Lisa Marie’s Week In Television: 4/14/24 — 4/20/24

Posted on April 20, 2024 by Lisa Marie Bowman

Abbott Elementary (Wednesday Night, CBS)

Yay! Janine is finally back at the school, where she belongs. Hopefully, we won’t have to spend any more time with those district dorks. Considering how much I disliked the whole district storyline, I’m kind of thankful this is a shortened season. I don’t know I could have handled 20 episodes of Janine working for the district.

Plus, it looks like Ava Fest was a huge success! Congrats to all!

Baywatch Nights (YouTube)

I wrote about Baywatch Nights here!

Blind Date (YouTube)

On Saturday evening, I watched an episode featuring a guy named Igor who had a terrible date. I wonder if, back in 1999. Igor had any idea his bad date would still be available for viewing in 2024.

Check It Out! (Tubi)

My review of this week’s episode will be dropping in about 90 minutes.

CHiPs (Freevee)

I wrote about CHiPs here!

Degrassi Junior High (YouTube)

I wrote about Degrassi Junior High here!

Fantasy Island (Daily Motion)

I wrote about Fantasy Island here!

Friday the 13th: The Series (YouTube)

I wrote about Friday the 13th here!

Highway to Heaven (Tubi)

I wrote about Highway to Heaven here!

Law & Order (Thursday Night, NBC)

On Sunday night, I watched last week’s episode of Law & Order. I have to admit that I cringed at first, especially when it appeared that the villain was going to be a Republican congressman. Law & Order is always at its worse when it tries to deal with partisan politics and the stuff with the congressman was painfully heavy-handed. (One can tell that it’s been a while since anyone in the writer’s room talked to an actual Republican.) Fortunately, the show’s signature twist was that the congressman had nothing to do with it and the murderer was a Ukranian refugee who claimed to be suffering from PTSD. Naturally, Maroun wasn’t sure if the woman should be prosecuted because she had family members who suffered from the same thing. Price told Maroun to stop crying and do her job and good for him. Anyway, this episode turned out to be stronger than I was expecting. It was another entry in what has, so far, been a pretty good season.

On Thursday night, I watched the latest episode of Law & Order. A chef, who had previously been wrongly convicted of rape and murder, was killed by someone. His attorney was arrested but then Nolan started to have doubts as to whether or not the guy was actually guilty. It turned out that it was actually the attorney’s wife who committed the murder. This episode was obviously designed to try to make Nolan into a more likable figure. (“Nolan Price does it again!” Shaw happily said at one point.) But the whole thing just fell kind of flat. The only moment that really worked for me was when D.A. Baxter told Nolan to stop whining and do his job.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

The Masters (Sunday Afternoon, CBS)

Congratulations to Scottie Scheffler! And yes, I do enjoy watching golf. I like the peaceful beauty of the courses.

Miami Vice (Prime)

I wrote about Miami Vice here!

Monsters (YouTube)

I wrote about Monsters here!

New Sounds (Night Flight Plus)

This was a music video show that aired in the late 80s, I believe. I watched an episode on Friday night. Some of the music was good and some of it was kind of forgettable. Such is life.

Our America With Lisa Ling (YouTube)

On Saturday, I watched an episode of this old news program in which Lisa Ling interviewed parents whose children had been taken away from them. Lisa Ling is one of those reporters who has a tendency to do a fake “journalist voice” whenever she speaks and it kind of made it difficult for me to treat the episode with the seriousness it deserved.

T and T (Tubi)

I wrote about T and T here!

Veronica’s Video (YouTube)

I sacrificed my eyesight to review Veronica’s Video.

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back Kotter here!

Late Night Retro Television Review: Monsters 2.4 “Rerun”

Posted on April 17, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire series is streaming on YouTube.

This week, we learn about the dark side of celebrity.

Episode 2.4 “Rerun”

(Dir by John Auerbach, originally aired October 22nd, 1989)

Allison (Rachel Jones) and Max (Mitchell Whitfield) are anthropology students and roommates. Max would like to be even more but Allison is hopelessly in love with a man who she has not only never met but who is dead!

