20 Films For The Week (10/19/25)


A Few Classics

The original The Omen (1976) can currently be viewed on Tubi.  The Omen is still the best of all of the 1970s apocalypse movies.  Whereas later Omen films would increasingly get bogged down with overly elaborate death scenes, the first Omen still holds up as a genuinely scary movie.  The scene with David Warner and that plate of glass …. agck!  Damien Thorne was never creepier than he was in The Omen, perhaps because little Harvey Stephens didn’t know that he was playing a villain.  Unfortunately, it doesn’t appear that the sequels are available to stream for free.  I have a soft spot for the mess that is Damien: Omen II.  The Omen can be viewed here.

Of the many film that were inspired by The Omen, my favorite remains The Visitor (1979).  John Huston — yes, the director — plays a Polish angel who lives on a plant far away.  Huston is sent to Earth to rescue 8 year-old Katy, who has psychic powers and who has apparently been picked to mate with her half-brother and give birth to the Antichrist.  Lance Henriksen plays a Satanist who also owns a basketball team.  Mel Ferrer, Shelley Winters, Glenn Ford, and director Sam Peckinpah all have small roles.  Franco Nero plays Jesus!  This is a visually stunning and narratively berserk film.  The Visitor is on Tubi.

The Changeling (1980) is an absolutely brilliant horror film that should definitely be seen by more people.  After a family tragedy, widower George C. Scott moves into a mansion that turns out to be haunted.  It all links back to potential scandal involving a U.S. Senator, played by Melvyn Douglas.  Well-acted, this film has tons of atmosphere and one of the best seance scenes that I’ve ever seen.  The Changeling is on Tubi.

If The Changeling is an unusually intelligent haunted house film, Burnt Offerings (1976) is perhaps the opposite.  It’s a remarkably dumb film but thanks to the performances of Karen Black and Oliver Reed and the no-holds barred direction of Dan Curtis, it’s still a pretty scary movie.  Poor Bette Davis is wasted in one of her final roles.  You’ll cheer when the chimney collapses.  Burnt Offerings is on Tubi.

John Saxon later said that making Cannibal Apocalypse (1980) was one of the most depressing experiences of his career, just because he wasn’t prepared for how gory the film would get and he wasn’t particularly happy about the idea of playing a veteran-turned-cannibal.  That feeling certainly comes through in his performance, which ironically is so authentic that it elevates Cannibal Apocalypse above the typical Italian zombie/cannibal film.  Giovanni Lombardo Radice and Tony King give excellent performances as Saxon’s fellow cannibals and the entire film is far more emotionally effective than it has any right to be.  Cannibal Apocalypse can be viewed on Tubi.

The Black Cat (1981) never gets as much attention as it deserves but it’s probably one of Lucio Fulci’s more accessible films.  An adaptation of the Edgar Allan Poe short story, it features David Warbeck at his most likable, Patrick Magee at his most demented, and a killer cat with more than 9 lives.  The Black Cat can be viewed on Shudder.

I, Madman (1989) is a personal favorite of mine, largely because I relate to the main character played by Jenny Wright.  Wright plays an aspiring actress and bookstore employee who becomes obsessed with the horror novels of an obscure pulp fiction writer named Malcolm Brand.  Suddenly, murders start to occur that seem to match the murders in the books.  Both Jenny Wright and Clayton Rohner give likable performances in this film and Randall William Cook’s disfigured surgeon is a wonderful villain.  I, Madman can be viewed on Tubi.

Time After Time (1979) provides viewers with the rare chance to see Malcolm McDowell play a gentle soul.  McDowell plays H.G. Wells, whose time machine is used by Jack the Ripper (David Warner) to escape into the modern age.  Wells pursues him.  Time After Time is as much a love story as it is a thriller.  (McDowell married his co-star Mary Steenburgen.)  McDowell, Warner, and Steenburgen all give excellent performances.  Time after Time is on Tubi.

