Retro Television Reviews: Hitchhike! (dir by Gordon Hessler)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Hitchhike!  It  can be viewed on YouTube!

Claire Stevens (Cloris Leachman) is an emotionally vulnerable woman who is dealing with her loneliness and depression by driving to San Francisco to visit her sister.  As she’s driving, she spots a young man named Keith (Michael Brandon).  Keith is standing on the side of the road and holding out his thumb.  At first, Claire does the smart thing and she drives by him without stopping.  However, Claire starts to feel guilty so she turns around and — NO, CLAIRE!  WHAT ARE YOU THINKING!? — offers him a ride.  It turns out that he’s going to San Francisco as well!

At first, the drive is awkward.  Keith says that he doesn’t want to talk and he doesn’t appreciate it when Claire tries to make him listen to the classical music station.  But, as they drive, Keith starts to let down his defenses.  He says that he wishes that he could just sail away on the ocean.  He encourages Claire to embrace life and to just go for it.  They stop at a pier and have lunch.  Claire buys Keith a silly white hat and she places it on his head because, as she puts it, “it’s cute.”  Keith argues with her but he doesn’t take off the hat.  However, when Keith spots some cops, he immediately leads Claire away from them.

The viewer watches all of this with a sense of dread because the viewer knows what Claire doesn’t.  The viewer knows that Keith is the son of a wealthy man.  The viewer knows that Keith had been having an affair with his stepmother, who was only a few years older than Keith.  And the viewer knows that Keith murdered his stepmother with the same weapon that he’s currently carrying in his bag.  The police are looking for Keith and Keith is willing to do just about anything to stay free.

I have to admit that I yelled a little when Claire offered Keith a ride because it was such an obviously stupid thing to do.  Everyone knows that it’s never a good idea to pick up a hitchhiker.  And, if you’re a woman who is driving down an isolated road by yourself, the last thing you should ever do is offer a ride to some strange man standing on the side of the road.  Claire’s actions were foolish but, because she was played by Cloris Leachman, it was still hard not to sympathize with her.  Claire is someone who feels as if she’s been abandoned by the world and, quite obviously, she sees Keith as a kindred spirit.  Over the course of their journey, it becomes obvious that Claire is using Keith as a substitute for what she’s missing in her life.  He becomes both a son and a companion to her.  Unfortunately, Keith tends to go into a rage whenever he sense anyone getting too close to him.

Hitchhike! is a short movie and, for all the dramatic build-up, it ends on a rather anti-climatic note.  Cameron Mitchell shows up as a detective who is looking for Claire and Keith and he gives a mannered performance that is oddly over-the-top by even his generous standards.  That said, Michael Brandon has the blandly handsome look of a generic but charming serial killer while Cloris Leachman gives a credible and sympathetic performance as Claire.  If nothing else, this film can be watched with The Hitcher as a double feature.  Never stop your car for anyone!

Retro Television Reviews: California Dreams 3.12 “Harley and the Marlboro Man” and 3.13 “Rebel Without A Nerve”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996.  The entire show is currently streaming on YouTube!

This week, it’s all about Jake trying to retain his cool.

Episode 3.12 “Harley and the Marlboro Man”

(Dir by Patrick Maloney, originally aired on December 3rd, 1994)

“You can’t hide your smoking behind tic tacs and old spice!”

Yes, it’s time for another TNBC anti-smoking episode.  In California Dreams, Jake Summers starts to smoke after he see his super cool Uncle Frank lighting a cigarette.  Soon, Jake is totally addicted.  He can’t stop!  It doesn’t matter how many times the members of the band make him look at a picture of a cancerous lung.  It doesn’t matter that Lorena won’t kiss him.  It doesn’t matter that no one wants to be a friend with a smoker.  After smoking for one week, Jake Summers is hopelessly addicted.  He’s got the nicotine monkey on his back!  But then Frank shows up and says, “I’m dying Jake.”

Good Lord, this was heavy-handed.  This is actually the second time that I’ve watched and written about this episode and my reaction to episode pretty much remains the same.  I simply cannot believe that Jake Summers, an aspiring rocker who has spent his entire life hanging out with motorcyclists, never smoked a cigarette until he saw his Uncle Frank light up.  The Dreams themselves acted as if smoking a cigarette was the most scandalous thing in the world.  So, I guess no one smoked weed in 1990s California?  No one did cocaine in 1990s California?  None of the other bands at the Battle of the Bands ducked behind Sharkey’s to have a cigarette?  Seriously, there’s a difference between not liking cigarettes and being unbelievably naïve.  At one point, Tiffani says that nicotine is more addictive than crack cocaine.  I’ve seen several David Simon-produced shows and I just don’t believe that.

Anyway, the Dreams deal with this problem in the same way that they deal with everything.  They throw a benefit concert at Sharkey’s.

Episode 3.13 “Rebel Without A Nerve”

(Dir by Patrick Maloney, originally aired on December 10th, 1994)

Jake Summers is afraid he’s losing his cool!

Not only is there a new kid at school who is talking about Jake behind his back but Jake has twice crashed his motorcycle!  With his confidence shaken, Jake decides that it would be safer to accept Principal Blumford’s offer to join the school safety patrol!  Just as he was in Budget Cuts, Blumford is played Earl Boen.  In this episode, there’s yet another shoutout to Boen’s role in the Terminator films when Boen tells a photographer that some people have mistaken him for Arnold Schwarzenegger.

