Horror Film Review: Giant From The Unknown (dir by Richard E. Cunha)


In 1958’s Giant From The Unknown, something strange is happening in a California mountain town.  Animals are being killed.  Property is being destroyed.  People are being murdered.

Sheriff Parker (Bob Steele) suspects that the murderer might be Dr. Frederick Cleveland (Morris Ankrum), mostly because Dr. Cleveland spends a lot of time in the mountains looking at fossils with his daughter, Janet (Sally Fraser).  When a younger scientist named Wayne (Ed Kemmer) shows up to help Dr. Cleveland out with his research, Sheriff Parker is even more suspicious.  Meanwhile, the local citizenry suspects that it might be a member of the local Native American community.

It turns out that everyone’s wrong!

The murderer is a formerly dead conquistador (Buddy Baer), who was brought back to life by a bolt of lightning and who is now wandering around the mountains and killing people.  The conquistador walks around in his full conquistador uniform, which is in pretty good shape when you consider the fact that he’s been dead for over two hundred years, maybe longer.

The odd thing about the conquistador is that he’s regularly described as being a giant, even though he’s clearly not.  I mean, he’s tall.  He appears like he might be 6’5.  That makes him taller than the average person but shorter than the average professional basketball player.  The filmmakers regularly attempt to shoot him from a lower angle in order to make him look taller but there’s nothing that can be done to disguise the fact that he’s just a 6’5 guy wearing what appears to be a fake beard and mustache.  If anything, he looks like the frozen-faced Burger KIng mascot.  Maybe he would stop killing people if the sheriff would just order a cheeseburger and fries.  I mean, seriously, his whole rampage could have been avoided.

The title is also incorrect about the giant being from the unknown.  He’s very obviously from Spain.  All one has to do is look at his uniform.  I think the unknown element of this film is how the conquistador has spent centuries underground without losing any skin.  For someone who has been dead for as long as this conquistador was, his hair is very clean and well-groomed.  Watching this film, it’s hard not to feel that Dr. Cleveland should have spent some time researching conquistador embalming techniques because whoever preserved the “giant” did a very good job!  Everyone should be so lucky to look that good for being dead for that long.

Giant From The Unknown attempts to do the usual thing where the monster falls for the only woman in the entire film.  (Indeed, it was hard not to notice that town’s population seemed to be 99% male.)  Unfortunately, the giant was a pretty silly monster so it was difficult to get wrapped up in his emotional journey.  There are some monsters that you feel sorry for and there are other monsters that you just wish would go away.  The giant is a monster who probably had a lot of good haircare tips and who could have probably helped out the entire town …. if only they had been willing to listen!

Horror On The Lens: It Conquered The World (dir by Roger Corman)


“Man is a feeling creature, and because of it, the greatest in the universe….”

Hell yeah!  You tell ’em, Peter Graves!

Today’s Horror on the Lens is 1956’s It Conquered The World.  Graves plays a scientist who watches in horror as his small town and all of the people who he loves and works with are taken over by an alien.  Rival scientist Lee Van Cleef thinks that the alien is going to make the world a better place but Graves understands that a world without individual freedom isn’t one that’s worth living in.

This is one of Corman’s most entertaining films, featuring not only Graves and Van Cleef but also the great Beverly Garland.  Like many horror and science fiction films of the 50s, it’s subtext is one of anti-collectivism.  Depending on your politics, you could view the film as either a criticism of communism or McCarthyism.  Watching the film today, with its scenes of the police and the other towns people hunting anyone who fails to conform or follow orders, it’s hard not to see the excesses of the COVID era.

Of course, there’s also a very persuasive argument to be made that maybe we shouldn’t worry too much about subtext and we should just enjoy the film as a 50s B-movie that was directed with the Corman touch.

Regardless of how interpret the film, I defy anyone not to smile at the sight of ultra-serious Peter Graves riding his bicycle from one location to another.

Here, for your viewing pleasure, is It Conquered The World!

 

Horror Film Review: It Conquered The World (dir by Roger Corman)


“Man is a feeling creature, and because of it, the greatest in the universe….”

So says scientist Paul Nelson (Peter Graves) towards the end of 1956’s It Conquered The Universe.  Paul may be a scientist but he understands the importance of emotion and imagination and individuality.  He knows that it’ll take more than just cold logic to save humanity from destruction.

Unfortunately, Paul’s best friend, Tom Anderson (Lee Van Cleef), disagrees.  Tom worked at Los Alamos.  Tom helped to develop the atomic bomb.  Tom is convinced that humanity will destroy itself unless a greater power takes over.  Tom feels that he has discovered that greater power.  Tom has recently contacted a Venusian and invited it to come to Earth.  Upon arriving, the Venusian promptly disrupts all electrical power on Earth.  It sends out bat-like creatures that inject humans with a drug that takes control of their minds and turns them into a compliant slaves.  Paul tells Tom that robbing people of their free will is not going to save the Earth but Tom remains committed to the Venusian, even as it becomes obvious that the Venusian’s main concern is with its own survival.

