Lisa’s Week In Television: 5/2/21 — 5/8/21


Another week, another list of television programming. Here’s a few thoughts on what I watched this week:

9-1-1 and 9-1-1: Lone Star (Monday Night, FOX)

I watched both of these shows this week and yet, I don’t remember a damn thing about them. If you don’t remember a show, did it actually air?

Allo Allo (Sunday Night, PBS)

This week, the latest daring plan to get the British airmen out of France came to naught. The plan was to use a lawn mower motor to power an antique airplane. Rene said it wouldn’t work and, not surprisingly, it didn’t. I will admit that I laughed so hard at the end of this rather frantic episode that I nearly fell off the living room couch.

Baywatch (Weekdays, H&I)

Life on the beach continues!

On the first of Sunday’s two episodes, Kathleen Kinmont played an FBI agent who went undercover as a lifeguard. Unfortunately, despite the fact that she was supposed to be keeping an eye on the girlfriend of an escaped convict, she was also expected to do lifeguard stuff. This led to some conflict with Mitch. For the record, Mitch was right in that it made absolutely no sense for an FBI agent to pretend to be a lifeguard. The second episode of the night featured a phony treasure hunt, one that attracted real crooks and brought chaos to the beach! Jeff Garlin appeared as a radio DJ who fell in love with CJ. Both episodes were thoroughly silly, though the one with the FBI agent was a smidgen less silly because Kathleen Kinmont appeared to be taking her role more seriously than Jeff Garlin took his.

Monday’s first episode was an odd one. Apparently, there was some sort of weird “red dust wind” blowing over the California coast and, as a result, everyone on the beach was a little bit stranger than usual. Geraldo Rivera guest-starred as a man whose fiancé was secretly in love with Mitch. (In order to get her to fall out of love with him, Mitch took her on a date and acted like a dorky jackass. It didn’t work.) Meanwhile, John O’Hurley (of Seinfeld, Family Feud, and Dancing With Stars fame) played desperate father who was searching for his daughter. This was followed by an episode the featured jet ski training and plenty of beach volleyball action. I’ve noticed that every season of Baywatch featured at least one episode that featured someone getting jet ski training.

Tuesday brought us a Christmas-themed two-parter. Santa’s elves took a vacation on the beach. Hobie befriended yet another homeless girl. Mitch tried to help a homesick lifeguard. And Pamela Anderson fell in love with a priest but sadly, his commitment to God came first. “Y’know,” he told her, “we’re in the same business, saving lives.”

On Wednesday, Logan married a rich widow so that he could get his green card and then, during the second episode, Stephanie was held hostage by an environmental terrorist. It’s amazing how often the lifeguards ended up getting held hostage. I would probably be so traumatized after being held hostage just once that I would look for a new job. These lifeguards somehow manage to handle it happening on a twice-a-month basis.

On Thursday, Mitch asked Tracy to marry him, just to discover that she only had two weeks to live. He spent those weeks trying to make her as happy as possible. The second episode dealt with Mitch trying to recover from Tracy’s death. These episodes were surprisingly effective. Baywatch‘s total lack of irony and willingness to embrace the melodrama really paid off.

The first of Friday’s episodes found Mitch coming to terms with having never lived up to the expectations of his dead father. This was followed by an episode in which Logan needed Stephanie’s help to keep him from being deported back to Australia. In the end, it all worked out and everyone had fun. That’s the important thing.

On Saturday, CJ’s blind ex-boyfriend showed up and help Mitch break up yet another crime ring. This time the master criminal was played by Richard Lynch, who appeared to be having fun. Again, that’s the most important thing!

Court Cam (Wednesdays, A&E)

Dan Abrams’s replacement for Live PD continued the A&E reality show tradition of exploiting people’s misery. I had the show on while I was cleaning the house on Wednesday and I still feel awful about it.

Friends (Weekdays, Channel 33 and HBOMax)

During the episode that I watched on Tuesday night, Rachel and Monica got new jobs while Ross, Chandler, and Joey spent a night hitting the clubs and discovered that they weren’t young anymore. If I remember correctly, it seems like this was something that happened rather frequently on Friends. That said, I enjoyed this episode more than the one I watched a few weeks ago because Matthew Perry looked much healthier.

Hill Street Blues (Weekday Mornings, H&I)

Tuesday morning’s episodes of Hill Street Blues started with Public Defender Chapman (played by future 3-time Oscar winner Frances McDormand) getting fired from her job when it was discovered that she was hooked on cocaine. Meanwhile, Gina (played by future Oscar nominee Jennifer Tilly) was gunned down in a restaurant while having dinner with her boyfriend, Lt. Henry Goldblume (Joe Spano). The episode that followed that found Goldblume going a bit off the deep end as he obsessively investigated Gina’s murder. It’s was all very well-acted by Joe Spano, even if you do have to wonder if there anyone who worked on the Hill who did not, at some point during their service, see a friend or a loved one gunned down in front of them. Judging from what I’ve seen of the show, it was apparently a fairly regular occurrence.

