Late Night Retro Television Review: Pacific Blue 3.3 “Rave On”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the bike cops go undercover and essentially end up looking like a bunch of cops working undercover.

Episode 3.3 “Rave On”

(Dir by Michael Levine, originally aired on August 17, 1997)

The bike cops go undercover!

If that’s not funny enough, they go undercover as ravers.

I swear, you haven’t really laughed until you’ve laughed at the sight of the extremely stiff stars of Pacific Blue hanging out at a rave and giving each other secret signals whenever they spot anyone doing drugs.  Chris’s drink gets roofied and, as someone who has experienced that in real life, I appreciated that the show was trying to warn its viewers about leaving their drinks unattended.  Seriously, if my friends hadn’t been looking out for me that night, it scares me to think about what probably would have happened.  Still, good intentions can’t disguise just how unconvincing Darlene Vogel’s performance was.

Palermo spends this entire episode saying that the parents of teens who go to raves and take drugs should be prosecuted and jailed.  Then Palermo discovers that his sixteen year-old daughter (Johna Stewart-Boden) has been attending raves and, while she hasn’t intentionally taken any drugs, she’s stood by while her friends have.  Palermo does not arrest himself.  He does not throw himself in jail.  He does not look in the mirror and smirk and say, “Oh yeah, buddy, your parent-of-the-year.”  In other words, Lt. Palermo is a big, freaking hypocrite.

The bike cops break up the rave scene but the music will never die.

Spaceballs (1987, directed by Mel Brooks)


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A long time ago, in a galaxy far far away…

President Skroob (Mel Brooks), the evil and incompetent leader of Planet Spaceball, has squandered all of the air on his planet and is planning on stealing the atmosphere of the planet Druida.  To pull this off, he arranges for the idiotic Prince Valium (Jim J. Bullock) to marry Vespa (Daphne Zuniga), the princess of Druida.  (All together now: “She doesn’t look Druish.”)  Vespa and her droid, Dot Matrix (voice by Joan Rivers), flee Druida with Lord Dark Helmet (Rick Moranis) and Colonel Sandurz (George Wyner) in pursuit.

In debt to the intergalactic gangster, Pizza the Hut (voiced by Dom DeLuise), a mercenary named Lone Star (Bill Pullman) and his associate, the man-dog hypbrid Barf (John Candy), accept a contract from Vespa’s father (Dick Van Patten) to track down his daughter.  They take off in their space Winnebago to bring Vespa home.  Though they start only interested in money, Lone Star and Barf come to learn about love, freedom, and a mystical power known as the Schwartz.  (“No, the Schwartz!”)

Back when I was growing up and just being able to have HBO made you the coolest guy on the block, Spaceballs was one of my favorite movies.  I watched it every time that it came on cable.  As usual with Mel Brooks, there were a lot of double entendres that went over my young head but there was also enough goofy humor that I could laugh at what was going on.  I could quote all the lines.  I laughed whenever Rick Moranis showed up in his Darth Vader-costume.  I laughed at John Candy’s facial expressions.  I laughed when Mel Brooks showed up as Yogurt, the Spaceballs version of Yoda.  Pizza the Hut?  That’s hilarious when you’re a kid!

I recently rewatched the film.  Revisiting it was a lesson in how your memory can trick you.  I could still quote most of the lines with reasonable accuracy but nothing was quite the way I remembered it.  Rick Moranis and John Candy were still hilarious and, being older, I could better appreciated the frustration felt by George Wyner’s Colonel Sandurz.  I also realized what a good performance Bill Pullman gave as Lone Star.  While everyone else mugged for the camera, Pullman played his role straight.

I also discovered that a lot of the scenes that I remembered as being hilarious were actually just mildly amusing.  Mel Brooks was always hit-and-miss as a director, the type who would toss everything and the kitchen sink into his films.  Spaceballs has a lot of hilarious scenes but it’s obvious that Brooks didn’t have the same affection for the source material as he did with Young Frankenstein or Blazing Saddles or even High Anxiety.  Brooks is poking fun at Star Wars because it’s popular but he doesn’t seem to have any strong feelings, one way or the other, about George Lucas’s space epic.

I still laughed, though.  Even if Spaceballs wasn’t the masterpiece that I remembered it being, I still enjoyed rewatching it.  The jokes that hit were funny enough to make up for the ones that missed.  Even with his weaker films, Mel Brooks is a national treasure.

Late Night Retro Television Reviews: CHiPs 1.12 “Aweigh We Go”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Ponch and Baker are ordered to make life difficult for the Teamsters!

Episode 1.12 “Aweigh We Go!”

(Dir by Ivan Nagy, originally aired on December 22nd, 1977)

No, that’s not a typo.  The name of this episode is indeed “Aweigh We Go.”  It makes sense once you watch the episode.

Things get off to a classic CHiPs start, with Baker and Ponch chasing some rich scumbag in a fancy sportscar.  The driver doesn’t think he has to slow down or pull over, even when he’s being pursued by the cops.  He’s such a reckless driver that he nearly sideswipes a station wagon that is towing a boat.  The boat gets loose and crashes into a beauty salon.  No one’s hurt but Ponch is excited when he discovers the boat’s for sale.  He starts making plans to buy the boat from its owner (Sean Morgan), a guy who is named Sven Larson for no particular reason.

Unfortunately, Ponch makes the mistake of mentioning his plans in front of Sgt. Getraer.  Getraer proceeds to buy the boat out from under him.  Ponch, needless to say, is miffed and Getraer finally agrees to co-own the boat with Baker and Ponch.

That’s not the only surprise that Getraer has up his sleeve.  Because of an officer shortage, he is forced to send Ponch and Baker to work at a weighing station for a week.  Under the sarcastic command of Capt, Vogt (played by Bruce Glover, who is best-known for playing Mr. Kidd in Live and Let Die), Baker and Ponch learn all about how to weigh trucks to make sure that they are in regulation.  Interestingly enough, the episode devoted a lot of time to showing how a weighing station works.  You could probably argue that it actually spends too much time on it.  Myself, I have family in the trucking industry so I found it interesting to see what they would have had to deal with in the 70s.  I imagine all of the nitpicky rules and regulations are probably even worse today.

Of course, there’s still time for the usual CHiPs shenanigans.  Ponch and Baker chase down and arrest a hijacker played by a rather sinister Gerald McRaney.  And they rescue a baby from a crashed car.  As usual, the emphasis is on all of the members of the Highway Patrol working together to keep the world safe for drivers.

As for the boat, it sinks the first time Ponch tries to take it out on the water.  Oh, Ponch!  Usually, I’m pretty critical of Erik Estrada’s scenery chewing performance on this show but I will admit to laughing at his rather frantic facial expression as he watched the boat sink.

This was a pleasant episode.  I stand with the truckers!