4 Shots From 4 Horror Films: The 1960s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the 1960s!

4 Shots From 4 Horror Films

Psycho (1960, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

THe Pit and the Pendulum (1961, dir by Roger Corman)

The Pit and the Pendulum (1961, dir by Roger Corman)

The Awful Dr. Orlof (1962, dir by Jesus Franco)

The Awful Dr. Orlof (1962, dir by Jesus Franco)

Black Sabbath (1963, dir by Mario Bava)

Black Sabbath (1963, dir by Mario Bava)

Horror Scenes I Love: The Opening of The Awful Dr. Orlof


For today’s horror scene that I love, I present to you the opening of Jess Franco’s 1962 film, The Awful Dr. Orlof.

Franco doesn’t have the best critical reputation but I’ve always felt that, when he wanted to and actually had the time and the budget, he was capable of directing some memorably surreal scenes.  The opening of The Awful Dr. Orlof is full of atmosphere and sudden horror.  It plays out like a dream of dark and disturbing things.  Franco often claimed to a disciple of Orson Welles (and Franco reportedly did do some second unit work on Chimes At Midnight) and the opening of Dr. Orlof, with its shadowy cinematography and its skewed camera angles, does definitely show some Wellesian influence.

From 1962, here’s the opening of The Awful Dr. Orlof:

International Horror Film Review: The Awful Dr. Orlof (dir by Jess Franco)


 

This 1962 Spanish film opens with a village gripped by terror!  Someone is abducting young dancers from their apartments and sometimes straight off the street!  Who could be responsible for such a terrible act?  Could it be the Mafia?  Could it be the Communists?  Could it be a wayward jazz pianist or maybe an aspiring filmmaker who befriended Orson Welles when the latter moved to Europe to escape the IRS?  Or could it be that awful Dr. Orlof?

Who is Dr. Orlof, you may ask?  He’s a former prison doctor who retired after a fire disfigured his daughter.  Now, he lives in an isolated castle, where he cares for his daughter.  They say that his only companion is Morpho, a blind former convict who wears an emotionless mask over his features and who is often seen wandering around the village in the middle of the night.  Could it be that Dr. Orlof is responsible for the disappearances?

Of course it’s Dr. Orlof!  His name is right there in the title of the film.  In fact, it’s so obvious that Dr. Orlof is sending Morpho out in the middle of the night so that he can abduct beautiful women who are then used in experiments designed to restore the beauty of Orlof’s daughter that you have to wonder why the police just don’t arrest him as soon as the crimes start.  I mean, yes …. I assume that the police need to find some sort of evidence to prove that Orlof is behind the crime but then again, this film was shot in Spain during the years when General Francisco Franco was in charge of the country.  I’m sure the police could have done whatever they wanted.

The Awful Dr. Orlof is considered by many to be the first Spanish horror film.  It was also one of the first films to be directed by Jess Franco, who was no relation to the general.  With both critics and at the box office, this was one of Jess Franco’s most successful films and it was one that he would remake several times over the course of his career.  Dr. Orlof, always played with decadent haughtiness by Howard Vernon, went on to appear in several other Franco films.  (In subsequent films, he added an extra F to his last name.  That’s probably because The Awful Dr. Orlof was released in some countries as The Awful Dr. Orloff.  The double F brings to mind Boris Karloff so it’s not a bad idea to spell it that way but all of the evidence that I’ve read and seen would suggest that Franco originally spelled the name Orlof, with only one F.)  For that matter, Morpho also appeared in quite a few films, some with Orlof and some without him.  In the Awful Dr. Orlof, Morpho is played by Ricardo Valle and he’s a genuinely creepy character.  The blank mask that he wears as he stalks through the night is perhaps the best-known image to come out of The Awful Dr. Orlof.  In fact, if you’ve only seen screenshots of the film, it’s easy to assume that Morpho is the title character, just because of how prominently he is featured in every shot.  It’s impossible to take your eyes away from him.

On the whole, Jess Franco does not have a great critical reputation.  He worked fast.  He made a lot of movies and occasionally, it was obvious that his main concern was getting a paycheck.  Especially when it came to his later films, Franco could be a sloppy and inconsistent director.  And yet, when Franco took his time and when he actually cared about the material, his talent was undeniable.  The Awful Dr. Orlof is one of Franco’s better movies.  While the story won’t win any points for creativity, Franco’s direction is atmospheric and, at it best, the movie feels like a filmed nightmare, full of slightly askew angles and menacing shadows.  The black-and-white cinematography helps, adding a touch of gothic class to the film.  Howard Vernon gives a multi-layered performance as Orlof.  He may be, as the title state, awful but there’s no doubt that his actions are the actions of a desperate parent.  And, of course, Morpho will haunt your nightmares.

All in all, The Awful Dr. Orlof is not awful at all.  It’s a good film to use if you’re tying to introduce Franco to someone who might not be familiar with his work.  Definitely show them Dr. Orlof before showing them A Virgin Among The Living Dead.  Just a suggestion.

6 Eurohorror Trailers For October 22nd


Hi there and welcome to this week’s special October edition of Lisa Marie’s Favorite Grindhouse and Exploitation film trailers!

My latest edition is dedicated to Eurohorror!  Some of these trailers are not going to be safe for work.  Of course, you probably shouldn’t be watching trailers at work in the first place.  But, in case you are, don’t let your boss catch you.  If you do get caught and lose your job, feel free to leave a comment under this post and let us know about your experience.  We love to hear that we’re changing lives.

  1. The Awful Dr. Orloff (1962)

The Awful Dr. Orloff was directed by Jess Franco and is considered to be the first Spanish horror film.  It was also an international success that helped to launch Franco’s amazingly prolific career.

2. The Girl Who Knew Too Much (a.k.a. Evil Eye) (1963)

This film, from director Mario Bava, is considered to be the first true giallo film.  When it was released in the United States, it was retitled Evil Eye.

3. The Shiver of the Vampires (1971)

From French director Jean Rollin comes this story of vampires hiding in grandfather clocks.  (Actually, there’s more to it than just that.  But that’s the scene that everyone seems to remember.)

4. Tombs of the Blind Dead (1971)

Arguably, this was the first Spanish zombie film.

5. The Grapes of Death (1978)

Again from director Jean Rollin, this is the first French zombie movie.

6. The Living Dead Girl (1981)

Finally, one last trailer from Jean Rollin.  You might not be able to guess it from the trailer but The Living Dead Girl is actually one of the most poignant films ever made.

 

4 Shots From Horror History: Psycho, The Pit and the Pendulum, The Awful Dr. Orlof, Black Sabbath


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we start the 1960s!

4 Shots From 4 Films

Psycho (1960, dir by Alfred Hitchcock)

Psycho (1960, dir by Alfred Hitchcock)

THe Pit and the Pendulum (1961, dir by Roger Corman)

The Pit and the Pendulum (1961, dir by Roger Corman)

The Awful Dr. Orlof (1962, dir by Jesus Franco)

The Awful Dr. Orlof (1962, dir by Jesus Franco)

Black Sabbath (1963, dir by Mario Bava)

Black Sabbath (1963, dir by Mario Bava)