Wednesday morning started off with an episode in which massive police corruption was uncovered, Henry finally started to properly grieve for Gina, and Captain Furillo admitted that he had started drinking again. It also featured an appearance from James Cromwell, speaking in an exaggerated Irish accent, in the role of an animal trainer. The second episode, however, had an entirely new credits sequence, one that featured some new faces in the cast, and — even more importantly — no longer featured half of the cast from the previous episode. In other words, a new season had begun! According to Jeff, I’ve now entered season 6 of Hill Street Blues, which is when the show starts to go downhill. So, we’ll see how long I stick with it, I guess. Anyway, the second episode took place at night and featured a now fully recovered Henry getting held hostage by a militant cult leader, who was played by Yaphet Kotto.

Thursday morning saw two episodes dealing with the death of Officer Harry Garibaldi. Played by Ken Olin, Harry was a regular during the pervious season but his disappearance from the opening credits left little doubt that he would not survive being stabbed by a bookie. Of course, the show still milked the question of whether or not Harry would die for all the drama that it could. (The main problem, of course, is that Harry was never a particularly likable character to begin with.) Kiel Martin, who was consistently one of the best actors on the show, had an amazing scene after Harry died, in which his character, recovering alcoholic J.D. LaRue, had a complete meltdown.

When I watched Friday morning’s episodes of Hill Street Blues, I came to understand what Jeff meant about this season being the beginning of the end. The first episode featured the arrest of Harry Garibaldi’s murderer. The suspect, who only confessed because he had suckered Furillo into giving him an immunity deal, was then gunned down by Harry’s father. So, yes, the murderer was dead but unfortunately, Harry’s father was going to prison for life. In previous episodes, this would have led to some serious reflection on the part of the characters. However, this time,, everyone just shrugged off the fate of Harry’s father. The bad guy was dead and nothing else mattered. The second episode featured a mentally ill man who thought he was the movie character Rambo. It was all fun and games until he tragically died at the end of the episode. Again, this is a trick that Hill Street Blues played so often that, from the minute the guy showed up, I knew what was going to eventually happen to him. If you’re quirky during the first half of an episode of Hill Street Blues, you’ll be dead by the end of the second half.

Things continued to go downhill during the first of Saturday’s episodes as a new character, Lt. Norman Buntz (played by Dennis Franz), went on a personal vendetta against a petty thief. Buntz eventually ended up executing the thief during a liquor store robbery. Previously, Hill Street Blues would have held a character like Buntz in contempt but, during this new season, apparently the show’s moral compass was reset. The first episode of the morning also featured Detective Neal Washington getting shot for what seemed to be the 100th time. I have to admit that I didn’t pay much attention to the second episode, beyond noting that Michael Richards (a.k.a. Karmer from Seinfeld) was playing a crook. Otherwise, life on the Hill suddenly felt far less interesting than it did at the start of this week.

Judge Jerry (Weekdays, Syndication)

Jerry Springer is a TV judge now! Nobody in the courtroom fights or yells. In fact, due to COVID, the gallery is empty and all of the cases are “virtual.” Somehow, Jerry comes across as being even more sleazy when he’s being respectable than he did when he was hosting his circus of a talk show.

The Office (All the Time, Comedy Central)

On Tuesday, I watched several episodes from season 4. I started with Dinner Party and I ended with Goodbye Toby. As a result, I had both Hunter’s song and Michael’s rendition Goodbye Toby stuck in my head for several hours. I’ve also spent this week telling random people, in my best Holly Flax voice, “Kevin, I’m really proud of you!”

The Old Guys (Sunday Night, PBS)

This week, Tom’s daughter nearly married Sally’s son. It didn’t work out, naturally. The main theme of this episode seemed to be that old people are clueless about new technology but that young people are just stupid in general. As with the previous episodes that I’ve seen, the jokes weren’t extremely clever but they were very well-delivered by Jane Asher, Clive Swift, and Roger Lloyd-Pack. Apparently, this was also the last episode of The Old Guys and, starting this Sunday night, PBS will be airing a different British sitcom in its place.

Open All Hours (Sunday Night, PBS)

On this week’s episode, Arkwright continued to abuse Granville and Granville continued to hate every moment of his existence. This is one bleak show.

The Rookies (Sunday Morning, H&I)

H&I aired two episodes of this old 70s cop show on Sunday morning. I watched both but I only remember one. It dealt with an older cop being driven crazy by the stress of the job and the feeling of being underappreciated. The Rookies were able to talk him down.