Malcolm McDowell is far more sinister in Paul Schrader’s 1982 film, Cat People.  Cat People was made at a time when cocaine was very popular in Hollywood and the film has all the excessive hallmarks of a production that was under the influence.  It’s about thirty minutes too long, the plot makes little sense, and Schrader sometimes seems to be struggling with determining what it is he’s trying to say.  That said, it’s also an atmospheric and stylish film and it has a killer soundtrack.  The sequence where Annette O’Toole is menaced while jogging and then swimming still creeps me out.  Cat People can be viewed on Prime.

Tombs of the Blind Dead (1972) was the first and the most effective of several Spanish horror films to feature Templar zombies wrecking havoc on the countryside.  This film is atmospheric and creepy and features some of the most convincing zombies to ever appear in a movie.  This film also actually manages to effectively use slow motion.  The Blind Dead are pure nightmare fuel.  Tombs of the Blind Dead can be viewed on Tubi.

Hack and Slash

Directed by Bill Rebane, Blood Harvest (1989) tells the story of a young woman who returns to her family home, just to discover that her parents are missing and the house has been vandalized.  As the bodies are strung up in a nearby barn, viewers are left to try to figure out who the killer is.  Is it the handsome and hunky Gary?  Or is it his brother, Mervo?  Mervo, who deals with stress by putting on clown makeup, is played by Tiny Tim, a notably eccentric singer.  This is one of those odd films that everyone simply has to see once.  It can be viewed on Tubi.

Directed by Joseph Zito, The Prowler (1981) is a notably gruesome but undeniably effective slasher film.  The gore effects were provided by Tom Savini.  Zito keeps the action moving, the cast is filled with actors who are likable enough to make up for the fact that none of the characters are written to have much depth, and the killer is truly frightening.  The Prowler can be viewed on Tubi.

Terror Train (1980) is another classic slasher film that is perfect for Halloween viewing, as all of the victims are in costume and the killer is a master of disguise.  The train makes for a wonderfully claustrophobic setting and the film owes as much to the Italian giallo genre as it does to the typical American slasher film.  Jamie Lee Curtis, Hart Bochner, and Timothy Webber are amongst those being stalked.  Ben Johnson is wonderful as a conductor.  Even magician David Copperfield is put to good use.  Terror Train can be viewed on Tubi.

Prom Night (1980) is another Canadian classic.  This is film the mixes disco with slasher thrills.  Jamie Lee Curtis rallies the school with her dance moves.  Leslie Nielsen gives one of his final “serious” performances at the principal of the school.  The kills are genuinely frightening and, given that most of the victims are either likable or determined to live, genuinely sad.  The twist ending works a hundred times better than it should.  Prom Night!  Everything is alright!  I love this movie.  It can be viewed on Tubi.

The House on Sorority Row (1982) is a diabolically clever little slasher film about a prank gone wrong.  One minute, you’re accidentally causing your house mother to have a heart attack after you pull a gun on her.  The next minute, you’re getting tossed in a shallow grave.  The main lesson here is don’t try anything like this when you’ve also got a big, end-of-the-year college bash to put together.  Director Mark Rosman comes up with some truly inspired visuals.  Eileen Davidson gives a great performance as the sorority sister who can’t believe how difficult it is to cover up a murder.  It can be viewed on Tubi.

Finally, Mountaintop Motel Massacre (1983) is not as well-known as some of the other films that I’ve mentioned but it features a memorably isolated location and a few effective scares.  It’s a good example of the rural slasher.  It can be viewed on Tubi.

Odds and Ends

Zombie Nightmare (1987) features a long-haired zombie, an early performance from Tia Carrere, and an oddly serious performance from Adam West.  The zombie is played a heavy metal musician named Jon-Mikl Thor.  It’s a film so ludicrous that it becomes entertaining.  It can be viewed on Tubi.

Ghost Story (1981) features a dead woman whose ghost returns, seeking vengeance on a group of elderly men who, decades before, covered up her death.  Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr. play the four men.  Alice Krige is the ghost.  Patricia Neal is Astaire’s wife.  Craig Wasson plays twins.  It’s a bit of an uneven film but it still has its moments.  It can be viewed on Prime.

