Late Night Retro Television Review: CHiPs 3.4 “High Octane”

Posted on January 13, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983. The entire show is currently streaming on Prime!

This week, CHiPs deals with the oil crisis!

Episode 3.4 “High Octane”

(Dir by John Florea, originally aired on October 6th, 1979)

Tonight’s episode of CHiPs is a real history lesson.

The episode was aired at a time when the U.S. was suffering from a shortage of gasoline. Conflict in Iran had led to both the Shah fleeing the country and Americans being taken hostage. Oil production fell, OPEC raised its prices, and people panicked and started to hoard gasoline. Many states instituted odd-even gas rationing, which meant that only people with an odd-numbered license plate could purchase gas on an odd-numbered day and only people with an even-numbered license plate could purchase gas on an even-numbered day. As so often happens when the government attempts to micromanage a crisis, this only made things worse as there were soon long lines at the pump and reports of fights breaking out between people at gas stations. Even with the rationing, many gas stations ran out of gasoline before they could serve every customer. If you didn’t arrive early enough, chances were that you would not be able to put gas in your car,

California was one of the many states to institute odd-even rationing and this episode of CHiPs is all about the battle over gasoline. Two crooks are siphoning gas from independent gas stations and then reselling it to other stations. (Their biggest customer is played by veteran screen tough guy, Aldo Ray.) Getraer is injured when he crashes his bike while chasing the two crooks, which makes this case personal for Ponch and Baker. Meanwhile, Ponch and Baker have to break up fights at the gas station, chase yet another guy who was caught siphoning gas from a car, and save yet another motorist who passes out from the fumes of all the gas cans that he had in the backset of his car. Ponch even starts to date Beth (Ellen Bry), because she works at a gas station and can tell him the best time to show up to make sure that he and Baker are able to fill up their bikes. Meanwhile, at headquarters, Harlan is giving lessons on the best way to keep unused fuel from evaporating.

Of course, it wouldn’t be CHiPs if there wasn’t also a light-hearted sports angle. This week, everyone’s into roller hockey. Ponch serves as the referee for the CHP-sponsored kids’ roller hockey game and everyone agrees that he’s the best referee that they’ve ever seen. And why not? He’s Ponch and, by the time the third season rolled around, CHiPs was definitely The Ponch Show. Later, the adult officer play roller hockey as well. It’s the show’s way of saying, “California’s still fun, even with the gas rationing!”

I enjoyed this episode because I’m a history nerd and it was interesting to see how the show dealt with the 1979 oil crisis while it was occurring. It’s interesting that this episode was a bit cynical about rationing, as CHiPs was usually a show that portrayed the government and its policies as positively as possible. In 1979, even the audiences of CHiPs was fed up with having to pay — let me check my notes to make sure I have this right — nearly a dollar a gallon for gas.

Really? Just 90 cents for a gallon gas? Get me a time machine. I’m going to 1979!

Retro Television Review: Fantasy Island 5.12 “The Magic Camera/Mata Hari/Valerie”

Posted on October 8, 2024 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.

This week’s episode presents your erstwhile reviewer with a bit of an ethical quandary.

Episode 5.12 “The Magic Camera/Mata Hari/Valerie”

(Dir by Don Chaffey and Don Weis, originally aired on January 16th, 1982)

I don’t feel completely comfortable about reviewing this episode of Fantasy Island and I’ll tell you why.

Occasionally, Fantasy Island would broadcast an extra-long episode. These episodes would typically feature three fantasies as opposed to the usual two. Unfortunately, when these long episodes were syndicated, one of the fantasies would be edited out so the episode would fit into an hour-long slot. Usually, the editing was not particularly smooth, either. The end result would usually be an episode that seemed oddly paced and the performances of Ricardo Montalban and Herve Villechaize would often seem uneven as well. As such, it’s neither easy nor particularly fair to review those edited episodes. When it comes to reviewing, I always want to see the complete episode.

And yet, now that the original Fantasy Island is no longer streaming anywhere (seriously, what the Hell, Tubi?), I’m stuck using the episodes that I have on my DVR. And that means reviewing the edited, syndicated versions of these episodes.