Saved By The Bell (Sunday Morning, MeTV)

I watched two episodes of this classic show on Sunday morning. The first episode featured Zack skipping school because he was apparently too exhausted after the summer to handle class. It was his mother’s idea. On the one hand, I could full sympathize with skipping school but, on the other hand, who asks for permission beforehand? I guess that’s what happens when you’re making a show about high school in which the lead character is expected to be both a rebel and a role model. Anyway, the various members of the Saved By The Bell cast came by to visit Zack and they thought about everything that happened over the summer. Is there anything more creatively bankrupt than a clip show?

The second episode was the one where Zack and Slater get into a physical brawl in the school hallway because they both like the same girl. This episode is a personal favorite of mine. If Belding hadn’t intervened, Slater would have totally kicked Zack’s ass.

Seinfeld (Weeknights, Channel 33 and Hulu)

I watched an episode on Tuesday night. Elaine was confused by her new boyfriend’s love for the song Desperado. George was confused the fact that the local cult was willing to brainwash everyone but him. Jerry destroyed a valuable chest of drawers and Kramer nearly killed some tourists. It made me laugh. That said, at the end of the episode, it was kind of implied that Elaine’s boyfriend died because the ER doctor was distracted by the song Witchy Woman. That was dark!

Storage Wars (Tuesday Night, A&E)

To be honest, the only reason I watched the two latest episodes was to see if there was any new Brandi/Jarrod developments. There were not. In fact, Jarrod was not in any either of the episodes and Brandi was only in one. Unfortunately, neither of the episodes were that interesting. With the exception of Ivy, I’ve never cared much for any of the replacement buyers who have shown up on the show over the years. I like the old crew — Barry, Hester, Darryl, and Bradi & Jarrod. Oh well. The past is the past.

Unsolved Mysteries (Netflix)

On Wednesday, Case, Leonard, and I watched an episode about a group of people from the same Massachusetts town who all say that they were abducted by aliens in 1969. As a passionate skeptic when it come to all things paranormal, my theory is that hippies spiked the town’s drinking water with LSD.

Upstart Crow (Sunday Night, PBS)

While traveling back to Stratford, Shakespeare and his friends run into three witches who provide him with three cryptic prophecies. Later, Shakespeare fears that he may have accidentally killed his neighbor, a Scotsman named MacBuff. Haunted by guilt and what he mistakenly believes is a ghost, Shakespeare is relieved to eventually to discover that MacBuff did not die. Shakespeare resolves to write a comedy about the whole thing. This was another brilliantly funny episode.

The Voice (Monday Night, NBC)

On Monday night, the show took a look back at the “road to lives.” I didn’t pay that much attention but still, I wish everyone the best of luck. (Come to think of it, I also didn’t pay much attention to 9-1-1 and 9-1-1: Lone Star when I watched them on Monday. What was going on at the start of the week that had me so distracted? Hopefully, whatever it was, I resolved it.)

Yes, Minister (Monday Morning, PBS)

This week’s episode was brilliant. After finding out that a defense contract had been rewarded as a result of bribery, Jim was determined to reveal the truth regardless of the consequences. Then, he discovered that his wife had accepted a very expensive present from the same contractor and he quickly changed his mind. Last week featured Jim getting the better of Humphrey. This week, things got back to normal as Humphrey and Bernard got the better of Jim (even though it was kind of Bernard’s fault that Jim’s wife received the potentially problematic present in the first place). Paul Eddington’s performance in this week’s episode, alternating between self-righteous pomposity and desperate sputtering, was a work of comedic genius. Despite the fact that this show is older than I am, Yes, Minister is definitely my favorite of the shows that I currently watch on a regular basis.

Lisa’s Week In Television: 4/11/21 — 4/17/21


“Girl, you watch too much television.” Someone said that to me once right before they cut me out of their lives and, I hate to admit it, but they may have been right. I probably do watch too much television. This upcoming week, my goal is to watch a bit less.

Anyway, now that I’ve acknowledged my television addiction, here’s what I watched this week:

Allo Allo (Sunday Night, PBS)

“That stupid Englishman who thinks he can speak French is here!”

“Good moaning. I was pissing by and I have a massage from the Resistance.”

Allo Allo is a British sitcom from the 80s, which I just recently started watching on PBS. It takes place during World War II, in occupied France and, despite being made by the same people who did Are You Being Served?, it’s actually very funny. Essentially, it’s about Rene who owns a cafe and who keep getting dragged into the plans of the Resistance, the Germans, and the British airmen who are always hiding somewhere in the building. There’s also a running joke about the search for a valuable painting and the various forgeries of it that are floating around town. Last Sunday’s episode featured the Resistance holding a forgery of the painting for ransom. The humor was frequently crude and pretty much dependent upon the viewer knowing all of the pre-existing jokes but it was performed by a lively cast and it was hard not to laugh at the “stupid Englishman who thinks he can speak French.”

