We Watched Perry Mason: The Case of the Skin-Deep Scandal (1993, Dir. by Christian I. Nyby II)


Alana Westbrook (Morgan Fairchild), the ruthless owner of a cosmetics company, is murdered after she announces that she is actually 60 years old and owes her youthful appearance to a miracle skin cream.  Her husband (Patrick O’Neal) is charged with the crime but he’s lucky enough to have Perry Mason (Raymond Burr) as his attorney.  Perry thinks that the murderer is an eccentric gigolo (David Warner) but, for once, Perry might be wrong.  Meanwhile, Ken Malansky (William R. Moses) gets involved with a corporate spy (Lauren Lane) who might know more than she says.

Lisa and I watched this one earlier today.  We really enjoyed it!  It’s the most soapy of all the Perry Mason films that I’ve watched so far.  Morgan Fairchild was great as the murder victim and all of the suspects were enjoyably weird.  What I really enjoyed about this movie was that it featured people who appeared, in different roles, in other Perry Mason films.  Patrick O’Neal went from being the victim in Perry Mason Returns to being the accused here.  David Warner went from being the victim in The Case of the Poisoned Pen to being a suspect here.  This was also a second Perry Mason film for Jonathan Banks but instead of being a tough guy like he was the first time, he was a skin cream creator this time.  This movie understood that people will kill for clear skin.

This was one of the last of Raymond Burr’s Perry Mason films (it aired the same year that he died) and, with the returning actors, it feels like a tribute to Burr and the role that he made his own.

 

I Watched Perry Mason: The Case of the Fatal Fashion (1991, Dir. by Christian I. Nyby II)


Perry Mason (Raymond Burr), Della Street (Barbara Hale), and Ken Malansky (William R. Moses) are in New York when an old friend of Perry’s, magazine editor Lauren Jeffreys (Diana Muldaur) is accused of murdering a rival editor, Dyan Draper (Valerie Harper). Dyan was infamous for writing about the personal lives of celebrities in her column so there’s a ton of possible suspects. While Ken teams up with a mobster named Tony Loomis (Robert Clohessy) to search for clues, Perry finds himself facing off against a young district attorney (Scott Baio) who is smarter than he seems.

This Perry Mason movie is unique because, for once, the prosecutor is as good an attorney as Perry.  It reminded me of how, when the movies started, David Ogden Stiers always played the prosecutor and came across like someone who would probably win if he has going up against anyone other than Perry Mason.  Even though I immediately thought of Bob Loblaw as soon as I saw him, Scott Baio gives a good performance as a lawyer who worships Perry and can’t wait to face him in court.  For once, there’s mutual respect between the two sides.

The mystery was another one of those where I was able to guess who the killer was from the start.  They had to really stretch things to get the mob involved so that Ken could team up with Tony.  (Ken wanted to bring the killer to court while Tony just waned to shoot them.)  Also, it was obvious that Raymond Burr was not doing well when he filmed this movie.  In almost every scene, he’s either seated or leaning against something.  There are only 6 more Perry Mason films featuring Burr after this one and one of those aired after he died.  Burr still gives a commanding performance whenever Perry’s in court, though.  Sick or not, there’s no other attorney you want on your side.

I Watched Perry Mason: The Case of the Silenced Singer (1990, Dir. by Ran Satlof)


When singer Terri Knight (Vanessa Williams) is shot and murdered, her husband and manager, Jack (Tim Reid), is arrested.  It’s a good thing that Jack’s professor in law school was Perry Mason (Raymond Burr)!  Perry and Ken Malansky (William R. Moses) take the case and investigate to see who silenced the singer.  (Does Perry know anyone who hasn’t been accused of murder?  Someone even tried to fame Della!)

This Perry Mason movie was slightly different than those that came before it.  It was full of flashbacks, showing how Terri became a star and went from being nice and innocent to being a diva.  Every time that Perry or Ken would interrogate someone, it would lead to scene of Vanessa Williams wearing a wig and playing Terri at a different time in her life and career.  There was also a lot singing and the movie actually seemed to be more focused on the music and showing Terri’s rise to fame than it did on solving the actual mystery.  It was was if Perry Mason got dropped into the middle of a production of Dreamgirls.  It didn’t really work for me because Terri wasn’t an interesting enough character to carry the flashbacks but it was still interesting to see a Perry Mason movie trying to do something different.

The most memorable thing about this movie was Angela Bassett, playing a fellow singer and a former friend of Terri’s. She even told off Perry Mason at one point!  It was early in her career but it was easy to see that, from the start, Angela Bassett was obviously going to be a star.