Brad’s reflections on STAND BY ME (1986), directed by Rob Reiner!


“I was twelve going on thirteen the first time I saw a dead human being.”

These are the first words spoken in director Rob Reiner’s classic coming of age film, STAND BY ME, which received its widespread theatrical release in the United States on August 22nd, 1986. Actor Richard Dreyfuss spoke words that gave an exact description of my own age in the summer of 1986 when the film was released, and I certainly felt a connection to the characters in Reiner’s film. I watched STAND BY ME many times as a teenager, and with a humble and hurting heart, I decided to watch it again last night. On its surface, it’s a pretty simple story… 

After accidentally learning of the location of the body of a local boy who’s been missing for several days, four boys (played by Wil Wheaton, River Phoenix, Corey Feldman, and Jerry O’Connell) set off on a weekend adventure to find the body in hopes of becoming local heroes. Along the way, they dodge trains, get sucked on by leeches, tell gross-out stories around a campfire, tackle traumatic personal issues, and eventually stand up to a group of older bullies (led by Kiefer Sutherland)! When the weekend is over, they move on with their own lives, lives that are never quite the same again.                   

The main reason I have a real personal connection to STAND BY ME is the fact that I recognize myself and some of my friends in its young characters. I grew up in a very small rural community in Arkansas called Toad Suck. It wasn’t even a town; it was more of just a spot in the road where a few homes built up near a dam and bridge on the Arkansas River. Often when I’d spend the night with my best friend, we’d go walking down the railroad track that ran through our community, carrying our BB guns and hanging out on the railroad bridges where we could take aim at rocks, sticks, turtles, and, at times, the dreaded water mocassin! Like the boys in the movie, we’d always have to be on the lookout for the oncoming trains. As a very naïve and sheltered kid of the mid-80’s who was raised in a strict religious household, I tended to be somewhat judgmental. STAND BY ME forced me to think deeper thoughts and try to find a more mature empathy for those kids I hung out with and saw at school every day. While none of the characters in the film are an exact replica of me or my friends, we knew of people who were probably experiencing abuse, who were looked down upon as “less than,” and who were neglected by their parents. And I think we have all experienced times when we felt insecure, lacked confidence, or were afraid and didn’t have the maturity to handle it in a positive manner. I felt compassion for these characters, which in turn helped me feel more understanding towards those around me in my real life! As a filmmaker in complete control of his craft, Rob Reiner made a movie that even affected someone like me, and I’ve never forgotten those feelings. 

My feeling of kinship with the actors who played in STAND BY ME didn’t end when the movie ended either. Wil Wheaton, River Phoenix, Corey Feldman and Jerry O’Connell were all very close to my age when they filmed the movie, and I’ve followed each of their careers fairly closely my entire life. My two favorites were River Phoenix and Corey Feldman. It was painful to me when River Phoenix died in 1993 at just 23 years of age. I remember all the issues Corey Feldman had with drug addiction. I’m so glad that he’s been able to overcome that addiction and achieve sobriety for multiple decades. I’m not a Star Trek completist, but I always got a kick out of seeing Wil Wheaton on THE BIG BANG THEORY. And then Jerry O’Connell definitely lost his baby fat and has gone on to a solid acting career! The common thread, of course, is the fact that Reiner got great performances from each of these young actors in STAND BY ME. Combine those performances with the quality of the film and the time in my own life when the film came out, and you can start to get the idea of why the film has a position of reverence in my life. You can also see why I have such respect for Rob Reiner as a filmmaker. 

Overall, STAND BY ME is simply one of my favorite films of all time. It has some of the most memorable on-screen moments of my childhood. The pie eating barf-o-rama and the crotch leeches are scenes that are burned into my psyche. Along with the great cast of boys, Kiefer Sutherland gives one of his solid, bully performances in an 80’s film. Sutherland would go on later in his career and play one of my all-time favorite TV characters, Jack Bauer, in 24. More important than all of that, though, is the fact that the coming-of-age film STAND BY ME helped 12-13 year-old me grow up a little bit myself by making me feel something. I guess the greatest compliment you can give any director is to tell them that their film made you think about things more important than yourself and made a difference in your own life. Today, I pay you that great compliment and say Rest in Peace, Mr. Reiner! 

Brad’s Scene of the Day – “Teddy versus the Train” in STAND BY ME (1986)!


When I was a kid, I loved Corey Feldman. This love was mainly based on three movies, THE GOONIES (1985), STAND BY ME (1986), and THE LOST BOYS (1987). Corey is only two years older than me, so it always felt a little bit like he could have been a friend of mine when I watched his movies. I also thought he was so funny! One of my favorite things about Corey in STAND BY ME is the fact that he’s funny, but he also gives a solid dramatic performance in the film. His character Teddy isn’t scared of anything either, and for a kid who was maybe five feet tall and scrawny when he first watched this movie, that meant something to me! I just love STAND BY ME, and Corey is a big reason for that.