Night Terror (1977), which is also known as Night Drive, features Valerie Harper as a woman trying to drive from Phoenix to Denver over the course of the night and finding herself pursued by a mute psycho played by Richard Romanus.  Clocking in at 74 minutes, Night Terror is suspenseful and features good performances from both Harper and Romanus.  It can be viewed on Prime.

Finally, The Little Girl Who Lives Down The Lane (1977) is a creepy little film starring Jodie Foster as a child who will stop at nothing to keep people from figuring out that she’s living on her own.  The true monster in this film is played, quite memorably, by Martin Sheen.  It can be viewed on Prime.

6 Horrific Trailers For October 9th, 2022


It’s Sunday and it’s October and that means that it’s time for another edition of Lisa Marie’s Favorite Grindhouse trailers!  For today, we have six trailers from the early 70s.  This was the era when horror started to truly get …. well, horrific!

  1. The Bird With The Crystal Plumage (1970)

First off, we have the blood and scream-filled trailer for Dario Argento’s The Bird With The Crystal Plumage.  This Italian thriller made quite a splash when it was released in America.  Indeed, for many Americans, this was their first exposure to the giallo genre.  This would go on to become Argento’s first (and, so far, only) film to be nominated for a Golden Globe.  (Read my review here!)

2. House of Dark Shadows (1970)

Speaking of blood and screaming, 1970 also saw the release of House of Dark Shadows.  Personally, I think this is one of the best vampire films ever.  The trailer is heavy on atmosphere.

3. The Devils (1971)

In 1971, British director Ken Russell scandalized audiences with The Devils, a film so shocking that it will probably never been in its full, uncut form.

4. Tombs of the Blind Dead (1972)

Italy was not the only country sending horror films over to the United States.  From Spain came the Tombs of the Blind Dead.

5. The Last House on the Left (1972)

Speaking of controversy, Wes Craven made his directorial debut with the infamous The Last House On The Left.  The trailer featured one of the greatest and most-repeated horror tag lines of all time.

6. Dracula A.D. 1972 (1972)

Finally, even as horror cinema changed and became more extreme, Hammer Studios continued to tell the long and twisted story of Count Dracula.  They brought him into the present age and dropped him in the middle of hippie-infested London.  No matter how much the rest of the world changed, Dracula remained Dracula.

8 Shots From 8 Horror Films: The Early 70s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the early 70s!

8 Shots From 8 Horror Films: The Early 70s

The Bird With The Crystal Plumage (1970, dir by Dario Argento, DP: Vittorio Storaro)

House of Dark Shadows (1970, dir by Dan Curtis, DP: Arthur Ornitz)

Hatchet For The Honeymoon (1970, dir by Mario Bava, DP: Mario Bava)

The Devils (1971, directed by Ken Russell, DP: David Watkin)

Tombs of the Blind Dead (1971, dir by Amando de Ossorio, DP: Pablo Ripoll)

Children Shouldn’t Play With Dead Things (1972, dir by Bob Clark, DP: Jack McGowan)

Last House on the Left (1972, dir by Wes Craven, DP: Victor Hurwitz)

Dracula A.D. 1972 (1972, dir by Alan Gibson, DP: Dick Bush)

6 Eurohorror Trailers For October 22nd


Hi there and welcome to this week’s special October edition of Lisa Marie’s Favorite Grindhouse and Exploitation film trailers!

My latest edition is dedicated to Eurohorror!  Some of these trailers are not going to be safe for work.  Of course, you probably shouldn’t be watching trailers at work in the first place.  But, in case you are, don’t let your boss catch you.  If you do get caught and lose your job, feel free to leave a comment under this post and let us know about your experience.  We love to hear that we’re changing lives.

  1. The Awful Dr. Orloff (1962)

The Awful Dr. Orloff was directed by Jess Franco and is considered to be the first Spanish horror film.  It was also an international success that helped to launch Franco’s amazingly prolific career.

