Rachael Leigh Cook | Through the Shattered Lens

Smalltown reporter Jessie St. Clair (Rachael Leigh Cook) has stumbled across the story of her career. A stripper and a prostitute have been murdered. Before committing the murders, the killer sent each victim a video tape of him stalking her. With the help of her producer, Jane (Annabella Sciorra), and her cameraman, Rob (Kip Pardue), Jessie sets out to try to solve the case but when she receives a videotape that indicates that she might be the next victim, she quits her job and vanishes.

Then, Albert Bodine (Cary Elwes) shows up in town. Albert says that he’s the anchor of the UK’s top true crime show, American Crime, and that he wants to investigate not only the two murders but also Jessie’s disappearance. When both Rob and Jane are suddenly fired by their station, they reluctantly agree to work with Albert. Albert soon proves himself to be so incompetent that his new colleagues start to wonder if he’s actually who he says he is. Meanwhile, another videotape turns up, this one starring Jane.

The tone of American Crime is all over the place and it never seems to be sure if it wants to scare us or if it wants to make us laugh but there are some tense scenes and a good twist ending. American Crime tries to strike a balance between being a horror/thriller and a satire of media sensationalism. It doesn’t always succeed but you really haven’t lived until you’ve seen Cary Elwes play a sleazy tabloid reporter. Imagine an even more hyperactive version of Robert Downey, Jr’s performance in Natural Born Killers and you’ll have some idea of what Cary Elwes does in this movie. Elwes sweats profusely, bulges his eyes, speaks with an extremely affected English accent, and plays with his hair every time he passes a mirror. Everything sets him off, from his camera falling off of its tripod to people questioning his journalistic credibility. Though the movie does feature good roles for underappreciated actresses like Rachael Leigh Cooke and Annabella Sciorra, Elwes is definitely the best thing about and the main reason to watch American Crime.

She’s All That, a 1999 high school-set adaptation of My Fair Lady, has a lot to answer for.

When I, as an impressionable 13 year-old first saw this film, I left the theater believing that high school would be full of random, fully choreographed dance-offs. That, after all, is what happened towards the end of She’s All That. After watching as handsome jock Zack (Freddie Prinze, Jr.) spent almost the entire movie changing Laney (Rachael Leigh Cook) from an artist into a Prom Queen, the great prom dance-off made for the perfect climax.

I mean, just check it out:

Imagine how disappointed I was, once I finally did reach high school, to discover that it was actually nothing like She’s All That. There were no big dance numbers for no particular reason. I went to five different proms and none of them were ever as much fun as the prom at the end of She’s All That.

So thank you, She’s All That, for getting my hopes up.

As for the rest of the film, it’s a guilty pleasure in much the same way as Never Been Kissed. I was recently doing some research over at the imdb and I was surprised to discover just how many films Freddie Prinze,Jr. made between 1999 and 2002. For the most part, they’ve all got rather generic names. What’s funny is that I probably saw most of them because, back then, I would get excited over almost any PG-rated movie that featured a cute guy and had a hint of romance about it. But, with the exception of She’s All That, I can’t really remember a single one of them. But you know what? Freddie Prinze, Jr. may not be a great actor and his films may have basically all been the same but he had a certain something that, when you were 13 or 14, made him the perfect crush. There was a hot blandness to Freddie Prinze, Jr. that prevented him from being compelling but did make him the perfect star for a film like She’s All That.

Along with featuring that prom dance-off and being the epitome of a Fredde Prinze, Jr. movie, She’s All That is also remembered for featuring Rachael Leigh Cook as one of the most unlikely ugly ducklings in the history of the movies. Rachael plays Laney and the entire film’s starting off point is that Zack has made a bet with Dean (Paul Walker, as handsome here as he was in Varsity Blues) that he can turn Laney into a prom queen. However, it should be a pretty easy bet to win because all Laney has to do is let her hair down, start wearing makeup, and stop wearing her glasses.

Myself, I’m severely myopic. Usually, I wear contact lenses but occasionally, I may be running late or may not feel like putting my contacts in or maybe I just want to try a different look. So, occasionally, I’ll wear my glasses and I have to say that, other than a few guys who always make “hot librarian” jokes, everyone pretty much treats me the same regardless of whether I’m wearing my glasses or not. I do have to admit though that, when I take off my glasses and dramatically let my hair down, I always say that I’m having a She’s All That moment.

Anyway, She’s All That is okay. I like it but I don’t love it and, to be honest, the film’s main appeal is a nostalgic one. Freddie Prinze, Jr. and Paul Walker both look good, Rachael Leigh Cook and Jodi Lynn O’Keefe will keep the boys happy, and Matthew Lillard has a few good scenes where he plays an obnoxious reality tv celeb.

And there’s always that dance number!