Today’s song of the day comes from the greatest Canadian film ever, 1980’s Prom Night!
Seriously, try to get this tune out of your head! This should be the new national anthem.
Today’s song of the day comes from the greatest Canadian film ever, 1980’s Prom Night!
Seriously, try to get this tune out of your head! This should be the new national anthem.

Today would have been Peter Fonda’s 86th birthday.
This scene is from Roger Corman’s 1967 film, The Trip. Corman dropped acid himself before filming Peter Fonda doing the same thing in this film. Regardless of how one views Corman’s cinematic recreation of Fonda’s experience with acid, The Trip is considered to be one of the first nuanced drug films. While it doesn’t endorse drug use, it also doesn’t descend into the hysterics of a film like Reefer Madness. Interestingly enough, the script was written by Jack Nicholson.
Here is Peter Fonda, exploring the city on LSD, in The Trip:
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we celebrate the 122nd anniversary of the birth of the great British film director, Terence Fisher. Though Fisher worked in all genres, he is best remembered for the horror films that he directed for Hammer Studios. Along with proving that there was still an audience for horror, he also helped to make stars out of Peter Cushing and Christopher Lee.
It’s time for….
4 Shots From 4 Terence Fisher Films
As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie! Every week, we get together. We watch a movie. We snark our way through it.
Tonight, for #MondayActionMovie, the film will be 1980’s Prom Night, the greatest Canadian film ever! I picked it so you know it’ll be good.
It should make for a night of fun viewing and I invite all of you to join in. If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube, Tubi, or Prime hit play at 8 pm et, and use the #MondayActionMovie hashtag! The watch party community is a friendly group and welcoming of newcomers so don’t be shy.
See you soon!
I was lucky to be part of a recent interview with actor Jordan Rhodes on the “This Week in Charles Bronson” podcast. Jordan worked with Bronson on two separate movies almost twenty years apart, MR. MAJESTYK (1974) and THE INDIAN RUNNER (1991), so he does offer valuable insight to my favorite actor. Jordan also worked with so many great actors like Joe Don Baker, Sean Penn, Andy Griffith, Gregory Peck, etc., etc. One of the most interesting works of his career is a stage play he developed about Ernest Hemingway entitled PAPA: THE MAN, THE MYTH, THE LEGEND. I’ve seen a filmed version of the play on DVD and I can confirm that it’s incredible. He toured this play for over 7 years, with the emergence of Covid in 2020 effectively ending its run. During those Covid years, Jordan did find time to write a biography entitled “The Life of a Blue Collar Actor,” which I also own and have read. It’s such an interesting take on what life is like for your basic working actor who never becomes a star, but somehow carves out a four decade career. I found it very entertaining.
If you’re interested in character actors like Jordan Rhodes, you should enjoy this. You’ll find that we do very little interviewing. He just gets to talking and it goes from there. I did want to point out that he does misspeak about a situation in Bronson’s personal life during the episode. He issued this statement on his Facebook page a few days after we recorded:
“I want to apologize for making a misstatement about the death of Charlie’s son, which I quoted as having shot himself on Charlie’s Vermont farm. I was given that misinformation by a producer prior to working with Charlie on a film, and it was incorrect. Charlie’s adopted son, Jason, died from an overdose, and I apologize for making the misstatement.“
We sincerely thank Jordan Rhodes for taking the time to speak to movie nerds like us! I hope you enjoy!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
The late, great director Jonathan Demme was born 82 years ago today. It’s time for….
4 Shots From 4 Jonathan Demme Films
After sharing a scene from Manhunter, there was no way I couldn’t pick this for today’s song of the day.
From 1986’s Manhunter.
Only Tom Noonan could have Francis Dollarhyde both so human and so monstrous.
RIP.
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, for #ScarySocial, I will be hosting 1990’s The First Power!
If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag! The film is available on Prime and Tubi! I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well. It’s a friendly group and welcoming of newcomers so don’t be shy!
In this scene from Robert Altman’s 1975 masterpiece, Nashville, Julie Christie plays herself as a famous visitor to the city for which the film is named. She is introduced to Haven Hamilton (Henry Gibson), Haven’s lawyer, Delbert Reese (Ned Beatty), political advance man John Triplette (Michael Murphy), and country music star Connie White (Karen Black). Julie Christie may be a star in Hollywood but Connie is the star of Nashville.
Karen Black improvised her dismissive line about Julie Christine not even being able to comb her hair. It was a moment that reportedly shocked the rest of the cast and the crew but it was also a line that perfectly summed up both Connie as a character and Altman’s version of Nashville.