I review TIGHTROPE (1984) – starring Clint Eastwood! 


In TIGHTROPE, a psychiatrist makes the following comment to New Orleans police detective Wes Block (Clint Eastwood) while he’s trying to catch a serial killer who’s targeting sex workers:

“There’s a darkness inside all of us, Wes; you, me, and the man down the street. Some have it under control. Others act it out. The rest of us try to walk a tightrope between the two.”

This statement definitely hits home to Wes, whose personal life has gotten rather dark. His wife has recently left him and their two daughters (Alison Eastwood and Jenny Beck), and the detective seems to be drowning himself in his work, at times in a bottle, and at other times in the arms of some of the local ladies of the night. Whenever he does try to plan something with his girls, his job always seems to get in his way. As he investigates the murders in a variety of the seediest locations in New Orleans, we learn that Wes is very much into the kinds of women who inhabit these places, and he gives into his secret desires on multiple occasions. This becomes personal when the killer, who knows that Wes is the detective in charge of the case, begins targeting and killing some of the very same women who helped ease Wes’ emotional pain, and then taunts him about it. It becomes even more personal when the killer goes after his daughters and his new “legitimate” lady friend Beryl Thibodeaux (Geneviève Bujold), a rape counselor Block has gotten to know as part of the broader investigation. As the bodies continue to pile up, will Wes be able to stop the killer in time to save the most precious people in his life?!!

TIGHTROPE is a special movie to me. I’ve mentioned this before in other reviews, but FOX-16 out of Little Rock played a lot of good movies in the mid to late 80’s when I was a teenager. Some of those movies hold a strong nostalgic value in my life because I first discovered them and my true love of movies during those years. The channel advertised and showed TIGHTROPE, and many other Eastwood films, quite often. Of course, the movie broadcast on FOX-16 was heavily edited, and I didn’t realize the true sexual complexity of detective Wes Block until I was quite a bit older. In the original DIRTY HARRY, there’s a running gag where different people ask Eastwood’s iconic character, “Why do they call you Dirty Harry?” From what we see in TIGHTROPE, if someone asked, “Why do they call you Dirty Wes,” the answer would be more than obvious as he engages in various kinky forms of sexual relations with at least three of the sex workers he hits up for information. The killer knows of his sexual activities with these women, even watching on occasion. The movie leans hard into this connection between Wes’ kinky sex that often involves handcuffs, and the kinship that the killer feels with Wes when he’s perpetrating violence on these same women. It adds an uneasy and unsettling quality to the proceedings when the killer publicly taunts his rival, who understandably doesn’t want his peers to know of his more private nocturnal activities. He can’t fool his new lady friend, the tough as nails Beryl Thibodeaux, who senses his hidden desires and accepts him for who he is, especially after spending some quality time with him and his daughters. I like Genevieve Bujold in the role and the French-Canadian actress is able to even nail the local accent on a couple of occasions. I also wanted to mention the excellent chemistry between Clint Eastwood and his real-life daughter Alison, who play father and daughter in the movie as well. Alison was only 12 years old when TIGHTROPE was released, but she gives a strong performance as the older daughter who’s still trying to come to terms with her parents’ divorce. The killer really messes up when he targets her. 

I’ll tell anyone who’s willing to listen that I love the city of New Orleans as a movie location. I personally love to visit the city and partake in its fun atmosphere and wide variety of excellent cuisine. TIGHTROPE hits many of the highlights of New Orleans in 1984… Bourbon Street, Jackson Square, the Super Dome, the Creole Queen, a warehouse full of Mardi Gras floats, the famous cemeteries, Randi Brooks in a hot tub, etc. etc. One thing about New Orleans is that its famous streets like Bourbon Street have not been cleaned up or become “family friendly” in the same way as a place like Times Square in New York City. To this day, it retains that same feeling of sexual decadence that is portrayed here in 1984. 

I personally consider TIGHTROPE to be a must-see film for fans of Clint Eastwood, as Wes Block is a wholly unique addition to his cavalcade of tough cop characters, and he makes us justifiably uncomfortable at times. Eastwood’s conflicted performance, the serial killer storyline and the fun New Orleans locations add up to a very good movie that’s aimed squarely at adults. 

Film Review: Out of Bounds (dir by Richard Tuggle)


Just a country boy

Born and raised in South Des Moines

He took the midnight bus to anywhere….

That’s the story of Darryl Cage, the protagonist of the 1986 film, Out of Bounds.  Played by Anthony Michael Hall, Darryl is an Iowa farm boy who goes to Los Angeles to live with his brother.  Unfortunately, when his flight lands, Darryl’s suitcase is switched with another one that’s full of cocaine!  Darryl becomes an accidental drug mule and end up getting his brother killed!  WHAT A DUMBASS!