2. The Girl Who Knew Too Much (a.k.a. Evil Eye) (1963)

This film, from director Mario Bava, is considered to be the first true giallo film.  When it was released in the United States, it was retitled Evil Eye.

3. The Shiver of the Vampires (1971)

From French director Jean Rollin comes this story of vampires hiding in grandfather clocks.  (Actually, there’s more to it than just that.  But that’s the scene that everyone seems to remember.)

4. Tombs of the Blind Dead (1971)

Arguably, this was the first Spanish zombie film.

5. The Grapes of Death (1978)

Again from director Jean Rollin, this is the first French zombie movie.

6. The Living Dead Girl (1981)

Finally, one last trailer from Jean Rollin.  You might not be able to guess it from the trailer but The Living Dead Girl is actually one of the most poignant films ever made.

 

4 Shots From 4 Films: Special Amando de Ossorio Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is one of the great Spanish horror directors, Amando de Ossorio!

4 Shots From 4 Films

Malenka, the Vampire’s Niece (1969, dir by Amando de Ossorio)

Tombs of the Blind Dead (1971, dir by Amando de Ossorio)

The Ghost Galleon (1974, dir by Amando de Ossorio)

Night of the Seagulls (1976, dir by Amando de Ossorio)

The TSL’s Daily Horror Grindhouse: Tombs of the Blind Dead (dir by Amando de Ossorio)


(After you read my review, be sure to check out Arleigh’s thoughts on this film!)

If you really want to see something scary this Halloween season, I suggest tracking down Tombs of the Blind Dead, a Spanish film from 1971.

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Who are the Blind Dead?  Well, the obvious answer is that they’re a group of dedicated horsemen who have not allowed being both dead and blind to keep them from accomplishing their goals.  Of course, since all of their goals are evil, that’s not necessarily a good thing.  When they were alive, the Blind Dead were 14th century knights.  (The usual assumption is that they were Knights Templar, even though this is never specifically stated.)  Accused of witchcraft and heresy, the knights were executed and, as their corpses hung from the gallows, bird pecked out their eyes.  The bodies were eventually buried in an isolated Spanish monastery.

The future members of the Blind Dead

The future members of the Blind Dead

Jump forward six centuries.  The year is 1970 and Spain is still under the repressive grip of the feared dictator, General Francisco Franco.  (This is important because some critics have suggested that the Blind Dead were meant serve as a metaphor for Franco’s regime.)  The monastery sits deserted, an otherwise menacing ruin on the beautiful Spanish countryside.  There’s a train that regularly runs by the monastery but the train’s conductor is always quick to tell his son to never stop the train.  The monastery, he explains, is a cursed place and no one should go near it.

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Unfortunately, someone does go near it.  A passenger on the train, Virginia (María Elena Arpón) is annoyed that her boyfriend, Roger (Cesar Burner) has been flirting with Virginia’s former schoolmate and lover, Betty (Lone Fleming).  So, naturally, Virginia hops off the train and decides to take a cheerful stroll across the Spanish countryside.  With night falling, she decides to camp out in the ruins of the old monastery.

Now, if you guessed that this leads to a bunch of decaying blind knights coming out of nowhere and chasing her down, you’re absolutely right.  That’s exactly what happens.  And, when Betty and Roger come to the monastery to investigate what happened to their friend, the Blind Dead are waiting for them.

The Blind Dead are also waiting for that train, which leads the film to its bloody conclusion…

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Now, you may have noticed that I was very careful not to describe the Blind Dead as being zombies.  That’s because the film’s director, Amando de Ossorio, frequently stated that the Blind Dead were not meant to be zombies.  He stated that, if anything, the Blind Dead were mummies with vampiric tendencies.  He also pointed out that, unlike zombies, the Blind Dead are not mindless.  Instead, they are calculating, deliberately cruel, and, unlike the living, they work together.  Because of this, they’re even more dangerous and frightening than your typical zombie.

