Retro Television Review: CHiPs 3.11 “The Watch Commander”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, a new boss gets on everyone’s nerves!

Episode 3.11 “The Watch Commander”

(Dir by Don Weis, originally aired on November 17th, 1979)

There’s a new watch commander and he’s not making any friends.  Lt. Harold Bates (Granville Van Dusen) previously worked in the PR Department at Sacramento and he sets out to make a bad impression from the minute that Sgt. Getraer first introduces him to the cops working out of the Los Angeles precinct.  Lt. Bates is all about following the book.  He notes every flaw, from a missed button to poor gas mileage.  Getraer tries to get him to understand that there’s more to being a cop than just following regulations and that being a member of the Highway Patrol means having to make split-second decisions.  Bates wants to know why Ponch isn’t wearing a regulation shirt.

In some ways, this is as close as CHiPs will ever get to The Caine Mutiny.  Nobody removes Bates from command but Bates still struggles to recover from making a terrible first impression and his own Queeg-like personality doesn’t help things.  His attempts to call out the members of the Highway Patrol who get the worst gas mileage backfires when Officer Grossman siphons gas out of Bates’s car, leading to Bates appearing at the bottom of the list.  Bates has no idea how to talk to or trust people.  Jon Baker tries to offer a helping hand, especially since both he and Bates served in Vietnam.  He invites Bates to go skydiving with him over the weekend.  Bates assumes it’s a set-up and turns him down.

We do get the usual car crashes and a subplot about a bunch of thieves who are stealing trucks from loading docks but the majority of this episode takes place at headquarters.  Ponch, who is said to still be on limited duty, is recovering from his accident and one gets the feeling that this episode was developed so Erik Estrada could be a part of the story without actually having to spend too much time on his bike.  (Estrada actually did injure himself during filming and those injuries were written into the show.)  In some ways, this is CHiPs at its most realistic because everyone always hates the new boss, especially one who thinks that he knows everything.

Going back to The Caine Mutiny, it was impossible not to feel sorry for Queeg, who was not a bad guy but instead just someone who wasn’t good at talking to people and who ultimately was let down by the people who should have been supporting him.  I never felt that type of sympathy for Bates, who really did just come across as being a jerk.  Thank goodness for Robert Pine, whose steadiness as Sgt. Getraer is well-used by this episode.  Pine is there to support Bates but he also protects his men.  This episode features Getraer at his most likable.  Everyone should be so lucky as to have a Getraer in their life.

Retro Television Review: Night Partners (dir by Noel Nosseck)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1983’s Night Partners!  It  can be viewed on Tubi.

Lauren Hensley (Diana Canova) is a divorced mother who has a nice house in Bakersfield, California.  Her best friends and neighbors are housewife Elizabeth McGuire (Yvette Mimieux) and Elizabeth’s husband, a cop named Glenn (Arlen Dean Snyder).  One night, after spending the day with the McGuires, Lauren returns to her home and is attacked by three burglars.

For Lauren, the crime is not even the worst part of the night.  The worst part is when the police don’t even seem to care that much about her suffering and instead take a “just-the-facts” approach to getting the details to what she’s been through.  Glenn attempts to explain to both Lauren and Elizabeth that cops see terrible things every day and, if they seem desensitized to it all, that’s just their way to handling the stress of the job.  Lauren, however, feels that the cops need a unit that provides the same support for victims that the criminals receive from their lawyers and social workers.

At a community meeting, Lauren proposes her idea to the police chief, John Wilson (Larry Linville).  When Wilson replies that there is no money in the budget, Lauren suggests that maybe the program could be staffed by volunteers.  She then proceeds to volunteer herself and Elizabeth.  Wilson agrees, but on the requirement that Lauren and Elizabeth first attend the police academy and train with the officers.  Under the watchful eye of the gruff but kindly Joe Kirby (M. Emmet Walsh), the two middle-aged housewives run obstacle courses and learn about conflict resolution.  And while the conflict resolution lessons make sense, I’m not sure what the point of having them do the obstacle course was.

