SILENT RAGE – Revisiting the Chuck Norris film from my youth.


SILENT RAGE is one of those movies that I watched quite a bit as a kid, and I thought it was pretty scary. Fox-16 out of Little Rock played it quite often. We didn’t have cable in Toad Suck so I’d watch whatever movies that were playing, especially if they had action. I’d say my initial interest and appreciation for Chuck Norris began with this film, and I still watch Chuck quite a bit to this day. With that said, I’m not sure I’ve watched SILENT RAGE again since I was a teenager. If I’m going to watch Chuck, I’ll generally watch CODE OF SILENCE, LONE WOLF MCQUADE, MISSING IN ACTION, INVASION USA, THE DELTA FORCE, or even FIREWALKER or HERO AND THE TERROR. But this week, I was browsing through Tubi and saw my childhood friend SILENT RAGE and decided to give it another spin.

SILENT RAGE opens in a wild household. John Kirby (Brian Libby) is awakened from his sleep by a kid wearing a Stormtrooper mask and shooting him with a laser gun. The kid tells Kirby he’s got a phone call. Kirby is clearly not doing well. He’s making strange sounds and his body movements are as funky as hell. Add to this situation, wild kids running around the house and a woman, who I’m guessing is their mom, screaming at them. To say this woman’s voice is annoying as she screams at the kids would possibly be my understatement of 2024. When Kirby answers the phone he tells the unseen doctor on the other end of the line, “I’m losin’ it, Doc! I’m not gonna make it” and he hangs up. I have to admit I’m understanding of Kirby at this point. I’ve only witnessed the activities of that house for a couple of minutes and I’m losin’ it! So in what seems like a reasonable move at the time, Kirby goes outside to the woodpile, grabs an axe, and then walks back into the house and confronts the loud lady. She immediately begins screaming in fear and runs upstairs and locks herself into the bedroom. Her fear scream is probably twice as annoying as her “screaming at kids” voice. Prior to Kirby chopping down the door with his axe, she’s able to scream out the window to a passing mailman for help. Soon after this message to the mailman, Kirby puts the lady, and the audience, out of our collective misery. 

In what is possibly the fastest response time in law enforcement history, a blazer immediately pulls up front and sheriff Dan Stevens (Chuck Norris) emerges from the passenger side. From this point forward, I will disregard his character name and refer to him as Chuck Norris. Every other person will be referred to as their characters’ names. I thought Norris was cool in SILENT RAGE when I was a kid, and I must admit I still think he’s pretty awesome as he calmly walks into the house where John Kirby has just committed multiple murders. After a few minutes, Kirby attacks Norris. The two men scuffle, but Kirby is able to break free and jump out the upstairs window onto the ground and run into the woods. Norris follows and is immediately almost shot by his deputy, Charlie (Stephen Furst). Quick tangent – it may seem strange at first to think of Stephen Furst (Kent Dorfman from ANIMAL HOUSE) as Norris’ deputy, and after watching the film again, I’ll go ahead and agree that it is a strange choice. He basically plays a goofy guy who has no business in law enforcement and that is made abundantly clear throughout the film. Back to the woods we go where Norris, after barely escaping being shot in the head by Charlie, engages in an additional fight with Kirby. He’s able to subdue the murderer and handcuff him. Now in the back of the cop car, Kirby breaks out of his handcuffs, kicks open the door and begins attacking various men with guns. It’s at this point that he’s shot about 14 times. He should be dead at this point, but I do understand for the sake of running time, that there will be additional plot developments. 

These additional plot developments arrive in the form of doctors operating on John Kirby to try to save his life. Fortunately, nature takes its course and Kirby dies, or so we think. It seems that Dr. Phillip Spires (Steven Keats) has a god complex and administers an experimental serum that brings Kirby back to life. Not only that, at the dosage he’s being given, it turns him into an indestructible killing machine. Dr. Tom Halman (Ron Silver) is the voice of reason who tries to convince Dr. Spires to let him die, but to no avail. Dr. Spires is doing this for science and mankind and secretly keeps Kirby alive with Doctor Paul Vaughn (William Finley). The two men think they can control him, but of course they’re wrong. Alive, and now superhuman, Kirby escapes to wreak havoc. And only one man can stop the indestructible, superhuman killing machine, and that man’s name is Chuck Norris.

Just a few additional thoughts before I close. First, Toni Kalem plays Chuck’s love interest, Alison, in the film. His relationship with her does slightly take away from his cool factor as they make love at one point to the cheesiest, corniest 80’s song called “A Time for Love.” She also has an extremely annoying scream voice herself when Kirby comes after her at the end. Second, the cool factor is almost completely restored when Chuck takes on a bar full of drunken, violent bikers and single-handedly destroys them. I think it’s nice of the 22 bikers to come at Chuck one at a time. It would have been a lot harder for him to take on 22 people diving on him at the same time. Third, I stated earlier that the power-crazed Dr. Phillip Spires was played by actor Steven Keats. For those who follow the film career of Charles Bronson like I do, you will immediately recognize Keats as the same actor who played Paul Kersey’s son-in-law in DEATH WISH. In SILENT RAGE he’s a narcissistic jerk, in DEATH WISH he’s a whiny wuss. That’s a solid 1-2 fist-punch of un-likability, Steven!!

I did enjoy the nostalgia factor of re-watching SILENT RAGE after many years. And Chuck Norris getting out of that blazer to go after John Kirby at the beginning of the film was still cool. There were a few things already mentioned above that bothered me more now than they did when I was a kid, but at the end of the day, Chuck Norris is still Chuck Norris. And I will always enjoy Chuck Norris! 

