A Quickie With Lisa Marie: These Boots Are Made For Walkin’ (performed by Nancy Sinatra)


These Boots Are Made For Walkin’ is one of my favorite songs, one of those that is perfect for making either an entrance or an exit.  There’s probably not a day that passes without this song playing somewhere in the back of my head.

Written by Lee Hazelwood, this song has been recorded by everyone from Jessica Simpson to Megadeth but I prefer the version that made it famous, Nancy Sinatra’s.

Plus, the video for Nancy’s version cracks me up because, if you look real closely, one the dancers has got a run in her hose. *

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*Actually, as I sit here typing this on my lunch break, so do I.

A Quickie With Lisa Marie: Seven Souls (performed by Material and William S. Burroughs)


It was either 3 or 4 years ago that I first heard this song playing over the end credits of an episode of The Sopranos.  Other than recognizing the iconic and deadpan twang of the late William S. Burroughs, I had absolutely no idea who performed this song or even what the song’s title was.

However, this previous Christmas, I received a copy of The Sopranos: A Family History from my sister Erin and as I was reading through it last night, I came across a reference to the very song.  I discovered that the name of the song was “Seven Souls” and that it was performed by an “experimental” group called Material. 

I then proceeded to do even more extensive, deep-digging research and … well, okay, to be honest, I’m lazy so I just looked it up on Wikipedia.  And according to Wikipedia, Seven Souls was released in 1990 and it features William S. Burroughs reading passages from his book The Western Lands.

Anyway, here it is…”Seven Souls” by Material and William S. Burroughs…

41 Songs But No End Credits


The Academy has released a list of the 41 songs that they have determined are “eligible” for an Oscar nomination next year.  Considering how this year has gone, I shouldn’t be surprised that the songs that I really liked (like “Kick Ass” from Kick Ass and “End Credits” from Harry Brown) have not been deemed eligible.

Anyway, via Awards Daily, here’s the complete list of the eligible songs:

“Alice” from “Alice in Wonderland”
“Forever One Love” from “Black Tulip”
“Freedom Song” from “Black Tulip”
“Bound to You” from “Burlesque”
“Welcome to Burlesque” from “Burlesque”
“You Haven’t Seen the Last of Me” from “Burlesque”
“There’s a Place for Us” from “The Chronicles of Narnia: The Voyage of the Dawn Treader”
“Coming Home” from “Country Strong”
“Me and Tennessee” from “Country Strong”
“Despicable Me” from “Despicable Me”
“Prettiest Girls” from “Despicable Me”
“Dear Laughing Doubters” from “Dinner for Schmucks”
“Better Days” from “Eat Pray Love”
“If You Run” from “Going the Distance”
“Darkness before the Dawn” from “Holy Rollers”
“Sticks & Stones” from “How to Train Your Dragon”
“Le Gris” from “Idiots and Angels”
“Chanson Illusionist” from “The Illusionist”
“Never Say Never” from “The Karate Kid”
“To the Sky” from “Legend of the Guardians: The Owls of Ga’Hoole”
“What If” from “Letters to Juliet”
“Life during Wartime” from “Life during Wartime”
“Made in Dagenham” from “Made in Dagenham”
“Little One” from “Mother and Child”
“Be the One” from “The Next Three Days”
“If I Rise” from “127 Hours”
“When You See Forever” from “The Perfect Game”
“I Remain” from “Prince of Persia: The Sands of Time”
“Dream Big” from “Pure Country 2: The Gift”
“How I Love You” from “Ramona and Beezus”
“Darling I Do” from “Shrek Forever After”
“Noka Oi” from “Six Days in Paradise”
“This Is a Low” from “Tamara Drewe”
“I See the Light” from “Tangled”
“Rise” from “3 Billion and Counting”
“We Belong Together” from “Toy Story 3″
“Eclipse: All Yours” from “The Twilight Saga: Eclipse”
“Nothing” from “Tyler Perry’s Why Did I Get Married Too”
“A Better Life” from “Unbeaten”
“Shine” from “Waiting for ‘Superman’”
“The Reasons Why” from “Wretches & Jabberers”

I saw Burlesque with my friend Evelyn earlier tonight (hi, Evelyn!) and even though the movie was pretty silly, we ended up singing our own version of “Bound to You” for three hours afterward. 

I also thought that “Better Days” from Eat Pray Love and “Dear Laughing Doubters” from Dinner For Schmucks were both perfect examples of good songs written for rather disappointing movies.

Still, I’m sad to see that “Pimps Don’t Cry” won’t be getting a chance to bring The Other Guys some Oscar glory.

A Quickie With Lisa Marie: The Host of Seraphim (performed by Dead Can Dance)


Hi, out there!

