The AFI Announces Their Top Ten of 2023


Today, the American Film Institute announced their picks for the top ten American films of 2023!

As far as Oscar precursors are concerned, the AFI is one the stronger ones.  While it’s rare that the AFI list ever lines up 100% with the year’s Best Picture nominees, the majority of the AFI’s pick do tend to get nominated.  Usually, 7 or 8 of the Best Picture nominees also show up on the AFI list.  This year, I wouldn’t be surprised if 9 of the films on the AFI list were nominated.

(Actually, it could even be ten depending on whether the Academy is willing to nominate an animated film about a comic book character.  That said, it should also be noted that Anatomy of a Fall and The Zone of Interest, both being international productions, were not eligible to be included in the AFI’s Top 10.)

Here’s the AFI’s picks:

AFI Top 10 Films Of The Year
American Fiction (MGM)
Barbie (Warner Bros.)
The Holdovers (Focus Features)
Killers of the Flower Moon (Apple Original Films/Paramount Pictures)
Maestro (Netflix)
May December (Netflix)
Oppenheimer (Universal Pictures)
Past Lives (A24)
Poor Things (Searchlight Pictures)
Spider-Man: Across the Spider-Verse (Sony Pictures)

AFI Top 10 Television Programs Of The Year
Abbott Elementary (ABC)
The Bear (FX)
Beef (Netflix)
Jury Duty (Amazon Freevee)
The Last of Us (Max)
The Morning Show (Apple TV+)
Only Murders in the Building (Hulu)
Poker Face (Peacock)
Reservation Dogs (FX)
Succession (Max)

Here Are The 2023 Gotham Award Winners!


In one of the first events of Awards Season, The Gotham Awards were handed out tonight, with Past Lives picking up the award for best film.  Below, all of the winners are listed in bold!

Best Feature
Passages
Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI)

Past Lives
Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24)

Reality
Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films)

Showing Up
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (A24)

A Thousand and One
A.V. Rockwell, director; Julia Lebedev, Rishi Rajani, Eddie Vaisman, Lena Waithe, Bred Weston, producers (Focus Features)

Best International Feature
All of Us Strangers
Andrew Haigh, director; Graham Broadbent, Peter Czernin, Sarah Harvey, producers (Searchlight Pictures)

Anatomy of a Fall
Justine Triet, director; Marie-Ange Luciani, David Thion, producers (NEON)

Poor Things
Yorgos Lanthimos, director; Ed Guiney, Yorgos Lanthimos, Andrew Lowe, Emma Stone, producers (Searchlight Pictures)

Tótem
Lila Avilés, director; Lila Avilés, Tatiana Graullera, Louise Riousse, producers (Sideshow/Janus Films)

The Zone of Interest
Jonathan Glazer, director; Ewa Puszczynska, James Wilson, producers (A24)

Best Documentary Feature
20 Days in Mariupol
Mstyslav Chernov, director; Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, Michelle Mizner, producers (PBS Distribution)

Against the Tide
Sarvnik Kaur, director; Koval Bhatia, Sarvnik Kaur, producers (Snooker Club Films, A Little Anarky Films)

Apolonia, Apolonia
Lea Glob, director; Sidsel Lønvig Siersted, producer (Danish Documentary Production)

Four Daughters
Kaouther Ben Hania, director; Nadim Cheikhrouha, producer (Kino Lorber)

Our Body
Claire Simon, director; Kristina Larsen, producer (Cinema Guild)

Breakthrough Director Award, Presented by Cadillac

Raven Jackson, All Dirt Roads Taste of Salt (A24)

Georgia Oakley, Blue Jean (Magnolia Pictures)

Michelle Garza Cervera, Huesera (XYZ Films)

Celine Song, Past Lives (A24)

A.V. Rockwell, A Thousand and One (Focus Features)

Best Screenplay

All of Us Strangers, Andrew Haigh (Searchlight Pictures)

Anatomy of a Fall, Justine Triet, Arthur Harari (NEON)

May December, Samy Burch (Netflix)

R.M.N., Cristian Mungiu (IFC Films)

The Zone of Interest, Jonathan Glazer (A24)

Outstanding Lead Performance

Aunjanue Ellis-Taylor, Origin (NEON)

Lily Gladstone, The Unknown Country (Music Box Films)

Greta Lee, Past Lives (A24)

Franz Rogowski, Passages (MUBI)

Babetida Sadjo, Our Father, The Devil (Cineverse)

