Footsteps (1972, directed by Paul Wendkos)


Paddy O’Connor (Richard Crenna) is a former football player-turned-coach whose record of success has been overshadowed by his own arrogance and heavy drinking.  O’Connor has such a bad personal reputation that he’s found himself unemployable.  Only one man is willing to give him a chance.  Jonas Kane (Clu Gulager) played football with Paddy and he’s now coaches for a small college.  Kane may not like O’Connor but he knows that O’Connor might be the key to turning around his team’s fortunes and, at the same time, saving Kane’s job.  Kane hires O’Connor to serve as a his defensive coordinator.

At first, O’Connor’s cockiness rubs people the wrong way.  It’s not until O’Connor moves offensive player J.J. Blake (Bill Overton) to defense that the team starts to win.  And once the team stars to win, everyone’s problems with O’Connor disappear.  Kane can only watch helplessly as O’Connor moves in on his girlfriend (Joanna Pettet), knowing that he owes his job to O’Connor remaining at the school.

However, when Blake gets a concussion, O’Connor is forced to decide whether or not to let him play.  Boosters like Bradford Emmons (Forrest Tucker) want Blake to play, regardless the risk.  The NFL scouts, who are looking for the next number one pick, want to see Blake on the field.  Blake says he wants to play but O’Connor can tell that he’s lying about the extent of his injury.  With everyone breathing down his neck and a syndicate of gamblers pressuring O’Connor to shave points so that the spread pays off, O’Connor has to decide what to do.

Though this made-for-TV movie may not be as well-known as some other films, it’s one of the best movies ever made about college football.  Though it may be short (only 74 minutes), it still examines all of the issues that have always surrounded college football.  Despite not getting paid for their efforts, the players risk serious and permanent injury during every game, just on the slight hope that they might someday make it to the NFL.  The coaches, who are supposed to be looking after the players, are more interested in padding out their win-loss record and hopefully moving onto bigger and better-paying jobs.  Meanwhile, aging alumni and boosters demand that the team win at all costs, regardless of what happens to the men on the field.  Footsteps intelligently explores all of those issues and suggests that the risks are ultimately not worth the rewards.

Along with an intelligent script, Footsteps is helped by a talented cast.  Crenna and especially Gulager both give excellent performance as the two rival coaches.  Al Lettieri (Sollozzo from The Godfather) plays one of the gamblers.  Beah Richards plays Blake’s mother, who makes the mistake of believing O’Connor when he says that he’s going to always have Blake’s best interests at heart.  Ned Beatty has a small role as another assistant coach who is forced to make an important decision of his own.  Keep an eye out for Robert Carradine and James Woods, both of whom have tiny roles.

As far as I know, Footsteps has never officially been released on DVD.  I saw it late one night on the Fox Movie Channel.

Horror on the Lens: Haunts of the Very Rich (dir by Paul Wendkos)


Today’s horror on the lens is a 1972 made-for-TV movie, Haunts of the Very Rich!

What happens when a bunch of rich people find themselves on an airplane with no memory of how they got there?  Well, first off, they land at a luxury resort!  But what happens when the resort suddenly turns out to be deserted and the guests discover that there’s no apparent way out!?

You can probably already guess the film’s “surprise” ending but Haunts of the Very Rich is still an entertaining little film.  You can check out my more in-depth review here!

Enjoy!

Embracing the Melodrama Part II #71: Cocaine: One Man’s Seduction (dir by Paul Wendkos)


CocaineNow, I originally saw the 1983 made-for-TV movie Cocaine: One Man’s Seduction on Netflix so I have absolutely no first hand knowledge of how this film was advertised.  However, I have it on very good authority (i.e., I read it on another blog) that the image above is from the film’s VHS packaging.

Just looking at this image, you would be justified in thinking that Cocaine: One Man’s Seduction was an early David Cronenberg film.  Seriously, it looks like a deleted scene from Scanners and Dennis Weaver’s head is about to explode.

But no!  There are no scanners in Cocaine: One Man’s Seduction.  David Cronenberg did not direct this film.  As far as I can tell, it wasn’t even filmed in Canada.  Instead, Cocaine: One Man’s Seduction is about one man who gets seduced cocaine.

You may have noticed that I enjoy reminding you that this film is called Cocaine: One Man’s Seduction.  That’s because that’s a great title.  If the film had just been called Cocaine, you might watch the film expecting it to be set on a 1970s film set.  And if the film had just been called One Man’s Seduction, viewers may have watched the film expecting a Double Indemnitystyle film noir.  But Cocaine: One Man’s Seduction leaves no doubt about what we’re about to see.

Add to that, it’s a very melodramatic title and the name of this series of reviews is, after all, Embracing the Melodrama Part 2!

Anyway, Cocaine: One Man’s Seduction is about a real estate agent named Eddie Grant (Dennis Weaver).  He’s the type of semi-successful white-collar suburban guy who you just know is going to have a really over-the-top midlife crisis.  He has a wife (Karen Grassle) who loves him.  He has a son (James Spader — yes, that James Spader!) who wants to put off going to college for a year.  Eddie also has a job where he’s viewed as being an over-the-hill relic.  People looking to buy a new home simply are not impressed with Eddie’s cheap suits, mild manner, and old-fashioned scotch-after-work style.

What Eddie needs is a new wardrobe and aviator sunglasses.  And, as we all know from watching movies set in the 70s and 80s, nothing gets you into aviator sunglasses faster than snorting a line of coke.

Soon, Eddie is driving a fast car, he’s wearing nicer suits, and he’s keeping a lot of secrets.  Then, one day, his son — JAMES SPADER! — happens to look inside Eddie’s shave kit and discovers where dad has been hiding his cocaine.

Now, this is where I was expecting Jeff VanVondern to show up and say, ” I see a bunch of people that love you like crazy and they feel like they are losing you. And they wanna fight to get you back.”  But apparently, people in the 80s did not need an intervention to get them to go to rehab.  Instead, they just needed to have a dramatic nose bleed at work and nearly overdose on someone else’s kitchen floor.  They also needed to be called out by James Spader.

Of course, it also helps that Eddie is friends with a recovering cocaine addict who is played by a very thin-but-already-bald Jeffrey Tambor.  Jeffrey Tambor is already something of a hyperactive actor (and that’s why we love him!) so when you combine that natural tendency with a character who is supposed to be coked up, it’s something that simply has to be seen.

Anyway, Cocaine: One Man’s Seduction is a fairly good example of the-worst-that-can-happen-will-happen cinema.  If nothing else, it has some worth as a time capsule and it’s undeniably interesting to see James Spader play a role that one would normally never associate with James Spader.

Cocaine: One Man’s Seduction is currently seducing viewers on Netflix.