Anyway, Jake eventually realizes how dorky he looks wearing the safety monitor sash so he decides to challenge the new kid to racing the infamous “Coolman’s Curve,” which is apparently the most dangerous road in California.  The new kid backs down and Jake is once again proclaimed the coolest student at Pacific Coast High.  Yay!

This episode was incredibly silly but, in its way, it worked.  Jake continually crashing his bike made me laugh a little more than it should have.  What made the joke work was that all of the accidents were due to an inconvenient speed dump that had been put in the parking lot by the safety patrol.  Safety Week turned out to be the most dangerous week in California.

The important thing is that Jake did not lose his cool and, as a result, was allowed to continue living his California dream.

Retro Television Reviews: The Brady Bunch Hour 1.2


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

Following the rating success of the pilot for the Brady Bunch Variety Hour, ABC decided to bite the bullet and the Bradys returned to the airwaves!

*Deep sigh*

Okay, let’s do this….

Episode 1.2 

(Originally aired on January 23, 1977, Dir by Jack Regas)

I’ve discovered that the dancers who performed on each episode of The Brady Bunch Hour were known as the Kroftettes.  (The show as produced by Sid and Marty Kroft and there is definitely nothing creepy about naming your performers after yourself.)  The second episode of the Brady Bunch Hour opened with the Kroftettes dressed in red, white, and blue and carrying small drums.  It would be a perfect look for the 4th of July but this episode aired in January.

The dancers eventually move off stage and the audience goes crazy as the announcer informs them that tonight’s episode not only stars the Bradys but also Lee Majors, Farrah Fawcett-Majors, Rip Taylor, Ann B. Davis, and …. Kaptian Kool and the Kong!  Well, who wouldn’t be excited by the Kong?  The Kong was apparently a musical group.  With a name like that, you would hope they would at least have the decency to dress up like gorillas but instead, they appear to have just been a typical 70s prog rock outfit.

The Bradys come out on stage and start awkwardly singing a rock version of Yankee Doodle Dandy.  The YouTube screenshot below isn’t the best but I think it gives you some idea of what this performance is like:

“Yankee Doodle …. Keep it up!” the family chants as the Kroftettes splash about in the pool.  The audience loves it.

With the song completed, the Brady Bunch introduce themselves.  Greg spends too long talking about himself and is sharply reprimanded by Carol.  Cindy explains that it is now 1977.  Thanks, Cindy!  Fake Jan smiles and tries not to cry as she jokes around with her new family.  Mike Brady explains that the Bunch has a new house.  “We have a terrific new show!” Mike says.  Sure you do, Mike.  Carol explains that the show will only be airing once a month.  “We’re only a few minutes in and we’ve already been canceled!?” Mike says.

After a reprise of Yankee Doodle Dandy, the show mercifully breaks for commercial.  When the show returns, the Bradys are stepping into their new home and discovering that they have no furniture!  The movers ran off with it!  Luckily, Alice the Maid randomly shows up with a bunch of sleeping bags.

“Well, Mike,” Carol says, “what do we do now?”

“The only thing we can do,” Mike replies, “is hit the sack.”

Every member of the Bunch hits their sleeping bag.  9 minutes in and this show is already giving me a migraine.

Fortunately, the moving man shows up.  Unfortunately, the moving man is played by a very 70s comedian named Rip Taylor.

Rip Taylor is playing Mr, Merrill.  Merrill refuses to take any blame for being late with the furniture.  Carol suggests that Mr. Merrill come back tomorrow.  Do they want their furniture or not?  Well, it really doesn’t matter because it turns out that Mr. Merrill has some other family’s furniture in his truck and the Brady furniture is still missing.  Mr. Merrill promises to have their furniture tomorrow.  “Let’s hit the sack,” Mike says and everyone hits their sleep bag and ….. ARRRRRRRGHHHHH!

Where was I?

Anyway, the Bradys then sing Razzle Dazzle from Chicago, with all the skill of a small town community theater chorus.

Back at the Brady House, Alice scolds Marcia for hoarding all of her dolls.  Alice tells her that everyone is having to give things up.  Uhmmm …. they’re just dolls, Alice.  And really, why is Alice giving Marcia orders?  Marcia imagines Alice as the Wicked Witch of the West and then imagines herself as Dorothy and performing Car Wash with her brothers and Rip Taylor …. wait, what?  Just watch for yourself.

Hey, who doesn’t love cocaine?

Fake Jan and Peter appear and explain that the Bradys eventually got their furniture.  “Look at what happened!” Peter says.  We cut to the family watching Mike hang an ugly painting over the fireplace.  Mike orders everyone to go to bed at 8 pm.  Greg objects and Mike threatens to kill him.

Alice explains that Mike wants the kids to go to bed so that he and Carol can make love in the living room.  No sooner have the children (and the maid) left than Rip Taylor shows up again and explains that he’s also the Bunch’s landlord.  He says that a lovely couple is going to be staying with the Bradys over the weekend.  Enter Lee Majors and Farrah Fawcett!  Lee is not amused to discover that Rip Taylor has double-booked the house. “Don’t hit me, you bionic bully!” Rip Taylor shouts.  When Lee explains that his other house is being fumigated, Carol says that Lee and Farrah are “welcome to stay here with us.”  RUN, LEE AND FARRAH!  RUN!

After a commercial break, Carol welcomes the audience back to the second half of the show.  Oh my God, there’s another 30 minutes of this?  “I like that we can show you the way we really are at home,” Carol says.

