Tag Archives: movie

Music Video of the Day: I Talk To The Trees by Clint Eastwood (1969, dir by Joshua Logan)

Posted on by Lisa Marie Bowman

Okay, it’s not so much a music video as it’s a scene from a movie but whatever.  It’s Clint Eastwood’s birthday, we’re about to post a ton of Clint Eastwood-related reviews today, and I wanted to start things out with Clint!

This scene is from 1969’s Paint Your Wagon.  You know what?  Clint’s voice wasn’t that bad in this movie.  That said, I’m glad I talked to my sister into reviewing it instead of me.  When I was in college, I took a class about musicals and there was this frat boy sitting behind me who just obsessed with Paint Your Wagon,

Happy birthday, Clint!

Enjoy!

10 Films For The Weekend (5/30/25)

Posted on by Lisa Marie Bowman

Here are ten films that I recommend checking out this weekend.  These films are all streaming so, if you’re stuck inside due to weather or crippling depression, give them a shot!

In Honor of Clint Eastwood

Saturday will be Clint Eastwood’s 95th birthday.  Clint’s career has stretched from the 50s t0 the present day.  (Though some thought he might retire after 2024’s Juror #2, Eastwood is reportedly working on a new film.)  We’ll be posting a lot of Eastwood reviews tomorrow but I want to take the time right now to mention three of his films that will be streaming this weekend.

First off, 2024’s legal thriller, Juror #2 (which I consider to be the best film of 2024), is still streaming on Max.  Featuring excellent performances from Nicholas Hoult and Toni Collette, Juror #2 is an entertaining courtroom thriller that, in its efficient and non-flashy way, shows that Eastwood is still one of the best directors work.

Clint Eastwood was 88 years old when he gave one of his best performances in 2018’s The Mule.  The Mule tells the true story of a 90 year-old widower who found a second job smuggling drugs across the country for a Mexican cartel.  Eastwood gives a likable performance as someone who is definitely not an action hero but who gets a second lease on life by working with some very dangerous people.  This film is tense, poignant, and surprisingly funny at time.  It’s on Netflix.

Also on Netflix is 2014’s American Sniper, a film that Eastwood directed.  Bradley Cooper gives a strong performance as Chris Kyle and Eastwood direction will leave you breathless.  This film was controversial when it was released.  It had only been two years since Eastwood gave his speech at the Republican Convention and, amongst the online crowd, there was still a lot of anger at him.  (Considering that the online critics often presented themselves as being film experts, it was surprising how many of them apparently did not know that Eastwood was, at the time, a lifelong Republican.  Apparently, he’s currently registered as a Libertarian.)  Personally, I don’t find American Sniper to be a political film.  Eastwood’s made a lot of films about war and he’s never been one to glorify it.  Instead, as with many of Eastwood’s films, it’s a character study of man who has to learn how to live with his actions.

Here’s Some More Action

If you’re in the mood for some non-Eastwood action, here’s some suggestions.

Rolling Thunder (1978), starring William Devane and Tommy Lee Jones, is both a revenge film and a look at the struggle of two men returning to a country that they no longer recognize.  Devane and Jones’s characters have recently returned from a Vietnamese POW camp.  When Devane’s wife and son are killed by bandits and Devane’s hand is lost in a garbage disposal, he and Jones join forces to “clean them up.”  This film is a favorite of Quentin Tarantino’s and I personally consider it to be one of the best Texas-set films ever made.  Devane has never been better and Jones deserved an Oscar for his performance as the emotionally shattered and withdrawn vet who comes to life when it time to “kill a bunch of people.”  Rolling Thunder is currently on Tubi.

Jeff says that The Delta Force (1986) is the greatest film of all time.  And while I personally don’t think that’s possible as long as Money Plane exists, I will say that there is something very emotionally satisfying about watching Chuck Norris and Lee Marvin take out a bunch of terrorists.  I dare you not to shed a tear when George Kennedy’s priest walks to the front of the plane and declares that if the terrorists are taking the Jewish passengers hostage, they’ll have to take him as well because “I’m Jewish.”  The Delta Force can be found on Tubi and Prime.

