I’m a huge fan of samurai movies. As such, I love the Japanese actors Toshiro Mifune and Tatsuya Nakadai. I came for the samurai movies and soon learned that both actors are incredible in a wide variety of films. They are truly two of the best of all time, and I seldom think of one without thinking of the other. It made me quite sad when I read that Nakadai passed away a few days ago on November 8th at 92 years of age. Back in 1962, Nakadai starred in possibly the greatest samurai film of all time, Masaki Kobayashi’s HARAKIRI. It’s truly a masterpiece, with a powerful story and incredible action. In honor of Tatsuya Nakadai, I’m sharing the trailer for HARAKIRI below, and I recommend it to everyone!
Tag Archives: movie
Brad’s “Scene of the Day” – The incredible car chase in THE STONE KILLER (1973)!
I’ve been really busy the last few days preparing to record the next episode for the THIS WEEK IN CHARLES BRONSON Podcast. We’ll be covering THE STONE KILLER where Bronson plays a tough cop who stumbles upon a mafia revenge scheme decades in the making. It’s an interesting film that I can’t wait to cover in detail with a great group of Bronson enthusiasts. Did you know that THE STONE KILLER contains an incredibly underrated “car chases a motorcycle” sequence? The 70’s were so full of great stunts that some of the very best have almost been forgotten. Well that just doesn’t set well with me, so I’m sharing that chase with all of you. It’s a sequence that was filmed in 1973, the same year I was born, so it’s extra special to me. Enjoy my friends!
Song of the Day: Over The Top by Kenny Loggins
Since today’s scene came from Over the Top, it seems only appropriate that today’s scene should come from it as well.
Made of memories
I believe
In destiny
Every moment returns again in time
When I’ve got the future on my mind
Know that you’ll be the only one
Meet me halfway
Across the sky
Out where the world belongs
To only you and I
Meet me halfway
Across the sky
Make this a new beginning of another life.
In a lifetime
There is only love
Reaching for the lonely one
We are stronger when we are given love
When we put emotions on the line
Know that we are the timeless ones
Meet me halfway
Across the sky
Out where the world belongs
To only you and I
Meet me halfway
Across the sky
Make this a new beginning of another life.
[Instrumental interlude]
Meet me halfway
Across the sky
Out where the world belongs
To only you and I
Meet me halfway
Across the sky
Make this a new beginning of another life.
Scenes That I Love: Lincoln Hawk Turns His Hat In Over The Top
In the wake of Zohran Mamdani’s victory in New York City and Graham Platner’s possible victory in Maine, I’ve become a lot more interested in watching anti-communist films. And really, it doesn’t get more anti-communist than a movie about an independent, non-union trucker who has no interest in being an authoritarian and who only want to be left alone so that he can raise his son and make a little money arm-wrestling.
In this scene from 1987’s Over The Top, Lincoln Hawk (played by Sylvester Stallone) explains the importance of turning his hat. That’s all it takes.
Join #MondayMania For The Wrong Tutor!
Hi, everyone! Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania! Join us for The Wrong Tutor, starring Vivica A. Fox!
You can find the movie on Prime and then you can join us on twitter at 9 pm central time! (That’s 10 pm for you folks on the East Coast.) See you then!
The Films of 2025: The Smashing Machine (dir by Benny Safdie)
As a film lover, there are three letters that strike fear in my heart. U. F. C.
Seriously, directors — especially male directors — love the UFC and Mixed Martial Arts in general. If I had to guess, I would say that in another few years, there will be no more boxing movies. Sorry, Balboa. Sorry, Creed. You’re going to be replaced by movies that are exclusively about men kicking each other in a cage and then pounding on each other once they’re down. I’m not even saying that’s a bad thing. Obviously, the sport has a lot of fans. In the future, when Conor McGregor is doing double duty as both the President of Ireland and the Pope, a lot it will be due to the popularity of MMA. I have to say, though, that I almost always seem to find films about MMA and cage matches to be a little bit boring, unless they star Jean-Claude Van Damme or, in some cases, Lou Ferrigno. I prefer boxing movies. I guess I like my fights without the little kicks.
