Holiday Film Review: Broadcasting Christmas (dir by Peter Sullivan)


In 2016’s Broadcasting Christmas, Melissa Joan Hart (who will always be Sabrina to me) plays Emily Morgan.

Emily is a television news journalist in Connecticut.  She specializes in doing human interest stories.  Years ago, Emily was up for a job with a station in New York but she lost out to her then-boyfriend, Charlie Fisher (Dean Cain).  Charlie went to New York and Emily has never really forgiven him.  As the Christmas season approaches, Emily finds herself reporting about the fact that America’s top morning show, Rise & Shine, is looking for a new co-host.  Being considered are a basketball player, a reality TV star, and …. CHARLIE!  Emily has a meltdown on air and says that she feels that she should be the new cohost of Rise and Shine.  Emily’s rant goes viral and, soon enough, she’s invited to come audition for the spot.

Emily, Charlie, Abby (Krista Braun), and Jimmy Eubanks (Todd Litzinger) will be auditioning over the holiday season.  They’ll take turns co-hosting with Veronika Daniels (Jackee Harry) and they will also be expected to come up with human interest stories.  Emily and Charlie immediately start working hard, trying to make a good impression while also trying to resist the fact that they’re clearly both still in love with each other.  Jimmy Eubanks doesn’t work at all.  And Abby — well, Abby knows that she’s going to get the job and the auditions are all just for show.

Except, Abby doesn’t get the job.  She gets a chance to plan a celebrity wedding and abandons the show.  Now, it’s just between Emily and Charlie.  Will they be able to balance falling in love with competing for the same job?  Will Emily find her confidence?  Will Charlie make peace with the fact that his famous father was instrumental in getting New York to select him over Emily?  And how does a hundred year-old fruitcake fit into it all?

Okay, I know what you’re thinking.  Yes, it’s a Hallmark holiday film and, as soon as you see their names in the credits, you immediately know that Melissa Joan Hart and Dean Cain are going to end up back together.  It’s the type of film where New York is safe and beautiful and the snow falls constantly without anyone ever getting a red nose or a scratchy throat.  The film’s portrayal of the behind-the-scenes shenanigans at a network show feel especially false.  One doesn’t necessarily watch a film like this expecting to see anything reflecting reality but the whole idea that Veronika would have four people on her show without fully knowing what they’re planning on doing when they appear requires a huge suspension of disbelief.

That said, it’s a sweet-natured movie.  Melissa Joan Hart and Dean Cain make for a cute couple and I have to say that, between her Hallmark films and her Lifetime films, Hart has shown herself to be one of the stronger performers appearing in these type of films.  That’s the holiday spirit for you.  Any other time of the year, I would probably roll my eyes at this film.  But, watching it in December, I was just happy that Emily and Charlie realized that they still loved each other.

Awwwww!

Retro Television Review: Fantasy Island 7.1 “Forbidden Love/The Other Man — Mr. Roarke”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

Today, we start the seventh and final season.

Episode 7.1 “Forbidden Love/The Other Man — Mr. Roarke”

(Dir by Don Weis, originally aired on October 8th, 1983)

The first episode of the seventh season finds Mr. Roarke handling two fantasies.

Widow Margaret Smith (Juliet Prowse) comes to Fantasy Island, hoping to meet the man of her dreams.  However, when she does, it turns out that he’s the ex-boyfriend of her daughter, Ginny (Jamie Rose)!  Can Margaret find love without hurting her daughter?  Or is her love destined to remain forbdden….

Meanwhile, Deborah Barnes (Stephanie Faracy) wants to make her boyfriend jealous so Mr. Roarke arranges for her to meet a man on the Island.  But when the man is suddenly unavailable, Mr. Roarke gallantly steps into his place.  That’s nice of him.  It shows how far Mr. Roarke will go to make the fantasies of his guests come true.  Except — uh-oh! — now Deborah’s in love with Mr. Roarke!  What can Mr. Roarke do to let Deborah down easily and repair her confidence?

Wow!  That’s a lot of drama for one weekend!  I wonder what Tattoo has to say…?

Tattoo?  Are you there?

OH MY GOD, WHERE IS TATTOO!?

Tattoo is gone, replaced by a butler named Lawrence (Christopher Hewett) who is so heavy-set that he can’t even climb the stairs to ring the bell when the plane shows up over the island.  Instead, he looks up at the sky and then pushes a remote button that makes the bell ring.  That’s …. just lame.  Over the past few years, I have resisted making “Da plane!  Da plane!” jokes but seriously, it doesn’t feel right for the show not to start to those words.