Okay, for those of you who haven’t been following along, on Monday, Arleigh posted an entry about Frank Darabont firing the Walking Dead’s writing staff and how this might indicate that Darabont is planning on being the show’s sole writer.

So, of course, me being the little contrarian that I am, I had to stick my big Italian nose into it all and comment about how much I hate The Shawshank Redemption and about how Stephen King is an insecure whore.  And this, of course, led to all of the boys fighting over whether or not The Mist had a good ending.

(I’m joking a little here — it’s actually been a pretty interesting discussion.)

Anyway, I’ve already taken my side in the argument, which is that The Mist had a terrible ending but that terrible ending was scored with a really good and haunting song.

And here that song is : The Host of Seraphim by Dead Can Dance.

A Quickie With Lisa Marie: Hey Boy Hey Girl (performed by the Chemical Brothers)


Some day, I’m going to make and publish a list that will entitled “Top Ten Songs To Dance To While Wasted.”  Until I get around to that, I’ll just take a few minutes to highlight the song that would probably come in at number 3 — Hey Boy Hey Girl by the Chemical Brothers.

I really wanted to put up the music video that features the kids in the museum and the skeletons having sex in the public restroom.  However, every version of that to be found on YouTube comes with one of those really annoying “embedding disabled by request” tags.  Bleh on that.

So, I’m including two videos.  The first one is simply the song as it appears on 1999’s Surrender.  The second is a clip of the Chemical Brothers doing the song live at Glastonbury in 2007.  Personally, I love the 2nd clip.  If you ever get a chance to see the Chemical Brothers live, you must take it as surely as you must breathe oxygen to live.

A Quickie With Lisa Marie: Buio Omega (performed by Goblin)


One of my favorite movies of all time is Joe D’Amato’s haunting 1979 romance Beyond The Darkness.  Not only is it one of the best Italian films ever (and the best film ever directed by D’Amato) but I think it’s also one of the best films ever made.

One reason the film is so effective is because of its soundtrack, which was composed and performed by  (who else?) Goblin.  The music will be familiar to any Italian horror fan, largely because it was reused by about a thousand other movies that came out in the years after Beyond The Darkness.  (Director Bruno Mattei, in particular, was fond of it.)

A Quickie With Lisa Marie: Gimme Shelter (performed by Merry Clayton and the Rolling Stones)


Today is November 9th.  I’m 25 years old today and I don’t want to talk about it.  Bleh.  Instead, let’s just play one of the greatest songs ever written, Gimme Shelter.

Gimme Shelter is one of those songs that seems to turn up in every fourth movie that I watch and it’s easy to tell why.  It’s a great song.  Despite the apocalyptic subject matter, this is an undeniably exhilirating song.  This is a song that makes my heart beat faster every time I hear it.  If I ever happen to total my car again, it’ll probably be because I was listening to this song while driving.  If I ever make out my list of top ten songs to fuck make love fuck to, Gimme Shelter will be at the top of the list along with Blondie’s Atomic, Siouxsie and the Banshee’s Kiss Them For Me, and every song on Moby’s Play CD.

Is it possible that Gimme Shelter is the greatest song of all time?

Yes.

A Quickie With Lisa Marie: Excitable Boy (performed by Warren Zevon)


Seeing as how we’re coming up on Halloween (yay!), how about a little Warren Zevon?  I love Werewolves of London but I think everyone on the planet has already heard that song a few thousands times.  So, how about Excitable Boy?

By the way, the video today features scenes from Mary Harron’s American Psycho and was originally posted to Youtube by a person who goes by the name of TonyFuckingMagnum.

Well, he went down to dinner in his Sunday best
Excitable boy, they all said
And he rubbed the pot roast all over his chest
Excitable boy, they all said
Well, he’s just an excitable boy

He took in the four a.m. show at the Clark
Excitable boy, they all said
And he bit the usherette’s leg in the dark
Excitable boy, they all said
Well, he’s just an excitable boy

He took little Susie to the Junior Prom
Excitable boy, they all said
and he raped her and killed her, then he took her home
Excitable boy, they all said
Well, he’s just an excitable boy
After ten long years they let him out of the Home
Excitable boy, they all said
And he dug up her grave and built a cage with her bones
Excitable boy, they all said
Well, he’s just an excitable boy

A Quickie With Lisa Marie: Smashed Blocked (performed by John’s Children)


Four years ago, I was in Recycle Books in Denton, Texas and I came across a book called something like “Unknown Legends of Rock and Roll.”  The book came with a CD that featured music by some of the bands featured in that book.  The first song on that CD (and my personal favorite) was Smashed Blocked, a song from a band called John’s Children. 

(It’s a good book, too.)