Eventually, Lauren and Elizabeth become quite good at their jobs, providing comfort to the victims and getting information that helps the police put away criminals, like the serial rapist (a young M.C. Gainey) who has been stalking the streets of Bakersfield.  Of course, it takes them a while to get good at the job.  When Elizabeth and Lauren are first sent out on the streets, they can’t even keep the police codes straight and they accidentally call in a robbery code when they’re instead just letting the dispatcher know that they’re on break.  Bizarrely, when Lauren and Elizabeth are not at a crime scene talking to a victim, they’re just supposed to drive around in a beat-up patrol car.  Neither one of them has the power to arrest anyone because they’re just volunteers.  In fact, they’re supposed to stay out of the way until the police specifically call for them to come to a crime scene.  So, why are they patrolling the city like real cops?  It seems like that would basically be a lawsuit waiting to happen.

Night Partners was obviously designed to serve as a pilot for a series where Laruen and Elizabeth would comfort victims and help to solve crimes.  The two lead actresses are likable and M. Emmet Walsh is particularly effective as their supervisor.  That said, the film itself can’t decide if it wants to be a hard-hitting crime drama or a comedy about two housewives trying to make it as cops.  Of course, there’s no reason why it couldn’t be both.  Some of the best cops shows have had elements of dark, gallows humor.  But this film’s tone is so inconsistent that the comedic scenes seem to be taking place in an entirely different universe from the dramatic scenes.

As someone who strongly believes that the right of the victims need to be given as much weight as the rights of the criminals, I appreciated the film’s message.  I just wish it had been delivered a bit more effectively.

Retro Television Reviews: Fantasy Island 3.22 “My Fair Pharaoh/The Power”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube!

This week, Fantasy Island goes to ancient Egypt!

Episode 3.22 “My Fair Pharaoh/The Power”

(Dir by George McCowan, originally aired on May 10th, 1980)

This week, Mr. Roarke welcomes two people with two very different fantasies.  Neither one of their fantasies really make much sense but you know Mr. Roarke.  He’s going to give the people what they want, unless he takes some sort of personal dislike to them.  Then, they’re totally going to get screwed.

Lucy Atwell (Joan Collins), for instance, has always fantasized about going back to ancient Egypt and living the life of Cleopatra.  Now, you may wonder why that is, seeing as how Cleopatra lost every man that she ever loved and was eventually killed by an asp.  But no matter!  Mr. Roarke sends Lucy into the past and Lucy quickly discovers that …. wait a minute!  She’s not Cleopatra!  Instead, she’s a part of the harem of Ptolemy (Michael Ansara)!  What the Hell, Mr. Roarke!?  What part of “I want to be Queen of Egypt” sounds like “I want to be a part of some old guy’s harem?”

However, Lucy does look exactly like the real Cleopatra and that might be useful, seeing as how the real Cleopatra is currently being held prisoner.  After a proper amount of royal training, Lucy fills in for Cleopatra and gets to meet and fall in love with Marc Anthony (Ron Ely).  When the real Cleopatra is killed by an asp, the fake Cleopatra gets to rule Egypt and it all works out nicely until …. the fantasy ends.

Oh well, it was a nice weekend.  Time for Lucy to go home except …. who is that waiting for the airplane?  Why, it’s Marc Anthony!  Except his real name is Eric Williams and apparently, he was just a guy living out a fantasy of his own.  He always wanted to know what it would be like to be Marc Anthony because who hasn’t fantasized about briefly ruling Rome and then being exiled and hounded to death by the forces of Augustus?  Anyway, Lucy finds her love and Joan Collins finally gets to play Cleopatra, the role that she was nearly awarded in 1960 before Elizabeth Taylor was selected instead.