Horror Film Review: Silent Rage (dir by Michael Miller)


The 1982 film, Silent Rage, takes place in a small town in Texas.

John Kirby (Brian Libby) is the town troublemaker, an obviously mentally disturbed man with a violent and unpredictable temper.  As the film starts, Kirby is murdering the members of the latest family to offer him a home.  John is strong, fierce, and determined to create chaos.  However, he’s about to face someone who is just as strong and determined.  Sheriff Dan Stevens is a tough, tight-lipped western lawman who happens to be an expert in kung fu.  Dan is such a badass that he’s played by Chuck Norris!

Dan is able to eventually slap the cuffs on Kirby but Kirby is so strong that he manages to break free from them and grab a shotgun.  The other policemen are forced to gun him down.  Barely clinging to life, Kirby is rushed to a secret institute where three scientists — Tom Halman (Ron Silver), Philip Spires (Steven Keats), and Paul Vaughn (William Finley) — are working on a process that they think will help cells to repair themselves.  Philip and Paul think that Kirby will be the perfect test subject.  Tom, whose sister (Toni Kalem) is dating Dan — mentions that it might not be a good idea because Kirby was a psychotic murderer and stuff.  Philip decides to experiment on Kirby, regardless.

While the scientists are breaking the laws of God, Dan and his comic relief deputy (played, in a charming performance, by Stephen Furst) are dealing with local problems, like the bikers who hang out at a nearby roadhouse.  (Apparently, it’s not a Chuck Norris film without a fight in a roadhouse.)  However, Dan soon has more than just bikers to deal with.  The experiments have succeeded.  John Kirby has come back to life.  He can’t speak and it’s debatable whether he even knows who he is.  But he is now virtually immortal and super-strong and soon, he’s killing scientists and going on a rural rampage.  Can even Chuck Norris stop him!?

That question is not just hyperbole.  One reason why Silent Rage works as well as it does is because Chuck Norris has been established as America’s premiere fighting badass.  There is an entire internet culture that has been built around the idea of Chuck Norris being the man who cannot be defeated.  The world, we’re told, lives in fear and awe of a Chuck Norris roundhouse kick.  And yet, when Sheriff Dan faces the resurrected Kirby, he finds himself fighting an opponent who is not intimidated or easily knocked down.  The film establishes early on that Kirby will kill anyone, even the most likable characters in the film.  Watching Dan fight Kirby, the stakes feel real and you don’t know who is going to win.  Both Chuck Norris and Brian Libby deserve a lot of credit for their fight scene at the end of the movie.

Silent Rage is often described as being a slasher film because Brian does spend a lot of time stalking people and killing them in different ways.  Personally, I would not call it a slasher film.  Because it hinged on scientists who overlooked the obvious dangers to achieve their goals, I would refer to this as being a sci-fi horror film, with John Kirby becoming the human equivalent of the Xenomorph from Alien.  There’s nothing scarier than a monster who can challenge Chuck Norris.

The Boy Who Drank Too Much (1982, directed by Jerrold Freedman)


“He wet his pants on my mother’s rug!”

That’s what happens when you’re the boy who drinks too much.

In this made for television social problem film, a young Scott Baio plays Buff Saunders.  Buff is a high school student, a star hockey player, and an alcoholic.  He drinks because he grew up with an alcoholic father (played by Don Murray) and he learned early that drinking could make him feel confident whenever he was feeling insecure.  When Buff’s drinking gets out of control and he starts getting into fights, blowing off school, and seriously injuring himself, he is sent to a rehab center, one that is out of town so that the hockey team doesn’t find out that he’s an alcoholic.  His best friend, Billy (Lance Kerwin), rides the bus every day so that he can be there to support Buff but Buff’s own father cannot bring himself to come down there.  At first, Buff refuses to admit that he has a problem and won’t even speak up in the group meetings.  Eventually, even Billy starts to get tired of Buff’s attitude and his refusal to admit that his drinking has gotten out of control.  When Billy says that he’s not going to spend his birthday watching Buff sulk at rehab, Buff is forced to take a look at what his life has become.

The Boy Who Drank Too Much was basically an after school special that got the primetime movie treatment.  Scott Baio was in a lot of these movies, which is one reason why it is sometimes tempting to laugh at them today.  Baio was never really a bad actor but he was one of those actors who came across as being smarmy even when he was supposed to be playing a sympathetic or sincere character.  That’s especially true in The Boy Who Drank Too Much.  Even when Buff finally seems to be serious about controlling his drinking, you still never believe his sincerity.  When he apologizes for all the harm that his drinking has caused, he still seems like he’s waiting for the chance to grab the flask that he’s hidden somewhere in the room.  For the most part, though, that works for the character.  Baio’s playing an alcoholic who, for the majority of the movie, just tells people what he thinks they want to hear to get them off his back.

The movie does a good job of showing how a problem like alcoholism can be passed down through the generations.  Lance Kerwin and especially Don Murray both give good performances as the two people closest to Buff.  Murray appeared in and helped to produce a lot of social problem films like this one and it’s obvious that his heart was really in his performance here.  Ed Lauter took a break from appearing in every single Charles Bronson film to play Kerwin’s father and the lovely Toni Kalem, who was one of the most underrated actresses of the era, appears as well.  For a television production that’s trying very hard to be socially relevant, The Boy Who Drank Too Much isn’t bad.