Andrew Scott, All of Us Strangers (Searchlight Pictures)

Cailee Spaeny, Priscilla (A24)

Teyana Taylor, A Thousand and One (Focus Features)

Michelle Williams, Showing Up (A24)

Jeffrey Wright, American Fiction (Orion Pictures / Amazon MGM Studios)

Outstanding Supporting Performance

Juliette Binoche, The Taste of Things (IFC Films)

Penélope Cruz, Ferrari (NEON)

Jamie Foxx, They Cloned Tyrone (Netflix)

Claire Foy, All of Us Strangers (Searchlight Films)

Ryan Gosling, Barbie (Warner Bros. Pictures)

Glenn Howerton, BlackBerry (IFC Films)

Sandra Hüller, The Zone of Interest (A24)

Rachel McAdams, Are You There God? It’s Me, Margaret (Lionsgate)

Charles Melton, May December (Netflix)

Da’Vine Joy Randolph, The Holdovers (Focus Features)

Breakthrough Series – Under 40 minutes
Beef, Lee Sung Jin, creator; Ravi Nandan, Alli Reich, Jake Schreier, Ali Wong, Steven Yeun, executive producers (Netflix)

High School, Clea DuVall, Sara Quin, Tegan Quin, creators; Clea Duvall, Dede Gardner, Laura Kittrell, Jeremy Kleiner, Sara Quin, Tegan Quin, Carina Sposato, executive producers (Amazon Freevee)

I’m A Virgo, Boots Riley, creator; Tze Chun, Michael Ellenberg, Marcus Gardley, Carver Karaszewski, Jharrel Jerome, Boots Riley, Rebecca Rivo, Lindsey Springer, executive producers (Prime Video)

Rain Dogs, Cash Carraway, creator; Cash Carraway, Sally Woodward Gentle, Lee Morris, executive producers (HBO | Max)

Swarm, Donald Glover, Janine Nabers, creators; Ibra Ake, Donald Glover, Stephen Glover, Janine Nabers Jamal Olor, Steven Prinz, Michael Schaefer, Fam Udeorji, executive producers (Amazon Studios)

Breakthrough Series – Over 40 minutes
Anne Rice’s Interview with the Vampire
Rolin Jones, creator; Mark Johnson, Rolin Jones, Anne Rice, Christopher Rice, Alan Taylor, executive producers (AMC)

Dead Ringers
Alice Birch, creator; Alice Birch, Anne Carey, Sean Durkin, Megan Ellison, Erica Kay, Ali Krug, Sue Naegle, Stacy O’Neil, David Robinson, James G. Robinson, Polly Stokes, Barbara Wall, Rachel Weisz, executive directors (Prime Video)

The English
Hugo Blick, creator; Hugo Blick, Emily Blunt, Greg Brenman, executive producers (Prime Video)

The Last of Us
Craig Mazin, Neil Druckmann, creators; Neil Druckmann, Craig Mazin, Rose Lam, Asad Qizilbash, Carolyn Strauss, Carter Swan, Evan Wells, executive producers; (HBO | Max)

A Small Light
Tony Phelan, Joan Rater, creator; Susanna Fogel, William Harper, Avi Nir, Tony Phelan, Joan Rater, Lisa Roos, Alon Shtruzman, Peter Traugott, executive producers (National Geographic)

Telemarketers
Adam Bhala Lough, Sam Lipman-Stern, directors; Nancy Abraham, Dani Bernfeld, David Gordon Green, Lisa Heller, Jody Hill, Brandon James, Sam Lipman-Stern, Adam Bhala Lough, Danny McBride, Tina Nguyen, Benny Safdie, Josh Safdie, Greg Stewart, executive producers (HBO | Max)

Outstanding Performance in a New Series
Jacob Anderson, Anne Rice’s Interview with The Vampire (AMC)

Dominique Fishback, Swarm (Amazon Studios)

Jharrel Jerome, I’m A Virgo (Prime Video)

Natasha Lyonne, Poker Face (Peacock)

Bel Powley, A Small Light (National Geographic)

Bella Ramsey, The Last of Us (HBO | Max)

Chaske Spencer, The English (Prime Video)

Rachel Weisz, Dead Ringers ((Prime Video)

Ali Wong, Beef (Netflix)

Steven Yeun, Beef (Netflix)

Here Are The 2023 Gotham Nominations (Only A Week Late!)