Finally, I don’t think Brad would forgive me if I left out Charles Bronson.  Breakheart Pass (1975) is an interesting and unfairly overlooked Bronson western, one that mixes a genuine murder mystery with all the action that one could hope for.  Playing a 19th century detective on a train, Bronson more than holds his own against an impressive array character actors, including Charles Durning and Ben Johnson.  It can currently be viewed on Tubi and Prime.

Odds and Ends

I read a story this week that France is planning on banning outdoor smoking.  Seriously, what is happening to that country?  How did they go from being the country of sexy ennui to the country that bans smoking?  It’s a shame.  If you want to remember France the way it was and the way it should still be, check out Jean-Luc Godard’s classic Breathless (1960), a film that still packs quite a stylistic punch.  Jean-Luc Belmondo is the ultimate existential outlaw.  Jean Seberg is the perfect femme fatale beatnik.  The ending remains haunting and unforgettable.  Belmondo would never let anyone tell him whether or not he could smoke.  The film is currently streaming on Max.

Uh-oh!  This weekend might be your last chance to see my favorite film of 2020, Money Plane, on Tubi!  (It’s currently listed in the dreaded “Leaving Soon” category.)  Ignore what the critics not named Lisa might tell you.  Money Plane is an absolute blast.  If for no other reason, see it for Kelsey Grammer’s wonderfully unhinged performance as the Rumble.  For now, Money Plane is on Tubi and Prime.

Also listed as “Leaving Soon,” is Dario Argento’s classic directorial debut, Bird With The Crystal Plumage (1970).  One of the best giallo films ever, Argento’s thriller continues to be a twisted delight, featuring excellent performance from Tony Mustante and Suzy Kendall and one death scene that literally makes me put my hands over my eyes every time I watch the movie.  This is one of the great shockers.  For now, it can be found on Tubi and Prime.

Finally, The Last Movie Star (2017) is a flawed film but it features a wonderful, late career performance from Burt Reynolds.  The Last Movie Star pays tribute to both Reynolds as an actor and a cinematic icon.  It can be found on Tubi.

Check out last week’s suggestions here!

 

Live Tweet Alert: Join #FridayNightFlix for A Fistful of Dollars!

Posted on by Lisa Marie Bowman

As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  A Fistful of Dollars, starring the great Clint Eastwood!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

A Fistful of Dollars is available on Prime and Tubi!

See you there!

Scene That I Love: The End of Franklin J. Schaffner’s Planet of the Apes

Posted on by Lisa Marie Bowman

The late director Franklin J. Schaffner was born 105 years ago today.

Though Schaffner won an Oscar for directing Patton, my favorite Schaffner film will always be Planet of the Apes.  In this scene, Charlton Heston discovers where he’s actually been for the entire movie.

4 Shots From 4 Films: Special Howard Hawks Edition

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

129 years ago, on this date, the great American filmmaker Howard Hawks was born in Indiana.  Over a career that spanned several decades, Hawks proved himself to be a master of every genre.  He made great crime films, great noirs, great comedies, and great westerns.  His influence continues to be felt to this day.  In honor of his legacy, it’s time for….

4 Shots From 4 Howard Hawks Films

Scarface (1932, dir by Howard Hawks, DP: Lee Garmes)

Bringing Up Baby (1938, dir by Howard Hawks, DP: Russell Metty)

The Big Sleep (1946, dir by Howard Hawks, DP: Sidney Hickox)

Rio Bravo (1959, dir by Howard Hawks, DP: Russell Harlan)

Scenes that I Love: The End of Dirty Harry

Posted on by Lisa Marie Bowman

Today’s scene that I love comes from 1971’s Dirty Harry, in which Clint Eastwood, as “Dirty Harry” Callahan finally confronts the the Scorpio Killer (Andy Robinson) and asks him if he feels lucky.  Eastwood himself later said that Callahan’s badge must have been attached to a rubber band because he was somehow able to get it back in time for Magnum Force.

I review TIGHTROPE (1984) – starring Clint Eastwood! 

