Today’s horror scene that I love comes from one of the greatest of the Canadian slasher films, 1980’s Prom Night!
Remember everyone …. Prom Night! Everything is alright!
Today’s song of the day comes from the soundtrack of one of the greatest Canadian films ever made, 1980’s Prom Night! I dare you not to dance!

A Few Classics
The original The Omen (1976) can currently be viewed on Tubi. The Omen is still the best of all of the 1970s apocalypse movies. Whereas later Omen films would increasingly get bogged down with overly elaborate death scenes, the first Omen still holds up as a genuinely scary movie. The scene with David Warner and that plate of glass …. agck! Damien Thorne was never creepier than he was in The Omen, perhaps because little Harvey Stephens didn’t know that he was playing a villain. Unfortunately, it doesn’t appear that the sequels are available to stream for free. I have a soft spot for the mess that is Damien: Omen II. The Omen can be viewed here.
Of the many film that were inspired by The Omen, my favorite remains The Visitor (1979). John Huston — yes, the director — plays a Polish angel who lives on a plant far away. Huston is sent to Earth to rescue 8 year-old Katy, who has psychic powers and who has apparently been picked to mate with her half-brother and give birth to the Antichrist. Lance Henriksen plays a Satanist who also owns a basketball team. Mel Ferrer, Shelley Winters, Glenn Ford, and director Sam Peckinpah all have small roles. Franco Nero plays Jesus! This is a visually stunning and narratively berserk film. The Visitor is on Tubi.
The Changeling (1980) is an absolutely brilliant horror film that should definitely be seen by more people. After a family tragedy, widower George C. Scott moves into a mansion that turns out to be haunted. It all links back to potential scandal involving a U.S. Senator, played by Melvyn Douglas. Well-acted, this film has tons of atmosphere and one of the best seance scenes that I’ve ever seen. The Changeling is on Tubi.
If The Changeling is an unusually intelligent haunted house film, Burnt Offerings (1976) is perhaps the opposite. It’s a remarkably dumb film but thanks to the performances of Karen Black and Oliver Reed and the no-holds barred direction of Dan Curtis, it’s still a pretty scary movie. Poor Bette Davis is wasted in one of her final roles. You’ll cheer when the chimney collapses. Burnt Offerings is on Tubi.
John Saxon later said that making Cannibal Apocalypse (1980) was one of the most depressing experiences of his career, just because he wasn’t prepared for how gory the film would get and he wasn’t particularly happy about the idea of playing a veteran-turned-cannibal. That feeling certainly comes through in his performance, which ironically is so authentic that it elevates Cannibal Apocalypse above the typical Italian zombie/cannibal film. Giovanni Lombardo Radice and Tony King give excellent performances as Saxon’s fellow cannibals and the entire film is far more emotionally effective than it has any right to be. Cannibal Apocalypse can be viewed on Tubi.
The Black Cat (1981) never gets as much attention as it deserves but it’s probably one of Lucio Fulci’s more accessible films. An adaptation of the Edgar Allan Poe short story, it features David Warbeck at his most likable, Patrick Magee at his most demented, and a killer cat with more than 9 lives. The Black Cat can be viewed on Shudder.
I, Madman (1989) is a personal favorite of mine, largely because I relate to the main character played by Jenny Wright. Wright plays an aspiring actress and bookstore employee who becomes obsessed with the horror novels of an obscure pulp fiction writer named Malcolm Brand. Suddenly, murders start to occur that seem to match the murders in the books. Both Jenny Wright and Clayton Rohner give likable performances in this film and Randall William Cook’s disfigured surgeon is a wonderful villain. I, Madman can be viewed on Tubi.
Time After Time (1979) provides viewers with the rare chance to see Malcolm McDowell play a gentle soul. McDowell plays H.G. Wells, whose time machine is used by Jack the Ripper (David Warner) to escape into the modern age. Wells pursues him. Time After Time is as much a love story as it is a thriller. (McDowell married his co-star Mary Steenburgen.) McDowell, Warner, and Steenburgen all give excellent performances. Time after Time is on Tubi.
Malcolm McDowell is far more sinister in Paul Schrader’s 1982 film, Cat People. Cat People was made at a time when cocaine was very popular in Hollywood and the film has all the excessive hallmarks of a production that was under the influence. It’s about thirty minutes too long, the plot makes little sense, and Schrader sometimes seems to be struggling with determining what it is he’s trying to say. That said, it’s also an atmospheric and stylish film and it has a killer soundtrack. The sequence where Annette O’Toole is menaced while jogging and then swimming still creeps me out. Cat People can be viewed on Prime.