What’s especially upsetting is that no one on the show mentions Tattoo.  Roarke doesn’t mention why Tattoo is no longer on the Island.  Instead, he acts as if Lawrence has always been his assistant.  I mean, I understand that Herve Villechaize did not leave under the happiest of circumstances but it just feels cruel not to give Tattoo a proper send-off.  Tattoo was a huge part of the show.  His interactions with Mr. Roarke were the most consistently entertaining things about Fantasy Island.  And now, he’s gone and the show refuses to even acknowledge that he was ever there.

As for Lawrence, he’s a butler.  I don’t know how the season played out but, in the first episode, it was pretty clear that Lawrence was the hired help.  (Tattoo, at the very least, always seemed to be on nearly equal footing as Roarke.)  Lawrence calls Mr. Roarke “sir” and it just doesn’t feel right.  Instead of being equals, they are very much employer and employee.

The fantasies are okay.  I liked watching Roarke trying to make Deborah fall out of love with.  But the addition of Lawrence felt so wrong and really distracting.  It doesn’t bode well for the rest of season 7.

Retro Television Review: The Love Boat 4.14 “First Voyage, Last Voyage/April, the Ninny/The Loan Arranger”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Oh, hey, Charo’s back.

Episode 4.15 “First Voyage, Last Voyage/April, the Ninny/The Loan Arranger”

(Dir by Roger Duchowny, originally aired on January 17th, 1981)

April’s back!

Played by Charo, April Lopez was one of the few recurring characters on The Love Boat.  Whereas other actors appeared frequently but always as different characters, Charo was always April whenever she boarded The Love Boat.  The first time she boarded the ship, she did so as a stowaway.  The next two times, she boarded as the cruise’s entertainment.  This season, however, April boards as someone who has grown tired of show business.  When last we saw her, April was in love with a guy named Tex and planning on playing Las Vegas.  However, when April boards this time, she quickly informs both Julie and Isaac that she and Tex are no longer a couple and Vegas didn’t work out because she was expected to play her guitar while naked.

(“They could have at least gotten you a cello,” Isaac replies.)

April wants a new career, which she gets when she meets Ty Younger (Larry Linville), who is wealthy but who also has two bratty kids who are always chasing off their nannies.  They can’t chase off April, who understands that the best way to calm a bratty child is to grab your guitar and sing to them at night.  April gives up show business to become a nanny but I don’t think it’ll last.  April is too impulsive to settle down, and Ty’s kids really are the worst.  (As well, Charo and Larry Linville didn’t exactly generate a lot of heat in their scenes together.)  April may leave the boat with a new family but hopefully, she’ll return alone in the fifth season.

Speaking of the worst, Cindy Simmons (Maureen McCormick) is dying but her parents (Ty Hardin and Kathleen Nolan) haven’t gotten around to telling her yet.  Cindy thinks that she’s made a full recovery from her recent illness.  Her parents don’t want to upset Cindy but when Cindy meets and falls in love with Paul Harris (Jay Thomas), they realize that they’re going to have to tell Cindy the truth.  Poor Cindy!  Fortunately, this is The Love Boat and Paul isn’t going to let a little thing like impending death get in the way of romance.  I’ve lost track of how many times I’ve seen Maureen McCormick on both The Love Boat and Fantasy Island.  For this episode, McCormick does a pretty good job with her role and she and Jay Thomas make for an attractive couple.

“I guess I’m still getting my sea legs,” Cindy says to Paul.

“Your legs look mighty fine to me,” Paul replies.

That’s about as witty as things get on this cruise.

Finally, Joey (Richard Kline) is a mob enforcer who has been sent to collect a debt owed by Tony Patacchio, a gambling addict.  However, Joey gets distracted when he meets a woman named Antoinette (Lisa Hartman) who enjoys gambling.  Joey falls for Antoinette and, unable to find Tony, he even spends the night in her cabin.  Hmmm …. Tony …. Antoinette …. Toni….

Yes, Joey has fallen in love with the person he was supposed to rough up.  Fortunately, Joey is willing to fix a poker game so that Toni can win enough of his money to pay off her debt.  When Toni realizes that Joey lost his money to her on purpose, she declares that she can’t take his money.  “If we were married,” Joey says, “It would be our money.”

Richard Kline is not a particularly believable debt collector.  (Tony Soprano would have tossed him in a dumpster.)  It’s also strange that his boss would send him to collect a debt without bothering to give him a physical description of the person he was supposed to intimidate.  The whole storyline was full of holes but I’m surprised to say that I did end up rooting Kline and Hartman to get together.  The two of them had enough chemistry to overcome the fact that their story made very little sense.

