Skye Aubrey | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986. The entire show is currently streaming on Tubi!

This week, Mr. Roarke reunites a family and arranges for a man to battle a “ghost.”

Episode 2.20 “Birthday Party/Ghostbreaker”

(Dir by Cliff Bole, originally aired on March 3rd, 1979)

This week, Tattoo has both a joy buzzer and a pink carnation that squirts water. He explains to Mr. Roarke that he read somewhere the women love a man with a sense of humor. “I want to be the king of humor on Fantasy Island,” he explains.

“Lucky us,” Mr. Roarke replies while dramatically rolling his eyes and reminding viewers of just how much he despises his scene-stealing assistant.

As for the two fantasies, this is another episode where the fantasies don’t really seem like they should be happening on the same island. One is rather serious. The other is a bit cartoonish.

The first guest to get off the plane is Elliott Fielding (Ken Berry), a librarian who believes in ghosts and who is pretty sure that he knows how to exorcise a ghost from a haunted location. He’s so confident that he’s even written a book about it. However, because Elliott has never actually seen a ghost, no one is willing to publish his book. Elliott’s fantasy is to exorcise a real ghost and prove that his theories are true. Mr. Roarke obliges by taking him to a mansion that Roarke explains was once occupied by a murderer known as the Gentleman Strangler. Now, however, it’s a private all-girls boarding school! (This is one of those episodes that leaves the viewer wondering just what exactly Fantasy Island is exactly. When the show started, it was just a resort. Now, it appears to have become a thriving nation, home to not only industry but also an exclusive boarding school.)

The school’s students have been reporting sightings of the ghost of the Gentleman Strangler. Elliott sets out to exorcise the ghost and along the way, he falls in love with the school’s headmistress (Annette Funicello). He also finds an enemy in the form of the school’s fencing instructor (Larry Storch). Oddly there aren’t any other teachers at the school so I guess the students just spend all of their learning how to fence.

This was an odd fantasy because, on the one hand, you had this ghost potentially threatening to strangle a bunch of teenage girls and, on the other hand, you had the very broad comedy of Ken Berry and Larry Storch facing off. Of course, it turns out that there really wasn’t a ghost haunting the school so, at first, it appears that Elliott’s fantasy didn’t come true. However, after Elliott leaves, Roarke explains to Tattoo that Elliott actually did meet a ghost when he had a conversation with a helpful handyman. That probably would have been a good thing to let Elliott know before he left but …. well, Mr. Roarke does what he wants. If there’s any lesson to be learned from watching Fantasy Island, it’s that Mr. Roarke makes the rules and it is best to never question his arbitrary decisions.

Meanwhile, Carol Gates (Janet Leigh) comes to the island to be reunited with the twins (Skye Aubrey and Christopher Stone) that she gave up for her adoption. I was expecting the twins to reject her or to be angry. Instead, with her support, her son gets signed to a football team and her daughter decides not give her own children up for adoption. Yay! It was a bit of an easy fantasy, with little of the drama that I was expecting. But Janet Leigh was a talented actress and she’s good here, bringing a lot of genuine emotion the story.

The fantasies were a bit mismatched but I like ghost stories (even when they’re a bit silly) and Janet Leigh is one of my favorite actresses so this trip to Fantasy Island was worth it.

(Lisa is currently in the process of cleaning out her DVR! She has got over 170 movies on the DVR to watch and she’s trying to get it done before the start of the new year! Can she get it done? Probably not, but she’s going to try! 1972’s The Carey Treatment was recorded off of TCM on July 23rd.)

Dr. Peter Carey (James Coburn) is the epitome of 1970s cool. He’s got hair long enough to cover the top half of ears. He’s got a fast car. He’s got a rebellious attitude and a girlfriend (Jennifer O’Neill) who rarely questions his decisions. Though you don’t see it in the movie, Dr. Carey probably smokes weed when he’s back at his fashionably decorated apartment. How do I know this? Well, he’s played by James Coburn. Even if some of them are nearly 50 years old, you can still get a contact high from watching any movie featuring James Coburn.

Anyway, what the Hell is The Carey Treatment about? Dr. Carey has just recently moved to Boston, where he’s taken a job at a stodgy old hospital. The hospital’s chief doctor, J.D. Randall (Dan O’Herlihy, of Halloween III: Season of The Witch fame), might want Dr. Carey to tone down his free-livin’, free-lovin’ California ways but no one tells Peter Carey what to do. In fact, the entire city of Boston might be too stodgy and conventional for Dr. Carey. You see, Dr. Carey not only heals people. He also beats up people who try to stand in his way. Peter Carey is a doctor who cares but he’s also a doctor who can kick ass.

And he’s going to have to kick a lot of ass because Dr. Randall’s daughter has just turned up dead. The police say that she died as the result of a botched abortion and they’ve arrested Carey’s best friend, Dr. David Tao (James Hong). (The Carey Treatment, it should be noted, was filmed before Roe v. Wade legalized abortion.) The Boston establishment is determined to use Dr. Tao as a scapegoat but Dr. Carey is convinced that his friend is innocent. In fact, he doesn’t think that the death was the result of an abortion at all. Carey sets out to solve the case … HIS WAY!

If it seems like I’m going a little bit overboard with my emphasis on the Dr. Peter Carey character, that’s because this entire movie feels more like a pilot for a weekly Dr. Carey television series as opposed to an actual feature film. It’s easy to image that each week, James Coburn would drive from hospital to hospital, solving medical mysteries and debating social issues with stuffy members of the Boston establishment. Henry Mancini would provide the theme music and Don Murray would guest star as Dr. Carey’s brother, a priest who encourages the young men in his parish to burn their draft cards.

It might have eventually become an interesting TV show but it falls pretty flat as a movie. James Coburn is in nearly every scene, which would usually be a good thing. But in The Carey Treatment, he gives an incredibly indifferent performance. He seems to be bored by the whole thing and, as a result, Dr. Peter Carey is less a cool rebel and more of a narcissistic jerk. The mystery itself is handled rather haphazardly. On the positive side, Michael Blodgett gives a wonderfully creepy performance as a duplicitous masseur but otherwise, The Carey Treatment is nothing special.

If you want to see a great James Coburn film, track down The President’s Analyst.