Posted on by Bradley Crain

In TIGHTROPE, a psychiatrist makes the following comment to New Orleans police detective Wes Block (Clint Eastwood) while he’s trying to catch a serial killer who’s targeting sex workers:

“There’s a darkness inside all of us, Wes; you, me, and the man down the street. Some have it under control. Others act it out. The rest of us try to walk a tightrope between the two.”

This statement definitely hits home to Wes, whose personal life has gotten rather dark. His wife has recently left him and their two daughters (Alison Eastwood and Jenny Beck), and the detective seems to be drowning himself in his work, at times in a bottle, and at other times in the arms of some of the local ladies of the night. Whenever he does try to plan something with his girls, his job always seems to get in his way. As he investigates the murders in a variety of the seediest locations in New Orleans, we learn that Wes is very much into the kinds of women who inhabit these places, and he gives into his secret desires on multiple occasions. This becomes personal when the killer, who knows that Wes is the detective in charge of the case, begins targeting and killing some of the very same women who helped ease Wes’ emotional pain, and then taunts him about it. It becomes even more personal when the killer goes after his daughters and his new “legitimate” lady friend Beryl Thibodeaux (Geneviève Bujold), a rape counselor Block has gotten to know as part of the broader investigation. As the bodies continue to pile up, will Wes be able to stop the killer in time to save the most precious people in his life?!!

TIGHTROPE is a special movie to me. I’ve mentioned this before in other reviews, but FOX-16 out of Little Rock played a lot of good movies in the mid to late 80’s when I was a teenager. Some of those movies hold a strong nostalgic value in my life because I first discovered them and my true love of movies during those years. The channel advertised and showed TIGHTROPE, and many other Eastwood films, quite often. Of course, the movie broadcast on FOX-16 was heavily edited, and I didn’t realize the true sexual complexity of detective Wes Block until I was quite a bit older. In the original DIRTY HARRY, there’s a running gag where different people ask Eastwood’s iconic character, “Why do they call you Dirty Harry?” From what we see in TIGHTROPE, if someone asked, “Why do they call you Dirty Wes,” the answer would be more than obvious as he engages in various kinky forms of sexual relations with at least three of the sex workers he hits up for information. The killer knows of his sexual activities with these women, even watching on occasion. The movie leans hard into this connection between Wes’ kinky sex that often involves handcuffs, and the kinship that the killer feels with Wes when he’s perpetrating violence on these same women. It adds an uneasy and unsettling quality to the proceedings when the killer publicly taunts his rival, who understandably doesn’t want his peers to know of his more private nocturnal activities. He can’t fool his new lady friend, the tough as nails Beryl Thibodeaux, who senses his hidden desires and accepts him for who he is, especially after spending some quality time with him and his daughters. I like Genevieve Bujold in the role and the French-Canadian actress is able to even nail the local accent on a couple of occasions. I also wanted to mention the excellent chemistry between Clint Eastwood and his real-life daughter Alison, who play father and daughter in the movie as well. Alison was only 12 years old when TIGHTROPE was released, but she gives a strong performance as the older daughter who’s still trying to come to terms with her parents’ divorce. The killer really messes up when he targets her. 

I’ll tell anyone who’s willing to listen that I love the city of New Orleans as a movie location. I personally love to visit the city and partake in its fun atmosphere and wide variety of excellent cuisine. TIGHTROPE hits many of the highlights of New Orleans in 1984… Bourbon Street, Jackson Square, the Super Dome, the Creole Queen, a warehouse full of Mardi Gras floats, the famous cemeteries, Randi Brooks in a hot tub, etc. etc. One thing about New Orleans is that its famous streets like Bourbon Street have not been cleaned up or become “family friendly” in the same way as a place like Times Square in New York City. To this day, it retains that same feeling of sexual decadence that is portrayed here in 1984. 

I personally consider TIGHTROPE to be a must-see film for fans of Clint Eastwood, as Wes Block is a wholly unique addition to his cavalcade of tough cop characters, and he makes us justifiably uncomfortable at times. Eastwood’s conflicted performance, the serial killer storyline and the fun New Orleans locations add up to a very good movie that’s aimed squarely at adults. 

4 Shots From 4 Films: Special Josef von Sternberg Edition

Posted on by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 131 years ago, the great cinematic stylist Josef von Sternberg was born in Vienna.  Von Sternberg would become one of the great directors of both the silent and the early sound era and is today best remembered for his many collaborations with Marlene Dietrich.  