American Idol (ABC, Sunday and Monday Night)

As I said the last time that I wrote about this show, I’m not really that much into American Idol anymore. I do watch it on occasion but I wouldn’t necessarily say that I really pay that much attention. The whole show is rather bland and the refusal of the judges to risk their popularity by actually being brutally honest with the singers is a bit of drawback. I often just have the show on a background noise, barely aware of what’s actually happening while it’s on.

That said, I was as shocked as anyone when it was announced, on Monday, that Wyatt Pike had left the show. Why did Wyatt Pike leave? No one knows. In typical American Idol fashion, a vague statement was released that revealed next to nothing. It’s at times like this that I miss Vote For The Worst because that message board would have been on fire with speculation as to why Pike had left the competition. Of course, a lot of the speculation would have been a bit mean-spirited but that’s the internet for ya.

(I was devoted reader of Vote For The Worst but I never commented on the site because I knew, deep down, I was probably too nice to be a part of the community. I always agreed with the site when they trashed production for forcing the singers to sing out-of-date songs and for trying to manipulate the viewers by getting the judges to only praise production’s favorites. But I was also one of those “Can’t we all be happy for the singers?” types and I knew no one wanted to hear that. Still, as biting as some of the comments on the message boards could be, the site was always a valuable reminder not to take American Idol or any “reality” show too seriously.)

Anyway, I’d like to say that Wyatt Pike left because he didn’t want to have to sing whatever song Kara DioGuardi wrote for the finale but then I remembered that it’s been like 12 years since Kara was involved with American Idol and that tells you just how closely I follow the show.

America’s Most Wanted (Monday Night, FOX)

This week was the first season finale of the America’s Most Wanted reboot. It almost might be the finale of the show itself as it has apparently been struggling in the ratings. To be honest, the show’s mix of modern technology (like the CGI versions of the fugitives) and old school recreations of the crimes that the most wanted are accused of having committed has always felt a bit awkward.

Anyway, last night’s episode featured a murderous rapper named Maurice Nesbitt and an environmental terrorist, among others. As I watched the show, I was mostly hoping to hear that Raymond McLeod, the grotesque body builder who was profiled last week, has been captured. No such luck.

Baywatch (Weeknights, H&I)

Baywatch was consistently silly this week. Sunday featured an episode in which Mitch fell in love with a literal princess and it pretty much just got sillier from there. I guess these episodes are from the third season of the show and it appears that it was during this season that Baywatch went from being semi-serious to being so unserious that it occasionally bordered on the surreal. It’s hard not to feel that David Lynch could have worked wonders with Baywatch.

On Monday, things got even stranger as Mitch put on a fake mustache and Stephanie wore a blonde wig so that they could go undercover to capture a master criminal played by John O’Hurley of Seinfeld, Dancing With The Stars, and Family Feud fame. This was followed by an episode that opened with a murder but which was mostly made up of footage of David Hasselhoff playing basketball and Pamela Anderson being stalked by a nerdy newlywed.

Tuesday’s episodes, I didn’t pay much attention to. I was busy cleaning the house so they were mostly on as background noise. The first episode was something about criminals wanting to blow up a pier. Under normal circumstances, blowing up a pier would be a bad idea but these criminals wanted to blow up the pier while the governor was standing on it! The second episode was about Mitch’s father wanting him to take over the architectural firm. Apparently, Mitch’s parents thought that he was wasting his life on the beach. Of course, Mitch is in his early 40s and lives in a pretty big house so it’s kind of hard not to feel that maybe his parents should have had this conversation with him two decades earlier.

On Wednesday, the first episode featured Mitch hiring a sexy housekeeper named Elke. Hijinks ensued! The second episode featured Mitch having to deal with hundreds of UFO enthusiasts flooding the beach. During this episode, Mitch insisted that he didn’t believe in aliens or anything supernatural so I can only imagine that this was before Baywatch Nights. It’s always struck me as a bit odd that Mitch would battle vampires and demons at night and then, during the day, go back to being a laid back lifeguard. But I guess you do what you have to do. Maybe it’s a California thing.