It Conquered The World is very much a film of the 1950s.  Along with tapping into the era’s paranoia about nuclear war and UFOs, it also features Peter Graves delivering monologues about freedom and the inherent superiority of the human race.  When Paul confronts Tom, he not only accuses Tom of selling out the Earth but he also attacks Tom’s patriotism.  When Tom’s wife, Claire (Beverly Garland), confronts the alien and orders it to leave her plant along, she does it while wearing high heels and a tight sweater and holding a rifle.  The one female scientist (played by Karen Kadler) spends most of her screentime being menaced while wearing a white slip and there’s a platoon of bumbling but unbrainwashed soldiers hanging out in the woods.  If one looked up 1956 in the dictionary, there’s a very good chance this film would be the definition.

At the same time, the film’s story feels like a metaphor for modern times.  When the Venusian-controlled police turn authoritarian and start threatening to punish anyone who questions their orders, we’re reminded of the excesses of the COVID lockdowns.  When the editor of the town’s newspaper is shot by a policeman who says that words are no longer necessary in the new world, it’s hard not to think of all the writers, commentators, artists, and ordinary citizens who have run afoul the online cancellation brigade.  When Paul is reduced to riding a bicycle from place to place, it’s hard not to think of the environmental Luddites, with their hatred of anything that makes life more convenient.  When Tom rationalizes his activities by saying that humanity must be saved from itself, he’s expressing an opinion that is very popular among several people today.  Tom’s embrace of cold logic feels very familiar.  Of course, today, people don’t need a Venusian to order them to accept authoritarianism.  Instead, they’re more than happy to do on their own.

It Conquered The World was directed by Roger Corman.  It was his eighth film as a director and it remains one of his most entertaining.  As one might expect from a low-budget sci-fi film, It Conquered The World produces it’s share of laughs.  It’s hard not to smile at the sight of the extremely serious Peter Graves peddling his bicycle from location to location.  (It doesn’t help that Graves never takes off his suit or loosens his tie.)  And the Venusian simply has to be seen to be believed:

At the same time, It Conquered The World holds up well.  Lee Van Cleef and Beverly Garland both give performances that transcend the material, with Van Cleef especially doing a good job of paying a man struggling to rationalize his bad decisions.  It Conquered The World holds up today, as both a portrait of the 50s and 2024.

Horror on the Lens: War of the Colossal Beast (dir by Bert I. Gordon)


Remember Glenn Manning, the unfortunate “hero” of The Amazing Colossal Man?

The previous film may have ended with Glenn plunging to his apparent death from the Hoover Dam but, believe it or not, he survived!  Unfortunately, he didn’t survive well.  Now, he’s even bigger and he’s even angrier.  Plus, he’s massively disfigured.  The once articulate, if cranky, Amazing Colossal Man is gone.  Now, he’s a Colossal Beast!

That’s the story behind the 1958 film, War of the Colossal Beast!  In this sequel, Glenn is back and the army once again has to find a way to control him.  Needless to say, it all leads to a final confrontation near Los Angeles’s Griffin Observatory, which means that War of the Colossal Beast is not only a sequel to Amazing Colossal Man but it’s also a bit of companion piece to Rebel Without A Cause!

(Speaking of companion pieces, am I the only one who associated the end of Colossal Man with those commercials that MSNBC used to show of Rachel Maddow going on and on about how only a nation could build the Hoover Dam?  Never say “Lean forward” while you’re standing on top of a dam.)

Anyway, War of the Colossal Beast has a totally different cast from Colossal Man and a somewhat different feel.  That said, the Colossal Beast makeup — that eye socket freaks me out! — is memorable and, like the previous film, it’s fun in a 1950s B-movie sort of way.

http://www.youtube.com/watch?v=NRLAN7is2uo

Horror on The Lens: It Conquered The World (dir by Roger Corman)


For today’s horror on the lens, we present a film from the legendary Roger Corman.  First released in 1956, It Conquered The World tells the tragic story of what happens when it … well, conquers the world.  It, by the way, is one of the most iconic of the 1950 sci-fi monsters.  It is kind of a crab-like thing but … well, just watch the film.  It’s kind of hard to describe.

The film also features future spaghetti western star Lee Van Cleef as the human scientist who foolishly helps It conquer the world.  Van Cleef’s wife is played by one of the greatest B-movie actresses of all time, Beverly Garland.  Hoping to thwart It is Peter Graves who spends the majority of the film riding around on a bicycle.  Also keep an eye out for Dick Miller and Jonathan Haze, who both play soldiers here and who would later co-star in tomorrow’s horror on the lens.

http://www.youtube.com/watch?v=6Oa5mr09Ylg