Tony Sterling (Max Nassar) was an actor who starred on a show where he drove a motorcycle across America. Tony recently died but Allison keeps a big poster of him hanging in her bedroom. Allison says she isn’t worried about studying for her upcoming exam because she’s been praying to the poster. Uhmm …. okay …. I mean, I had a huge crush on James Franco back in the day but I never prayed to him….

Suddenly, Tony appears in the bedroom and declares his love for Allison. Allison is so overjoyed that she doesn’t care that he’s dead and that he keeps biting her neck. Max, however, is a bit more concerned so he goes to see Tony’s agent (Kaye Ballard), who explains that Tony was a Satanist who couldn’t even ride a motorcycle! In fact, Tony couldn’t even talk to people. He had to have his small talk written out for him by a crack team of publicists.

Max returns to the apartment to confront Tony with proof that he’s both a talentless hack and a lamprey-in-human-form. (Earlier, Max talked about a tribe that believed that everyone’s soul was an animal. Apparently, Tony has the soul of a lamprey.) Realizing the truth about Tony, Allison rejects him. Tony attacks Max. Can Allison flush a ring that Tony gave her down a toilet quickly enough to send Tony’s soul back to Hell?

Fear not — she can! This is one of the few episodes of Monsters to have a straight-up happy ending and I’m glad that I did. Allison and Max were a cute couple and it would have been unbearably cruel to not allow them to be together or to have one of them turn out to be a demon. You want them to get together and if it takes dealing with an incubus for them to come together, so be it.

Actually, this episode is probably more relevant today than it was when it was first release. There’s not much difference between Allison praying to her poster of Tony and the people who spend all day searching social media for any heretics who fail to worship at the altar of their favorite performers. If this episode were made today, Allison would be praying to Timothee Chalamet and Taylor Swift. That’s not to say that Timothee and Taylor are lampreys, of course. It’s just that people have always worshipped those who have accomplished some sort of celebrity. Anyone who is anyway famous has at least a few people who have devoted their lives to them. It’s creepy but it’s the way of the world.

Late Night Retro Television Review: Monsters 2.3 “A Bond of Silk”

Posted on April 10, 2024 by Lisa Marie Bowman

Never jump on a spider web! Seriously.

Episode 2.3 “A Bond of Silk”

(Dir by Ernest D. Farino, originally aired on October 15th, 1989)

Nash (Marc McClure) is an oilman who has just married Portia (Lydia Cornell) and is taking her on a New York honeymoon. A travel agent has arranged for them to be picked up at the airport in a limousine and driven to a posh hotel. Sure, it’s strange that the hotel appears to be completely devoid of staff and other guests but Nash and Portia just assume that’s a part of the ambience. As Portia puts it, they don’t have anything like this back in Lubbock!

(And right there is where I massively rolled my eyes.)

The honeymoon suite is in the basement of the hotel. It doesn’t look like much. Oddly, the closet is full of clothes from previous guests. And, in the bedroom, there is what appears to be a giant web. Nash declares that it must be a hammock and he jumps on the web. He soon discovers that the web is sticky (duh!) and he’s stuck. Portia correctly deduces that that web must have been spun by a giant spider. She also figures out that no one who has ever checked into the room has ever left. The travel agent, the limousine, the hotel …. they’re all a part of plan to keep the spider fed.

Nash insists that he’ll figure out a way out of the web but the more he tries to escape, the more stuck he becomes. Finally, it falls to Portia to figure out a way to safely cross the web, free her husband, and get out the room. Unfortunately, as Portia quickly realizes, the spider is waiting for her to attempt just that.

There was a lot about this episode that worked. The hotel was a creepy location. Nash’s struggle in the web was frightening and the visual of him getting more and more stuck in the web was effectively claustrophobic. By today’s standards, the special effects were not particularly impressive but still, they were good enough to not totally take me out of the story.