Thursday’s episodes produced a good deal of tonal whiplash. The first episode was a rather grim story about two lifeguard being held hostage in their tower by a sociopathic criminal. I’ve noticed, on Baywatch, that the beaches were always attracting sociopaths and the lifeguards often seemed to end up getting held hostage. I guess it goes with the job but still, I would probably get freaked out after the third time it happened. I would probably look for another job, one that didn’t involve trying to enforce the law while wearing a tight bathing suit. The second episode of the night featured a non-lifeguard pretending to be a lifeguard in order to impress his mother and it was absolutely nothing like the first episode. The two episodes were so different that it was hard to believe that they both took place in the same television universe. Again, it’s hard not to feel that the show missed an opportunity by not asking David Lynch to direct an episode or two.

Friday’s episodes saw Mitch getting paralyzed during a rescue but he didn’t let that stop him from thwarting a hitman. By the end of the second episode, Mitch could walk again and the mafia had been defeated so yay!

Finally, Saturday’s episode featured a surprising amount of kickboxing, which apparently all of the lifeguards were totally into despite no one having mentioned anything about it in any of the previous episodes. There was also this plot about a sleazy French photographer trying to take Pamela Anderson away from the beach. He would have succeeded if not for a fact that a child conveniently had to be rescued from drowning. Having been reminded of why being a lifeguard is so important, Pamela was able to say, “Au revoir, creep.”

Couples Court With The Cutlers (Weekday mornings, Channel 33)

If you think you’re significant other is cheating on you, you can take them to Couples Court where Judges Keith and Dana Cutler will determine whether or not it’s true while a national audience watches and makes fun of you. This show is actually more enjoyable than most other court shows, just because the Cutlers are generally likable and their advice usually makes a little bit of sense. Still, it’s hard not to laugh whenever their grim-faced lie detector guy announces the results of the test as if he’s just returned from interrogating the Boston Strangler or something. In the past, the Cutlers have also used “voice analysis” to determine whether or not someone’s lying. I guess that’s what you do when you can’t afford to hire the polygraph guy for the entire week. “Voice analysis revealed that …. SHE IS NOT CHEATING!” Everyone can be happy with that.

Friends (Weeknights, Channel 33 and many other stations, not to mention HBOMAX)

On Thursday night, I watched the episode where Chandler was dating Rachel’s boss and, even though he couldn’t stand her, Chandler still couldn’t bring himself to break up with her because he was Chandler and he had issues with that sort of thing. It was a funny-enough episode but I guess it was filmed at a time when Matthew Perry was still doing drug because he looked distressingly thin and I actually found myself getting a little freaked out over how sickly he looked. I’m glad that he apparently got all of that worked out. As for the rest of the episode, I actually preferred the subplot, which featured Monica and Phoebe competing over who had the best dollhouse. Phoebe’s dollhouse was the most popular but it was also the most dangerous because it ended up bursting into flames towards the end of the episode.

Gangs of London (Sunday Night, AMC)

Gangs of London is a show that originally aired in the UK in 2020 and which is now airing here in the States on AMC. On Friday, I finally got to watch the first two episodes and it’s really not bad. In fact, it’s actually pretty good. It’s stylish and it’s violent and it does, at times, test how much patience one has for scenes of men glaring at each other but it’s also very well-acted and it makes great use of its gritty London locations. So far, the show has dealt with the aftereffects of the assassination of the man (played by the great Colm Meany) who, for 20 years, ruled over London’s underground. Now, his family is trying to maintain their power while everyone else is looking to move in on their territory. One of the most interesting themes of the show is that the majority of London’s crime families are international in nature. Just as the world has changed, so has the nature of organized crime. These aren’t just a bunch of London hoodlums fighting over an alley or a block. Instead, these are mobsters from all over the world, all fighting for control of a major city. It’s a complicated but definitely compelling show. I will continue to set the DVR for it.

Hell’s Kitchen (Thursday Night, FOX)

On Thursday night, the final two chefs were revealed. Next week, Mary Lou will be going up against Kori in the finale. Mary Lou better win, especially since Declan deserved Kori’s spot. Go, Mary Lou, go!

Hill Street Blues (Weekday Mornings, H&I)

Jeff introduced me to this show last year and I’ve been setting the DVR for it ever since. Hill Street Blues originally aired in the early 80s. It was the first of the big ensemble dramas, following a bunch of cops and detectives as they patrol a really depressing and unnamed city. It’s very much a show of its time but it’s mix of humor and tragedy is surprisingly effective even if it is sometimes dated and the show was really well-written. The characters are especially interesting. Alcoholic detective JD La Rue is my favorite! This week, I noticed that the story editor was Mark Frost, who later collaborated with David Lynch on Twin Peaks. As odd as it may seem, it’s easy to see how the gritty toughness of Hill Street Blues led to the surreal and dream-like drama of Twin Peaks. They’re both ensemble show that require viewers to actually pay attention and think for themselves.

