4 Shots From 4 Films: Special Stephen King Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Tomorrow will be the birthday of Stephen King.  Normally, we honor folks on their birthday but tomorrow is also Bill Murray’s birthday so we’re going to honor King now.

In others words, it’s time for….

4 Shots from 4 Stephen King Films

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Maximum Overdrive (1986, dir by Stephen King, written by Stephen King, DP: Armando Nannuzzi)

Sleepwalkers (1992, dir by Mick Garris, written by Stephen King, DP: Rodney Charters)

The Stand (1994, dir by Mick Garris, written by Stephen King, DP: Edward J. Pei)

Late Night Retro Television Review: Friday the 13th: The Series 3.11 “Year of the Monkey”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Friday the 13th features an international adventure!

Episode 3.11 “Year of the Monkey”

(Dir by Rodney Charters, originally aired on January 15th, 1990)

Mushashi (John Fujioka) is a modern-day samurai who owns a cursed tea kettle.  When Jack, Micki, and Johnny come by his dojo in search of the kettle, Mushashi says that he will give it to them if they can prove that they are “honorable” by retrieving three cursed monkey statues that are currently in the possession an elderly businessman named Tanaka (Robert Ito).

Tanaka, however, has given the three wise monkey statues (“See No Evil,” “Hear No Evil,” and “Speak No Evil”) to his three children, Michiko (Tia Carrere), Koji (Leonard Chow), and Hitoshi (Von Flores).  Tanaka explains that each statue will challenge it’s owner.  Those who react in an honorable way will inherit Tanaka’s fortune.  Those who are dishonorable will get nothing.

Jack, Micki, and Johnny split up to retrieve the monkeys.  Johnny goes to New Yok to get Hear No Evil from Hitoshi.  Micki goes to Hong Kong to retrieve See No Evil from Koji.  Jack gets to stay in Canada (or Chicago or wherever this show is supposed to be taking place) so that he can retrieve Speak No Evil from Michiko.  What they don’t know is that Tanaka is several hundred years old.  Every time one of his children fails a monkey test, Tanaka gets a little bit younger.

It’s all about honor and dishonor and the code of the samurai in this week’s episode.  To be honest, it’s a bit of a mess.  First off, the title refers to the Chinese Zodiac but, other than our three regulars, all of the characters are meant to be Japanese.  Secondly, it’s never really clear how the cursed monkeys decide what is honorable and what is dishonorable.  Hitoshi uses his monkey to hear the thoughts of those around him and to take advantage of them.  That’s definitely dishonorable.  But then Koji is declared to be dishonorable even though his monkey did something on its own, without Koji telling it to.  Michiko refuses to use her monkey to her own advantage and is judged to be honorable.  She is told that it is now her duty to kill her father but instead, she commits suicide because killing her father would be dishonorable.  Then, Tanaka is eventually judged to be dishonorable because he stabs Musashi while Mushasi is not holding a weapon but that’s just because Mushashi dropped his sword at the very least minute.  It seems like Mushashi should be the dishonarable one for going out of his way to trick Tanaka.

My point is that this was a confusing episode.  The monkey were actually kind of cute but their powers made no sense.  I’m also not sure why experienced world traveler Jack decided to send Micki to Hong Kong instead of going himself.  In the end, this episode was pretty silly, despite the cool monkeys and the samurai-themed finale.

Late Night Retro Television Review: Friday the 13th 2.21 “Wedding in Black”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

This week, the departed return!

Episode 2.21 “Wedding in Black”

(Dir by Rodney Charters, originally aired on May 8th, 1989)

In South America, a man named Calvin Collier (Stephen Meadows) is carrying around a snow globe and strangling women.  After he kills a young Jill Hennessy (credited here with playing “Spanish Hooker,”), Calvin is taken to prison.  However, an ominous voice says that it has need of Calvin’s soul.

In Africa, Brother Antonio (Guy Bannerman) is caught trying to rape a woman and is promptly set on fire.

In America (or maybe Canada), Maya Zedler (Carolyn Dunn) is released from prison and promptly kills herself.

What do all three of these people have in common?  They all know the folks at Curious Goods!  Calvin is a friend of Micki’s.  Brother Antonio is an acquaintance of Jack’s.  Maya used to be Ryan’s girlfriend.  And even though all three of them are now dead, Lucifer sent them back into the world of the living because he’s decided that he wants Micki to give birth to his child.

Calvin and Antonio show up and draw Micki and Jack out of the store and into a sudden blizzard.  Suddenly, all four of them find themselves in the castle that sits in the middle of Calvin’s snow globe.  Calvin sets about trying to seduce Micki on behalf of Lucifer.

Meanwhile, Maya shows up and tries to keep Ryan distracted so that he won’t go looking for Micki and Jack.  However, it turns out that Maya still has a conscience and eventually, she turns on Lucifer and sacrifices herself to help Ryan.

This episode was an interesting change of pace.  The snow globe may have been an antique but wasn’t one of the antiques and instead of Micki and Ryan stumbling into whatever terrible thing was happening, Lucifer instead came directly for them.  If nothing else, this episode showed that the producers of Friday the 13th: The Series understood the danger of falling into a rut and that they were capable of changing things up without losing the overall macabre atmosphere of the show.  The scenes in the castle were appropriately surreal and both Chris Wiggins and the often underused Robey gave good performances.  Of the three souls, Guy Bannerman made the strongest impression just by playing his character as being totally and unashamedly evil.

At the same time, it was hard not to feel that this episode was a bit of a missed opportunity.  While it was interesting to have Micki, Jack, and Ryan meet up with three spirits of people who they used to know, it’s hard not to feel that the episode would have worked better if the producers had reached into the past and brought back some of the show’s former guest stars.  Not an episode passed in which Micki, Jack, or Ryan doesn’t lose someone that they cared about and it would have been fun to see some of those people come back.  Imagine the emotional impact if John Stockwell or Catherine Disher or maybe one of Jack’s old war buddies had returned to life.

All in all, this was a good episode that could have been even better.

Due to the holidays, this is my final Friday the 13th review for 2024.  These reviews will return on January 3rd!

4 Shots From 4 Films: Special Stephen King Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Mr. Stephen King!

In others words, it’s time for….

4 Shots from 4 Stephen King Films

Creepshow (1982, dir by George Romero, written by Stephen King, DP: Michael Gornick)

Maximum Overdrive (1986, dir by Stephen King, written by Stephen King, DP: Armando Nannuzzi)

Sleepwalkers (1992, dir by Mick Garris, written by Stephen King, DP: Rodney Charters)

The Stand (1994, dir by Mick Garris, written by Stephen King, DP: Edward J. Pei)