Wow!  I’ve been so busy coordinating this year’s Horrorthon that I totally missed the fact that the Gotham nominations were announced on October 24th!  In the past, the Gothams only honored films that were made for a certain low budget.  This year is the first time that they’ll be honoring films of any budget.  To me, that would seem to defeat the purpose of the awards but whatever.  Everyone wants to be an Oscar precursor nowadays.

Anyway, this is really late on my part but here are this year’s Gotham nominations!  Whether or not these nominations will give a boost to any of these film’s Oscar chances remains to be seen.  The winners will be announced on November 27th!

Best Feature
Passages
Ira Sachs, director; Saïd Ben Saïd, Michel Merkt, producers (MUBI)

Past Lives
Celine Song, director; David Hinojosa, Pamela Koffler, Christine Vachon, producers (A24)

Reality
Tina Satter, director; Brad Becker-Parton, Riva Marker, Greg Nobile, Noah Stahl, producers (HBO Films)

Showing Up
Kelly Reichardt, director; Neil Kopp, Vincent Savino, Anish Savjani, producers (A24)

A Thousand and One
A.V. Rockwell, director; Julia Lebedev, Rishi Rajani, Eddie Vaisman, Lena Waithe, Bred Weston, producers (Focus Features)

Best International Feature
All of Us Strangers
Andrew Haigh, director; Graham Broadbent, Peter Czernin, Sarah Harvey, producers (Searchlight Pictures)

Anatomy of a Fall
Justine Triet, director; Marie-Ange Luciani, David Thion, producers (NEON)

Poor Things
Yorgos Lanthimos, director; Ed Guiney, Yorgos Lanthimos, Andrew Lowe, Emma Stone, producers (Searchlight Pictures)

Tótem
Lila Avilés, director; Lila Avilés, Tatiana Graullera, Louise Riousse, producers (Sideshow/Janus Films)

The Zone of Interest
Jonathan Glazer, director; Ewa Puszczynska, James Wilson, producers (A24)

Best Documentary Feature
20 Days in Mariupol
Mstyslav Chernov, director; Raney Aronson-Rath, Mstyslav Chernov, Derl McCrudden, Michelle Mizner, producers (PBS Distribution)

Against the Tide
Sarvnik Kaur, director; Koval Bhatia, Sarvnik Kaur, producers (Snooker Club Films, A Little Anarky Films)

Apolonia, Apolonia
Lea Glob, director; Sidsel Lønvig Siersted, producer (Danish Documentary Production)

Four Daughters
Kaouther Ben Hania, director; Nadim Cheikhrouha, producer (Kino Lorber)

Our Body
Claire Simon, director; Kristina Larsen, producer (Cinema Guild)

Breakthrough Director Award, Presented by Cadillac

Raven Jackson, All Dirt Roads Taste of Salt (A24)

Georgia Oakley, Blue Jean (Magnolia Pictures)

Michelle Garza Cervera, Huesera (XYZ Films)

Celine Song, Past Lives (A24)

A.V. Rockwell, A Thousand and One (Focus Features)

Best Screenplay

All of Us Strangers, Andrew Haigh (Searchlight Pictures)

Anatomy of a Fall, Justine Triet, Arthur Harari (NEON)

May December, Samy Burch (Netflix)

R.M.N., Cristian Mungiu (IFC Films)

The Zone of Interest, Jonathan Glazer (A24)

Outstanding Lead Performance

Aunjanue Ellis-Taylor, Origin (NEON)

Lily Gladstone, The Unknown Country (Music Box Films)

Greta Lee, Past Lives (A24)

Franz Rogowski, Passages (MUBI)

Babetida Sadjo, Our Father, The Devil (Cineverse)

Andrew Scott, All of Us Strangers (Searchlight Pictures)

Cailee Spaeny, Priscilla (A24)

Teyana Taylor, A Thousand and One (Focus Features)

Michelle Williams, Showing Up (A24)

Jeffrey Wright, American Fiction (Orion Pictures / Amazon MGM Studios)

Outstanding Supporting Performance

Juliette Binoche, The Taste of Things (IFC Films)

Penélope Cruz, Ferrari (NEON)

Jamie Foxx, They Cloned Tyrone (Netflix)

Claire Foy, All of Us Strangers (Searchlight Films)

Ryan Gosling, Barbie (Warner Bros. Pictures)

Glenn Howerton, BlackBerry (IFC Films)

Sandra Hüller, The Zone of Interest (A24)

Rachel McAdams, Are You There God? It’s Me, Margaret (Lionsgate)