That said, this was yet another episode where all of the action was dependent upon the characters acting in the dumbest ways possible. Eventually, Portia reveals herself to have a lot of determination and to be a lot more clever than she originally came across. Nash, however, remains an idiot through the entire episode and it’s hard to have sympathy for someone who sees a giant spider’s web and automatically thinks, “Hey, let’s jump into it!” While neither spoke with a convincing Texas accent, both Marc McClure and Lydia Cornell were likable but the actions of their characters requires a bit too much suspension of disbelief.

As for next week’s episode, it appears that college students will be raising the dead! Uh-oh.

Lisa Marie’s Week In Television: 3/31/24 — 4/6/24

Posted on April 6, 2024 by Lisa Marie Bowman

Here’s a few thoughts on what I watched this week. (Most of this week was taken up with movies as opposed to television.)

Dirty Pair Flash (YouTube)

Yuri and Kei tried to capture a notorious con artist but instead ended up getting stranded in the middle of the wilderness with him. This is the first episode of Dirty Pair Flash where I’ve actually been able to follow the plot and I have to admit it was pretty amusing. I relate to Yuri. We have a similar attitude towards life and I appreciated her efforts to stay positive.

Dr. Phil (YouTube)

Dr. Phil talked to a cheating husband and the wife who got revenge by having an affair of her own. Phil seemed fairly annoyed with both of them and I really can’t blame him.

Geraldo (YouTube)

In an episode from the late 80s, Geraldo Rivera talked to teenagers on death row, all of whom claimed to be former Satanists. I didn’t believe a word of it. One of the teens that Geraldo talked to ended up going to Oklahoma’s gas chambers ten years later so I guess the whole Satanism scam didn’t work for him. Myself, I’m just wondering how long Geraldo Rivera has been around.

It’s Always Sunny In Philadelphia (Hulu)

Heh heh, the bowling episode. Dee finally knocked over a pin, just to discover that everyone had already left to go find something better to do. I laughed.

Law & Order (Thursday Night, NBC)

This week, via Peacock, I got caught up on the last three episodes of Law & Order. They were, as is typical of this show, uneven. The first episode that I watched dealt with a shooting at a hospital and it was well-done. The second episode was yet another one about a murdered millionaire and a dominatrix and it was enjoyably trashy. The third episode was a take on the death of Jordan Neely and it felt a bit like Leftist fanfic, straight down to portraying the Daniel Penny stand-in as being a secret white supremacist.

I continue to enjoy Reid Scott’s performance as the newest cop. Tony Goldwyn has now taken over as District Attorney and I guess he’ll be okay, though it’s going to be difficult to replace Sam Waterston. Neither Price nor Maroun seem like they were worth Jack resigning to protect.

Night Court (Peacock)

I finished up Night Court’s second season this week. I’m not really sure why I felt the need to watch the remaining episodes, because I laughed even less while watching the second season than I did while watching the first season. I think the main problem with this show is that there’s really no room for the characters to develop. Abby will always have to be impossibly naive or the show will have to totally change direction. Dan will always have to be a cynic or the show won’t work. The supporting characters all have to be one-dimensional or the show will be thrown off-balance. It’s just not a very good show, despite the best efforts of Melissa Rauch and John Larroquette.

Watched and reviewed elsewhere:

Baywatch Nights
Beane’s of Boston
Check it Out — The review will be dropping in about 90 minutes
CHiPs
Degrassi Junior High — The review will be dropping tomorrow
Fantasy Island
Friday the 13th: The Series
Highway to Heaven
The Love Boat
Miami Vice
Monsters
T and T
Welcome Back Kotter

Late Night Retro Television Review: Monsters 2.2 “Portrait of the Artist”

Posted on April 3, 2024 by Lisa Marie Bowman

This week, a visit to an art gallery goes terribly wrong.

Episode 2.2 “Portrait of the Artist”

(Dir by Gerald Cotts, originally aired on October 8th, 1989)

Lucille Clay (Lucille Kennedy) visits an isolated art gallery that appears to be sitting in the middle of nowhere. The studio is full of macabre paintings of women and children who appear to be in some sort of mortal danger. Watching over the gallery is Hubert (Darren McGavin), who claims to be just an old farmer who was hired to look after things while the actual artist is in Nepal.