Kung Fu (Wednesday Night, The CW)

I kind of watched the second episode of Kung Fu. I have to admit that I occasionally found myself struggling to remain interested in it. It’s just such a CW show and, as a result, it’s a bit predictable at times. That said, Olivia Liang is doing a great job in the role of the lead character and it still feels like the show has the potential to become something special. Personally, I find the family drama to be way more interested than all of the mystery surrounding the death of Nicky’s shifu. I especially like the relationship between Nicky and her sister. It feels real. Olivia Liang and Shannon Dang are basically the two main reason to give Kung Fu a chance.

The Last Drive In (Friday Night, Shudder)

Joe Bob and Darcy and the iguana are back! The third season of The Last Drive-In started on Friday. The first film that they showed was Mother’s Day and I missed it because I was busy hosting the Friday Night Flix live tweet. However, I did catch the second film that they showed, Lucio Fulci’s The House By The Cemetery. Needless to say, I had a great time watching one of Fulci’s best films. Joe Bob was as likable as ever. His special guest was Eli Roth. On the one hand, I felt the Eli tended to ramble a bit too much (I wanted to get back to the movie!) but, at the same time, his love of the horror genre always came through. It was fun, that was the important thing. I have to say thank you to my friend Jason for correctly guessing and letting me know that Joe Bob was about to show a Fulci film.

Lauren Lake’s Paternity Court (Weekday mornings, Channel 33)

No one can needlessly drag out the reading of paternity results quite like Lauren Lake. It’s almost like a very sadistic style of performance art, the way she tortures the people in her court by getting them at their most vulnerable and then slowly opening the envelope and very precisely and slowly reading every single word of the results. “These results were prepared by DNA Diagnostics, a subsidy of the Rand Company of New Haven, Connecticut, a division of Petrolli Incorporated of Newark, New Jersey and they read as follows. In the case of….” GET ON WITH IT, JUDGE!

The Masked Singer (Wednesday, FOX)

On the one hand, The Masked Singer is an entertainingly strange show and it’s usually fun to try to guess who the celebs under the masks are. On the other hand, it’s hosted by an anti-Semite and one of the judges is an anti-Vaxxer. As I watched the show on Wednesday, I found myself wondering how Jenny McCarthy has managed to more or less get a free pass despite the undoubtedly large role she played in popularizing the anti-vaccine movement. And then you’ve got Nick Cannon, who was ranting about the Rothschilds just a few months ago, serving as the show’s host. My advice would be to replace Jenny McCarthy with …. well, someone who doesn’t have a history of putting people’s lives at risk. And then replace Nick Cannon with Joel McHale and Robin Thicke with Mark McGrath. (Ken Leong, of course, is more than welcome to stay.) Seriously, this is an entertaining show so it would be nice to be able to watch it without feeling guilty about it later.

Speaking of Mark McGrath, he was eliminated this week. He was the Orca.

The Office (All The Time, Comedy Central)

Monday evening, I watched Basketball and Hot Girl from Season 1 and The Dundies from season 2. I rarely drink but when I do, I’m a lot like Pam at the Dundies.

The Old Guys (Sunday Night, PBS)

On Sunday’s episode, one of the old guys finally moved out and got his own flat. Unfortunately, it turned out that he was miserable living without his best friend and housemate so, eventually, he moved back in and everything got back to normal. It was a bit predictable but it was still a cute episode. The flat had an alarm system that was so sensitive that anyone who visited basically had to crawl across the floor to prevent it from going off. That was fun to watch.

Open All Hours (Sunday Night, PBS)

Arkwright and Granville made it through another episode without killing each other, though both clearly wanted to. It’s a bit of a depressing show but I guess we should be happy no one died.

Protection Court (Weekday mornings, Channel 33)

Protection Court is a reality court show where we watch as people request that the judge grant a restraining order against abusers and stalkers. It’s a disturbing show. Speaking as someone who knows firsthand what it’s like to be stalked, watching this show on Monday morning brought back all of that fear and dread. I’m not really sure why I was watching in the first place.

Rebel (Thursday nights, ABC)

Rebel is a show about a paralegal who gets results not through any real knowledge of the law but instead by yelling at people until they give her whatever she wants just so she’ll go away. We’re supposed to like her but the show is so heavy-handed and the character is such a scold that you actually end up feeling sorry for the heartless corporations. You’re like, “Really? You polluted that river? Well, at least you’re not yelling at me right now.” The main problem with the show is that the main character is actually nicknamed “Rebel,” which …. I mean, yeah whatever. What a waste of Katey Sagal’s talents.