Charles Melton, May December (Netflix)

Da’Vine Joy Randolph, The Holdovers (Focus Features)

Breakthrough Series – Under 40 minutes
Beef, Lee Sung Jin, creator; Ravi Nandan, Alli Reich, Jake Schreier, Ali Wong, Steven Yeun, executive producers (Netflix)

High School, Clea DuVall, Sara Quin, Tegan Quin, creators; Clea Duvall, Dede Gardner, Laura Kittrell, Jeremy Kleiner, Sara Quin, Tegan Quin, Carina Sposato, executive producers (Amazon Freevee)

I’m A Virgo, Boots Riley, creator; Tze Chun, Michael Ellenberg, Marcus Gardley, Carver Karaszewski, Jharrel Jerome, Boots Riley, Rebecca Rivo, Lindsey Springer, executive producers (Prime Video)

Rain Dogs, Cash Carraway, creator; Cash Carraway, Sally Woodward Gentle, Lee Morris, executive producers (HBO | Max)

Swarm, Donald Glover, Janine Nabers, creators; Ibra Ake, Donald Glover, Stephen Glover, Janine Nabers Jamal Olor, Steven Prinz, Michael Schaefer, Fam Udeorji, executive producers (Amazon Studios)

Breakthrough Series – Over 40 minutes
Anne Rice’s Interview with the Vampire
Rolin Jones, creator; Mark Johnson, Rolin Jones, Anne Rice, Christopher Rice, Alan Taylor, executive producers (AMC)

Dead Ringers
Alice Birch, creator; Alice Birch, Anne Carey, Sean Durkin, Megan Ellison, Erica Kay, Ali Krug, Sue Naegle, Stacy O’Neil, David Robinson, James G. Robinson, Polly Stokes, Barbara Wall, Rachel Weisz, executive directors (Prime Video)

The English
Hugo Blick, creator; Hugo Blick, Emily Blunt, Greg Brenman, executive producers (Prime Video)

The Last of Us
Craig Mazin, Neil Druckmann, creators; Neil Druckmann, Craig Mazin, Rose Lam, Asad Qizilbash, Carolyn Strauss, Carter Swan, Evan Wells, executive producers; (HBO | Max)

A Small Light
Tony Phelan, Joan Rater, creator; Susanna Fogel, William Harper, Avi Nir, Tony Phelan, Joan Rater, Lisa Roos, Alon Shtruzman, Peter Traugott, executive producers (National Geographic)

Telemarketers
Adam Bhala Lough, Sam Lipman-Stern, directors; Nancy Abraham, Dani Bernfeld, David Gordon Green, Lisa Heller, Jody Hill, Brandon James, Sam Lipman-Stern, Adam Bhala Lough, Danny McBride, Tina Nguyen, Benny Safdie, Josh Safdie, Greg Stewart, executive producers (HBO | Max)

Outstanding Performance in a New Series
Jacob Anderson, Anne Rice’s Interview with The Vampire (AMC)

Dominique Fishback, Swarm (Amazon Studios)

Jharrel Jerome, I’m A Virgo (Prime Video)

Natasha Lyonne, Poker Face (Peacock)

Bel Powley, A Small Light (National Geographic)

Bella Ramsey, The Last of Us (HBO | Max)

Chaske Spencer, The English (Prime Video)

Rachel Weisz, Dead Ringers ((Prime Video)

Ali Wong, Beef (Netflix)

Steven Yeun, Beef (Netflix)

Lisa Marie’s Week In Television: 7/2/23 — 7/8/23


This week was all about getting caught up on the shows that might be nominated for this year’s Emmys.  I ended up watching a lot of TV.  Here’s a few thoughts on it all!

60 Days In (A&E)

I watched this show’s seventh season this week. Sending former criminals undercover was an interesting idea and Carlos, who struggled with the temptation to return to his old ways, was definitely the most compelling character this season.  It really was one of the worst jails that they’ve ever featured on this show.  It’s easy to be dismissive of a show like this and it definitely is a bit exploitive.  But it also does portray why jails fail to rehabilitate its inmates.

Big Beasts (Apple TV+)

I watched an episode on Friday about the great whales!  I enjoyed it.  Whales are fascinating creatures and it certainly didn’t hurt that the whole thing was narrated by Tom Hiddleston.

City Guys (YouTube)

I wrote about City Guys here!