It’s time for….

4 Shots From 4 Josef von Sternberg Films

Underworld (1927, dir by Josef von Sternberg, DP: Bert Glennon)

The Blue Angel (1930, dir by Josef von Sternberg, DP: Gunther Rittau)

Shanghai Express (1932, dir by Josef von Sternberg, DP: Lee Garmes and James Wong Howe)

The Scarlet Empress (1934, dir by Josef von Sternberg, DP: Bert Glennon)

Brad’s “Scene of the Day” – Eastwood shotgun blasting in BLOOD WORK! 

Posted on by Bradley Crain

My favorite movie weapon is the shotgun. There’s something I’ve always loved about watching my movie heroes shotgun blast their way to justice and glory. I award extra points for sawed off shotguns! Eastwood doesn’t get awarded the extra points for this scene in BLOOD WORK, but for 72 years old, the man still looked like a badass!

Enjoy my friends. 

I review BLOOD WORK (2002) – starring Clint Eastwood and Jeff Daniels!

Posted on by Bradley Crain

Here at The Shattered Lens, we’re celebrating Clint Eastwood’s 95th birthday on May 31st. As part of that celebration, I decided to revisit his 2002 film, BLOOD WORK. 

BLOOD WORK finds Clint Eastwood as retired FBI profiler, Terry McCaleb (Clint Eastwood), a man who has recently had a heart transplant. Despite the wishes of his doctor Bonnie Fox (Angelica Huston), the beautiful Graciella Rivers (Wanda De Jesus) is able to guilt McCaleb into investigating the death of her sister, Gloria, when she reveals to him that it’s her sister’s heart that is now beating in his chest. Unable to drive due to his heart condition, McCaleb hires his goofy next-boat neighbor Buddy (Jeff Daniels) as his driver. The two set out to find any clue or follow any lead they come across. Eventually McCaleb is able to uncover that Gloria’s killer may be the “Code Killer,” the very same killer that he was after when his heart gave out on him, forcing his retirement. He’s going to do everything he can to catch the killer this time, even if it kills him in the process! 

BLOOD WORK puts Clint Eastwood smack dab in the middle of one of my favorite genres, the serial killer film, and the result is somewhat of a mixed bag. On the positive side, it contains a really good performance from a 72 year old Clint Eastwood as the retired FBI guy and recent heart transplant recipient. This character trait strips away Eastwood’s ability to be a Superman as he has been so many times before in his career. As a matter of fact, we feel his pain when a big Russian throws him down, or when he has to dive out of the way of a car trying to run him over. We worry for him when he gets a fever, which could actually kill him. But even in his fragile state, every so often he’ll grab a shotgun and start blasting away at the inhabitant of a car he sees watching him. His character has to rely on his intellect more than his strength and Eastwood is fun to watch in the role, with his performance the highlight of the movie. Of the other performances, I really like Angelica Huston in the relatively small role of his doctor. You believe that she really wants him to get better, and she’s pissed off that he’s gotten himself involved in this murder investigation. I’m not that impressed with Jeff Daniels here. I normally like his work, so I think the problem is that his character isn’t written that well. Wanda De Jesus is a lovely woman, and she has some good moments, but there are a couple of times that she’s way over dramatic, and I couldn’t help but roll my eyes. 

As I mentioned earlier, I usually enjoy serial killer movies, and I did enjoy BLOOD WORK. It hits most of the expected notes of the genre… the serial killer taunting the lawman, the visits to the family members of the victims, the sudden discovery of clues / evidence, the eleventh hour reveal of the killer, etc. With Eastwood at the center of it all as both actor and director, you can’t really go wrong even if the movie does drag some during its middle portion. And even though it’s presented as a whodunit, there’s not a lot of mystery to the identity of the killer. I suspect most filmgoers will figure it out before the final reveal. But at the end of the day, BLOOD WORK is definitely worth a viewing for fans of Clint Eastwood and fans of serial killer movies. Not his best work, but still better than most! 

I’ve included the trailer for BLOOD WORK below: