Scenes That I Love: The End Of The French Connection


Today, the Shattered Lens celebrates what would have been birthday oif the great William Friedkin.  As a director, William Friedkin revolutionized both the horror genre and the crime genre.  The car chase from 1971’s The French Connection has been much imitated but rarely equaled.

That said, as impressive as the car chase is, the ending of the French Connection is a perfect example of the bleakness of 70s cinema.  Between the seemingly crazed Doyle firing his weapon into the void to the end cards that leave us wondering if any of this was worth it, the final minutes of The French Connection still pack an undeniable punch.

4 Shots From 4 Films: Special David Fincher Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy 63rd birthday to David Fincher!  It’s time for….

4 Shots from 4 David Fincher Films

Seven (1995, dir by David Fincher. DP: Darius Khondji)

Fight Club (1999, dir by David Fincher, DP: Jeff Croneweth)

Zodiac (2007, dir by David Fincher, DP: Harris Savides)

Mank (2020, dir by David Fincher, DP: Erik Messerschmidt)

4 Shots From 4 Films: Special Robert Richardson Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, TSL wishes a happy birthday to cinematographer Robert Richardson.  It’s time for….

4 Shots From 4 Robert Richardson Films

JFK (1991, dir by Oliver Stone, DP: Robert Richardson)

The Horse Whisperer (1998. dir by Robert Redford, DP: Robert Richardson)

Inglourious Basterds (2009, dir by Quentin Tarantino, DP: Robert Richardson)

Hugo (2011, dir by Martin Scorsese, DP: Robert Richardson)

Famous Actors Throughout the Decades: Charles Bronson – 1950’s!


Today I’m starting a series about my favorite actors and their most important work in a particular decade, completely from my limited perspective. What a better actor for me to start with than Charles Bronson, my all time favorite. I hope to share some historical context as well as some tidbits about his film and TV appearances at the time. I know I’ll miss some good stuff, and I welcome your comments on that. We’ll see how this goes! 

Charles Bronson entered the world of acting using the name Charles Buchinsky. His very first role is in the film YOU’RE IN THE NAVY NOW (1951) with Gary Cooper! This also happens to be the film debuts of actors Lee Marvin and Jack Warden! Bronson himself has said that he got the role because he could “belch on cue!”

You’re in the Navy Now (1951)

Bronson worked with the best actors on earth from the very beginning of his career. Still billed as Buchinsky, Bronson would share the screen with Spencer Tracy and Katharine Hepburn in 1952’s PAT AND MIKE!

Pat and Mike (1952)

I was lucky enough to catch HOUSE OF WAX (1953) on the big screen last summer. Bronson, still billed as Buchinsky at the time, co-starred as Igor in the 3-D, Vincent Price box office smash. He had some amazingly creepy scenes in the film!

House of Wax (1953)
Me in 2024!!

For the first time in his career, he would be credited as Charles Bronson in the Alan Ladd western DRUM BEAT (1954). He changed his name during the McCarthy era to avoid the negative scrutiny and suspicion that a Slavic surname might bring, fearing it could damage his budding acting career during the strong anti-Communist sentiment in America. Under his new name, Bronson steals the film right out from under Ladd in the role of the rebellious Indian leader Captain Jack! This film should have catapulted Bronson into leading roles, but Hollywood didn’t really know what to do with him at this point.

Drum Beat (1954)

A couple of years later, Bronson would appear in a supporting role in the Glenn Ford western, JUBAL (1956). Also co-starring Ernest Borgnine and Rod Steiger, Bronson’s part is small but pivotal. I love the film and its Grand Tetons setting.

Jubal (1956)
My family in 2023!

1958 would be a year where Charles Bronson would get his first leading film roles, as well as his own TV series. First up was the B-western SHOWDOWN AT BOOT HILL (1958), directed by Gene Fowler, Jr. I’m a big fan of this short, simple oater. I think Bronson gives an excellent performance as the gunslinger with a chip on his shoulder, who really just wants a girl he can settle down with and a place he can call home. I recommend it to any person who likes 1950’s westerns and Bronson.

Showdown at Boot Hill (1958)

Next, the legendary Roger Corman would direct Bronson in the biopic MACHINE GUN KELLY (1958). This is an important film in Bronson’s career. French star Alain Delon would request Bronson as his co-star in the 1968 film FAREWELL, FRIEND based on his performance in MACHINE GUN KELLY, and that film would help turn Bronson into one of the biggest male movie stars in the world. It’s another good film that draws another strong performance from Bronson as the infamous gangster who was tough as long as he had his machine gun. Quentin Tarantino is a big fan of the movie calling it the “best film Corman ever directed.” A poster for MACHINE GUN KELLY can be seen at Jack Rabbit Slims in Tarantino’s sensational PULP FICTION (1994).

Machine Gun Kelly (1958)

After appearing on countless TV shows during the 50’s, Bronson got his own beginning in 1958. The show, MAN WITH A CAMERA, would run for two seasons and produce a total of 29 episodes, with such excellent guest stars as Tom Laughlin, Angie Dickinson and Lawrence Tierney. A young Bronson is very good in the series, easily handling the action and the dialogue. He’s so good in fact, that it really is hard to believe that mainstream stardom would continue to elude him for another decade. In his characteristically sarcastic way, Bronson would joke that he played second fiddle to a light bulb, or something along those lines, but it’s a series I definitely recommend.