Tombs of the Blind Dead (1972) was the first and the most effective of several Spanish horror films to feature Templar zombies wrecking havoc on the countryside. This film is atmospheric and creepy and features some of the most convincing zombies to ever appear in a movie. This film also actually manages to effectively use slow motion. The Blind Dead are pure nightmare fuel. Tombs of the Blind Dead can be viewed on Tubi.
Hack and Slash
Directed by Bill Rebane, Blood Harvest (1989) tells the story of a young woman who returns to her family home, just to discover that her parents are missing and the house has been vandalized. As the bodies are strung up in a nearby barn, viewers are left to try to figure out who the killer is. Is it the handsome and hunky Gary? Or is it his brother, Mervo? Mervo, who deals with stress by putting on clown makeup, is played by Tiny Tim, a notably eccentric singer. This is one of those odd films that everyone simply has to see once. It can be viewed on Tubi.
Directed by Joseph Zito, The Prowler (1981) is a notably gruesome but undeniably effective slasher film. The gore effects were provided by Tom Savini. Zito keeps the action moving, the cast is filled with actors who are likable enough to make up for the fact that none of the characters are written to have much depth, and the killer is truly frightening. The Prowler can be viewed on Tubi.
Terror Train (1980) is another classic slasher film that is perfect for Halloween viewing, as all of the victims are in costume and the killer is a master of disguise. The train makes for a wonderfully claustrophobic setting and the film owes as much to the Italian giallo genre as it does to the typical American slasher film. Jamie Lee Curtis, Hart Bochner, and Timothy Webber are amongst those being stalked. Ben Johnson is wonderful as a conductor. Even magician David Copperfield is put to good use. Terror Train can be viewed on Tubi.
Prom Night (1980) is another Canadian classic. This is film the mixes disco with slasher thrills. Jamie Lee Curtis rallies the school with her dance moves. Leslie Nielsen gives one of his final “serious” performances at the principal of the school. The kills are genuinely frightening and, given that most of the victims are either likable or determined to live, genuinely sad. The twist ending works a hundred times better than it should. Prom Night! Everything is alright! I love this movie. It can be viewed on Tubi.
The House on Sorority Row (1982) is a diabolically clever little slasher film about a prank gone wrong. One minute, you’re accidentally causing your house mother to have a heart attack after you pull a gun on her. The next minute, you’re getting tossed in a shallow grave. The main lesson here is don’t try anything like this when you’ve also got a big, end-of-the-year college bash to put together. Director Mark Rosman comes up with some truly inspired visuals. Eileen Davidson gives a great performance as the sorority sister who can’t believe how difficult it is to cover up a murder. It can be viewed on Tubi.
Finally, Mountaintop Motel Massacre (1983) is not as well-known as some of the other films that I’ve mentioned but it features a memorably isolated location and a few effective scares. It’s a good example of the rural slasher. It can be viewed on Tubi.
Odds and Ends
Zombie Nightmare (1987) features a long-haired zombie, an early performance from Tia Carrere, and an oddly serious performance from Adam West. The zombie is played a heavy metal musician named Jon-Mikl Thor. It’s a film so ludicrous that it becomes entertaining. It can be viewed on Tubi.
Ghost Story (1981) features a dead woman whose ghost returns, seeking vengeance on a group of elderly men who, decades before, covered up her death. Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr. play the four men. Alice Krige is the ghost. Patricia Neal is Astaire’s wife. Craig Wasson plays twins. It’s a bit of an uneven film but it still has its moments. It can be viewed on Prime.
Night Terror (1977), which is also known as Night Drive, features Valerie Harper as a woman trying to drive from Phoenix to Denver over the course of the night and finding herself pursued by a mute psycho played by Richard Romanus. Clocking in at 74 minutes, Night Terror is suspenseful and features good performances from both Harper and Romanus. It can be viewed on Prime.
Finally, The Little Girl Who Lives Down The Lane (1977) is a creepy little film starring Jodie Foster as a child who will stop at nothing to keep people from figuring out that she’s living on her own. The true monster in this film is played, quite memorably, by Martin Sheen. It can be viewed on Prime.

