Spoiled heiress Joanna Stayton (Goldie Hawn) hires carpenter Dean Proffitt (Kurt Russell) to remodel a closet on her yacht. Unsatisfied with his work and completely unreasonable about everything, she refuses to pay him and when he presses her for the $600, she pushes him and all of his tools overboard. Needless to say, the lady’s a “bitch” (Dean’s word) and nobody can stand her, including her husband, Grant Stayton III (Edward Herrman), and their butler Andrew (Roddy McDowell). And then something interesting happens a few days later… Joanna accidentally falls off her yacht, and when she’s fished out of the ocean, she’s still difficult to deal with, but she doesn’t have a clue who she is. Unable to identity her, the hospital puts the “amnesia lady” on the news hoping someone will recognize her. Sensing a chance to get rid of the anchor around his neck, Grant Stayton III pretends he doesn’t know her and heads out of town. This is where Dean hatches up his own plot to get revenge. He heads to the hospital and through a series of happenstances and coincidences, he’s able to convince everyone, including Joanna, now dubbed as “Annie,” that she’s his wife. He takes her home with him and makes her take care of his four wild boys, cook their food, and clean his house. Dean figures she owes it to him. But wouldn’t you know it, even though “Annie” hates it at first, over time she begins to soften towards her new life, bonds with the boys, and some sparks of love start flying between her and Dean. When she unexpectedly gets her memory back, she has to decide whether to return to her life as a spoiled heiress or stay with the man and boys she’s grown to love.
I have a soft spot in my heart for OVERBOARD, because this is a movie that my mom and I both loved, and we watched it together many times in the late 80’s and early 90’s. My mom and I didn’t often have the same taste in movies, so this was kind of “our movie.” There are a couple of other notable favorites for both me and mom, and those movies are RUTHLESS PEOPLE (1986) and LETHAL WEAPON (1987). I guarantee if I called my mom right now, interrupted her Hallmark Christmas movies, and told her I was coming over with OVERBOARD, she’d say “Come on! I’ll get something together for you to eat!” That actually sounds like a pretty good idea!
Another reason I love OVERBOARD is the fact that it stars Kurt Russell. I became a big fan of Kurt Russell during my teenage years, as I was 14 when this movie came out. A couple of years earlier, Russell starred in the films THE BEST OF TIMES (1986) and BIG TROUBLE IN LITTLE CHINA (1986), and a couple of years later he would make movies like TEQUILA SUNRISE (1988), TANGO & CASH (1989), and BACKDRAFT (1991). I wanted to watch every movie that Russell was in, and all of these films are staples of my VHS years and nostalgic favorites. In OVERBOARD, Russell starts off as a gruff, grudge-holder, but as he begins to fall for “Annie,” his natural charm and likability emerge, but so does a newfound guilt for lying to her and possibly even kidnapping her. One question for the lawyers out there, is it kidnapping when her husband had a chance to claim her and chose to abandon her instead? I’m not sure if it’s a felony or not, but I’m guessing there has to be something on the law books that doesn’t jive with what happens here. Anyway, I’ll just say that it’s best not to think of these types of pesky realities when judging this fairy tale and just go along for the ride.
Along with the Russell’s fun performance, Goldie Hawn is so perfect as the horrifically spoiled snob of an heiress who transforms into a caring substitute mother and the woman of Dean’s dreams. I know she’s great in the movie, because I can’t stand her at the beginning, but I find myself falling for her too as the movie progresses. I would not really call myself a fan of Goldie Hawn, because I haven’t spent much of my life revisiting her films, but I love her here. A couple in real life, the natural chemistry between Russell and Hawn sparkles as they fall in love on screen and only the most cold-hearted cynic isn’t pulling for them to live happily ever after as the movie closes in on its ending. As far as the supporting cast, Edward Herrmann, Katherine Helmond, Mike Hagerty, and Roddy McDowall all have good moments sprinkled throughout the film.
I do have one complaint about OVERBOARD, and that’s the “Wonders of the World Miniature Golf Course,” which is the dream business of Dean and his best friend Bad Billy Pratt (Mike Hagerty). As someone who grew up in the 70’s and 80’s playing miniature golf on the courses in Branson, MO, I would never want to play their course. Its design appears over-the-top and cheesy to me, the type of course where the scores on the holes would be determined as much by luck as by skill, which is something I find offensive. However, just like the potential kidnapping storyline, I’ve had to let my disdain for the quality of the course design go as well so I could enjoy that section of the film. I will admit this one is harder for me personally, and I still struggle with it.
Overall, OVERBOARD is not high art, and its premise is about as silly as it gets, but through a magical combination of personal 1980’s nostalgia, an appreciation for the chemistry of its stars, and a complete willingness to suspend my disbelief as we head towards an irresistibly happy ending, I still love this film. I watch it just about every year, especially if I need a pick me up as I hammer away at tax returns!
Through the Shattered Lens 