Scenes I Love: Band of Brothers

Posted on May 30, 2016 by Arleigh

Band of Brothers is a 10-episode series from HBO that should be shown to every school kid across the nation.

I don’t subscribe to the notion that the youth of today have become lazy, too dependent on their electronics and don’t appreciate what the generations before have accomplished (though they’re more than willing to point out how past generations have ruined their future). Today’s generation and the generation before it grew up with cynicism when it comes to the concept of heroism and sacrifice.

They’ve more than earned that right because their government and those tasked to serve and protect them have failed often enough (though their successes in serving and protecting rarely gets mentioned). While I understand the cynicism and doubt of the current generation and the one before it, it doesn’t change the fact that most of those who lived in the so-called “Greatest Generation” did their duty with honor and tried to make the country prosperous for the generations to come.

That’s why the scene which affected me the most from Band of Brothers wasn’t one of combat, the quiet solitude before battle or the camaraderie exhibited by those who served and fought together for what they thought and believed to be a just cause. No, the scene which hit me the most closed out the series and comes from Maj. Richard Winters. He quotes a passage from a letter he received from one of his men through the years. The letter was from Mike Ranney and in it were words that best signifies why we celebrate Memorial Day and why we should continue to honor and pay respect to this “Greatest Generation” who are gradually leaving us for good.

Horror Scenes I Love: Salem’s Lot (Part 3)

Posted on October 29, 2015 by Arleigh

This particular scene was my third favorite from Tobe Hooper’s Salem’s Lot.

There’s much to love about this scene. It’s a very claustrophobic sequence with our protagonist Ben Mears (played by David soul) left in the morgue by his friend Bill Norton for just a few minutes. The scene itself gradually builds in tension as Ben realizes that at any second the body on the morgue table could get up. The word vampire rarely gets uttered during the first third of the series, but Ben suspects the worst and he knows that he’s ill-prepared to deal with his fears if they bear fruit.

There’s a definite tv network quality to the way the scene is shot, but Hooper milks the creeping dread and terror with each passing second as Ben creates a makeshift crucifix and begins to chant random Bible passages as a way to bless his home-made icon. When his fears have been confirmed there’s not a sense of relief that he’s not crazy, but one of sheer terror.

This third joins part one and part two of my favorite scenes from Salem’s Lot and when witnessed as a set should give an idea just how terrifying and underrated this mini-series adaptation of the classic Stephen King vampire novel really is.

Horror Scenes I Love: Salem’s Lot (Part 2)

Posted on October 2, 2015 by Arleigh

“Look at me teacher.”

Those were some of the most terrifying words I’ve ever heard growing up. It’s all because of one scene from the tv mini-series which adapted Stephen King’s vampire novel, Salem’s Lot. It was a scene in the novel that terrified me as a young boy reading King for the first time.

I’ve always been gifted (or I sometimes say cursed) with having a very overactive imagination. This is why horror has always been such a fascinating genre for me. Even where the horror is all up in one’s face with it’s gore and messy aftermath my mind’s eye would make things worst or just constantly play it on repeat in my head days after the film has ended. It’s even worst when the horror comes across less through gore and more through atmosphere and built-up dread moving towards a jump-scare or something more insidious.

This particular scene is my second favorite from the Salem’s Lot mini-series. The first one I had posted a couple years back which just barely lags behind this one for third. What made this scene so effective despite it’s tv-style production was Tobe Hooper’s direction. Despite working with the censorship inherent in broadcast tv, Hooper was able to create a palpable sense of dread as the old English teacher Matt Burke senses a presence up in one of his house’s rooms. It was the same room where one of his former students had passed away in his sleep.

As the audience we already have an idea who or what is in that second floor room. Matt Burke has an idea as well, but his morbid curiosity wins out as he decides to investigate. Yet, despite such a lack in judgement he does come armed with a crucifix in hand. The way the scene builds and builds as Burke climbs the stairs and hesitating before opening the door to the room was almost too much to bear.