Back at home, the Brady kids are getting their breakfast and are stunned to discover Lee Majors and Farrah Fawcett asleep on the living room couches.  (Yes, they have separate couches.)  When Farrah and Lee wake up, Greg awkwardly asks for an autograph.  “I don’t carry a pen in my pajamas,” Lee explains.  Alice comes in and is struck speechless.

Cut to Marcia, explaining that “one of the great things about having our own show is that we get to showcase the individual talents of our family.”  Marcia introduced Fake Jan, who performs Your Song.  It’s the highlight of the episode because Geri Reischl, not being an original Brady, can actually sing.

Fake Jan is followed by Carol who sings Send In The Clowns, which is the type of song that is perfectly designed to bring out the worst tendencies in even the most talented of singers.  That certainly happens to Florence Henderson, who has a great voice but who also totally overdoes the bathos in her performance.

Greg catches Peter flirting with a Kroftette.  Greg shoves Peter in the pool.  Kaptain Kool and the Kong come out and perform a song called Names.  It’s not a bad song but I have to admit that I’m more worried about the possibility of Peter breaking his neck the next time his older brother throws him in the pool without warning.

It’s time for the finale and Mike asks Carol why the stage is decorated with hearts.  “It’s not Valentine’s Day,” Mike says, as if he and his family didn’t open this show by celebrating Independence Day in January.  Carol explains that the theme of the finale is “Young and Old.”  “Young and Old hearts?” Mike asks.  DAMMIT, MIKE, JUST SHUT UP AND SING!

Anyway, much as with the Wizard of Oz/Car Wash thing, this is one of those things that can’t really be described.  But it can be watched:

And then, thank God, it ends!

A huge flaw with this show is that the Bradys keep telling us how much they love being a family but we know they’re not a family.  We know this because they brought in a substitute Jan.  As such, the sentimental moments fall flat.  “We’re so proud of our sister,” the kids say before Jan comes out to sing but seriously, we know that’s not Jan.  I would much rather listen to Geri Reischl sing than any other member of the Bunch but it doesn’t change the fact that we know that’s not their sister.

Another flaw is that there’s not really any point to the show, other than the Bradys have somehow managed to get their own variety show.  The whole thing with Lee Majors and Farrah Fawcett is perfect example of this show’s approach to storytelling.  Lee and Farrah show up at the house unannounced but it’s fine because the Bradys live in a world with zero conflict.  Lee and Farrah show up.  The kids are shocked.  Alice is shocked.  And …. well, that’s it!  So much for that plotline.

Oh well.  Only 7 episodes left!

Retro Television Reviews: City Guys 3.17 “Angels of Harlem” and 3.18 “Rollin’ With The Homies”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001.  The entire show is currently streaming on Tubi!

Roll with the city guys!

Episode 3.17 “Angels of Harlem”

(dir by Frank Bonner, originally aired on November 20th, 1999)

Ms. Nobel’s church is celebrating its 100th birthday so, of course, her students are roped into helping to decorate because who cares about keeping the church out of school and all that other stuff.  It turns out that the church is going to be torn down by a real estate developer and that developer is …. CHRIS’S FATHER!

Chris and Dawn chain themselves to the church and …. well, look, this was a dumb episode and it featured way too much church stuff for my tastes.  Let’s move on.

Actually, before I move on, I guess I should mention that Jamal starts dating Ashley in this episode and, unlike Jamal’s other girlfriends, it appears that Angela is actually going to be featured in multiple episodes.  Ashely is played by Trina McGee, who also played Angela on Boy Meets World.  Oddly enough, Trina was already two years into Boy Meets World when she did City GuysBoy Meets World was also an ABC show whereas City Guys was an NBC show.  It’s just a bit odd to see her pop up on this show.

Episode 3.18 “Rollin’ With The Homies”

(dir by Frank Bonner, originally aired on November 20th, 1999)

“Alright, alright, alright!” Jamal announces as he shows up at Manny High for another day of learning, “Only a few days to Christmas break!  A brother can’t wait for Christmas vacation!”  

Anyway, it’s time for the Winterfest Dance, which Cassidy explains is a dance on the roof in the middle of winter.  And since this is an episode of City Guys, it’s also time for Ms. Nobel to show up and tell everyone to get a Christmas job working at a toy store.  Did Ms. Nobel not have any other students to whom she could give these assignments?

The owner of the toy store informs Jamal, Chris, and L-Train that they’ll be working as delivery boys.  The first delivery is a bunch of video games to the owner’s house.  He explains that his son is home from boarding school and that the games are for him.  “Are you interested in adopting a young black child?” Jamal asks.

Al, Dawn, and Cassidy are assigned to be salespeople.  They get into a competition to see who can win the sales contest.  Yawn.  At least this episode acknowledges that Dawn and Al are now a couple.

Jamal, Chris, and L-Train make friends with the boss’s son, Tommy.  Tommy is in a wheelchair and his father is superprotective.  At first, Tommy is upset to discover that Jamal, Chris, and L-Train are getting paid extra to hang out with him but then Jamal makes it up to him by taking him out of the house without his Dad’s permission.  When Tommy’s Dad finds out, he fires Jamal, Chris, and L-Train.  Meanwhile, Tommy gets mad at everyone for treating him like he can’t take care of himself.

The next day, in school, Ms. Nobel decides to get involved because she doesn’t have a life outside of church and school.  She tells Jamal to treat Tommy like he would treat anyone.  Apparently, treating Tommy like everyone means throwing the Winterfest Dance in Tommy’s house.  Tommy gets a date with Cassidy.  Tommy’s father is a bit upset about the dance being moved to his house but Ms. Nobel talks him out of it.  Because Ms. Nobel can do anything.

