nd season premiers, with its mix of melodrama, broad comedy, romance, and hurricane-strength winds, is pretty much exactly what most viewers would want out of a show like The Love Boat.  Isaac gets to save the day while John Astin hams it up and David Birney, Donna Milles, and Laraine Day wring every emotion that they can out of their soap opera-style storyline.  It’s a fun and undemanding show, one that gets by on its breezy style and the likable chemistry between the cast.

This episode is also important because it was the second episode (after the first season’s supersized episode) in which the opening credits featured video images of the guest stars as well as their names.  This would continue in every subsequent episode and eventually become of the show’s trademarks.

Next week: Julie’s parents board the boat!

Retro Television Reviews: Fantasy Island 2.10 “The Flight of the Great Yellow Bird” / “The Island of Lost Women”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

Smiles, everyone, smiles!  It’s time to search for Bigfoot!

Episode 2.11 “The Flight of the Great Yellow Bird / The Island of Lost Women”

(Dir by Joseph Pevney, originally aired on November 25th, 1978)

This week’s episode is all about people looking for things.

Tattoo, for instance, is looking for success on the stock market.  He thinks he’s got a hot tip on how to make a lot of money.  Mr. Roarke rolls his eyes when Tattoo speaks about it.  Obviously, Mr. Roarke has heard a lot about Tattoo’s hot tips and he’s given up on pretending to have any respect whatsoever for his loyal assistant.  Later, Mr. Roarke will order Tattoo to get his stock ticker out of the office.  One gets the feeling that, much like Joseph P. Kennedy in the 1920s, only Mr. Roarke will be smart enough to escape the collapse of the world’s economy.

(Legend has it that Joseph Kennedy — father of the Kennedy children — got out of the Stock Market when the guy who was shining his shoes started giving him stock tips.  Kennedy figured that if even the shoe shine guy was playing the market, that meant there were too many deals being made.  Kennedy turned out to be correct and, as a result, his family suffered not at all during the Great Depression.  Of course, after the Great Depression, there would be suffering all around.)

While Tattoo looks for money, this week’s guests look for ancient legends.

For instance, Barney Shore (Robert Morse) is a sailor who spent two years on an atomic submarine.

“He went two years without seeing a woman!?”  Tattoo says, “Boss, what did he do?”

Well, what do you think he did!?  Mr. Roarke, being a gentleman, says that Barney spent all of his time reading and researching legends of an island that was populated only by women.  Barney’s fantasy is to discover the island and indeed, he does.  Barney is dropped off on a tropical island that is populated by women who all dress as if they’re extras in an Italian Hercules movie.

Unfortunately, for Barney, Queen Delphia (Cyd Charisse), has very strict rules about men on the island.  Only one man is allowed to be around the women per year.  That man is crowned the Harvest King and his job is to …. well, make sure that the population continues to grow.  Of course, once the Harvest King has done his job, there’s no reason to keep him around and he’s sacrificed.  Barney falls in love with one of the women and he convinces the rest of the tribe that it’s okay for men and women to live together on the same island.  Good for Barney….

“But what about Bigfoot!?”

I hear you, I’m getting to him.  Barney’s a nice guy and I’m glad he survived his trip to the island but obviously, the main attraction here is to watch Peter Graves play the world-renowned adventurer Singapore Eddie Malone.  Eddie comes to Fantasy Island to give a lecture about his hunt for Bigfoot.  However, he’s hired to help Prof. Smith-Myles (Barbara Rush) explore an isolated area of the island where Bigfoot may indeed live.  Eddie is here to help the professor experience her fantasy of finding Bigfoot while Eddie’s fantasy is to be a true explorer and everyone’s fantasy comes to true!  Of course, Eddie is also an old friend of Rourke’s and, at the end of the episode, Tattoo suggests that maybe the whole thing was just Roarke’s fantasy to make Eddie feel better about his life.

But what about Bigfoot!?

The actual Bigfoot doesn’t really get much screen time, sorry.  Then again, I think that’s why Bigfoot is so intriguing.  He’s elusive!  He’s fun to search for.  He’s fun to talk about.  But spending too much time with him would just take away the mystery.  Besides, who needs Bigfoot when you have Peter Graves glowering and doing his whole “international man of mystery” routine?

This was a silly episode and both stories felt a bit rushed but Peter Graves gave such a grave, deep-voiced performance that the episode was still entertaining.  Hopefully, Bigfoot will return!