As you can probably guess, this is one of those edited episodes. The Valerie fantasy was removed for syndication. That’s a shame because Valerie featured the final televised performance of actor Christopher George, a charismatic B-movie veteran who is pretty popular around the Shattered Lens offices. It also featured Michelle Phillips, though apparently she did not return as the mermaid who she played earlier on the show. I’d love to review Valerie but I can’t. And that sucks,

As for the other two fantasies, one is basically a remake of the Lillian Russell fantasy, except this time Martha Harris (Phyllis Davis) goes into the past and finds herself transformed into her great-grandmother, Mata Hari. She gets to dance. She gets to spy. She gets thrown in prison and sentenced to death but, fortunately, her life is spared when the firing squad’s rifles are filled with blanks and she’s given a drug by one of the men who is in love with that makes her appear to be dead. This was a enjoyable fantasy, mostly because of the costumes and the melodrama.

The other fantasy features Bob Denver, coming to the Island for the second week in a row. This time, he’s a photographer who wants to take the type of pictures that the world’s greatest photographers couldn’t. Because of the awkward way the fantasy was stated, the photographer ends up with a camera that takes pictures of the future. At first, the photographer is really happy and uses his camera to commit a little insider trading. But then he takes a picture of a newspaper and sees a headline announcing his death in a fiery auto accident. Uh-oh!

Again, neither of the two fantasies is bad (though the second one does require a certain tolerance for Bob Denver that some people may not have) but it was hard for me to enjoy them knowing that I was missing out on a third fantasy. For that reason, I assigning this episode a grade of incomplete. If I ever get a chance to watch the complete episode, uncut, I’ll revisit this review but until then, I really can’t give an overall grade to this episode.

Finally, for those keeping track, both Julie and Tattoo join Roarke when it’s time to greet the guests. That’s only second time that’s happened this season.

Retro Television Review: Fantasy Island 5.9 “Romance Times Three/The Night of the Tormented Soul”

Posted on September 17, 2024 by Lisa Marie Bowman

Smiles, everyone, smiles! It’s time to visit the Island.

Episode 5.9 “Romance Times Three/The Night of the Tormented Soul”

(Dir by Don Weis, originally aired on December 5th, 1981)

This week again finds Tattoo working as Roarke’s assistant, which again means that the episode opens with Julie explaining that she won’t be able to help out Roarke and Tattoo with any of the new people coming to the Island. What makes this week memorable as far as Julie excuses are concerned is that the reason Julie can’t help is because she’s been given a difficult task by Tattoo. A 300-pound woman has come to the Island with a fantasy of leading the Charge of the Light Brigade and Tattoo has told Julie to find a horse for her. Tattoo smirks as Julie tells Roarke. Roarke wishes Julie luck while declining to help her himself.

As for the fantasies, let’s get the boring one out of the way first. Sally Harris (Georgia Engel) works for a phone answering service. I had to look this up via Google but apparently a phone answering service was something that people and companies used in the days before texts, voice mail and email. Someone like Sally would answer the phone for you, collect your messages, and then call you later to give them to you. I guess it was something that companies did when they were too cheap to hire a receptionist or a personal assistant. I don’t know, it just seems strange to me.

Sally has fallen in love with three of her clients, though she hasn’t actually met any of them. Jack (Frank Bonner) is a bon vivant who calls her for love advice. Tony (Frank Converse) is a businessman who calls her for financial advice. Ben (David Groh) is a writer who often discusses his writer’s block with Sally. All three of the men have come to the Island. Sally fears how the men will react to discovering the real her so Mr. Roarke casts a spell and tells Sally that each men will see her the way that he thinks of her. Tony sees Sally as a prim and determined businesswoman. Jack sees her as a dark-haired seductress. And Ben sees her as a …. well, as a clown. He has always resented Sally’s advice. Of course, Ben is the one who ultimately falls in love with the real Sally.

It’s not a bad idea for a fantasy but it doesn’t really work because Georgia Engel isn’t convincing whenever she takes on any of Sally’s different personas. No matter what costume she’s wearing, she still delivers all of her lines in this high-pitched whisper that sometimes make it difficult to understand what she’s saying. (She’s not quite as inaudible here as she was in Jennifer Slept Here but still, I did struggle to hear everything she said.) The men are all thinly written, as well. I was glad she ended up with the writer but in the end, I really wouldn’t have cared that much if she had ended up with the businessman or the sex addict.