I’m just being snarky.  By City Guys standards, this was actually a pretty good episode.  Al and Dawn are a cute couple and I’m glad Tommy had a good Christmas.

Retro Television Review: The Love Boat 1.22 “A Selfless Love / The Nubile Nurse / Parents Know Best”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

All aboard!

Episode 1.22 “A Selfless Love / The Nubile Nurse / Parents Know Best”

(Dir by Roger Duchovny, originally aired on February 25th, 1978)

The week’s cruise begins with the walking HR nightmare known as Dr. Adam Bricker announcing that he’s hired a new nurse and she’s a former Las Vegas showgirl!  Gopher and Isaac are excited to learn this but no one is more excited than Doc, who quickly makes it clear that he’s hoping that she’ll be more than just his nurse.

However, it turns out that Dawn Delaney (Elaine Joyce) not only takes nursing very seriously but she would also rather do her job than make out with her boss.  Needless to say, this upsets the doctor.  It also turns out that she knows about all of the latest medical developments.  This also upsets Doc Bricker because it leads to him getting upstaged.  The final straw is when Dawn manages to cure Captain Stubing’s hiccups.  Bricker gets upset but then Dawn explains that she actually wants to be a doctor but, because she’s a former showgirl, no medical school is willing to accept her.  Bricker promises to use his contacts to got her admitted and then they share a long passionate kiss.  And that’s the end of that story.

As I watched Doc react to his nurse, it occurred to me that this show was very lucky that Bernie Kopell agreed to play the role because Doc, to be honest, is a terrible doctor who violates his Hippocratic oath on every cruise.  In the real world, Doc Bricker would be unemployable.  On The Love Boat, everyone loves him and the reason that we believe he would be so popular is because Bernie Kopell was so naturally likable that it made it easy to overlook all of the character’s shady behavior.

While Doc hit on his new nurse, two parents (Monty Hall and Janis Page) tried to hook their dorky son (Mark Shera) up with a girl (Laurie Prange) on the cruise.  What the parents didn’t know is that the girl was actually their son’s girlfriend and the entire cruise was an elaborate ruse to get them to finally meet.  Seriously, that was the entire story.  It was a bit forgettable.

Finally, Harry Morrison (Leslie Nielsen) is an old friend of Captain Stubing’s.  He’s going to Mexico with his much younger girlfriend, Laura (Lynda Day George) and they plan to get married.  However, Harry starts to worry that Laura is too young for him and Laura starts to worry that Harry would rather hang out with people his own age.  She makes a reference to Donnie and Marie Osmond and Harry admits to not knowing who they are.  Agck!  Fear not, though.  After talking about it, Harry and Laura decide to get married anyways.  It was a predictable story but how can you not like watching the future stars of The Naked Gun and Pieces acting opposite each other?

It was a bit of an odd episode.  The Doc/Nurse storyline was cringey.  The son and his parents storyline were forgettable.  But I liked Leslie Nielsen and Lynda Day George’s story.  They saved the cruise!

Next week, we’ll continue to set sail for adventure with three new stories!

Retro Television Reviews: Fantasy Island 2.6 “War Games/Queen of the Boston Bruisers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  The entire show is currently streaming on Tubi!

It’s time for another tonally confusing trip to Fantasy Island!

Episode 2.6 “War Games/Queen of the Boston Bruisers”

(Dir by Earl Bellamy, originally aired on October 28th, 1978)

We’re just six episodes into the second season of Fantasy Island but a definite pattern has emerged.  Just as in the first season, each episode features two fantasies.  But, in the second season, it appears that one fantasy is always comedic and the second is always serious.  This has created an interesting tonal mishmash on Fantasy Island.  Mr. Roarke spends half of his time laughing at the silliness of it all and the other half warning people that their fantasy could lead to death.

Take this episode for instance.

Rowdy Roberts (Anne Francis) is a roller derby champ whose fantasy is to become a “gentlelady” so that she can impress her daughter’s future in-laws.  (Rowdy’s future son-in-law, meanwhile, is played by a young Jonathan Frakes.)  Mr. Roarke and Tattoo spend an entire weekend teaching Rowdy how to speak properly, how to eat with silverware, and all the rest.  However, snobbish Betty Wendover (Joanna Barnes) doesn’t want her son marrying Rowdy’s daughter so she arranges for Rowdy’s roller derby rival, Hooligan Hanreddy (Mary Jo Catlett), to come to the island and challenge Rowdy to a fight.  Rowdy throws a punch and then runs off, ashamed at not being sophisticated.  But, it turns out that Rowdy’s future son-in-law is really impressed with what Rowdy did and the wedding takes place after all.  Yay!

Needless to say, this is all incredibly silly but it’s meant to be silly and both Anne Francis and Mary Jo Catlett seem to be having fun overplaying their rivalry.  There is nothing particularly realistic about this fantasy but it’s not meant to be.  It’s meant to make the viewer smile and, for the most part, that’s what it does.

But, at the same time, Vietnam vet Joe Beck (Christopher George) is chasing another Vietnam vet, attorney Ted Harmon (Greg Morris), through the jungle, intent on killing him.  Joe blames Ted for the death of Joe’s younger brother.  Apparently, they were all POWs together and Joe’s brother died during an escape.  Joe is convinced that Ted betrayed his country.  This is all pretty dramatic and it’s hard not to wonder why Roarke would have agreed to sponsor this fantasy in the first place.  Ted is a prominent attorney who is thinking of running for political office.  If he was murdered on Fantasy Island, that wouldn’t do much for the island’s reputation.  Fortunately, it all works out in the end as Joe discovers that his younger brother is not only still alive but that he’s also the one who informed the VC about the escape attempt.  Amazingly, Ted doesn’t seem to be at all upset that he was nearly murdered over a mistake.  I guess that’s the magic of Fantasy Island.

