2014 in Review: The Best of Lifetime and SyFy


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Hello there and welcome to January!

This is the time of year that the Shattered Lens usually takes one final look back at the best and worst of the previous year’s offerings in cinema, television, literature, and music!  Last year, I kicked things off by taking a look at the best that the SyFy network had to offer.

Unfortunately, SyFy didn’t produce as many original films in 2014 as they did in 2013.

However, my beloved Lifetime network remained a consistent showcase for some of the best and worst melodrama that one could hope for.

With that in mind, here are my nominees for the best films and performances that were featured on either the SyFy or the Lifetime network last year!  As always, winners are listed in bold.

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Best Film

Battle of the Damned

Flowers in the Attic

Grumpy Cat’s Worst Christmas Ever

*Lizzie Borden Took An Axe*

Sharknado 2

Starving in Suburbia

Best Actress

Kate Beckinsale in The Trials of Cate McCall

Maria Bello in Big Driver

Annie Heise in The Good Mistress

Tara Reid in Sharknado 2

*Christina Ricci in Lizzie Borden Took An Axe*

Kierna Shipka in Flowers in the Attic

Best Supporting Actress

Kendra Anderson in The Good Mistress

*Ellen Burstyn in Flowers in the Attic*

Clea DuVall in Lizzie Borden Took An Axe

Heather Graham in Petals on the Wind

Tina Ivlev in Death Clique

Izabella Miko in Starving in Suburbia

Best Actor

Trevor Donavon in Bermuda Tentacles

Mason Dye in Flowers in the Attic

Michael Keaton in Blindsided

Dolph Lundgren in Battle of the Damned

Patrick Muldoon in Finders Keepers

*Ian Ziering in Sharknado 2*

Best Supporting Actor

James Cromwell in The Trials of Cate McCall

David Field in Battle of the Damned

*Griff Furst in Status Unknown*

Judd Hirsch in Sharknado 2

Mark McGrath in Sharknado 2

John Savage in Bermuda Tentacles

Best Director

Doug Campbell for Death Clique

Deborah Chow for Flowers in the Attic

Anthony C. Ferrante for Sharknado 2

*Nick Gomez for Lizzie Borden Got An Axe*

Christopher Hutton for Battle of the Damned

Tara Miele for Starving in Suburbia

Best Screenplay

Kayla Alpert for Flowers in the Attic

Tim Hill and Jeff Morris for Grumpy Cat’s Worst Christmas Ever

Stephen Kay for Lizzie Borden Took An Axe

Thunder Levin for Sharknado 2

*Tara Miele for Starving in Suburbia*

Griff Furst and Marcy Holland for Status Unknown

Flowers in the Attic

Tomorrow, I’ll continue my look back at 2014 by revealing my picks for the 16 worst films of 2014!

Previous Entries in Our Look Back At 2014:

Things That I Dug In 2014 Off The Top Of My Head

 

 

What Lisa Watched Last Night #104: Petals on the Wind (dir by Karen Moncrieff)


Last night, I watched the Lifetime original film, Petals On The Wind.

Why Was I Watching It?

It’s the sequel to one of the greatest Lifetime films of all time, Flowers in the Attic.  How could I not watch it?

What Was It About?

10 years have passed since the Dollanganger children escaped from the attic.  Christopher (Wyatt Nash) is a medical student who, despite being engaged, is still attracted to his sister, Cathy (Rose McIver).  Cathy is a dancer who finds herself trapped in an abusive relationship with the handsome but controlling Julian (Will Kemp).  And finally, Carrie (Bailey Buntain) is still struggling with her memories of being held prisoner.  After several tragedies occur outside of the attic, Cathy returns to Foxworth Hall, looking to get revenge on both her grandmother (Ellen Burstyn) and her mother (Heather Graham).

What Worked?

Heather Graham and Ellen Burstyn reprised their roles from Flowers in the Attic and both of them gave Emmy-worthy performances.  Burstyn, in particular, managed to invoke some sympathy for a potentially monstrous character while Graham brought a great combination of immaturity and evil to her character.

On a personal level, I appreciated all of the dancing.  It brought back a lot of good memories.

What Did Not Work?

Watching Petals On The Wind really made me appreciate Flowers in the Attic, which was great for Flowers but not so good for Petals.  As I sat there, trying to figure out why Petals just wasn’t working for me, it occurred to me that the strength of Flowers in the Attic was that the attic itself became as much a character as any of the Dollangangers.  Even more importantly, being trapped in that attic, gave all of the characters a link that went beyond family and sex.  For the viewer, that attic allowed us to know when the story had truly begun (when the kids were first locked up there) and when the story was over (when they finally got to leave).  In Petals, without the attic, the story of Dollangangers often felt formless and random.  As a result, the film may have been watchable but it was rarely compelling.

Since Petals was supposed to take place ten years after the end of Flowers, all of the Dollanganger children were recast.  And while Rose McIvar and Wyatt Nash are both talented, they didn’t have much chemistry when they were on screen together (especially when compared to their predecessors in Flowers).  That lack of chemistry made all of the incest even ickier than it would normally be.

“Oh my God! Just like me!” Moments

All of the dancing, of course!  I also have to admit that, like Cathy, I’ve known a few Julians.

Lessons Learned

From a narrative point of view, it is sometimes better to just stay in the attic.

Petals on the Wind