The better fantasy features Stephen Shortridge and Dianne Kay as Jason and Beth Martinique. When they were children, Beth and Jason survived a shipwreck and washed up on the shore of Fantasy Island. They were raised by a local millionaire, Richard Martinique (Richard Anderson) and their nanny, Blanche Barrens (Elinor Donahue). Both Richard and Ms. Barrens died one stormy night. Richard was shot and Ms. Barrens’s neck was broken in a fall. Jason and Beth want to go back to their childhood home so they can learn what happened that night. Fortunately, the ghosts of Richard and Ms. Barrens are still in the mansion, giving Jason and Beth a chance to see the tragic accident that led to the deaths of both Richard and Ms. Barrens. Even better, Mr. Roarke and Tattoo show up to inform Jason and Beth that they aren’t really brother-and-sister and therefore, they are free to pursue a romance. That’s good because, before Roarke showed up, Jason and Beth were gazing at each other like the brother and sister from the old Folger’s commercial. You know who I’m talking about.

I always enjoy it when Fantasy Island deals with ghosts and haunted mansions and this fantasy was filled with atmosphere and melodrama. The accident that led to death of Richard and Ms. Barrens was ludicrous and yet somehow poignant at the same time.

So, an overall mixed review on this episode but I think the ghost fantasy makes up for the other fantasy. Plus, Tattoo gets to show off his karate skills! Let’s see Julie do that!

A New Orleans Film Review: J.D.’s Revenge (dir by Arthur Marks)

Posted on February 12, 2018 by Lisa Marie Bowman

Ike (Glynn Turman) is a nice guy. He’s a law student living in New Orleans. When not studying, he makes money driving a taxi cab. He has a beautiful and loving wife named Christella (Joan Pringle). He has a nice but modest apartment. When we first see Ike, he is calmly and rationally breaking up a fight. Perhaps the only real complain that can be made about Ike is that he’s actually too nice. There’s nothing dangerous about Ike. He works hard. He studies. That’s about it.

When Christella and their friends tell him that he needs to take a night off from studying, Ike is reluctant. However, he finally agrees to go out with them. They start out at a strip club in the French Quarter and eventually, they end up watching a hypnotist. Ike is one of the men randomly selected to go up on stage. Amazingly, rational and mild Ike is easily hypnotized. The audience loves watching as Ike and the other men all reacts to hypnotic suggestion. What they don’t know is that, while in his trance, Ike has been … possessed!

That’s right! The ghost of J.D. Walker has entered Ike. Who is J.D. Walker? As we learn from a series of gauzy flashbacks, J.D. Walker was a gangster in the 1940s. He wore a fedora. He wore nice suits. He was every bit as flamboyant as Ike is mild. But then, one day, J.D. was killed, gunned down by his former business partner, Theotis Bliss (Fred Pinkard).

Soon, Ike starts to act … well, not like himself. Suddenly, Ike is using 1940s slang. He’s wearing 1940s clothes. He’s gambling. He mugs an old lady who gets in his cab and then abandons her on the wharf. When his wife asks him why he’s acting like a 1940s gangster, he gets violent. Soon, Ike is speaking in a different voice and dancing.

What does J.D. want? He wants revenge against not only the man who shot him but also Theotis’s younger brother, a popular preacher named Elijah (Lou Gossett, Jr.). As wild as the possessed Ike may be, he’s got nothing on Elijah. Elijah was a boxer before he became a man of God and he’s still liable to throw a punch or two during his sermons. Elijah, however, is also rather naive and has no hesitation about inviting J.D. to become a member of his congregation. Theotis, who is now Elijah’s manager, is a bit more suspicious…

An oddly paced film that never quite escapes the lengthy shadows of all of the horror films that inspired it, J.D.’s Revenge is worth seeing for the performances Glynn Thurman and Lou Gossett, Jr. Gossett is all energetic charisma in the role of the reverend, giving a performance that features just enough ambiguity that you’re never sure whether you should trust Elijah or not. Meanwhile, Thurman is very good as the mild-mannered Ike but he seems to be having an absolute blast whenever he gets to play the psychotic J.D. During the final confrontation between Ike/J.D. and the Bliss Brothers, Thurman’s performance is so bizarre and over the top that you simply cannot stop watching him.

J.D.’s Revenge was filmed in New Orleans, which add a little bit of gothic atmosphere to the film. As I write this, a lot of our readers may currently be in New Orleans for Mardi Gras. I wish them all well but I hope they’ll remember the lesson of J.D.’s Revenge. Just say no to hypnosis!

http://www.youtube.com/watch?v=ANlCUGoGt5w