These two fantasies didn’t really go together and, as a result, this episode feels a bit messy.  But there is one cute moment in which Tattoo reveals to Mr. Rourke that his new side hustle involves selling phony college degrees.

Go Tattoo!

Retro Television Reviews: Hang Time 3.13 “The Perfect Game” and 3.14 “Blood Drive”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Hang Time, which ran on NBC from 1995 to 2000.  The entire show is currently streaming on YouTube!

Having lost the tournament in California, the Tornadoes are back in Indiana!

Episode 3.13 “The Perfect Girl”

(Directed by Patrick Maloney, originally aired on October 25th, 1997)

Coach Fuller finds himself subbing as the teacher of the school’s cooking class.  Thinking that the class will be an easy A, Michael, Teddy, Danny, and Julie all enroll in the class …. which, doesn’t really make any sense as they’re high school students and there are few high schools that will let you randomly enroll in a class halfway through a semester.  Add to that, they’re specifically enrolling in the class because Fuller is teaching it but what are they going to do when the regular teacher comes back?

It turns out that Fuller expects them to take his cooking class seriously and, when they screw around and even try to pass off a Stadium-bought pie as their own work, Fuller threatens to give them all Fs.  Seeing as how they randomly entered the class, couldn’t they just as randomly drop out before getting their final grade?  I’m really not sure how this high school works.  Eventually, the four of them get serious and make a real pie.  Of course, Teddy trips and accidentally smashes it into Fuller’s face.  Strangely enough, Danny did the exact same thing to a rival coach in the previous episode.

Meanwhile, Mary Beth enters a modeling contest and makes it to the finals.  When she doesn’t win, she considers getting plastic surgery.  As someone who was once told that the only thing keeping me from potentially becoming a star was a nose job, I could relate.  And, much like Mary Beth, I did consider getting that nose job.  Ultimately, I didn’t because I actually like my imperfect nose.  It’s a physical feature that I shared with my mom and just about everyone else in my family.  Mary Beth, thankfully, also declines to get plastic surgery, largely due to overhearing Vince talking about how beautiful she is.  Awwwwww!

Episode 3.14 “Blood Drive”

(Directed by Patrick Maloney, originally aired on October 25th, 1997)

Kristy is tying to organize the school blood drive.

Mary Beth is trying to organize the school dance.

Danny helps Kristy because he likes her.  That’s not a surprise since Kristy bears a strong resemblance to Sam, the former team manager who broke Danny’s heart at the start of the second season.  Unfortunately, Danny gets jealous when he meets the handsome doctor who will be helping to draw the blood.  Danny almost ruins everything with his jealousy but then, he somehow convinces an actual NBA star to show up and give some blood.  The audience goes crazy.  Kristy, however, informs Danny that she’s not ready to date anyone.  (Seriously, Kristy, you’re only in high school for a limited amount of time.  You might as well try to have some fun.)

Meanwhile, Vince nearly ruins Mary Beth’s dance because of his inability to find a good band.  Finally, he finds a really cool old guy who plays an accordion.  Woo hoo!  The dance is saved.

Finally, I guess Julie broke up with that Jason guy because now she wants Michael to ask her to the dance.  However, Michael is insecure because he can’t dance.  Teddy tries to teach Michael how to dance and, even though it’s a really silly scene, Anthony Anderson gets so much into it that you can’t help but be charmed.  Anyway. Julie fakes an ankle sprain so that Michael, seeing that she won’t be able to dance, will ask her to be his date and it works.  Yay!  I just hope this relationship works out better than every other relationship Julie has had.  Chris cheated on her.  Josh and Jason both mysteriously vanished.  Michael seems to be a good guy, though.

This was a sweet episode.  Hang Time was at its best when it just let the teens be teens.

Retro Television Reviews: The Elevator (dir by Jerry Jameson)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Elevator!  It  can be viewed on YouTube!

Marvin Ellis (Roddy McDowall) hates his job.  He’s been assigned to be the manager of a new high-rise office building.  Parts of the building are still under construction but that hasn’t stopped the company that owns it from selling out office space.  When Mrs. Kenyon (Myrna Loy) comes by and asks to look at the top floor penthouse, Ellis agrees.  In public, Ellis is always friendly and always courteous.  It’s only under the most stressful of circumstances that Ellis reveals that he feels as if the building has been built of out lies and cheap material.

Ellis and Kenyon soon find themselves in a stressful situation when they are trapped in an elevator.  Of course, they’re not alone in the elevator.  There’s also Dr. Reynolds (Craig Stevens), his wife (Teresa Wright), and his mistress (Arlene Golonka).  And then there’s Robert Peters (Barry Livingston), a teenager who has inherited a fortune.  And finally, there’s Eddie Holcomb (James Farentino).  Eddie has a suitcase full of money that he’s stolen from an office in the building.  He’s also got a loaded gun.  And, perhaps worst of all, he has an intense fear of tight places.  The longer that he’s trapped in the elevator, the worse his claustrophobia becomes.

