Let’s Talk About The Last Sharknado: It’s About Time (dir by Anthony C. Ferrante)


Yesterday was Sharknado Day.

What is Sharknado Day?  If you have to ask, you’ll never understand.  Sharknado Day is the day that the latest chapter in The Asylum’s Sharknado franchise premieres on SyFy.  That’s the day when people like me cause twitter to go over capacity tweeting about the film.  That’s the day good people all across America try to count the number of celebrity cameos while also trying to keep track of all of the homages and references to past movies that are always waiting to be found in every Sharknado Film.  Yesterday was the sixth Sharknado Day since 2013 and, if we’re to believe our friends at The Asylum, it was also the last Sharknado Day.

Is it true?  Was The Last Sharknado: It’s About Time truly the final Sharknado?  Perhaps.  But somehow, I have a feeling that the flying sharks will return someday.  Critics have always underestimated the production savvy of The Asylum and I wouldn’t be shocked if, after a year or two of nostalgia, we saw Sharknado 7: A New Beginning.

But if The Last Sharknado was truly the final Sharknado, then it can be said that the franchise truly went out on a high note.

The plot — well, usually, the conventional wisdom is that the plot of a Sharknado movie really doesn’t matter.  Usually, it’s assumed that all a Sharknado film needs is a lot of shark mayhem and snarky humor.  And that’s true, to an extent.  And yet, I still found myself getting caught up in The Last Sharknado‘s storyline.  It all deals with Fin (Ian Ziering), April (Tara Reid), the head of a robot version of April (again, Tara Reid), Nova (Cassandra Scerbo), and Skye (Vivica A. Fox) traveling through time, hopping from period to period.  Fin and April’s goal is to stop the first Sharknado and to save the life of their son, Gil.  Nova wants to save the life of her grandfather, even though that might change history to the extent that she would never become a great shark hunter.  As for the robot head … well, she develops an agenda of her own, one that really has to be seen to be believed.

The film has a lot of time travel and, of course, the journey from period to period allows for several celebrity cameos.  When Fin ends up in Arthurian Britain, Neil deGrasse Tyson pops up as Merlin.  During the Revolutionary War, a somewhat sarcastic General Washington is played by Darrell Hammond.  Dee Snider plays a sheriff in the old west.  Tori Spelling and Dean McDermott show on the beach in the 60s.  Touchingly, the film even finds a way to include the late John Heard in the action.  (Heard played a key supporting role in the first Sharknado.)  I’m a history nerd, so I enjoyed all of the time travel.  I especially enjoyed the film’s portrayal of Benjamin Franklin as a rather bitchy eccentric, largely because it’s often forgotten that Franklin was, in real life, a bit of a bitchy eccentric.

(Add to that, how can you resist a film the features both dinosaurs and flying sharks?)

The film takes a surprisingly dark turn during the second hour, as Fin and Skye spend some time in a dystopian future and Nova tries to change history by saving her grandfather’s life.  When Fin points out that doing so will change history and that, for Nova to become a great shark hunter, her grandfather has to die, Nova calls him out for being self-centered.  To their credit, both Cassie Scerbo and Ian Ziering play the argument totally straight and both give heartfelt performances.  Amid all of the comedy and the shark-related mayhem, the film develops a real heart.

That heart is at the center of The Last Sharknado.  To a large extent, the sharks are superfluous.  They’re carnivorous MacGuffins.  Instead, the film is about celebrating not only the bonds between Fin, April, Nova, and all of their friends but also the bond that’s been developed between the characters and those of us who have watched them over the course of six films.  Towards the end of the film, when Fin talks about what his friends and family mean to him, it’s clear that he’s also speaking for the filmmakers.  Just as Fin thanks his friends for sticking with him, the filmmakers take the time to thank the audience for sticking with them.  It was a heartfelt scene and it was the perfect way to end The Last Sharknado.

To those who do not celebrate Sharknado Day, it may seem strange to say that I got emotional while watching the final scene of The Last Sharknado on Sunday night.  Then again, is it any stranger than the idea of a franchise about a bunch of sharks flying through the air, spinning around in a funnel, becoming a major pop cultural milestone?

It’s a strange world and we’re all the better for it.

Cleaning Out The DVR Yet Again #16: Zoolander 2 (dir by Ben Stiller)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Wednesday, November 30th!  Will she make it?  Keep checking the site to find out!)

zoolander_2_poster

On October 14th, I recorded Zoolander 2 off of Epix.

A sequel to the 2001 cult hit, Zoolander 2 came out earlier this year and got absolutely terrible reviews and quickly vanished from theaters.  Watching the film last night, I could understand why it got such terrible reviews.  Zoolander 2 is not only a terrible movie but it’s also a rather bland one.  Somehow, the blandness is even more offensive than the badness.

Zoolander 2 opens with Justin Bieber getting assassinated and Derek Zoolander (Ben Stiller) being forced to come out of retirement and discover why pop stars are being targeted.  And, of course, Zoolander can’t do it without the help of Hansel (Owen Wilson)!  Penelope Cruz is in the film as well, playing  Zoolander’s handler and essentially being wasted in a role that could have been played by anyone.

Oh!  And Will Ferrell returns as well.  Ferrell gives a performance that essentially shouts out to the world, “Fuck you, I’m Will Ferrell and no one is going to tell Will Ferrell to tone his shit down!”

Actually, I think everyone in the world is in Zoolander 2.  This is one of those films that is full of cameos from people who probably thought a silly comedy would be good for their image.  For instance, there’s a huge number of journalists who show up playing themselves.  Matt Lauer shows up and I get the feeling that we’re supposed to be happy about that.  There was a reason why people cheered when the sharks ate him in Sharknado 3.

You know who else shows up as himself?  Billy Zane!  And Billy Zane has exactly the right type of attitude for a film like this.  He shows up and he mocks the whole enterprise by giving the Billy Zaniest performance of Billy Zane’s career.  For that matter, Kiefer Sutherland also shows up as himself.  I’m not really sure what Kiefer was doing in the film but he makes sure to deliver all of his lines in that sexy growl of his.  Kiefer knows what we want to hear.

You may notice that I’m not talking about the plot of Zoolander 2.  That’s largely because I couldn’t follow the plot.  This is an incredibly complicated film but it’s not complicated in a funny way.  Instead, it’s complicated in a way that suggests that the film was made up on the spot.  It’s as if the cast said, “We’re all funny!  Just turn on the camera and we’ll make it work!”

The problem with Zoolander 2 is obvious.  The first film pretty much exhausted the comic possibilities of making a spy film about shallow and stupid models.  Don’t get me wrong — the first film did a good job but it’s not like it left any material untapped.  But I would ask you to indulge me as I imagine an alternate reality.

Consider this: Terrence Malick was reportedly a huge fun of Zoolander.

Let’s take just a minute to imagine a world in which Ben Stiller asked Terrence Malick to write and direct Zoolander 2.  And let’s say, just for the sake of argument, that Malick agreed!

Just think about it — 4 hours of Zoolander and Hansel staring up at the sky and thinking about nature.  “What is this thing that causes the heart of man to beat?” Zoolander asks.  “Are we nature or has nature become us?” Hansel replies.

That would have been a fun film!