The Rookies (Sunday Morning, H&I)

This Sunday, the first episode of The Rookies featured Michael Ontkean shooting and killing a suspect who he thought was shooting at him. It later turned out that the suspect was unarmed and was instead carrying a camera that apparently sounded like a gun. I don’t know, it was weird. On the one hand, the episode did a good job of showing how a tragedy like this could happen and Michael Ontkean gave a good performance as someone haunted by a terrible mistake. On the other hand, this episode was from 1972 and was so firmly on the side of the cops that it’s hard to watch it today without cringing a little. It’s not so much that the episode justified the shooting as much as it didn’t even seem to entertain the thought that any rational person could possibly believe that Ontkean had been too quick to fire his weapon.

The second episode was incredibly silly, largely because it featured Roddy McDowall as a professional hitman trying to take out an informant in the most unnecessarily complicated way possible. If you were trying to assassinate someone before they went into the witness protection agency, would you kidnap a cop, hold him hostage at a public airport, and demand that the informant be turned over to you so that you can kill him? That’s what McDowall does! Like seriously, this guy is supposedly the best assassin in the world and that’s the best plan that he can come up with! Needless to say, it doesn’t work out for the bad guys but still, anything from the 70s that features Roddy McDowall as a villain is going to be entertaining.

Seinfeld (Weeknights, Channel 33 and a host of other channels, as well was Hulu)

The episodes that I watched on Thursday was a Christmas episode. Elaine was dating a creepy communist named Ned. Kramer was working as a department store Santa, or at least he was until he got too political. “Hey,” a little kid yelled, “This guy’s a commie! Commie! Commie! Traitor to our country!” That made me laugh. Finally, Jerry raced an old acquaintance from middle school and he beat him by cheating. That made me laugh too.

The Serpent (Netflix)

I reviewed The Serpent here.

Tough as Nails (Wednesday Night, CBS)

The second season of Tough as Nails, the bizarre reality show about blue collar people competing to see who can be the first to complete various blue collar tasks, came to an end this week. I guess Scott won and good for him. He got $200,000 and a truck.

Upstart Crow (Sunday Night, PBS)

Upstart Crow is a British sitcom, one that imagines the life of William Shakespeare, his friends, his family, and his co-workers. Shakespeare is a pompous social climber with a neurotic side. His co-workers are constantly trying to take advantage of him. His family can’t understand why he won’t ever just write normal and simple dialogue. His friends are, for the most part, idiots. His wife doesn’t respect him and his landlady’s daughter, Kate, is determined to use him to become an actress despite the fact that women are not allowed to appear on stage. Each week, Shakespeare struggles with a new play (or, occasionally a sonnet) and his struggles are usually used as a way to satirically comment on modern events.

PBS just started airing Upstart Crow at the start of this month. Right now, they’re on the first series, which originally aired in 2016. Personally, I’m growing to really like it. It’s a fun show, one that’s rewarding for students of Shakespeare and for those who love a mix of high satire and lowbrow comedy. Like a good Shakespeare play, it appeals to both the nobility and the plebeians. I especially enjoy the performances of David Mitchell as Shakespeare and Gemma Whelan as Kate.

My favorite joke so far has been the portrayal of Christopher Marlowe as a vapid self-promoter who frequently steals Shakespeare’s plays and tries to pass them off as his own. Take that, Marlovians!

The Voice (Monday Night, NBC)

I’m always a little bit surprised by the fact that I always set the DVR for this show because it’s not like a really pay that much attention to it while I’m watching. I think I just like the fact that it’s so ludicrously overcomplicated, what with the battles and the judges stealing people and the judges saving people and it’s always kind of fun to see how silly the judges get when its time to play up all the drama.

Add to that, I like Blake Shelton. I like Nick Jonas. It’s nice that Carson Daly has a job.

Yes Minister (Monday Morning, PBS)

I got a bit of a scare last week when it appeared that PBS was going to stop showing Yes, Minister and instead start showing — ugh — Are You Being Served in its place. Fortunately, it turned out that it was just an error in the guide and Yes, Minister did indeed air Monday at midnight.

(Actually, it started about six minutes late, due to ‘Allo ‘Allo and Open All Hours running late.)

This week’s episode was …. well, it was okay. It was about Jim Hacker’s attempts to bring more women into the civil service and Sir Humphrey’s old school panic regarding the prospect. On the one hand, the episode did a good job of showing the extent that an “old boys club” will go to keep women from advancing. There was a great scene in which all of the heads of the various departments said that they fully supported equal opportunities for all people before then giving increasingly flimsy excuses for why they personally wouldn’t be promoting any women. But then the show itself ended with a woman turning down a promotion because she didn’t want to be viewed as just being a diversity hire and that felt a bit like a cop out. Still, the episode had many funny lines and three great performances from Paul Eddington, Nigel Hawthorne, and Derek Fowlds.

I’ve recently discovered that Yes, Minister eventually became Yes, Prime Minister and I’m certainly hoping that PBS will show those episodes as well. It would certainly be preferable to Are You Being Served.