Because the building isn’t really finished yet, the elevator’s alarm button doesn’t really work.  Other than the passengers trapped inside, the only people who know about the stalled elevator are Eddie’s partners-in-crime.  Irene (Carol Lynley) is Eddie’s girlfriend and she just wants to get the situation resolved with as little violence as possible.  Pete (Don Stroud) is Eddie’s sociopathic friend.  Pete is not only determined to rescue Eddie and retrieve the suitcase.  He’s also determined to take care of any potential witnesses by killing everyone on the elevator.

The Elevator is a disaster film, along the lines of Airport and The Towering Inferno.  Due to the hubris of a faceless corporation, a group of people find themselves trapped in a potentially catastrophic situation.  Some of them react with bravery.  Some of them react with cowardice.  All of them get a chance to reveal a bit of who they are on the inside.  Some might say that being trapped in an elevator is not quite as bad being trapped in a fiery skyscraper or being a passenger on a airplane that’s being held hostage by a mad bomber.  Technically, they’re right but I am also going to admit right now that I absolutely hate elevators and I try to avoid them whenever I can.  I always say that this is because running up and down several flights of stairs is a good way to keep my legs looking good and certainly that’s part of it.  But an even bigger reason is that I dread the thought of being stuck in a confined space with a bunch of strangers.  If I was on an elevator that was stuck between floors, I would probably lose my mind.  I have a hard enough time just standing in line for longer than 3 minutes.  As directed by Jerry Jameson, The Elevator does as good job of capturing the feeling of being trapped in a small space.  It’s not a film to watch if you have claustrophobia.

As for the cast, Myrna Loy is a delight as the eccentric Mrs. Kenyon.  And seriously, how can you dislike any film that gives Roddy McDowall a monologue about how much he hates skyscrapers?  It’s an entertaining, if undemanding, film.  After watching The Elevator, I’ll keep taking the stairs.

Retro Television Reviews: California Dreams 3.10 “Daddy’s Girl” and 3.11 “Family Tree”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing California Dreams, which ran on NBC from 1992 to 1996.  The entire show is currently streaming on YouTube!

This week, California Dreams is all about family.

Episode 3.10 “Daddy’s Girl”

(Dir by Patrick Maloney, originally aired on November 19th, 1994)

Tiffani is worried that her father (Rod Arrantis) is lonely being a single man who spends all of his time studying humpback whales.  So, she decides to set him up with Ariel (Kristine Sutherland), who is also a humpback enthusiast.  (Wait, that sounds weird….)  Somewhat distractingly, Ariel is played by the same actress who played Zack Morris’s mother on Saved By The Bell so it’s easy to spend this entire episode wondering if maybe she divorced Derek Morris after Zack graduated from high school and Tiffani and Zack are about to become stepsiblings.

Anyway, things are great at first but then Tiffani gets jealous and tries to break up her father’s relationship by revealing the Ariel has a police record.  Unfortunately, Tiffani doesn’t actually bother to take a look at the record before barging in on her father’s date and it turns out that Ariel only has two unpaid parking tickets.  Today, of course, Ariel would be thrown in prison for the tickets and locked up while the FBI, CIA, and NSA searched her twitter account for any negative remarks about the government’s COVID policies.  However, 1994 was a more libertarian time and everyone on the show understood that parking tickets were no big deal.

After her father ends his relationship to keep Tiffani happy, Tiffani realizes that she was in the wrong.  That means that it’s time to save the relationship by singing a song!

The thing that bothers me about this episode is that Tiffani is a hundred times brattier than Lorena was when they all visited Lorena’s father’s ski resort and yet nobody accuses Tiffani of being spoiled.  That’s a bit of double standard.  That said, there was one funny scene in which a horrified Tony realized that there was nothing that Mr. Smith enjoyed talking about more than humpback whales.  “I’ve got to get back to work,” Tony said.  “I’ll just tell you about them while you work,” Mr. Smith replies (or words to that effect).  It made me laugh.

Episode 3.11 “Family Tree”

(Dir by Patrick Maloney, originally aired on November 26th, 1994)

For history class, the Dreams are investigating their family trees.  Jake reveals that his grandparents were refugees from Eastern Europe.  Sam reveals that her ancestors built the Great Wall of China.  Lorena turns out to be related to both Benito Juarez and Mario Lopez.  Tiffani is forced to research both the Smiths and the Joneses.  Amazingly, it appears the genealogical research is so easy that all you have to do is check out a few books from the library.

Tony is upset to discover that his earliest known ancestor was a slave so he makes up a story about being descended from an emperor.  Everyone is really impressed.  “That’s wonderful, Tony,” the very white teacher announces, “especially since most African-American can’t find anything before the Civil War.”  She said it in such a cheerful and condescending manner that it immediately made me think of the incredibly awkward episode of The Love Boat in which Captain Stubing took it upon himself to explain black history to Isaac.

Eventually, Tony is visited by the ghost of one of his ancestors and he finally decides to be honest about his background.  This episode was well-intentioned and nowhere near as bad as the infamous Running Zack episode of Saved By The Bell.  A bit of the humor was a bit awkward.  For a show that was ground-breaking in the diversity of its cast (at least as far as TNBC shows were concerned), a lot of the humor is still based on stereotypes and the same studio audience that cheered Tony for embracing his identity also laughed whenever Lorena spoke Spanish.  For the most part, though, this episode worked and it gave William James Jones a chance to do something more than just be the goofy comedic relief.

(Incidentally, I love family tree projects.  I’m Irish on my father’s side and Italian/Spanish on my mother’s side.)

Next week, it’s a double dose of Jake as he takes up smoking and considers losing his cool!

