Today is the 100th birthday of the pioneering indie director, Edward D. Wood, Jr!
Today’s song of the day is the theme from Tim Burton’s 1994 biopic of the director. In my opinion, this remains Burton’s first film. Burton also directed the musical video below while the great Toni Basil choreographed. And, best of all, the dancer is named Lisa Marie!
Since today would have been the 84th birthday of John Lennon, I want to take a minute to recommend a book called Revolution In The Head.
First published in 1994 and subsequently revised two more times, Revolution In The Head is both a chronological history of the songs that the Beatles recorded and a cultural history of the 60s. By examining the recording of each song, Ian MacDonald not only describes how each song reflects (or doesn’t reflect) what was happening in the group at the time but also how the Beatles’s changing sound reflected what was happening in the world at the time. Author Ian MacDonald was clearly a Beatles fan but, more importantly, he was not an apologist and, in the book, he’s just as quick to criticize as he is to praise. While he praises the majority of the band’s recordings, there’s more than a few that he totally dismisses. It’s a well-researched and passionately argued book, one that makes interesting reading for both fans of the group and history nerds like myself.
As for the Beatles themselves, they come across as fully developed people. MacDonald neither idealizes nor demonizes the group and instead focuses on the idea of them as working musicians who usually collaborated well together as a group but sometimes feared and resented that they were losing their individual identities. Neither Lennon nor Paul McCartney are presented as being saints and MacDonald doesn’t shy away from showing how frayed their relationship had become by the time the group split up. (They’re portrayed as developing a classic love/hate relationship with each other.) But both are also presented as being talented artists who were capable of creating beautiful music that would survive the test of time. For all the conflict and for all the times that Lennon complained about McCartney’s commercial sensibilities and for all the times that McCartney complained that Lennon was not committed to keeping the Beatles going, they were still capable of creating songs like Eleanor Rigby and A Day In The Life.
A lot of Beatles fans will probably disagree with MacDonald’s opinions. He’s surprisingly dismissive of a lot of George Harrison’s songs, including the wonderful While My Guitar Gently Weeps. But that’s okay! There’s nothing wrong with having differing opinions. It’s actually a good thing.
In order to celebrate the first day of Horrorthon, how about an AMV?
Song: Godzilla – Eminem ft. Juice WRLD
Anime: Dragonball Z
Creator: Rangazee (as always, if you enjoyed this video, we encourage you to subscribe to the creator’s channel and give them lots of likes and nice comments)
The 1970 documentary Let It Be, which is now streaming on Disney+ after being impossible to see for decades, follows the Beatles as they record music, occasionally argue, occasionally laugh, collaborate on songs, and ultimately play the famous rooftop concert that was eventually ended by the London police. Paul McCartney smiles and laughs and jokes but he also obsesses over every little musical detail and often seems to be talking in order to keep anyone else from getting a cross word in. John Lennon dances with Yoko Ono and occasionally smiles but often seems like his mind is elsewhere. George Harrison smiles whenever he know that the camera is on him but, when glimpsed in the background, he doesn’t seem happy at all. Ringo patiently waits for his chance to perform, sometimes bored and sometimes amused but always the most likable of the bunch. He and George work on Octopus Garden and it’s a charming moment, if just because it’s obvious that both men would rather be there than in the studio.
Even if you haven’t seen Peter Jackson’s The Beatles: Get Back (which was constructed out of material that was shot for but not used in this documentary), Let It Be is often time one of the most depressing behind-the-scenes documentaries ever made. The more the individual members of the Beatles smile and perform for the camera, the more one can see the cracks that have formed in their relationships. With Lennon spending most of his time with Yoko, it’s Paul who dominates the documentary. Paul comes across as being charming and talented but his habit of nonstop talking gives the impression of someone who is desperately trying to hold together a sinking ship. At one point, George snaps that he’ll play the guitar however Paul tells him to and it’s obvious that, for George and probably the others as well, being the world’s most popular band has gone from being a thrill to just being another job. When Paul and John talk about how much fun they had when they first started playing live in Hamburg, it’s obvious that the conversation is at least partially staged to set up the rooftop concert but there’s a genuine sadness to their voices. Even as they write and record new songs, they’re realizing that all things must pass.
But then the Beatles give a rooftop concert and they bring London to a halt and, for a few minutes, it seems like everything is going to be alright. Standing on the roof and performing a wonderful version of Get Back, the Beatles are suddenly a band just having fun and it’s delightful to see. Later, John Lennon gets a devilish gleam in his eyes as he sings the raunchy (for 1969) lyrics for I’ve Got A Feeling. Even George looks happy for a few moments. People gather in the street below to watch and the camera is quick to show us that both young and old love the Beatles. Of course, eventually, the police show up and shut down the show. (Of course, being British police, they’re very polite about it. One has to breathe a sigh of relief that the Beatles didn’t try to do their rooftop show in New York or Los Angeles.) It’s a reminder that nothing lasts forever. Eventually, every concert comes to an end.
It’s interesting to compare Let It Be to another 70s documentary about a famous British rock band. InGimme Shelter, the Altamont Free Concert ends with a murder as Mick Jagger pleads with the crowd to stop fighting and just sit down. In Let ItBe, things end with a random joke from John Lennon, who would himself be murdered in just ten years. Both Gimme Shelter and Let It Be are about the end of an era and both are full of regret and a longing for a simpler and more idealistic era. For those of us who want to understand history, they’re essential.
In today’s music video of the day, we visit the Church of the Ramones, where the band is energizing the congregation with a cover of The Chambers Brothers’s Time Has Come Today.
And indeed the time has come. It’s the last day of September. That means that tomorrow is the start of my favorite time of the year. It’s time for our annual …. HORRORTHON! Things are about to get a little bit busy around here….