October True Crime: Into Thin Air (dir by Roger Young)

Posted on October 27, 2025 by Lisa Marie Bowman

Originally broadcast in 1985, Into Thin Air is a made-for-TV movie that is based on a true story. It’s film that brings to life the horror of every family’s nightmare. Brian Walker (Tate Donavon) is an intelligent, soft-spoken, and somewhat naive college student in Ottawa. He’s been accepted into a summer writing program in Colorado. As he gets in the van that he will be driving to Colorado, he promises his mother, Joan (Ellen Burstyn), that he’ll call her when he reaches Nebraska and again when he reaches Colorado.

Brian drives away and that’s the last time that Joan ever sees her son. Brian calls from Nebraska and talks to his brother, Stephen (Sam Robards). Joan arrives home just as Stephen is saying goodbye. Brian never calls from Colorado. He has vanished, seemingly into thin air.

Joan, Stephen, and Joan’s ex-husband, Larry (played the great character actor Nicholas Pryor) travel to America to search for him. At one point, Stephen thinks that he’s spotted Brian’s van on the road and chase after it, just to discover that it’s a different van. Joan talks to cops in Nebraska and Colorado and discovers that different jurisdictions don’t work together or share information. As the days pass, Joan keeps hoping that Brian is somehow still alive….

I was about ten minutes into this film when I started sobbing. I pretty much cried through the entire film. Some of that was because I knew that they were never going to see Brian again. Some of that was because of the powerful, heartfelt performances of Ellen Burstyn, Nicholas Pryor, and Sam Robards. Most of it was because this film did such a good job of capturing the feeling of hopelessness and the dread that comes with not knowing what has happened to someone who you love. I found myself crying for Brian’s lost potential. He was a writer and he was engaging in a time-honored writing tradition. He was taking a road trip and he was discovering the world. He deserved better than whatever happened to him. He deserved see his novel sitting in a bookstore. Instead, he ran into the wrong people.

It’s the little details that really got to me. Stephen flies into a rage when he sees his younger brother wearing one of Brain’s sweaters. Joan momentarily gets her hopes up when she discovers that Brian reported some lost traveler’s checks, just to have that hope shot down when she’s told that the bank can’t reveal where Brian called them from unless Brian himself gives permission. When the van eventually turn up in Maine, it’s been totally trashed by whoever took it from Brian.

Eventually, Joan hires a private detective and Robert Prosky is well-cast as Jim Conway, a seemingly cynical ex-cop who dedicates himself to trying to provide closure for the Walkers. The scene where he finally discovers what happened to Brian is one of the strongest in the film and one of the most upsetting. So many people could have saved Brian if they only had the courage to speak up.

Into Thin Air is a powerful film. No one should ever be forgotten.

Late Night Retro Television Review: Highway to Heaven 4.19 “The Correspondent”

Posted on October 23, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Tubi and several other services!

This week, Jonathan is a dream warrior.

Episode 4.19 “The Correspondent”

(Dir by Michael Landon, originally aired on February 24th, 1988)

Journalist Hale Stoddard (Darren McGavin) sits in a South American prison cell and waits to be executed. One-by-one, the other prisoners are dragged out of the cell and shot by the country’s new government. Hale passes the time by writing a letter that he knows no one will ever read.

Suddenly, Hale is no longer in the cell. Instead, he’s in the basement of his house. And there’s Jonathan. Jonathan explains that time has stopped and now, Hale is in his wife’s dream. Martha (Patricia Smith) dreams of Hale never being at home. She dreams of their son having both arms, even though he lost those arms in an accident when he was younger. (She also dreams of their now-adult son as always being a child.) Martha dreams about Hale’s former mistress, Eleanor (Eileen Barnett), standing around the house. (Hale argues that Eleanor was never in the house but Jonathan explains that, in Martha’s dreams, she is.) Hale comes to realize how often he deserted Martha because he couldn’t deal with settling down and raising a family. And now, while Martha dreams of him, Hale is about to be shot and killed….

Except, he’s not. It turns out that the South American prison was Hale’s dream. When Hale wakes up, he’s still at home. He tells Martha that he won’t be going to South American after all.

Awwww! How sweet.

This was a bit of a weird episode but I liked it. I appreciated how the show created Martha’s dream world by adding randomly weird details (like an oversized chair at the breakfast table, which was meant to represent Hale’s absence). Darren McGavin gave a good performance as Hale and resisted the temptation to overact. With the episode, the show tried to do something different and, for the most part, it succeeded.

Film Review: Save The Tiger (dir by John G. Avildsen)

Posted on January 2, 2025 by Lisa Marie Bowman

1973’s Save The Tiger tells the story of Harry Stoner (Jack Lemmon).

When Harry was a young man, he loved baseball and he felt like he could conquer the world. He saw combat in World War II and spent the final part of the war on the Island of Capri, recuperating after being wounded in battle. Harry went on to partner up with Phil Greene (Jack Gilford) and they started a clothing company in Los Angeles, Capri Casuals.

Now, Harry is a middle-aged man who is still haunted by nightmares about the war. He’s married. He has a daughter attending school in Switzerland. He’s respected in the industry. He lives in a nice house in Beverly Hills. And he’s totally miserable. He wakes up every day and wonders what is happening to the country. He talks about witnessing a wild pitch at a baseball game, missing the days when something like that could seem like the most important thing in his life. He spends all of his time at work, cheating to balance the books and keeping clients happy by setting them up with a sophisticated prostitute named Margo (played, with a weary cynicism, by Lara Parker).