Retro Television Review: The Brady Bunch Hour 1.1 “The Brady Bunch Variety Hour”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past!  On Fridays, I will be reviewing The Brady Bunch Hour, which ran on ABC from 1976 to 1977.  All nine episodes can be found on YouTube!

The year was 1976 and cocaine was very popular.

Well, seriously, how else do you explain the existence of The Brady Bunch Hour?  Produced by Sid and Marty Kroft, The Brady Bunch Hour imagined a world in which the Bradys got their own variety show.  Now, this could have made sense if the show had been hosted by “the stars of the Brady Bunch” but instead, in this show, Mike Brady specifically abandoned his job as an architect so he and the family could move to Hollywood and star on a variety show.

Almost all of the Bradys returned to do the show.  Eve Plumb balked at signing a five-year contract and, as a result, Geri Reischl was cast as Jan Brady.  Barry Williams, who was starring on Broadway in Pippin, returned to play Greg “Music is My Life” Brady.  Maureen “Marcia” McCormick was also excited to get a chance to dance and sing.  Susan “Cindy” Olsen was excited over the prospect of appearing in skits.  (She was told that the skits would be SNL-style skits.)  Both Christopher “Peter” Knight and Mike “Bobby” Lookinland were aware of their own musical limitations.  Knight eventually agreed to return when he was told that he wouldn’t have to do much dancing or singing.  Lookinland tried to get out of appearing in the show by demanding a lot of money.  To his surprise, the producers not only paid him what he asked for but his demands led to everyone else getting a bigger paycheck as well.  Ann B. Davis had left acting to work for a church but she appeared on the show as a “guest star.”  Florence Henderson, who had the most singing and dancing experience of anyone in the original cast, was not enthusiastic about The Brady Bunch Hour but she agreed to give it a shot for the fans and the kids.

Actually, the most enthusiastic member of the cast was Robert Reed.  Reed, who rarely had a good word to say about his time on The Brady Bunch (though he did get along with the rest of the cast), was surprisingly enthusiastic about getting to dance and sing despite not being very good at either one of those things.  Alone amongst the cast, he reportedly never lost his enthusiasm for the Brady Bunch Hour.

But enough background!  Let’s take a look at this bizarre, only in the 70s type show!

Episode 1.1 “The Brady Bunch Variety Hour” 

(Dir by Art Fisher, originally aired on November 28th, 1976)

We open with a line of dancers doing kicks in a front of a swimming pool.  On the screen behind the dancers, the faces of the Brady Bunch are projected.  We immediately notice that Jan is now played by Geri Reischl and she’s the only one of the kids who appears to be sincerely happy to be there.  While the other members of the Bunch are obviously struggling to smile, Fake Jan can’t wait to get out on stage and perform.  And she quickly gets that opportunity when the family comes out to perform Baby Face.  While the Bunch sings an off-key rendition of the song, the dancers dive into the pool.  The audience goes crazy as the announcer says, “Ladies and gentleman, the Brady Bunch!”

This performance only lasts for two minutes but it’s hard not to notice that all of the members of the Bunch appear to be totally exhausted by the time it’s over.  Robert Reed especially looks like he’s on the verge of fainting.

With the performance over, the Bradys argue over who will be the first to speak.  Carol reveals that the Bradys are each assigned a number, like at the DMV, and the Bradys are now serving “Number 27!”  “Who has number 27!?” Mike demands.  “Mike, check your number,” Carol says.  Yes, you guessed it!  Mike is 27 and he explains that he’s an architect but his family is forcing him to star on a variety show.  “I didn’t want to do this,” Mike tells us.  “We’re all very excited!” Carol shouts.

(Again. in real life, Robert Reed was the only member of the Bunch who wanted to do the show, despite the fact that he could neither dance or sing.)

Carol introduces the members of the Bunch.  Greg says music is his life.  The audience goes crazy for Marcia.  Peter flirts with dancer.  Jan complains, though the naturally cheerful Geri Reischl is a bit less convincing when it comes to playing bitter as Eve Plumb was.  Bobby announces that he grew 2 and a half inches this year.  Cindy announces she grew 3 inches.  Carol explains that Mike is the first architect to have his own variety show.  Maybe there’s a reason why architects are not typically given this opportunity.

Suddenly, everyone starts singing Baby Face again.  Mike falls in the pool.  The audience loves it.

After a commercial break, we find the Bradys (sans Mike) at the family’s new Hollywood home.  The kids agree that Mike has to be dumped from the show because, as Greg puts it, “he’s not very good.”  Carol tells them that Mike is their father and that he will always be a part of the act.  Carol points out that Mike doesn’t enjoy wearing tights and that he’s only doing the show for his ungrateful children.  Carol has a point.  These kids suck.

The doorbell rings and Tony Randall, looking like he’s already realizes this is a mistake, steps into the living room.  He says that he needs a script.  Bobby calls him “Tony.”  Randall replies, “You can call me Mr. Randall.”  Bobby suggests that Tony Randall could be the family’s new father.  Mike comes down the stairs, just in time to hear his family begging Tony Randall to become their new father.  AWKWARD!  Anyway, Tony refuses to steal Mike’s role.  To me, it seems like the kid owe Mike an apology but he doesn’t get one.  However, everyone does eventually agree that they love him.  Then Bobby suggests Burt Reynolds could be their father.

We then cut to the Brady Bunch performing One from A Chorus Line.  Mike takes center stage for this performance, wearing a glittery white suit and a hat.  The viewer gets the feeling that this was all done to show that Robert Reed really could perform and dance but it has the opposite effect for both him and the entire family.