Accompanying Lucille is Roger Darcy (Beeson Carroll), a man who walks with a pronounced limp. Lucille claims that Roger is an art critic but, as soon becomes apparent, that’s a lie. Roger is actually the father of a missing teenage girl and he is stunned when he sees that one of the paintings looks just like her. In fact, all of the paintings appear to be of someone who has recently disappeared. Convinced that the artist is a serial killer, Roger demands to be taken to the artist’s cabin. What Roger doesn’t know is that the gallery hides an even bigger threat.

This episode ends with a twist. It’s not a bad twist and it actually took me by surprise. Unfortunately, the rest of the episode is not as good as the twist ending. I had high hopes when I saw that this episode was going to take place in a gallery and that it was going to star Darren McGavin. But, and it pains me to say this, McGavin just isn’t very good in this episode. McGavin was an actor who always had a tendency to go a little bit over the top. That wasn’t a problem when he was playing Kolchak or the father in A Christmas Story. But, in this episode, he’s so blustery that it’s obvious that he’s hiding something from the start and it makes Roger and Lucille seem all the dumber for trusting him.

Indeed, the other big problem with this episode is that Roger and Lucille continually do the stupidest things possible. None of their actions make sense. Why, if they believed a serial killer was lurking around the gallery, would they split up? Why would they be so quick to trust Hubert? Why, after escaping, would one of them then return without any backup? Why does neither one of them seem to be particularly upset about the possibility that either Hubert or the artist murdered Roger’s daughter and then used her for his painting? They both behave so stupidly that it’s hard to really care what happens to them.

This story had some potential but, unfortunately, the execution just didn’t live up to it.

Late Night Retro Television Review: Monsters 2.1 “The Face”

Posted on March 27, 2024 by Lisa Marie Bowman

This week, we start the second season of Monsters!

Episode 2.1 “The Face”

(Dir by Allen Coulter, originally aired on October 1st, 1989)

The second season of Monsters opens with two redneck brother, Ray (Gregory Grove) and Clifford (Gary Roberts), breaking into a house that is owned by an old widow (Imogene Coca). Because the woman is known for paying for everything in cash and doesn’t even have a bank account, the brothers suspect that she has a fortune stashed away somewhere in the house. (I’m not really sure how the brothers know that she doesn’t have a bank account and, for that matter, neither one of them really come across like they could open a bank account either. Maybe just don’t judge people on whether or not they have a bank account, you know?) When the dumbass brothers stumble across the woman in her bedroom, a struggle leads to Ray suffocating her but not before she bites a chunk out of his hand.

The wound on Ray’s hand refuses to heal. Instead, it starts to resemble the face of the old woman and soon, Ray is hearing her voice and the wound itself appears to be talking. Yikes! Is Ray being driven mad by his own guilt and paranoia or is the woman’s spirit truly haunting him? And will Ray ever be able to get the voice to stop or will he end up doing something unthinkable to his hand?

Either way, that talking hand wound is not particularly pleasant to look at. The second season premiere of Monsters takes it cue from both the body horror of David Cronenberg and the comedic grotesquerie of Sam Raimi and that means that we get a lot of closeups of Ray’s bloody hand and we also see every detail of the lengths that Ray goes to try to silence the wound. I started this episode cringing and, by the end of it, I had my own hands over my eyes because some of the imagery was just way too …. icky.

While the imagery was undeniably effective in its nauseating way, the overall story really didn’t carry much of an impact. Ray and Clifford were both such idiots that it was difficult to really care about any story involving them. In the end, they weren’t even interesting enough to make their downfall fun to watch. This episode worked best as an example of gross-out horror and, if I had to guess, I think the episode’s main aim was to let viewers know that season 2 was going to be even more graphic than season one. The episode makes for a fine highlight real for the show’s VFX and makeup teams but, as a story, it just falls flat.