Meanwhile, in the episode’s comedic fantasy, dorky Fred Webster (Larry Linville) wants to impress his girlfriend, Laura (Julie Sommars) by being telekinetic.  What?  Seriously, that’s how he wants to impress her?  I mean, it’s Fantasy Island!  Ask for a better job or a nicer car or something.  Anyway, Fred gets his power of telekinesis and uses it to cheat at gambling.  This brings him to the attention of Stephanie (Carol Lynley) and her goons.  When Fred realizes that Stephanie is evil, Stephanie has Laura kidnapped but she’s forgotten that Fred has telekinesis and can just mentally cause a fishing net to wrap up her and her men.  This was an extremely silly fantasy.  In fact, it was too silly for its own good, right down to the scenes where Fred’s eyes take on a green glow while he uses his powers.

This was a pretty forgettable episode but at least there were some nice costumes in the Egyptian fantasy.  Next week, season 3 comes to an end.

Retro Television Reviews: The Love Boat 3.6 “Gopher’s Greatest Hits/The Vacation/One Rose A Day”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Gopher sings!

Episode 3.6 “Gopher’s Greatest Hits/The Vacation/One Rose A Day”

(Dir by Alan Rafkin, originally aired on October 13th, 1979)

What a pleasant cruise this turned out to be!

Two sisters, Joan (Joanna Cassidy) and Olivia (Jaye P. Morgan), are apparently regulars on the boat.  They sail so often that Captain Stubing literally jumps for joy when he sees that they are once again on the ship.  Joan and Olivia always take the cruise together and usually, they have a wild time.  But this year, Olivia is shocked when Joan shows up with her husband, Byron (Conrad Janis)!  Byron is a bit uptight and not at all happy when he starts to hear stories about how wild his wife and sister-in-law have gotten in the past.  He assumes that Joan has cheated on him.  She hasn’t but Olivia has cheated on her husband.  In the end, Olivia continues to have fun and Joan decides that it’s time to settle down.  This story suffered a bit because Byron came across as being insufferably self-righteous but Joanna Cassidy and Jaye P. Morgan were believable as sisters.  As someone who has enjoyed a wild vacation or two with her sisters, I could relate.

Meanwhile, Janet Latham (Martha Scott) is taking her first vacation since the death of her husband.  Her florist, Henry (Don Ameche), is also on the cruise.  Every day, during their marriage, Janet’s husband would have Henry deliver a single white rose to Janet.  After her husband died, Henry continued to deliver the roses to Janet.  He allowed Janet to believe that her husband had arranged for her to continue to receive the daily roses but it turns out that Henry has been delivering them on his own because he’s fallen in love with her.  Janet does fall in love with Henry on the ship, though she fears that she’s betraying her husband’s memory.  Fortunately, by the end of the cruise, she’s ready to take another shot on love.  This story worked wonderfully, largely due to the sincere and heartfelt performances of Martha Scott and Don Ameche.  There was a tremendous amount of sincerity to their love story and it was impossible not to smile at the sight of them leaving the cruise together.

Finally, Julie has a problem!  The singer that she scheduled to perform in the Acapulco Lounge gets the mumps and has to cancel at the last minute.  Julie has to find a replacement.  Fortunately, it turns out that Gopher has a great singing voice.  He performs at the Lounge, wearing a pink tuxedo and acting like a drunk brat packer.  The audiences loves him.  The captain, once skeptical, applauds.  Gopher thinks that they love his singing but actually, they all think that he’s parodying a bad lounge act.  When the captain congratulates Gopher for being a brilliant comedian, the crestfallen Gopher says that he’s only going to sing in the shower from now on.  So, Julie arranges for a fake shower to be placed in the middle of the Acapulco Lounge so that Gopher can sing Danny Boy while Isaac holds a watering can over his head.  Again, the captain loves it.  This was undoubtedly a goofy storyline but goofiness was Fred Grandy’s strong suit and it’s hard not to smile at his over-the-top interpretation of Mack the Knife.

This was a good episode that really showed how much fun The Love Boat could be at its best.  From the sentimental Don Ameche/Martha Scott storyline to Fred Grandy dancing around the pool, this was an entertaining cruise.