Previously, whenever Charo was a guest star, she dominated the entire episode, for better or worse.  With this episode, she seems kind of bored with the whole thing, as if Charo was just as fed up with show business as April.  Instead, it was Maureen McCormick and Jay Thomas who dominated the episode with Richard Kline and Lisa Hartman also getting their share of good scenes.  It makes for a bit of an uneven episode but I defy anyone not to feel something when Paul declares that he wants to spend the rest of Cindy’s life with her.  Mixing romantic melodrama and goofy comedy is what made The Love Boat a treasure of American pop culture.

Retro Television Reviews: The Love Boat 3.5 “The Scoop/The Audit Couple/My Boyfriend’s Back”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Today, the IRS takes a cruise.  Agck!

Episode 3.5 “The Scoop/The Audit Couple/My Boyfriend’s Back”

(Dir by Jack Arnold, originally aired on October 6th, 1979)

Captain Stubing is being audited!

Damn the IRS!  What a bunch of money-obsessed fascists!

The IRS agent, Viola Penny (Phyllis Diller), has booked a room on the cruise so that she can look through Captain Stubing’s records and….

Wait a minute.  If you’re an IRS agent, you get to go on a luxury cruise and also look through someone’s private information?  That sounds like fun!  Sign me up!

Anyway, Viola originally seems to be tough-minded and determined to toss Capt. Stubing in jail.  But then she gets drunk at dinner and, when she wakes up in the captain’s cabin, she’s convinced that she and Stubing are now lovers.  She decides to go easy on the audit but then she comes across $50,000 hidden in an ice bucket and she becomes convinced that Stubing is cheating the government and that he seduced her to keep her from finding out.  But then she discovers that the money is actually the crew emergency fund and she falls in love with Stubing again….

Yeah, it’s hard to keep track of how Viola feels from scene to scene.  At the end of the episode, she declares her love for the captain and leaves the boat.  Stubing realizes that he forgot to ask her what the results of his audit were but he also orders Gopher not to call her back to the boat.  If there’s a new captain next week, I’ll just assume Stubing’s in USP Marion.

Meanwhile, caddish Jay Cavanaugh (Lyle Waggoner) is really excited when he sees his ex-girlfriend, Patricia Lucas (Jennifer Salt), on the boat.  Jay is determined to get back together with Patricia, despite the fact that Patricia is on her honeymoon with her new husband, Danny (Richard Kline).  Danny is instantly jealous of Jay, who has a perfect smile and a perfect tan.  However, he needn’t be insecure because Patricia is totally in love with him.  Still, Danny keeps walking in on Jay flirting with Patricia and soon, he declares that the marriage is over.

Patricia tricks Jay into stepping up on a stage in the Acapulco Lounge and announcing that he’s in love with Patricia.  Patricia then announces that Jay has no idea what love is and declares, in front of all the crew and passengers, that she’s in love with Danny.  Danny and Patricia’s marriage is saved but seriously, Danny was kind of wimpy about the whole thing.  It seems like Patricia deserved better than both Jay and Danny.

Finally, Simon Scott (Ray Buktenica) is a tabloid reporter who is on the cruise because he’s been assigned to discover who the famous actress, Jackie Landers (Joyce Dewitt), is traveling with.  It turns out that Jackie is not traveling with a romantic partner but instead with her autistic son.  At first, Jackie pretends to be in a relationship with Doc Bricker but eventually, Simon discovers the truth.  However, Simon refuses to write a tabloid-style story about her child so Jackie falls in love with him and hires him to help her write her own non-tabloidy story about her son.

This episode was a mixed bag.  The IRS storyline was frustrating, largely because it featured a lot of complications that could have been prevented by people just not jumping to conclusions.  The newlyweds story felt anticlimactic because there was never any question about who Patricia would choose to be with.  But the storyline with Jackie, Simon, and Jackie’s son was actually pretty sweet.  Ultimately, this was a pleasant but forgettable cruise.

4 Shots From 4 Films: Special Charles Bronson Birthday Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the 100th anniversary of the birth of an actor who is very popular here at the Shattered Lens, Charles Bronson!  In honor of the momentous occasion, we now pay tribute to the one and only Bronson with….

4 Shots From 4 Charles Bronson Films

Death Wish (1974, dir by Michael Winner, DP: Arthur Ormitz)

Mr. Majestyk (1974, dir by Richard Fleischer DP: Richard Kline)

Breakheart Pass (1975, dir by Tom Gries, DP: Lucien Ballard)

10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)