Man with a Camera (1958-1960)

I hope you’ve enjoyed a trip through the 50’s with the legendary Charles Bronson. There is so much more I could have covered, but I chose the appearances that have affected my life the most! The 1960’s would prove to be a successful, frustrating and ultimately rewarding decade for Charles Bronson. We’ll get to that next time on “Famous Actors Throughout the Decades: Charles Bronson!”

4 Shots From 4 Films: Special Edward D. Wood, Jr. Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

It’s always a good time to pay tribute to Ed Wood.

4 Shots From 4 Ed Wood Films

Bride of the Monster (1955, dir by Edward D. Wood, Jr.)

Plan 9 From Outer Space (1956, dir by Edward D. Wood, Jr)

Night of the Ghouls (1958, dir by Edward D. Wood, Jr)

The Sinister Urge (1960, dir by Edward D. Wood, Jr.)

What do Sean Connery and Charles Bronson have in common?


Sean Connery in DIAMONDS ARE FOREVER (1971)
Charles Bronson in RED SUN (1971)

Sean Connery and Charles Bronson, despite being much different actors, shared the Golden Globe Henrietta Award for “World Film Favorite – Male” back in 1972. As the ultimate Bronson fan, I’ve always appreciated this special connection between the icons.

Happy Birthday in cinema heaven, Sean! We miss you!

Song of the Day: Diamonds Are Forever, performed by Shirley Bassey


Today, on Sean Connery’s birthday, our song of the day is the theme for one of my favorite Bond films.  I know that some people claim that Diamonds are Forever is a lesser Bond film but personally, I think it’s just silly enough to be effective.  James Bond and Las Vegas are a match made in heaven.

Scenes That I Love: James Bond Meets Pussy Galore In Goldfinger


Today’s scene that I love features Sean Connery, born on this day 95 years ago.  In this scene from 1964’s Goldfinger, Connery needs only one simple line — “I must be dreaming,” — to create an iconic moment.

Daniel Craig, as good as an actor as he is, could not have pulled this off.  Only Sean Connery could have made this scene unforgettable and that’s why Sean Connery will continue to be the Bond to which all others should be compared.

4 Shots From 4 Films: Special Sean Connery Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today would have been Sean Connery’s 95th birthday.  It’s time for….

4 Shots From 4 Sean Connery Films

From Russia With Love (1963, dir by Terence Young, DP: Ted Moore)

Goldfinger (1964, dir by Guy Hamilton, DP: Ted Moore)

The Man Who Would Be King (1975, dir by John Huston, DP: Oswald Morris)

Highlander (1986, dir by Russell Mulcahy, DP: Gerry Fisher)

 

Brad reviews DEAD IN A HEARTBEAT (2002)!


DEAD IN A HEARTBEAT is a 2002 TV movie that stars Judge Reinhold as Tom Royko, the head of Seattle bomb squad, as he finds himself trying to stop a mad bomber named Zachary Franklin (Timothy Busfield). Franklin blames heart surgeon Gillian Hayes (Penelope Ann Miller) for the death of his son and makes it his mission in life to make her suffer like he has. His plan… volunteer at the hospital where Dr. Hayes works, rig their supply of pacemakers with explosives, and then implement a plan to begin blowing up her patients on the anniversary of his son’s death. When Royko figures out what’s going on, he enlists the help of Dr. Hayes to identify the next potential victims and stop the deranged Franklin before another innocent person’s chest explodes!

DEAD IN A HEARTBEAT is an entertaining TV movie. If you like Hallmark mysteries and Lifetime movies, it’s my guess that you will enjoy this film. The plot is a lot of fun… I love the movie SPEED and the “madman setting off ticking human time bombs while taunting the police” reminded me of that excellent thriller on multiple occasions. While I’m not suggesting this movie is in the same league as the Keanu Reeves / Sandra Bullock action classic, I am saying that I did feel genuine tension and excitement at times as some of the scenes played out, and I wasn’t really expecting that. As far as the performances, I must admit I really enjoyed watching Judge Reinhold in the lead. He’s not tough at all, but he does have a likable, sarcastic charm that appeals to me. After loving him in 80’s movies like BEVERLY HILLS COP and RUTHLESS PEOPLE, it was nice seeing him in this role. I only give Penelope Ann Miller average marks for her performance as the heart doctor who starts off really arrogant before having a crisis of conscience when the bad guy starts offing her former patients. She has a couple of solid moments, but for the most part I just found her competent in the role. Timothy Busfield is definitely good as the villain, but this movie’s TV roots left his character somewhat underdeveloped. I think the part could have worked better if more time had been devoted to the details that lead to him losing his grip on reality.

While not a must-see, DEAD ON A HEARTBEAT turned out to be an enjoyable, undemanding watch as I was scrolling through Amazon Prime. If you don’t mind a little absurdity with your early 2000’s, TV action movies, you’ll probably like this one.