The Smashing Machine is a biopic of Mark Kerr (played by Dwayne Johnson), an MMA fighter who, the film tells us, was one of the early pioneers of the sport. When he’s first seen in the film, he’s being interviewed about his success in the UFC. We see a few clips of him fighting and watching his fists fly, we understand why he’s known as The Smashing Machine. He’s known for his ability to end fights quickly. He assures the interviewer that he doesn’t hate any of the men that he fights. (“Is he okay?” Mark asks about an opponent after one particularly brutal beat down.) Mark leaves the United States for Pride, which is Japan’s version of UFC. Not long after arriving in Japan, he discovers that Pride has changed its ruled to disallow almost all of Mark’s techniques because Mark was ending the fights too quickly.
One thing that we notice about Mark is that he’s always smiling and that he seems to have a rather low-key personality for someone who makes his living as a fighter. It’s easy to see that he’s holding back a lot of his emotions and that he gets those emotions out in the ring. When he’s not fighting, he’s living in a nice home with his girlfriend, Dawn (Emily Blunt). He’s a bit of a control freak, worrying about the cat getting on his couch, telling Dawn exactly how to make his protein shakes, and obsessing over the way a cactus is growing outside. Mark may be a fighter but he also constantly worries about his “tummy,” which is apparently overly sensitive. Mark is also a drug addict, popping painkillers like candy and shooting up in his bathroom. When Mark and Dawn argue, his temper can flare and he can go from being soft-spoken Mark to the someone who can tear a door off of its hinges. After Mark loses his first fight, he sinks deeper into depression and then tries to get clean. Complicating things is that Dawn is still using and Mark is preparing for his next fight in Japan.
For all the anticipation and the hype that surrounded its release, The Smashing Machine is an uneven film. It’s not necessarily a bad film but it is a film that leaves the viewer feeling somewhat detached from the action, on the outside looking in. Dwayne Johnson gives a good performance as Mark and Emily Blunt gives a good performance as Dawn but they’re never quite believable as a couple. (In fact, I would argue that Johnson’s best dramatic performance remains his nearly silent but physically powerful turn in the unfairly overlooked Faster.) Because the film is based on a true story and, I imagine, also because the film was directed by Benny Safdie, The Smashing Machine avoids a lot of the traditional cliches of the sports film. It’s very much an A24 film, wearing it’s indie aesthetic like a chip on its shoulder. I have to admit though that, while watching the film, I missed a lot of those cliches. There are some good scenes scattered throughout The Smashing Machine but there’s also not much narrative momentum.
That said, I do have to say that the film’s ending, which feature the real Mark Kerr shopping for groceries, did bring a smile to my face. He’s someone who has been through a lot so seeing him smiling and debating which cut of beef to purchase was definitely something of a relief.
Monday Live Tweet Alert: Join Us For Over The Top!
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1987’s Over The Top! I picked it so you know it’ll be good.
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube, Tubi, or Prime hit play at 8 pm et, and use the #MondayActionMovie hashtag! The watch party community is a friendly group and welcoming of newcomers so don’t be shy.
See you soon!
Scenes I Love: Al Pacino and Diane Keaton in The Godfather
Today’s scene that I love comes from my favorite film of all time, 1972’s The Godfather.
In this scene, Kay Adams (Diane Keaton) has moved on and is working as a teacher. Suddenly, Michael Corleone (Al Pacino) shows up. He’s been back from Sicily for a year and he’s working with his father. Michael promises her that the Corleone family is getting out of the rackets. We, of course, know that is never going to happen.
4 Shots From 4 Films: My Favorite Movies Edition
It’s my birthday so today, here are four shots from my four favorite films!
4 Shots From My 4 Favorite Films
Scenes I Love: The Montage from The Parallax View
In Alan J. Pakula’s 1974 film The Parallax View, Warren Beatty plays a seedy journalist who goes undercover to investigate the links between the mysterious Parallax Corporation and a series of recent political assassinations. In the film’s most famous sequence, Beatty — pretending to be a job applicant (read: potential assassin) for the Parallax Corporation — is shown an orientation film that has been designed to test whether or not he’s a suitable applicant. The montage is shown in its entirety, without once cutting away to show us Beatty’s reaction. The implication, of course, is that what’s important isn’t how Beatty reacts to the montage but how the viewers sitting out in the audience react.
So, at the risk of furthering the conspiracy, here’s that montage.






