In honor of Director Frank Darabont’s 66th birthday, I’m sharing a scene from his masterpiece, THE SHAWSHANK REDEMPTION. One of the best things about this movie is how much humor is found behind those prison walls, often coming from seemingly unexpected places. In this scene, the humor is found when the characters take on the mundane task of cataloging the prison library. Enjoy!
I recently reviewed THE SHAWSHANK REDEMPTION on my son’s birthday.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Happy Pop Art Day! It’s time for….
4 Shots From 4 Pop Art Films
Empire (1965, dir by Andy Warhol)
Vinyl (1965, dir by Andy Warhol)
Lupe (1966, dir by Andy Warhol)
Chelsea Girls (1966, dir by Andy Warhol and Paul Morrissey)
Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday January 27th, we’re watching FEAR CITY starring Tom Berenger, Billy Dee Williams, Jack Scalia and Melanie Griffith.
So why did I pick FEAR CITY, you might ask?
So join us tonight to for #MondayMuggers and watch FEAR CITY! It’s on Amazon Prime.
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
4 Shots From 4 Films
The Red Shoes (1948, dir by Michael Powell and Emeric Pressburger, DP: Jack Cardiff)
Saturday Night Fever (1977, dir by John Badham, DP: Ralf D. Bode)
Flashdance (1983, dir by Adrian Lyne, DP: Donald Peterman)
Chicago (2002, dir by Rob Marshall, DP: Dion Beebe)
Since Sunday is a day of rest for a lot of people, I present #SundayShorts, a weekly mini review of a movie I’ve recently watched.
Master diamond thief Frank Warren (Rutger Hauer) pulls off a big job with the help of his fiancé Noelle (Joan Chen) and his best friend Sam (James Remar). Unfortunately, after the job is finished, Noelle unceremoniously ends her courtship with Frank when she shoots him multiple times because she’s now hooked up with Sam. The next time we see Frank, who somehow survived the close-range shootings, he’s on a bus to a prison called Camp Holliday, which is run by Warden Holliday (Stephen Tobolowsky). Camp Holliday is a high-tech prison where each inmate is gifted a collar containing an explosive device that also happens to be electronically connected to another inmate. As long as the two prisoners are within 100 yards from each other, it’s all good. If they are separated by more than 100 yards, their collars will explode leaving a bloody nub where their head used to be. And since nobody knows who their “wedlock partner” is, trying to escape is not a strong option. One day fellow prisoner Tracy Riggs (Mimi Rogers) comes to Frank and tells him that she’s his wedlock partner. Through a variety of circumstances, the two are able to escape, but they still must maintain their 100-yard proximity as the authorities try to track them down. Meanwhile, Sam and Noelle, and even Warden Holliday, have all teamed up to try to find where Frank stashed the diamonds prior to heading to prison. And what about Tracy, who’s side is she really on?
I didn’t have the Home Box Office channel when I was growing up, so I wasn’t aware of this film until it premiered on home video as “DEADLOCK.” Of course, being a huge fan of Rutger Hauer, I rented it as soon as possible. The key to lower budget, made-for TV movies working will always be tied to three things: an entertaining premise, a game cast, and a director who can put the movie together. I’m happy to report that WEDLOCK has each of these things. Even though we had seen exploding neck collars in prison before in THE RUNNING MAN (1987), I like the way this film ties one prisoner’s fate to another’s. That extra dimension makes for some exciting moments in the film. Rutger Hauer is especially good in WEDLOCK. If any other actor was in the lead, I honestly doubt I would have enjoyed it as much, but with him it becomes a fun movie. And the fact that he’s tied to the beautiful Mimi Rogers for most of the movie makes it that much more fun. The remainder of the cast goes pretty far over the top, but that’s okay because subtle character portrayals are not part of the equation in these types of movies. James Remar and Joan Chen are fun as the initial betrayers and current pursuers, Basil Wallace is effectively evil as a bully and fellow inmate, and Stephen Tobolowsky is his usual fun self as Warden Holliday. Director Lewis Teague has a pretty nice resume of interesting films leading up to WEDLOCK, including ALLIGATOR (1980), FIGHTING BACK (1982), CUJO (1983), CAT’S EYE (1985), and NAVY SEALS (1990). He does a fine job here, as the movie has many well executed scenes that play out at a nice pace. Overall, I’ve always been a fan of low budget action movies that are done well. This one fits the bill for me.
Five Fast Facts:
When I rented the film in the early 90’s, it was called DEADLOCK. I’m sure I owned it on VHS at one point in my life.
Check out the trailer below:
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Controversial French director Roger Vadim was born 97 years ago today. It’s time for….