Join me in wishing Corey Feldman a happy 54th birthday, and while you’re at it, check out this scene:

Film Review: The Thing Called Love (dir by Peter Bogdanovich)


First released in 1993 and directed by Peter Bogdanovich, The Thing Called Love takes place in Nashville, the city that, for many people, has come to define Americana.

Of course, for those who actually love movies, it’s difficult to watch any film about Nashville and the country music scene without being reminded of Robert Altman’s American epic, Nashville.  Much like Nashville, The Thing Called Love follows a group of wannabes, stars, writers, and performers.  However, whereas Robert Altman used the city and its residents as a way to paint an acidic portrait of a nation struggling to find its way in an uncertain new world, The Thing Called Love is far less ambitious.

The Thing Called Love centers around Miranda Presley (Samantha Mathis).  Miranda is from New York but she loves country music.  She comes to Nashville to try to sell her songs and become a star.  Instead, she ends up working as a waitress at the “legendary” Bluebird Cafe.  While she waits for her big break, she meets two other aspiring writer/performers, Linda Lu (Sandra Bullock) and Kyle Davidson (Dermot Mulroney).  Kyle falls in love with Miranda but Miranda falls in love with and marries James Wright (River Phoenix, brother of Joaquin).  Unfortunately, while James is talented, he’s also a bit of a jerk.

The Thing Called Love aired on TCM last year and I can still remember checking out the #TCMParty hashtag on twitter while the film was airing.  The majority of the comments were from people who loved TCM and who couldn’t understand why the channel was showing this rather forgettable movie.  The answer, of course, is that the film was directed by Peter Bogdanovich and Bogdanovich was one of the patron saints of TCM.  Along with being responsible for some genuinely good films (Targets, The Last Picture Show, Paper Moon, Saint Jack, Mask, The Cat’s Meow), Bogdanovich was also a very serious student of the history of film.  Up until he passed away in January, Bogdanovich was a familiar and welcome sight on TCM.  Listening to him talk about John Ford, Alfred Hitchcock, and especially Orson Welles was always a delight.

Unfortunately, as Bogdanovich himself often admitted, the majority of his later films failed to reach the heights of his earlier work and that’s certainly the case of The Thing Called Love.  It’s not so much that The Thing Called Love is bad as it’s just really forgettable.  There’s very little about the film that suggests that it was directed by cineaste who was responsible for The Last Picture Show.  Samantha Mathis is likable but a bit bland in the role of Miranda while River Phoenix plays James as being such a jerk that you really don’t care about whether or not he finds success.  From what I’ve read, Phoenix based his performance on watching Bob Dylan in the documentary Don’t Look Back.  Dylan is notably mercurial in that documentary but, it should be noted, that Dylan eventually abandoned that persona once he realized that it was a creative dead end.

To be honest, I think the film would have worked better if Samantha Mathis had switched roles with Sandra Bullock.  This was one of Bullock’s first films and she steals every scene in which she appears, giving an energetic and likable performance as someone who never allows herself a single moment of doubt or despair.  As opposed to the self-loathing Phoenix and the bland Mathis and Mulroney, Sandra Bullock represents the hope and optimism that Nashville is meant to symbolize.  In the end, her performance is the best thing about The Thing Called Love.

Music Video of the Day: Drive by R.E.M. (1992, directed by Peter Care)


“It’s a subtle, political thing. Michael specifically mentions the term ‘bush-whacked’. But if you want to take it like ‘Stand’, that’s cool, too. You like to think that you can appreciate these songs on any level you want to. I have a lot of records I listen to when I’m just doing the dishes. Like Ride records. I really like Ride a lot. And I have no idea what the songs are about. And I really don’t care. I don’t even worry about it. Lyrics are the last thing I listen to, unless someone is hitting me over the head with it.”

— R.E.M.’s Peter Buck on Drive

Drive may have written to encourage young people to get involved in politics and to vote but I have always thought that the video was about the dangers of crowd surfing.  The video was filmed over two nights at Los Angeles’s Sepulveda Dam.  According to Michael Stipe, both Oliver Stone and actor River Phoenix showed up for the filming: “Oliver had been drinking and they got into a fight in my trailer. It was fun to watch. And it kind of fueled the energy that this video, from beginning to end, kind of carries through it.”

This video was one of several videos that Peter Care directed for R.E.M.  Care also directed videos for Bruce Springsteen, Tina Turner, Depeche Mode, and Fine Young Cannibals.  Care has also directed one feature film, The Dangerous Lives of Altar Boys.

Supposedly, Adam Scott is an extra in the video.  I have yet to spot him.