Retro Television Review: The Love Boat 5.6 “Chef’s Special/Beginning Anew/Kleinschmidt”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Set sail for adventure, your mind on a new romance!

Episode 5.6 “Chef’s Special/Beginning Anew/Kleinschmidt”

(Dir by Richard Kinon, originally aired on October 7th, 1981)

As the passengers board the boat and prepare to set sail, Isaac and Vicki can’t help but notice Gertrude Turner (Trish Noble) and Kurt Kleinschmidt (Siegfried van Kapelhoff).  Gertrude is rich, single, and wearing a very valuable ring.  Kleinschmidt is a German insurance agent who Gertrude has hired to guard her jewelry, though she later reveals that she’s not really that worried about her jewels but instead, she just enjoys Kleinschmidt’s company.

“That man looks just like Doctor Bricker!” Isaac says.

And yes, it must be said that, despite his thick German accent, Siegfried van Kapelhoff, the actor playing Kleinschmidt, does indeed look a lot like Bernie Kopell, the actor who played Doc Bricker.  They’re both tall, thin, in their early 40s, and they even have the same hair color and bone structure.  What are the chances of that happening?  I mean, seriously….

Wait a minute….

THAT’S NOT SIEGFRIED VAN KAPELHOFF AT ALL!

Just as Gavin MacLeod used to do whenever one of Stubing’s brothers boarded the boat, this episode finds Bernie Kopell playing two roles.  Not only does he play Doc Bricker but he also play Kleinschmidt.  And yes, there is a scene where Kleinschmidt talks to Doc Bricker.  It’s done via split screen and it’s not at all convincing.  Bricker doesn’t even appear to be looking at Kleinschmidt while talking to him.

Gertrude’s ring does vanish at one point, which leads to Kleinschmidt interrogating the crew and eventually attempting to arrest Gopher.  Of course, the truth of the matter is that Gertrude herself hid the ring so that Kleinschmidt would stay on the boat with her.  (Kleinschmidt, feeling insecure about his detective abilities, was originally planning on flying home as soon as the boat docked in Mexico.)  When Stubing learns that Gertrude faked the robbery, he is surprisingly understanding, despite the fact that doing so led to Kleinschmidt harassing his entire crew.  I’m not sure that I really bought Stubing’s reaction but maybe he just thought Kleinschmidt was Doc in disguise.

The Kleinschmidt story was far more amusing than it really had any right being.  That was almost totally due to Bernie Kopell, who seemed to really enjoy the chance to play such an over-the-top character.  Kleinschmidt was definitely a bit cartoonish but Kopell’s likability went a long way towards making the character’s stupidity not just tolerable but also kind of sweet.

While all that’s going on, the Love Boat’s chef (Jay Johnson) gets upset when a new chef (Leslie Easterbrook) is hired to work in the kitchen with him.  This storyline requires the audience to believe that 1) no one would bother to warn the original chef that he’s getting a new colleague and 2) that the new chef would risk ruining her reputation just to avoid hurting her predecessor’s feelings.  The less said about this story the better.

Finally, Jenny Langley (Joan Fontaine) boards the cruise and is stunned to see that her former lover, Stan Ellis (Richard Basehart), is on the boat.  Jenny and Stan haven’t seen each other since the end of World War II.  Now, Stan is a widower who has been in a wheelchair ever since the car accident that killed his wife.  Jenny tries to help Stan come out of his shell and find the courage to embrace life.  Stan is resistant but finally comes around.  But when Stan asks Jenny to marry him, Jenny refuses.  Jenny is going blind.  Stan, however, doesn’t care about that.  And, also …. Stan can walk!  It turns out that his paralysis was just psychosomatic.

This storyline was one that I probably would have liked better if I hadn’t found myself thinking about my Dad whenever Stan was onscreen.  (Before he died, my Dad was also in a wheelchair as the result of a traffic accident.)  I will say that Joan Fontaine is wonderful in her role.  This storyline was handled well but right now, the pain of losing my Dad is still too fresh for me to have really enjoyed it.  That said, Fontaine and Basehart were old pros at this type of melodrama and this storyline had a lot to offer fans of old school romance.  This was definitely a storyline for the TCM crowd and I mean that as a compliment!

With two stories that worked and a third one that wasn’t too much of a distraction, this was a worthwhile cruise.

 

Retro Television Review: Fantasy Island 2.9 “The Appointment/Mr. Tattoo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

This week, Tattoo finally gets his chance to be in charge!

Episode 2.10 “The Appointment/Mr. Tattoo”

(Dir by Cliff Bole, originally aired on November 18th, 1978)

This week’s episode opens with Tattoo in a very good mood.  Apparently, Mr. Roarke has promised Tattoo that Tattoo will someday get a chance to be in charge of a guest’s fantasy and Tattoo has decided that he is now ready to take on that responsibility!  As is typical of this show, Roarke responds to Tattoo’s enthusiasm by pretending to not remember what Tattoo is talking about.  Tattoo not only has to explain their deal but he literally has to beg Roarke to uphold his part of the bargain.  Roarke smiles at Tattoo’s excitement and says, in a tone that suggests the opposite, “I can hardly wait.”

(In many ways, Tattoo has the same relationship with Roarke that Nick Nack had with Scaramanga in The Man With The Golden Gun.  There’s a lot of passive-aggressive resentment to be found in every exchange between the two.)

Tattoo is in charge of granting the fantasies of Dee Dee (Barbi Benton) and near-sighted Evelyn Kastenbaum (Connie Stevens).  Dee Dee and Evelyn are Vegas showgirls who want to marry millionaires.  Tattoo hires two lounge singers, Jack (Troy Donahue) and Bernie (Fred Grandy), and instructs them to write a Broadway musical that will star Dee Dee and Evelyn.  Investors will come to the Island to see about investing in the show and surely, two of them will fall in love with Dee Dee and Evelyn!

It sounds like a great plan!  Way to go, Tattoo!

The only problem is that Dee Dee and Evelyn end up falling in love with Jack and Bernie.  In fact, during the musical’s big wedding number, the four of them are married by a minister who, Roarke explains, has always had a fantasy about appearing in a musical.  Tattoo is upset.  He says that he failed to grant the girls their fantasies.  But then Roarke explains that Bernie and Jack are actually millionaire playwrights who came to the island to fulfill their fantasy of writing a musical.  It all works out, even if it does appear that Tattoo was actually never really in charge of the fantasy.

While this is going on, Dr. John Carlson (Bert Convy) has a fantasy about meeting with a big financial backer and getting the money to build a hospital that will be named after himself.  However, while trying to drive to the meeting, John comes across a Fantasy Islander (Nancy Kwan) who is in the middle of a very difficult labor.  It turns out that her village only has one doctor and he’s away.  To save her life, Dr. Carlson will not only have to miss his meeting but he will also have to rediscover the joy of taking care of patients on a one-on-one basis.

(Why did all of the native Fantasy Islanders live in remote villages with so few modern resources?  Did Mr. Roarke just not care about them?)

Oh no, Dr. Carlson didn’t get his fantasy!  But don’t worry.  It turns out that Dr. Carlson’s wife (Tasha Noble) had a fantasy that the doctor would finally rediscover his love for medicine and that their marriage would improve.  So, at least someone got what they wanted!

Dr. Carlson’s fantasy was fairly predictable but the stuff with the showgirls, the playwrights, and the Broadway show was actually pretty cute.  It was definitely silly but Fantasy Island is at its best when its silly.  Plus, Mr. Tattoo finally got his fantasy.  Yay!

It was a fun episode.