4 Shots From 4 Roger Vadim Films
And God Created Woman (1956, dir by Roger Vadim, DP: Armand Thirard)
Blood And Roses (1960, dir by Roger Vadim, DP: Claude Renoir)
Spirits of the Dead: Metzengerstein (1968, dir by Roger Vadim, DP: Claude Renoir)
Barbarella (1968, dir by Roger Vadim, DP: Claude Renoir)
Well before THE NAKED GUN was triggering Reggie Jackson, director Don Siegel and Charles Bronson were triggering human time bombs in TELEFON (1977). Quentin Tarantino even borrowed from this film when he chose the Robert Frost poem for Stuntman Mike’s (Kurt Russell) lap dance from Arlene (Vanessa Furlito). It’s not as sexy, but it’s still a good time as Bronson tries to prevent World War III. Enjoy!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, on what would have been his 82nd birthday, the Shattered Lens pays tribute to Texas’s own, Tobe Hooper!
The Austin hippie who redefined horror and left thousands of yankees terrified of driving through South Texas, Tobe Hooper often struggled to duplicate both the critical and the box office success of The Texas Chainsaw Massacre. It’s only been in the years since his death that many critics and viewers have come to truly appreciate his unique and subversive vision.
Down here, in Texas, we always believed in him.
It’s time for….
4 Shots From 4 Tobe Hooper Films
Eggshells (1969, dir by Tobe Hooper, DP: Tobe Hooper)
The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)
Salem’s Lot (1978, dir by Tobe Hooper, DP: Jules Bremmer)
Lifeforce (1985, dir by Tobe Hooper, DP: Alan Hume)
Charles Bronson plays a boat captain named Joe Martin who seems be living the good life in the south of France. He has a great job renting out boats to tourists! He has great luck beating his friends out of big stacks of cash in poker. He has a beautiful wife (Liv Ullman), and most importantly, he has about the biggest biceps I’ve seen in a movie not starring Arnold Schwarzenegger. This idyllic existence falls apart when some men from his past show up and force him to use his boat to help them smuggle drugs. It seems these guys feel like Martin owes them something since they had to go to prison for killing a cop, while ace driver Martin, escaped. As you might expect, nobody’s plans go as expected and much action ensues!
The first thing that stands out in this film is the cast, that includes James Mason, Liv Ullman, Michael Constantin, and Jill Ireland. Bronson’s European films uniformly had tremendous casts and this one is no different. Even with these well known actors, Jean Topart as the villainous Katanga, is a real standout. Second, this is the first of three films that Bronson completed with director Terence Young, who is most famous for kicking off the James Bond franchise with DR. NO, THUNDERBALL, and FROM RUSSIA WITH LOVE. Young knows how to stage action scenes, and with the help of famous French stuntman Remy Julienne, the two men cook up some impressive car stunts and chase sequences. Finally, Bronson himself exudes charisma and is in maximum physical condition in this film. In a career defined largely by his supreme conditioning, this may be Bronson’s most impressive physical performance.
Charles Bronson became an international superstar when he went to Europe in 1968, where he made a series of good films with great international casts. COLD SWEAT doesn’t come together quite as well as some of his other European films like RIDER ON THE RAIN, VIOLENT CITY & RED SUN, but it’s still a fun film with good action sequences and an impressively pumped up Charles Bronson. And the film has never looked better. After decades of shabby VHS and DVD copies, Kino Lorber put out a very nice blu ray in 2019. It’s nice seeing the movie in such a high quality presentation.
Check out the trailer for COLD SWEAT below:
Henry King (1886 — 1982)
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Henry King was born 139 years ago today. He was born in Virginia and, though he may no longer be a household name, he was one of the busiest and most versatile directors of Hollywood’s Golden Age. He began his career during the silent era, directing his first film in 1918. He continued to work all the way through 1962, working in every genre and directing at least 8 Oscar-nominated performances. He was also one of the founders of the Academy. In short, Henry King was an important figure in the early years of Hollywood. If you’ve ever studied classic film or just spent a weekend or two watching TCM, there’s a good chance that you’ve seen at least one Henry King film.
Like many of the top directors from Hollywood’s Golden Age, Henry King was prized for being a professional. In the years when the studios ruled Hollywood and before directors became known as auteurs, King was someone who could be trusted to make an effective film with the minimum amount of behind-the-scene drama. He was someone who could move from genre to genre and from theme to theme. He was skilled at getting the best performances from his actors and he knew how to visually tell a story and keep the action moving. He knew how to engage the audience and his best films hold up surprisingly well.
In honor of Henry King and his career and legacy, here are…
4 Shots From 4 Henry King Films
In Old Chicago (1938, dir by Henry King, DP: J. Peverell Marley)
The Song of Bernadette (1943, dir by Henry King, DP: Arthur C. Miller)
Wilson (1944, dir by Henry King, DP: Leon Shamroy)
David and Bathsheba (1951, dir by Henry King. DP: Leon Shamroy)
Through the Shattered Lens