So, what distinguishes The Tomb of the Blind Dead from every other mummy/vampire/zombie/living dead film?  It’s certainly not the film’s plot.  This is one of those films were characters frequently do the stupidest thing they can at the worst possible time.  Instead, it’s the fact that the Blind Dead themselves are pure nightmare fuel.  Some of it is the brilliant makeup.  The Blind Dead truly do look like they’ve spent the last 600 years decaying.  Some of it is the fact that the Blind Dead are shockingly cruel and merciless, even by the standards of a European horror film.  When they finally do get on that train, no one — not even the cute little girl who sobs as her mother is killed in front of her — is shown a hint of mercy.

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But you know what makes the Blind Dead truly frightening?  It’s an amazingly simple thing.  de Ossorio films them in slow motion.  I know that doesn’t sounds like much but, along with the film’s brilliant soundtrack, it really does create a relentless atmosphere of impending doom.  When you watch the Blind Dead as they ride their similarly decaying horses across the Spanish countryside, you truly do feel that they’ve come from a different time and place.  The Blind Dead are so relentless and determined that, even though they may move slowly, there’s still no way you could ever escape them.

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(And, of course, it doesn’t help that the Blind Dead are basically indestructible.  You can shoot the walking dead in the head and go on about your day but that’s not going to help out when it comes to the Blind Dead.)

Amazingly, when Tombs of the Blind Dead was first released in the United States, the film’s American distributor added a nonsensical prologue that described the Blind Dead as actually being super intelligent apes and changed the film’s title to Revenge From Planet Ape, all in an attempt to cash in all the popularity of Planet of the Apes.

That PG-rating should clue you in on just how much material was cut out of Tombs of the Blind Dead in order to make Revenge From Planet Ape!

That PG-rating should clue you in on just how much material was cut out of Tombs of the Blind Dead in order to make Revenge From Planet Ape!

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Well, Tombs of the Blind Dead may not actually involve any super intelligent apes but it’s still a shocking and effective horror film and I highly recommend it for your Halloween viewing.  Just make sure you see the uncut Spanish version!

6 Trailers for Cinco De Mayo


Hola and happy Cinco De Mayo!  I’m not sure if Cinco De Mayo is as big a deal up north as it is down here in the Southwest but today is going to be one of the few Saturdays that I don’t go to the movies.  Instead, I will be observing this day with friends, family (I am a fourth Spanish), and cerveza.  But first, here’s the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers…

(Be warned: Some of these trailers are a tad bit more explicit than some of the other trailers that I’ve featured as a part of this series.  Watch with caution.)

1) Tombs of the Blind Dead (1971)

This is one of the first of the great Spanish horror films. 

2) Return of the Evil Dead (1973)

The Blind Dead returned in this gory and violent sequel.  One of my prize possessions is my Blind Dead box set, which was released (in the shape of a coffin, no less) by Blue Underground.

3) Vampyros Lesbos (1971)

This is the German trailer for Vampyros Lesbos, directed by the infamous Jess Franco.  Just try to guess what this film is about…

4) Oasis of the Living Dead (1981)

In a career that has spanned over 500 films, Jess Franco has dealt with not only lesbian vampires but zombies as well…

5) Night of the Bloody Apes (1969)

From Rene Cardona comes this surprisingly bloody films about what happens when an ape’s heart is transplanted into a normal human being.  Fortunately, there’s a wrestler around to save the day…

6) The Werewolf Vs. The Vampire Woman (1970)

Finally, let’s end things with a Paul Naschy film, shall we?

6 Trailers On The Way To A 1,000


Hi.  Good morning.  I’m sitting here in my beloved Pirates shirt with my hair a big mess and an aggressive kitty trying to dig his claws into my thigh as a sign of affection as I try to complete this thing known as “waking up” but I’m still a happy girl and I’ll tell you why. 

First off, we’re only six posts away from hitting that magical 1,000th post.  And, once we hit a thousand, Arleigh is going to give us all a 50% raise on our current Shattered Lens salary.  Yay!  I know I can really use the money as I’m getting ready to go back to school and get my master’s.