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we wish a happy birthday to Canadian filmmaker, Paul Lynch! It’s time for….
4 Shots From 4 Paul Lynch Films
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1980’s Prom Night!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy.
The great Jamie Lee Curtis is, of course, beloved by horror fans for starring as Laurie Strode in the original Halloween. Myself, I’ve always felt that her best horror performance was actually in 1980’s Prom Night.
Just watch her, during the film’s final minutes, when she discovers that the killer who has spent the entire day killing all of her friends is someone from her own family. This is great acting and one can see why the Canadians gave her a Genie nomination for Best Foreign Actress. Let’s hope David Gordon Green never decides or gets the chance to mess this one up.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.
Happy Thanksgiving, Canada! Today’s edition for 4 Shots From 4 Films is dedicate to you!
4 Shots From 4 Canadian Horror Films

The Changeling (1980, dir by Peter Medak)

Prom Night (1980, dir by Paul Lynch)

Videodrome (1983, dir by David Cronenberg)

Cube (1997, dir by Vincenzo Natali)
Prom Night … everything is alright…
Since today is technically still Canada Day, I figured why not share one of the greatest dance scenes ever filmed? This scene is from the classic 1980 film, Prom Night, and it features Jamie Lee Curtis and Casey Stevens showing what they can do on the dance floor!
Well, actually, it shows Jamie Lee Curtis showing what she could do. According to David Grove’s Jamie Lee Curtis, Scream Queen, Casey Stevens claimed that he could dance but, when it came time to shoot the scene, he turned out to be rather awkward and the responsibility for selling the scene pretty much fell completely on Jamie Lee Curtis’s shoulders. As Prom Night co-star MaryBeth Rubens put it, it was impossible to imagine Casey and Jamie Lee ever being a couple in real life, despite the fact that they were during the making of this film.
Interestingly enough, Prom Night would later bring Jamie Lee Curtis her first acting nomination when she was nominated for a Genie Award for Best Foreign Actress. (Indeed, one of the interesting thing about the early history of the Genie Awards is just how many slasher films were nominated. Apparently, during the early 80s, the Canadian film industry was a bit less robust than it is today.) That said, Jamie Lee does give a really good performance in this film and dammit, she deserved the award!
(Or, at the very least, I assume she did. I’m not really sure to whom she lost and I’m too lazy to look it up on Wikipedia.)
(Okay, screw it. I felt guilty for being lazy so I decided to look it up. Jamie Lee Curtis lost to Susan Sarandon, who won for her performance in Atlantic City. Since Sarandon’s role was actually a supporting one to Burt Lancaster’s, I still say that Curtis should have won.)
The song’s great too.
So, enjoy this scene and just try not to dance!
I cannot let this Halloween end without recommending Jamie Lee Curtis: Scream Queen, David Grove’s biography of one of horror cinema’s most iconic stars.
As you can probably guess from the title, the focus of this book is on the start of Jamie Lee Curtis’s career, when she was almost exclusively appearing in slasher films. Beginning with her starring role in Halloween and going all the way through films like Terror Train, Prom Night, Road Games, The Fog, and Halloween 2, the book shows both how Curtis dealt with suddenly being a horror icon and how she eventually left the horror genre behind in an effort to show that she was capable of doing more than just screaming and running. Eventually, as the book details, she reached a point where she could return to horror with Halloween H20 but, for a while, her horror work was truly a double-edged sword. It made her famous but it also kept her from being considered for the type of roles that she truly hoped to play.
That said, this book takes refreshingly positive look at her early film career, providing both serious analysis of and fascinating behind-the-scenes details about all of Curtis’s horror films. Yes, even Prom Night.
In fact, the two chapters devoted to Prom Night were probably my favorite part of the book. Though Curtis herself was not interviewed, several members of the cast and crew were and their recollections of their work on this not-very-good but oddly watchable film provide an interesting portrait of life during a low-budget movie shoot. Of course, everyone focuses on how in awe they were of Jamie but, at the same time, they are also open about their own personal feelings and recollections about the shooting of this movie. Their hopes and dreams, many of them destined to be unfulfilled, come through just as vividly as their memories of watching Jamie Lee Curtis film the famous disco scene. The passages dealing with Casey Stevens, who played Jamie’s Prom Night boyfriend and subsequently died of AIDS, are especially moving. In the end, Jamie Lee Curits; Scream Queen is not just a biography of Jamie Lee Curtis. It’s a tribute to both movies and the people who make them.
If you’re a lover of the horror genre or a student of film history, this is one of those book that you simply must have. It’s got just about everything that you could possibly want.