Lisa Marie’s Week In Television: 3/17/24 — 3/23/24

Posted on March 23, 2024 by Lisa Marie Bowman

Abbott Elementary (Wednesday Night, ABC)

I’m now caught up with Abbott Elementary. Season 3 has been a bit rocky for me and, as I watched the latest episode on Thursday morning, I realized that it really did come down to the fact that it seems as if Abbott is running the risk of losing its edge. The celebrity cameos are nice and often funny but they also take the viewers out of the reality of the show. I’m also still not a fan of Janine working for the District. I love teachers but I cannot stand bureaucrats. I also think, after three seasons, it might be time for Gregory to stop looking stunned by everything. It was funny at first but now, it’s just coming across as being a bit lazy.

That said, when this show works, it really does work. Mr. Johnson debating how AI will effect the future of janitoring made me laugh so hard that I had to get a drink of water to stop myself from choking to death.

Blind Date (YouTube)

I watched two episodes on Tuesday afternoon. No one found love.

Chappelle’s Show (Netflix)

On Sunday, I watched an episode in which Wayne Brady took over Dave Chappelle’s Show. Dave later talked about the time Wayne forced him to smoke crystal meth and murdered at least three people. It made me laugh.

Dirty Pair Flash (YouTube)

On Friday, I watched an episode in which the two main characters had to hide out at a private school, one that was haunted by a ghost. I related to Yuri’s enthusiasm.

Dr. Phil (YouTube)

On Tuesday afternoon, I watched an episode in which Phil talked to a white kid from the suburbs who thought he was a gangster. A real-life former gangster was brought on to talk to him about the “realities” of life on the street. I’ve never heard so much psycho-babble in my life.

The N.Y. Friars Club Roast of Chevy Chase (YouTube)

I read about this infamous 2002 Roast on Wednesday so I decided to watch it on Thursday. It’s true that the humor was brutal. I thought the roast of Michael Scott on The Office was brutal but it was nothing compared to what Chevy Chase was put through. It was kind of obvious that everyone involved had been waiting for a chance to let the world know how much they hated Chevy Chase. It was …. awkward. I’m just not a huge fan of the whole roast thing. It just seems mean!

Jenny Jones (YouTube)

On Monday, I watched a 1992 episode of this talk show. Easily flustered host Jenny Jones talked to teenage girls who were dating older boys and basically made things awkward by asking them to tell her and the entire audience about their first time.

The Phil Donahue Show (YouTube)

On Monday, I watched a 1993 episode of this ancient talk show. The pompous host talked to girls who were dating older men. Everyone was amazingly inarticulate.

Quiet On The Set (Max)

A four-part docuseries, Quiet On The Set took a look at the rise (and eventual fall) of Nickelodeon and television producer Dan Schneider. The centerpiece of the series was an episode-long interview with Drake Bell, in which he bravely discussed being sexually abused by Brian Peck, who was one of three Nickelodeon employees to be convicted of child sexual abuse over a short period of time.

While Drake was compelling and the series did a good job of detailing the toxic atmosphere on many of Schneider’s shows, the series also featured a few too many journalists and a few too many interviews with other former child stars who came across like they were mostly annoyed that their careers fizzled out. Dan Schneider comes across as being a terrible boss and a selfish human being but, at the same time, the series started out with an agenda and sometimes, I wondered how much of the narrative was shaped to fit that agenda.

In the end, the main thing I took away from watching this docuseries was the Nickelodeon really was as creepy as I always kind of suspected it of being.

Rollergames (YouTube)

I watched an episode of this old show on Saturday morning. The roller derby was brutal!

Sally Jessy Raphael (YouTube)

On Monday, I watched a two-part episode from 1993. Sally interviewed teen girls who were sexually active and basically spent two hours scolding them, There was also an army of virgins in the audience who would say stuff like, “I am a virgin,” and the audience would go crazy. It all felt very weird and judgmental. For someone who claimed to be a feminist, Sally sure was quick to judge her guests.

Trisha Goddard Show (YouTube)

I watched an episode of this talk show (which I had never heard of before) on Sunday night. Trisha Goddard, who was a kind of annoying British woman, talked to a 68 year-old woman whose deceased son was thought to be the father of two 27 year-old women. For some reason, a psychic was brought out to give her opinion. “I’m sensing the number three,” she said, for reasons that were never explained.