At the Brady Bunch home, Greg plays his guitar.  Marcia comes in and wonders if Mike and Carol were ever young.  This leads to a flashback to the 1950s, with young Mike and his gang (played by the Brady boys) hanging out at the roller rink and hitting on four girls, played by Carol and the Brady Daughters.

Now, you may think that things couldn’t possibly get worse than the Brady Bunch paying tribute to Grease.  (Actually, Grease wouldn’t come out for another two years so I’m not really sure what the point of this skit was.)  Well, it does get worse because Donnie and Marie Osmond roll up on a motorcycle and everyone sings Splish Splash.  It’s not so much that the Bradys (with the exception of Fake Jan and Florence Henderson) can’t dance or sing.  It’s that the audience applauds every little thing that they do, in much the same way that parents give out pity applause at a talent show at an elementary school.

Once the flashbacks ends, Greg welcomes the audience to the second half of the show.  Peter pushes Greg into the pool.  Greg grabs Peter and throws him in the pool.  The audience loves it but, judging from the way their bodies hit the water, it’s obvious that neither Greg nor Peter were trained stuntmen and they were both risking injury for a joke that wasn’t really that funny.  Oh well, no matter!  It’s time for the show’s dancer to put on clown makeup and do an aquatic dance number.

Cut to the Brady Bunch’s Hollywood home, where Mike is playing Risk with the kids and bitching about how he “always lands on Yugoslavia.”  You know, I felt bad for Mike when the kids were trying to replace him with Tony Randall but now I see that the kids had a point and that Mike is always whining about something.

Meanwhile, Marcia is talking on the landline about how much she loved The Boy In The Plastic Bubble.  “Barbarino in a bubble!”  Excuse me, Marcia …. his name is Travolta!

Continuing to play the game, Mike announces, “I just landed on East Germany and your mother already owns it!”  “With three hotels,” Carol says.  Uhmmm …. okay, are we playing Risk or Monopoly?  WHAT THE HELL IS GOING ON!?

Peter, meanwhile, call his girlfriend and breaks their date because “My Dad is being held prisoner in East Germany.”  It turns out that Peter is interested in another girl, which leads to Mike and Carol reprimanding him and teaching him an important lesson about honesty.  This skit goes on forever.  It’s almost bad enough to make me wish for another musical number….

Be careful what you wish for because this skit is followed by Cindy and Bobby introducing “our big brother,” and saying that they think he’s very talented.  As if to specifically humiliate them, Greg comes out on stage and oversings Corner of the Sky.  (Corner of the Sky comes from Pippin, a show that Greg left so that he could co-star on the Brady Bunch Hour.)  Perhaps the most interesting thing about this sequence is that Bobby and Cindy both appear to have joined a cult.

This is followed by a skit in which a disgruntled Mike and Bobby show up on stage dressed as a rabbit and a chicken.  They are soon joined by Greg, who is dressed as a bear, and Tony Randall, who is dressed as himself.  Tony announces that he’s going to sing a song about animals but he doesn’t want any of the Bradys to be involved.  (Considering that he was the show’s “special guest star,” it’s interesting that Tony Randall only appears twice on the show and, both times, he makes it clear that he holds the Brady Bunch in complete and utter disdain.)

After Tony does his song, Alice the Maid (Anne B. Davis) appears and says that she watched the Bradys grow up.  This leads to a montage of old Brady Bunch clips and Florence Henderson singing The Way We Were and, believe it or not, it actually works.  For once thing, Florence Henderson could actually sing and The Way We Were is exactly the right song for her performance style.  I mean, make no mistake.  It’s silly and schmaltzy but it’s also kind of touching.

Finally, it’s time for the big finale!  The Bradys are on stage, dressed in white, but they can’t decide what medley they want to perform.  Greg wants to do music from “that Rocky Horror show!”  “This is a family show!” Mike yells.  Carol suggests something from The Sound of Music.  The kids don’t want to do old stuff.  “We’re young and we want to do young music,” Marcia says.  Alice runs on to the stage and tells them to just sing something.

Greg takes her words to heart and performs Attitude Dancing, while wearing an outfit that makes it look like he’s about to jump a motorcycle over a line of school buses.

Mike and Carol sing Cheek to Cheek and then the kids sing Dance With Me.  Carol responds by singing I Could Have Danced All Night, which is another good song for her.  Unfortunately, the kids start to sing Do The Hustle and eventually segue into Shake Your Booty.  All the Bradys dance, including an embarrassed-looking Alice.  Fake Jan gets a solo and proves that, unlike the other Brady kids, she actually has a pretty good voice.

In the final comments, Carol thanks the audience.  “Without you, there would be Brady Bunch,” she says.  “I think I had something to do with it,” Mike says, which …. I mean, I know it’s awkward to point this out but Mike can really only take credit for half of the kids.  So, really, Mike didn’t have much to do with it beyond the fact that he quickly moved on from his first wife’s death.  (Or is Mike the one who got divorced?  I can never keep track of who was divorced and who was widowed.)

Anyway, on that cheery note, the show ends.

Wow, that was exhausting.  My main impression of the pilot of The Brady Bunch Hour is that it wasn’t good but it was impossible to look away.  It was fun to watch but I can already tell that the show’s corny humor and badly-choreographed musical numbers are going to get tiresome pretty quickly.  Fortunately, this thing only ran for 9 episodes so this is only going to cost me nine weeks of my life.  Yay!