Secondly, I’m happy because it’s Saturday!  And that means it’s time for 6 more of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers.

1) The 10th Victim (1965)

This trailer is for the Italian satire/sci-fi film The 10th Victim.  As this trailer makes clear, the film’s American distributor wasn’t quite sure how to sell this particular film.

2) Chained Heat (1983)

By contrast, the distributors of Chained Heat appear to have known exactly who would be sitting in their audience.  Chained Heat has a reputation for being one of the sleaziest of the Women in Prison films and that’s saying something.  I actually saw this playing on cable once though I was kinda *ahem* tied up at the time and as such, didn’t pay too much attention to it. 

3) Penitentiary (1979)

Continuing on a prison theme, here’s the trailer for Penitentiary.  This film was made by Jaama Fanaka, the director of Welcome Home, Brother Charles.

4) Delinquent Schoolgirls (1973)

Yeah, I haven’t actually seen this film but I’m going to guess that the trailer is probably more exploitive than the actual film.  This is a classic example of the exploitation tease.  Also, this is yet another example of a ’70s trailer that makes me go, “Ewwwwww!” at the sight of a dumpy man running around in his  man panties.  I mean, seriously — ewwwww, 1970s, ewwww!

5) Manhattan Baby (1982)

The title makes it sound like a second-rate Broadway musical but actually, Manhattan Baby was (along with the far better remember New York Ripper) Lucio Fulci’s follow-up to the brilliant Beyond trilogy.  I’ve sat through this film a few times and I’m still not sure why it’s called Manhattan Baby.  Maybe Fulci was trying to start a trilogy of New York-themed horror films.  Maybe The House By The Bronx was meant to be next…

6) Return of the Evil Dead (1972)

This is the sequel to Armando De Ossorio’s Tombs of the Blind Dead and, arguably, the best of the Blind Dead films.

The Daily Grindhouse: Tomb of the Blind Dead (dir. by Amando de Ossorio)


TombsoftheBlindDeadIt is once again time for another offering of The Daily Grindhouse. This time around our latest grindhouse flick comes straight from Spain. I speak of the classic zombie flick, Tombs of the Blind Dead.

The film was shot and filmed wholly in Spain in 1971 by one of Spain’s foremost horror directors, Armando de Ossorio. His film became part of what he became famous for in the horror circles and that is his Blind Dead Tetralogy. This first film in the series I still consider the best of the bunch. While it helped bring about the renaissance of the European zombie cinema craze of the 1970’s this film by Ossorio takes on a different tack from its more gross-out and gore-laden Italian cousins.

Ossorio’s film was all about supernatural and less about zombie apocalypse. His zombies were the ressurected Templars (evil in the way the film portrays them) whose eyes were plucked out by birds during their executions by way of the gallows. The film described them as demon-worshipping knights who performed Satanic rituals to gain power and immortality (propaganda pushed by the French king of the 13th Century and the Catholic Church in Rome to paint the knightly order in a bad light). These zombie knights never did get a full explanation why they rose from their tombs during the film, but for films such as these the scant explanations were always part of their charms. One either bought into the premise in the first 10 minutes or they didn’t. I, for one, bought into it hook, line and sinker the moment the first zombie knight rose.

The film was gory but not in the flesh-eating variety most zombie flicks tended to be. Tombs of the Blind Dead in its international version also showed a lot of sexuality in some of the scenes with nudity part of the norm. The film also was quite good in establishing dread and horror by the use of a creep atmosphere not just from the dark Spanish countryside but from the way the zombies hunted. Being blind they hunted by the sound of the living victims’ breathing and heartbeat. This premise led to some very tense moments as those trying to escape the zombie knights would try to stay silent as the zombies approached their hiding places.

It’s a shame that Ossorio never got the budget to truly pull of what he envisioned with this film and the rest of the tetralogy, but for having as low-budget that he had to make them he definitely created some of the higher-quality grindhouse flicks of the 1970’s.