I watched another episode on Wednesday. It featured a man who refused to accept that he was the father of his ex-partner’s baby, even after a DNA test proved that he was. “That test could have been doctored!” he yelled while the audience gasped in shock.

Watched And Reviewed Elsewhere:

Baywatch Nights

Changing Patterns

Check It Out — Review to come shortly (unless I fall asleep)

CHiPs

Fantasy Island

Friday the 13th: The Series

Late Night Retro Television Review: Monsters 1.24 “La Strega”

Posted on March 20, 2024 by Lisa Marie Bowman

This week, the first season of Monsters come to an end.

Episode 1.24 “La Strega”

(Dir by Lizzie Borden, originally aired on May 27th, 1989)

Vito (a young Rob Morrow) enters a pawn shop shortly before closing. He tells the proprietor, Lia (Linda Blair), that he’s shopping for something for his girlfriend. But, as soon as Lia turns her back, Vito draws a knife and announces that he’s actually come to kill her. Lia, however, has a gun and without flinching, she shoots at the floor. Vito, who is far less calm than Lia, drops the knife.

Lia takes Vito to her apartment above the shop. He tells her that he knows that she’s “La Strega” and that, ten years earlier, she put a curse on his mother (played by Maria Tucci) when she and Lia had a dispute over a ring that his mother brought to the shop. His mother has just died as a result of the curse and Vito wants vengeance.

Lia explains that she’s not a witch and that Vito’s mother’s dispute was actually with Lia’s mother. Lia also suggests that it was Vito’s mother who tried to steal the ring. Lia says that Vito will spend the next two weeks working for her and seeing what type of person she actually is. If, at the end of the two weeks, he still wants to kill her, she’ll accept that it is fate. Vito agrees.

For the next two weeks, Vito works in the shop and lives in Lia’s apartment. (I guess someone else is handling his mother’s funeral.) Vito is haunted by dreams in which both Lia and his mother attempt to seduce him and beg him to kill the other. Vito starts to fall in love with Lia and, as the two weeks come to a close, Lia says that she wants to enjoy what might be her last night on Earth….

Directed by feminist filmmaker Lizzie Borden, this episode ends the first season of Monsters on a rather moody note. Vito is never quite sure whether or not he can trust either Lia or the angry spirit of his mother and, in the end, no one’s motives are really that clear. The episode ends on a rather enigmatic note, which is a polite way of saying that it’s confusing as Hell. That said, Rob Morrow, Maria Tucci, and Linda Blair all give good performances and Borden does a good job of creating an appropriately dream-like atmosphere. In the end, the main impression one takes from this episode is that Vito, for all of his bluster, was essentially just a pawn in a supernatural battle between two powerful women, even if Vito himself wasn’t smart enough to realize it. This episode is not a bad note for the first season to end on.

The first season of Monsters was uneven. When it was good, it was really good. When it was weak, it was really weak. For the most part, though, it was enjoyable and most of the stories were memorably macabre.

Next week, we’ll see if that trend continue as we start the second season of Monsters!

Lisa Marie’s Week In Television: 3/10/24 — 3/16/24

Posted on March 16, 2024 by Lisa Marie Bowman

On Sunday, I discovered that there are hundreds of episodes of Blind Date on YouTube. Blind Date was an early reality show, where two strangers would be set up on a blind date and the cameras would follow them as they searched for a deeper connection. The show was distinguished by its snarky attitude, which was usually represented by thought balloons that would show what the two people were “really” thinking. While plenty of episodes featured likable people who went on good dates, the disastrous dates were always a lot more fun to watch.

And I’ve watched a lot of them this week. Whenever I’ve been bored or I’ve found myself struggling to focus, I’ve pulled up an episode of Blind Date and …. well, I’d be lying if I said the show was making me more productive. If anything, I’ve probably wasted a lot of time on it. But still, it makes me smile when I need to smile.