Save The Tiger covers just a few days in the life of Harry Stoner, as he searches for some sort of meaning in his life. He gives a ride to a free-spirited hippie (Laurie Heineman) who offers to have sex with him. (Harry replies that he’s late for work.) He accepts an award at an industry dinner and, as he tries to give his acceptance speech, he is haunted by the sight of dead soldiers sitting in the audience. With Phil, he debates whether or not to balance the books by setting fire to one of their warehouses in order to collect the insurance. Harry sees a poster imploring him to “Save the Tigers.” Who can save Harry as he finds himself increasingly overwhelmed by the realities of his life?

As I watched Save the Tiger, I found myself thinking about two other films of the era that featured a middle-aged man dealing with a midlife crisis while searching for meaning in the counterculture. In Petulia and Breezy, George C. Scott and William Holden each found meaning in a relationship with a younger woman. And while Petulia and Breezy are both good films, Save The Tiger is far more realistic in its portrayal of Harry’s ennui. There is no easy solution for Harry. Even if he accepted the hippie’s offer to “ball” or if he acted on the obvious attraction between himself and Margo, one gets the feeling that Harry would still feel lost. Harry’s problem isn’t that he’s merely bored with his life. Harry’s problem is that he yearns for a past that can never be recaptured and which may only exist in his imagination. If George C. Scott and William Holden were two actors who excelled at playing characters who refused to yield to the world’s demands, Jack Lemmon was an actor who played characters who often seemed to be desperate in their search for happiness. Save The Tiger features Lemmon at his most desperate, playing a character who has yielded so often and compromised so much that he now has nowhere left to go.

It’s not exactly a cheerful film but it is one that sticks with you. Jack Lemmon won his second Oscar for his performance as Harry and he certainly deserved it. Lemmon does a wonderful job generating some sympathy for a character who is not always particularly likable. Many of Harry’s problems are due to his own bad decisions. No one forced him to use “ballet with the books” to keep his business open and no one is forcing him to hire arsonist Charlie Robbins (Thayer David, giving a performance that is both witty and sinister at the same time) to burn down not only his warehouse but also an adjoining business that belongs to an acquaintance. Harry could admit the truth and shut down his business but then how would he afford the home in Beverly Hills and all the other symbols of his success? Harry yearns for a time when he was young and his decisions didn’t have consequences but that time has passed.

This isn’t exactly the type of film that many would expect from the director of Rocky but director John G. Avildsen does a good job of putting the viewer into Harry’s seedy world. I especially liked Avilden’s handling of the scene where Harry hallucinates a platoon of wounded soldiers listening to his awards speech. Instead of lingering on the soldiers, Avildsen instead uses a series of a quick cuts that initially leave the audience as confused as Harry as to what Harry is seeing. Both Rocky and Save The Tiger are about a man who refuses to give up. The difference is that perhaps Harry Stoner should.

“You can’t play with us, mister!” a kid yells at Harry when he attempts to recreate the wild pitch that so impressed him as a youth. In the end, Harry is a man trapped by his memories of the past and his dissatisfaction with the present. He’s made his decisions and he’ll have to live with the consequences but one is left with the knowledge that, no matter what happens, Harry will be never find the happiness or the satisfaction that he desires. The tigers can be saved but Harry might be a lost cause.

Late Night Retro Television Reviews: Highway to Heaven 1.18 “A Child of God”

Posted on January 25, 2024 by Lisa Marie Bowman

For this week’s rather sad episode, Jonathan confronts a reverend who has lost his way.

Episode 1.18 “A Child of God”

(Dir by Michael Landon, originally aired on February 6th, 1985)

After spending years away, Marsha Stearns (Coleen Maloney) has returned home. She wants her parents, Sarah Stearns (Patricia Smith) and Rev. David Stearns (William Window), to take care of her young daughter, Amy (Natalie Gregory). The Reverend Stearns wants nothing to do with Marsha or his granddaughter because Amy was born out of wedlock. He considers Marsha to be an embarrassment to his church and a sinner who cannot be forgiven.

(Yikes! It looks like Rev. Stearns kind of missed all of the important stuff dealing with forgiveness. “Judge not, and you will not be judged; condemn not, and you will not be condemned; forgive, and you will be forgiven.” That’s Luke 6:37.)

What neither the Reverend nor his wife knows is that Marsha is terminally ill and only has a few weeks to live. However, Marsha’s new neighbor — Jonathan Smith — does know and he confronts the Reverend and rather forcefully denounces him until Reverend Stearns forgives her daughter and visits her in the hospital right before she dies.

This was a pretty sad episode and it did bring some tears to my eyes, largely because it made me think about my mom. That said, the most interesting thing about this episode was how angry Jonathan got at Reverend Stearns and his unforgiving attitude. For the past 17 episodes, Jonathan has been a mellow and peaceful angel who has always recognized that everyone has some good in them. But in this episode, when he confronts the Reverend, there is no way not to notice that Jonathan is truly pissed off. For once, Jonathan doesn’t even hide the fact that he’s an angel. He wants Rev. Stearns to know that he’s in trouble with Jonathan’s boss. And really, it makes sense. Why wouldn’t Jonathan be especially angry at a reverend who is failing in his duties? He and Jonathan both work for the same company and Jonathan obviously sees the Reverend’s attitude as being a personal insult. Jonathan is working hard and Rev. Stearns is screwing everything up.

Rev. Stearns does learn his lesson and embraces humility, though that doesn’t make up for all of the years that he refused to even acknowledge his granddaughter’s existence. The episode ends with him giving a rather lengthy sermon, in which he suggests that maybe he got to hung up on the whole idea of condemning sin when he should have been focusing on loving everyone. It’s a bit of a dull ending. William Windom has the right look for the role but, whenever he has to pretend to preach, he comes across as being a bit dry and stiff. Fortunately, Coleen Maloney is much more convincing and poignant as his estranged daughter.

Next week …. Scotty returns!