The Crown (Netflix)

I’ve always had mixed feelings about The Crown.  On the one hand, I absolutely love it as a well-made, well-acted, and well-produced royal soap opera.  On the other hand, I have never been comfortable about the idea of turning anyone’s life into a miniseries while they’re still alive.  Of course, Queen Elizabeth passed away last year but the show itself still feels a bit invasive.  That said, the fifth season was as addictive as ever.  Imelda Stauton took over at Elizabeth.  Dominic West made Charles into a far more interesting person than he probably is in real life.  Of all the seasons so far, this season was the most melancholy as it portrayed a world that was suddenly changing faster than ever before.  Not only did Charles and Diana divorce but the UK lost Hong Kong.  The decommissioning Britannia felt like the true end of an era.  It was hard to watch this season without thinking about how the people portrayed had no idea how much worse things were going to get in just a few more years.

Daisy Jones & The Six (Prime)

I binged this miniseries on Tuesday and Wednesday.  Full of music and 70s atmosphere, this series charted the rise and the fall of a fictional rock group.  Riley Keough, who really seems like she should be a bigger star, was wonderful in the lead role.

Dead To Me (Netflix)

Unfortunately, I really haven’t had time to binge the final season of Dead To Me but I did jump ahead and watch the final episode on Saturday afternoon.  Christina Applegate and Linda Cardellini were still a great and messy team and I definitely got a bit watery-eyed at the episode’s conclusion.

The Diplomat (Netflix)

I watched the first episode of this show on Wednesday.  It didn’t really hold my attention but Keri Russell was convincing as the title character and it was kind of amusing to see Michael McKean playing an apparently sincere and idealistic president.

Fleishman Is In Trouble (Hulu)

This was an excellent miniseries that I binged on Monday and Tuesday.  Jesse Eisenberg and Claire Danes were excellent as a divorced couple who struggled with life in New York City.  This miniseries felt like some great 70s movie that just happened to be set in 2016.

Forgive or Forget (YouTube)

I watched an episode on Thursday.  Former best friends were demanding apologies.  Very few apologies were given, which I think may have been due to the fact that host Robin Givens kept interrupting everyone so that she could yell at them.  If Mother Love had been there, everyone would have come through the door.

House of the Dragon (HBO)

HBO’s Game of Thrones prequel turned out to be quite a bit better than I was expecting.  That said, I would be lying if I said that I was always able to follow what was happening on the show without the help of Wikipedia.  I had the same problem with Game of Thrones, to be honest.  However, the chaos and the feeling that you could never be sure who was actually plotting what was one of the things that made both the early seasons of Game of Thrones and the first season of this show so intriguing.

The Last Of Us (HBO)

I binged this throughout the week and I have to say that I’m a bit disappointed in myself that I didn’t watch it earlier.  Because I had so much to watch this week, I feel as if I rushed through the show, going from one episode to another so quickly that I didn’t get a chance to really contemplate and savor everything that happened.  That said, The Last Of Us was well-acted and created a convincing dystopian society.  For once, the “zombie” apocalypse felt realistic as opposed to contrived.

The Last Thing He Told Me (Apple TV+)

Enjoyably twisty and melodramatic, this adaptation of Laura Dave’s novel featured great performances from Jennifer Garner, Angourie Rice, and David Morse.  Even though I had read the novel and knew what was going to happen, the show still held my interest

Love & Death (Max)

Elizabeth Olsen and Jesse Plemons were great but this limited series’s story was better told by Hulu’s Candy.  As a producer and a writer, David E. Kelly has always had a tendency to rely on easy caricatures and too much of Love & Death felt like a Yankee fantasy of what life in small town Texas is like.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

The Master (Tubi)

I wrote about The Master here!

MH370: The Plane That Disappeared (Netflix)

During the early hours of Wednesday morning, I watched this 3-part docuseries on the Malaysian airline that mysteriously disappeared a few years ago.  (Remember Don Lemmon suggesting it had flown into a black hole?)  It was interesting viewing, though ultimately I think it works better as a look at how quick people are to buy into conspiracy theories than anything else.

Midnight Special (YouTube)

From 1973, the first episode of Midnight Special was hosted by Helen Reddy and featured performances from Ike and Tina Turner, George Carlin, Curtis Mayfield, Don McLean, Rare Earth, Kenny Rankin, The Byrds, and The Impressions.  Helen Reddy was a bit of a boring host but the music was great.