On Sunday, I also watched The Oscars. I wrote about the show here. For the most part, it was an entertaining show and I’m glad Christopher Nolan finally won his Oscar. I’ve been thinking a lot about Jonathan Glazer’s acceptance speech, of which I was not a fan. Zone of Interest is an important film and Glazer’s speech can’t change that. Still, I’m having to do now what I always tell me friends they should do whenever they discover one of their favorite directors or actors isn’t as much of a leftist as they are. I always tell them to stop whining and just separate the work from the artist. And now I’m discovering that is easier said than done. I may owe some of my friends an apology.

On Tuesday, I watched a 90s talk show called Rolanda. Rolanda interviewed gang members who wanted to come out of the closet.

On Wednesday, I was excited to watch both Survivor and The Amazing Race! Unfortunately, I wasn’t able to full concentrate on either show because I got a call halfway through Survivor but I plan on rewatching both episodes tomorrow. Survivor, I have to admit, hasn’t really worked for me lately. Ever since it came back from the Pandemic hiatus, Survivor has felt like a shadow of its past self. But I continue to unreservedly love The Amazing Race.

On Friday, I watched episodes of Vanishing Shadow and Night Flight on Night Flight Plus. The Night Flight episode featured film directors who made music videos. I’ve noticed that every episode of Night Flight finds an excuse to show Brian DePalma’s video for Relax and this episode was no different.

On Saturday morning, I watched the first episode of an old anime called Bubblegum Crash. I have no idea what was going on for most of it but a lot of stuff did blow up.

Also Watched And Reviewed Elsewhere:

Baywatch Nights

Check It Out! — Review upcoming

CHiPs

Fantasy Island

Friday the 13th: The Series

Late Night Retro Television Reviews: Monsters 1.23 “Mannikins of Horror”

Posted on March 13, 2024 by Lisa Marie Bowman

Uh-oh! Here come the Mannikins of Horror!

Episode 1.23 “Mannikins of Horror”

(Dir by Ernest Farino, originally aired on May 20th, 1989)

In a dystopian future, a once renowned surgeon named Dr. Collin (William Prince) is a “patient” in a mental health facility that is more of a prison than a hospital. Dr. Collin is obsessed with dying but he believes that he has found a way to transfer his soul into the very detailed, anatomically-correct clay figurines that he has made in his cell.

Dr. Jarris (Glynis Barber) thinks that Dr. Collin can be cured but the new head of the asylum, Dr. Starr (Brian Brophy), disagrees. Starr believes that Collin is beyond saving and of no use to society. And, in the future, those who do not have a use are euthanized. Dr. Starr does not care that Dr. Collin once saved thousands of lives during the world’s most recent war. He doesn’t care that Dr. Collin truly believes that he can make the world a better place through his research. Dr. Starr has not time for imagination or speculation. He is all about following procedure and observing protocol. The arrogant Dr. Starr even takes away Dr. Collin’s figurines.

That’s a mistake because guess what? Those figurines are alive! And when Dr. Starr drinks a bit too much Vodka and passes out in his office, one of the figurines picks up a scalpel and stabs Dr. Starr in the eye, killing him. When Dr. Jarris discover what has happened, she smashes the figurine’s head against Dr. Starr’s desk. Dr. Collin screams in his cell as his face collapse in on itself, leaving behind a bloody mess. Dr. Jarris huddles in a corner and starts to scream as the end credits roll.

YIKES!

Seriously, this was a really good episode. The clay figurines were certainly creepy and the scene where they attacked Dr. Starr was so graphic that I’m a bit surprised the show was able to get away with it. That said, what truly made this episode frightening was its portrayal of a society without compassion. Dr. Starr, who is more of a bureaucrat than a doctor, has the power to decide who is useful to society and who is not. And, if you’re deemed to not be useful, you’re marked for death. It’s a harsh worldview and an example of cold pragmatism taken to its logical extreme. It’s also feels like a pretty accurate representation of the attitude that many government and medical officials took during the COVID pandemic. Just as many seemed to be gleeful about the idea of the pandemic wiping out those who they considered to be undesirable, Dr. Starr can barely suppress his joy in punishing Dr. Collin for not being properly compliant. The little clay figures were scary but Dr. Starr was horrifying.

Monsters has been a fairly uneven show so far but Mannikins of Horror is a triumph.