Holiday Scenes That I Love: Festivus Dinner From Seinfeld (NBC, 1997)


Again, Happy Festivus!

This scene is from The Strike episode of Seinfeld.  Believe it or not, it is based on a true story.  Scriptwriter Dan O’Keefe, who wrote this episode, grew up celebrating Festivus, a holiday that was created by his father.  In the real Festivus, the aluminum pole was replaced by a clock that O’Keefe’s father would put in a bag and nail to a wall.  To quote O’Keefe:

“The real symbol of the holiday was a clock that my dad put in a bag and nailed to the wall every year…I don’t know why, I don’t know what it means, he would never tell me. He would always say, ‘That’s not for you to know.'”

Enjoy!

Great Moments In Character Actor History: Wilford Brimley on Seinfeld


Though he is best known today for telling diabetics to “check your blood sugar and check it often,” Wilford Brimley was one of the best no-nonsense tough guys in the movies.  Back in the day, no one played gruff and plainspoken as well as Wilford Brimley.  Whether he was playing a senior citizen in Cocoon, a U.S. attorney in Absence of Malice, or a stern father figure in countless movies and TV shows, Wilford Brimley was the epitome of an honest, upright, no bullshit authority figure.  It has been a while since Brimley appeared onscreen but anyone who grew up in the 80s and 90s can remember hearing his distinctive voice and fearing that, somehow, Wilford Brimley knew everything that he had ever done wrong.

Wilford Brimley played many roles but, for me, he will always be Postmaster General Henry Adkins in The Junk Mail episode of Seinfeld.  In this episode, Kramer announces that he is no longer going to accept any more junk mail and dares to suggest that we might not need a postal service at all.  Who better to set Kramer straight than the U.S. Postmaster General, Henry Adkins?  Even if it means having to put off his golf game, Henry is not going to let anyone make a joke out of the U.S. Postal Service.

As Henry himself explains, “I’m a postmaster but I’m also a general and it’s the job of a general to, by God, gets things DONE!”

In the video below, Henry Adkins enters at the 1:17 mark.

After watching this great moment in character actor history, you will never again complain about getting a pottery barn catalogue!

In Praise of Seinfeld’s Joe Bookman


BookmanLt. Joe Bookman is a cop.  He works for the New York Public Library, helping to track down delinquents who vandalize books and fail to pay their late fees.  Yes, the library cop is named Bookman but he has already heard all the jokes.

1971.  That was Bookman’s first year on the job.  Bad year for libraries.  Bad year for America.  Hippies burning library cards.  Abbie Hoffman telling everyone to steal books.  Bookman doesn’t judge a man by the length of his hair or the type of music that he listens to.  Rock and roll was never his bag.  But he’ll make sure you put on a pair of shoes before you step into the New York Public Library, fella!

You know that little stamp, the one that says “New York Public Library?”  That may not mean anything to you but it means a lot to Joe Bookman.   One whole hell of a lot.  Why would Bookman make such a big stink over old library books?  Here’s a hint, junior.  Maybe we can live without libraries, people like you and me.  Sure, we’re too old to change the world.  But what about that kid, sitting down, opening a book, right now, in a branch at the local library and finding drawings of pee pees and wee wees on The Cat In The Hat and The Five Chinese Brothers?  Doesn’t he deserve better?

Bookman 2Of the many odd characters who appeared on the sitcom Seinfeld, Joe Bookman (played by Philip Baker Hall) remains one of the most popular.  Unlike Kramer’s lawyer Jackie Chiles or Larry David’s impersonation of George Steinbrenner, Mr. Bookman only appeared in two episodes.  He had a cameo in the series finale and, before that, he appeared in the third season episode, The Library.  The scene where Bookman mercilessly grills Jerry Seinfeld about whether or not Seinfeld returned Tropic of Cancer is a classic, with Hall playing the dogged library cop like a modern-day Inspector Javert and Seinfeld obviously struggling not to laugh.

Seinfeld was famously described as being a show about nothing.  What set Lt. Bookman apart from the show’s regular characters was that he believed in something.  Joe Bookman believed in the sanctity of the New York Public Library.  He was an old-fashioned man with a code of honor, the type of man who take a bullet to save a book.

When he first appeared in 1991, Bookman was already angry about the way the world was changing around him.  He is probably even less happy today.  Where is Joe Bookman right now?  Maybe he’s retired and sitting on a beach, drinking a piña colada and reading Henry Miller.  Maybe.  But I like to believe that he is still on the job, collecting fines and searching for overdue books.

Whatever Bookman is doing now, he will always be there in syndication, reminding us to put our shoes on before stepping into the library and to return our books on time.