The reveal of his former student, Mike Ryerson, back in the room sitting in the rocking chair as one of the undead only increases the horror of the scene. His snake-like mannerisms was a new take on the vampire behavior. It’s not the usual silk and lace bloodsucker we grew up watching. This was a vampire that behaved like a predator beguiling it’s next prey. From the way Ryerson (played by Geoffrey Lewis) hissed his words and undulated his body as he stood to face his former teacher was disturbing at the very least.

Just writing about it and seeing the scene for the umpteenth time still gives me the shakes.

Scenes I Love: Salem’s Lot (Part 1)

Posted on August 3, 2011 by Arleigh

Stephen King’s novels and short stories were mined relentlessly during the late 70’s and through the 80’s and the early 90’s. For the most part the film and tv adaptations of his work were adequate and passable. Some were downright awful and made one wonder if King was just trying to cash as many of his work for licensing paychecks or if he really thought the studios who purchased the rights would actually do a good job adapting them. One such studio which seemed to have done a very good job adapting one of King’s greatest works, Salem’s Lot, was Warner Brothers who adapted the classic vampire novel to become a mini-series for CBS.

I never saw the mini-series when it first aired in 1979, but I did see it a few years later when it re-aired on TV and then many more times on VHS and then on DVD. Tobe Hooper directed the hell out of this mini-series and turned what was a very complex modern retelling of Bram Stoker’s Dracula into a 3-hour mini-series that was both gothic and downright terrifying despite the restraints of TV.

While the mini-series does seem dated now it still retains that creepiness, foreboding atmosphere and scares which made Hooper’s Salem’s Lot one of the better King adaptations. The scene which will always stick with me and still gives me the chills whenever I watch it is when Danny Glick’s younger brother visits him in the hospital. This scene is just downright scary whether watching it as a 9 year-old or one in their 30’s.

The Pacific (HBO Mini-Series)

Posted on January 3, 2010 by Arleigh

HBO’s 10-part mini-series in 2001 adapting historian Stephen Ambrose’s best-selling book, Band of Brothers, was a hit and success with both critics and the general audiences. The book and the series detailed the life of members of Easy Company of the 2nd Battalion, 506th Regiment of the 101st Airborne Division during it’s campaign. A campaign which first began during training in Toccoa, Georgia then moving on to the Allied training in the UK before participating in some of the bloodiest battles of the Allied Western Front Campaign: Normandy, Operation Market Garden, Battle of Bastogne and finally the taking of Berchtesgarden and Hitler’s Eagle’s Nest.

The mini-series was known for it’s historical accuracy and attention to battlefield detail. Band of Brothers owes much of its visual and film-style to Stephen Spielberg’s (he was one of it’s exec. producers with Tom Hanks being another) WWII epic, Saving Private Ryan. The heavily washed-out color stock gave the series an almost black-and-white quality with just the sudden splashes of color like red and orange to highlight blood and fire. When it came to the battles the series set the bar quite high with Ridley Scott’s Black Hawk Down and Spielberg’s Saving Private Ryan being the only two to match it in technical mastery.

The series has become a yearly staple comes Memorial and Veteran’s Day in the US. I could always wake-up on those two holidays, turn on The History Channel and see a Band of Brothers marathon. Easter has it’s DeMille The Ten Commandments and these two holidays celebrating the sacrifices of soldiers, living and dead, have their BoB.

It’s now 2010, HBO Steven Spielberg and Tom Hanks go for round two with another 10-part WW2 mini-series simply titled, The Pacific. This second series will move from the European Theater of Operations over to the Pacific. Like the first mini-series, The Pacific will tell the story of the war from the eyes of a couple men on the ground. This time the men are Marines of the 1st Marine Division and through the eyes of some of these men we see WW2 fought in the Pacific and despite being fought in the same war it distinguishes itself for it’s sheer brutality. Audiences will learn such hallowed names such as Guadalcanal, Peleliu and Okinawa.

So, March 2010 people who enjoyed Band of Brothers should definitely tune in to HBO and watch it’s bookend series: The Pacific.

The Pacific Trailer