Retro Television Review: The Love Boat 4.21 “Clothes Make The Girl/Black Sheep/Hometown Girl”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for another cruise on …. THE LOVE BOAT!

Episode 4.21 “Clothes Make The Girl/Black Sheep/Hometown Girl”

(Dir by Earl Bellamy, originally aired on February 28th, 1981)

This week’s cruise is all about money!

For instance, in this episode, we learn that Doc Bricker is from a small town called Cedar Flats.  Doc was the head of a committee that raised the money necessary to send Mike Lucas (Randy Powell) to medical school so that Mike could return home and serve as the town doctor.  However, when Mike boards the cruise with his fiancée, Tracy (Cindy Morgan), it turns out that he has some bad news.  Tracy’s wealthy father has offered Mike a job working at a Park Avenue clinic in Manhattan.  Mike is planning on taking the job because of the money and the fact that Tracy doesn’t want to live in a small town.  Unfortunately, that will leave Cedar Flats without a doctor.

Doc Bricker, showing that he actually is a man of integrity despite also being a walking HR nightmare, decides that he has no choice but to return to Cedar Flats and serve as their doctor until someone can be found to replace him.  He asks Captain Stubing for a six-month leave of absence.  Stubing agrees but warns that the cruise line might hire someone to take Doc’s place.

Meanwhile, Suzy Marshall (Kyle Aletter) is excited because it appears that her daughter, Anne (Lee Meriwether), has attracted the attention of a wealthy man named Jonathan (Larry Breeding).  Little do they know that Jonathan is actually just Johnny, the ship’s valet.  Johnny is wearing another passenger’s clothes and pretending to be rich.

At one point, Johnny takes Anne back to his cabin, making this the first episode to show us what a low-level employee’s cabin looks like.  It’s small and cramped and located at the bottom the boat, which means it’ll be the first to flood if The Love Boat ever hits an iceberg.  It’s also mentioned that Johnny is not allowed to eat in the main dining room with the passengers.  I have to admit that it’s all a bit disillusioning.  Apparently, the Love Boat is a terrible place to work!

Finally, a passenger named Donald Gray (Robert Ginty) tells the Captain that he works for the Secret Service.  He is on the Love Boat because he hopes to capture a notorious counterfeiter.  But what will happen when that counterfeiter turns out to be Jesse (Demond Wilson), Issac’s ne’er-do-well uncle who claims to have turned a new leaf?  Poor Isaac!

Well, don’t worry.  Everything works out:

1) Mike realizes that he has to honor his commitment to Cedar Flats and, after talking to her father, Cindy realizes that she loves Mike enough that she can be happy in a small town.  (Cindy’s father says some very dismissive things about Cedar Flats but it turns out that he was only doing that to get Mike so outraged that he would have no choice but to return home.  He was doing it as a favor to Doc Bricker.  Can you imagine if that plan didn’t work?  What if Mike just said, “You’re right!  New York, here we come!”)

2) Anne learns the truth when she sees Johnny in his valet uniform.  Luckily, she doesn’t care.

3) It turns out that Donald is actually a criminal who is masquerading as a treasury agent and Uncle Jesse is an undercover government agent!  Isaac is happy to learn this but also agrees to keep Jesse’s secret.  “You’re my favorite nephew,” Uncle Jesse replies.  Awwwww!

This was an okay cruise.  The guest stars weren’t particularly interesting but Bernie Kopell and Ted Lange both got an opportunity to show what they could do when given a real storyline to deal with.  Kopell especially deserves a lot of credit for showing that humanity that lurked underneath Doc’s carefree surface.  This episode kept me entertained and I enjoyed the scenery.  Really, what else can you ask for from The Love Boat?

Retro Television Review: Fantasy Island 4.14 “The Chateau/White Lightning”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

This week, we get a bad fantasy and a good fantasy.  Smiles, everyone!

Episode 4.14 “The Chateau/White Lightning”

(Dir by Leslie H. Martinson, originally aired on February 7th, 1981)

The first of this week’s fantasies involves the McAllister clan and the Scroggins clan, two feuding families from Appalachia who both come to Fantasy Island with the same fantasy.  They want to find the formula for a legendary type of moonshine called White Lightning.  The McAllisters are led by Clora (Carolyn Jones) and include her children, Ruth Ann (Wendy Schaal), Amos (Ed Begley, Jr.), and Otis (Richard Lineback).  The Scroggins are led by Norris (George Lindsey) and include his sons, R.J. (Randy Powell) and Bobby Joe (Ernie Lively).

Since both families have the same fantasy and they both want the recipe for themselves….

What?  Yes, this the bad fantasy.

Anyway, Mr. Roarke gives them a map that will lead them to White Lightning still on Fantasy Island.  The two families race to be the first to reach the still, not realizing that the still is guarded by an old man with a rifle and that old man is Mr. Roarke in a fake beard.

You will probably not be surprised to learn that Mr. Roarke pretending to be a moonshiner is the best part of this fantasy.  Seriously, I hope everyone involved with this series appreciated the dedication that Ricardo Montalban brought to bringing even the most ridiculous of scenes to life.

This was a dumb fantasy and, from the minute the two families stepped off the plane, it was obvious that they’re going to end up setting aside their differences and working together.  The hillbilly stuff just felt out of place on Fantasy Island.  Let’s move on and let’s do so quickly.

The other fantasy is a bit more fun.  Vicky Lee (Pamela Franklin) is writing a book about her grandmother, a silent screen actress who died under mysterious circumstances.  Her fantasy is to interview her grandmother’s former co-star, Claude Duncan, who lives in seclusion in a Fantasy Island chateau.  Mr. Roarke tries to dissuade her from entering the chateau and warns her that her fantasy might be dangerous in ways that she could never imagine.  Vicky says that she can take care of herself.

In the chateau, she meets Karl Dixon (David Hedison), who looks exactly like Claude Duncan!  She assumes that Karl must be Claude’s grandson but the audience knows better.  For one thing, we’ve noticed the statue of Pan in the chateau’s courtyard and we’ve also noticed that its eyes glow whenever something strange happens.  It turns out that Claude Duncan and Karl Dixon are one in the same!  Claude has remained young by offering up sacrifices to Pan.  And it appears that he’s planning on making Vicky his latest sacrifice.

Vickey Lee’s fantasy was silly but entertaining, in the way that the best episodes of Fantasy Island often are.  I always prefer the fantasies that have an element of the supernatural and that’s certainly the case with this one.  At one point, Duncan even claims that Mr. Roarke has no power in the Chateau, which leads me to once again wonder about who truly rules Fantasy Island.  If Mr. Roarke was truly in control of Fantasy Island, why would he allow Claude Duncan to live there?  In an interview, Ricardo Montalban suggested that Fantasy Island was a form of Purgatory and that Mr. Roarke was more of a caretaker than a ruler.  This fantasy would certainly suggest that to be true.

(The fantasy also features a charmingly weird scene where Mr. Roarke suddenly appears on a television screen in the chateau so he can tell Vicky that she’s in danger.  Strange Mr. Roarke is the best Mr. Roarke.)

So, this week gave us one bad fantasy and one good fantasy.  Fortunately, the good fantasy was really, really good.