The Old Man (Hulu)

With the Emmy nominations due to be announced next Tuesday, I finally got around to binging The Old Man this week.  On the one hand, it was yet another morally ambiguous thriller featuring the government pursuing a former agent who had gone underground.  On the other hand, Jeff Bridges, John Lithgow, and Amy Brenneman all brought a lot of conviction to their roles and the film was as much about dealing with one’s own morality as it was about dealing with the dark side of the intelligence community.  I liked it far more than I was expecting too.

The Patient (Hulu)

I watched the first three episodes of this miniseries on Monday morning and that was enough for me.  Steve Carell plays a psychiatrist who is being held captive by a serial killer (Domhnall Gleeson) who is looking for help curbing his homicidal impulses.  Carell gave a great performance, proving again that he’s just as capable of doing drama as he is comedy.  But, other than Carell’s performance, I found the show to be tedious and I haven’t felt any real desire to finish binging it.

Real Time With Bill Maher (Max)

I watched the episode where Russell Brand yelled at John Heilenmann.  I was on Brand’s side but a lot of that has to do with Heilenmann just be annoying in general.  Bernie Sanders was also on the show and seemed kind of tired of the whole thing.

Rollergames (YouTube)

On the 2nd episode of Rollergames (which I watched with Jeff and our friend Pat on Friday night), the Thunderbirds competed against Bad Attitude.  Thunderbirds were heroic but Bad Attitude had style.  I’m not sure who actually won.

Slasher: Ripper (Shudder)

I’m always tempted to call this program Canadian Horror Story but Slasher is actually far better than Ryan Murphy’s show.  The fifth season, which I binged throughout the week, has an intriguing mystery, many macabre deaths, a lot of atmosphere, and a wonderfully villainous performance from Eric McCormack.

Trainwreck: Woodstock ’99 (Netflix)

I finally watched this docuseries on Saturday morning, after finishing up Midnight Special.  I guess I was in a musical mode.  The mix of hubris, greed, and celebrity that went into making Woodstock ’99 a disaster will never not be fascinating.

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back Kotter here!

HBO showcases The Last of Us Teaser Trailer!


Naughty Dog’s The Last Of Us was one of the first modern videogames to gain my younger cousin’s interest in playing. Although I finished it the normal difficulty, she was able to complete it on its hardest settings and went on to continue with the sequel. So, we’ve been looking forward to HBO’s Live Action adaptation. What I didn’t realize was that Craig Mazin was involved in this, whose work on Chernobyl was amazing. Mazin is handling the writing along with the original author, Neil Druckman.

The Last of Us takes place in a world torn apart, where Joel & Ellie (Pedro Pascal & Bella Ramsey, both featured in Game of Thrones) have a difficult mission to accomplish. The show looks as if it’s keeping most of the elements from the game. The Fireflies and the Clickers, they’re all there. The cast listing even includes some of the voice cast from the game. I’m curious to see how they’ll incorporate that into this.

The Last of Us is set to premiere next year, on HBO and HBO Max.

E3 Trailer: The Last of Us (Gameplay Demo)


I’ll fully admit that the PS3 I bought hasn’t seen much action since I purchased it. I still use it to watch Blu-Ray films, but it’s gaming side I rarely touch. Most of the games that I would play on the console I already own and play on my Xbox 360. Once in awhile a game that’s exclusive for the PS3 comes out or gets announced that makes me rethink my non-gaming of the console. At Sony’s pre-E3 press conference on Monday I saw one game whose gameplay demo has convinced me that I need to get this game and dust off the Ps3 controllers.

The game is Naughty Dog’s latest title called The Last of Us and it’s a post-apocalyptic title that’s set in a world that has succumbed to some sort of viral infection which causes those infected to turn homicidal and searching out those still uninfected. Unlike other post-apocalyptic games this one sets the game in a world still reeling from the end of the world as we know it and with survivors doing just everything possible to survive the cities and infrastructures we take for granted has slowly been reclaimed by nature.

The game follows two characters in Joel (the one the player controls) and a 14-year old girl named Ellie (controlled by the game’s AI) who have a sort of father-daughter relationship despite not being related with they being survivors their only common link. The game touts a robust AI that allows the enemies in the game to adjust how they come at the player depending on the player’s mode of fighting. The game also does make use of the post-apocalyptic setting by making scavenging for supplies and ammo a high-priority.

The game is still in development, but if the gameplay demo shown at Sony’s presser is any indication then this game is a must-buy for me and probably for many others.

The Last of Us has a tentative release date of Late 2012/Early 2013.