So now, Darryl is on the run.  He’s a small town farmer in the big city, trying to avoid bad guy Roy (Jeff Kober) and the police, led by Lt. Delgado (Glynn Turman).  Fortunately, Darryl meets an aspiring actress named Dizz (Jenny Wright).  Dizz gives him a makeover and introduces him to the Los Angeles club scene.  Siouxsie and the Banshees make a cameo appearance at one club.  They perform one song and fortunately, it’s Cities in the Dust.  Unfortunately, they don’t actually get involved in the plot of the film.  I would have liked to have seen Siouxsie beat up Jeff Kober.  But it doesn’t happen.

Out of Bounds is one of the many films that came out in the mid-to-late-80s in which the actors who were (somewhat unfairly) considered to be Brat Packers attempted to prove that they were capable of doing more than just projecting teen angst.  Judd Nelson and Ally Sheedy, for instance, starred in a forgettable neo-noir called Blue City.  Andrew McCarthy starred in an interesting but ultimately uneven film called Kansas.  Emilio Estevez not only starred in Wisdom but he directed it too.  And Anthony Michael Hall starred in Out of Bounds.

Anthony Michael Hall was best-known for playing nerdy characters in Sixteen Candles and The Breakfast Club and it’s probable that he was attempting to escape being typecast when he took his role in Out of Bounds.  This was Anthony Michael Hall’s chance to play an action hero!  Unfortunately, Anthony Michael Hall made the same mistake that many of his peers made while trying to give the performance that would allow them to break free of the Brat Pack label.  He tried too hard.  While Glynn Turman, Jeff Kober and Jenny Wright obviously understood the type of  rather silly movie that Out of Bounds was going to be and they modified their performances accordingly, Anthony Michael Hall apparently tried to duplicate the method intensity of Marlon Brando or James Dean.  In other words, Hall took the film far more seriously than it deserved to be taken.

Out of Bounds get off to a bad start as soon as it opens with Anthony Michael Hall on the farm in Iowa.  There’s absolutely nothing about the young Anthony Michael Hall that leaves on with the impression that he’s ever spent any time on a farm.  Everything about him screams Hollywood before he even lands in Los Angeles.  Hence, it gets difficult to really buy him as being the wide-eyed innocent that everyone else views him as being.  Since a good deal of the film’s plot is dependent upon Hall being naïve, that’s a problem.  He may be a farm boy but he certainly doesn’t freak out after shooting someone.  He’s also somehow learned how to throw a knife straight into someone’s gut.  Out of Bound‘s director, Richard Tuggle, directed two films for Clint Eastwood so he obviously knew how to frame a fight scene but Hall is so miscast that it’s impossible to really get into the movie.

The film is pretty much stolen by Jenny Wright and Jeff Kober.  Kober is properly menacing and, just as she did in Near Dark and I, Madman, Jenny Wright works wonders with a role that could have just been formulaic.  Jenny Wright has apparently retired from acting.  Jeff Kober still shows up in movies and on television, usually playing villains.  (Earlier this year, he played yet another drug trafficker on General Hospital.)  Watching them give compelling performance in a film like Out of Bounds, it’s hard not to feel that both of them deserved bigger career than they had (or, in Kober’s case, still have).

The film is also stolen by its soundtrack, which is very 80s but in the best possible way.  Adam Ant, The Smiths, the aforementioned Souixsie and the Banshees, they all make an appearance and provide the film with a bit of narrative momentum that it would otherwise lack.  Watching the film, 80s Los Angeles comes across like a fun place.  No wonder Darryl Cage wanted to stay even though everyone was trying to kill him.

Out of Bounds is ultimately pretty forgettable and it didn’t make Anthony Michael Hall into an action star.  But, that’s okay.  Like a lot of former Brat Packers, he’s proven himself to be a reliable character actor.  There is life after high school.  Even more importantly, there’s also life after Iowa.

4 Shots From 4 Films: A Fistful of Dollars, The Outlaw Josey Wales, Tighrope, A Perfect World


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Happy birthday, Clint Eastwood!

4 Shots From 4 Films

A Fistful of Dollars (1964, directed by Sergio Leone)

A Fistful of Dollars (1964, dir by Sergio Leone)

The Outlaw Josey Wales (1976, dir by Clint Eastwood)

The Outlaw Josey Wales (1976, dir by Clint Eastwood)

Tightrope (1984, dir by Richard Tuggle and Clint Eastwood)

Tightrope (1984, dir by Richard Tuggle and Clint Eastwood)

A Perfect World (1993, dir by Clint Eastwood)

A Perfect World (1993, dir by Clint Eastwood)