Late Night Retro Television Review: Highway to Heaven 4.18 “We Have Forever: Part Two”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week’s episode is massively confusing.

Episode 4.18 “We Have Forever: Part Two”

(Dir by Michael Landon, originally aired on February 17th, 1988)

Picking up from last week, an embittered Jonathan is no longer an angel.  Instead, he’s a mortal man who can’t get a job because he doesn’t have any references.  (The idea is that Jonathan can’t explain that he’s spent the last 40 years working for God.  But, over the past four and a half seasons, he’s had numerous jobs where he helped people out.  Couldn’t he have listed some of those people are references?)  However, Jonathan is happy because he’s fallen in love with Jennifer (Leann Hunley), the woman that he saved from drowning last week.

Meanwhile, Mark is actually making an effort to help people by working at the camp for the blind where he and Jonathan worked earlier in the season.  (Actually, why couldn’t Jonathan ask for a job at the camp?  The more I think about it, Jonathan not being able to get a job makes less and less sense.)

Jennifer, however, has a secret of her own.  At the end of the episode, she leaves Jonathan a note, in which she explains that she’s actually Joan, Jonathan’s late wife.  Jonathan was upset because he felt God was keeping him from seeing Joan in Heaven.  Instead, it turns out that Joan — like Jonathan — has been assigned to work on Earth as an angel.  So, the two months that Jonathan spent with Jennifer was actually God giving Jonathan a chance to spend time with Joan but, for some reason, no one told Jonathan that was what was happening so Jonathan got mad and walked out on God.  But then, Jonathan changes his mind after learning that Joan is Jennifer but instead of asking to work with Joan/Jennifer, Jonathan goes back to working with Mark.

Seriously, I’m having a hard time following some of the logic here.

That said, despite all the lapses in logic, this episode still made me cry.  Admittedly, I’ve been feeling under the weather today so maybe that’s why I was so emotionally susceptible to this episode.  Or maybe it’s just the fact that Highway to Heaven is such an overwhelmingly earnest and sincere show that even the episodes that shouldn’t work somehow do.  All I know is that I was sobbing by the end of this episode.

The important thing is that, at the end of the episode, Jonathan and Mark have a new assignment  and drive off.  Wait, I thought Mark had a job.  Way to abandon all those blind children, Mark!

Perhaps it’s best not to think too hard about this episode and just accept it for being the tear jerker that it was.

Horror on TV: Highway to Heaven 4.5 “I Was A Middle-Aged Werewolf” (dir by Michael Landon)


Since we’ve been talking about werewolves today, I decided to take a one-night break from Hammer House of Horror and share this Halloween-themed episode of Highway to Heaven.  Michael Landon recreates his role as the Teenage Werewolf and scares Mark half to death.  He also helps a kid play some tricks and get some treats.

This originally aired on October 28th, 1987.  The series was a bit silly but this episode is kind of fun.  Keep an eye out for Michael Berryman!

Late Night Retro Television Review: Highway to Heaven 4.17 “We Have Forever: Part One”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan loses his powers.

Episode 4.17 “We Have Forever: Part One”

(Dir by Michael Landon, originally aired on February 10th, 1988)

When Jonathan’s former wife (Dorothy McGuire) dies, Jonathan assumes that God will release him of his duties and bring him to Heaven to be with her.  Instead, Jonathan is told that he is still needed on Earth and that he has an assignment.  Jonathan gets upset and uses some language that one doesn’t always expect to hear from an angel.  God responds with thunder and lightning.

Long story short, Jonathan loses his angelic powers.  He becomes a human again.  But since Jonathan died 40 years ago, shouldn’t taking away his powers cause him to drop dead on the spot?  I’m a bit confused on how this works but then again, it’s also pretty obvious that God is trying to teach him a lesson as opposed to just punishing him.

Jonathan runs away from Mark, refusing to speak to him.  He sees a movie theater that is showing Heaven Can Wait and he proceeds to throw beer bottles at the marquee until all of the letters have fallen.  Jonathan ends up in jail but Mark manages to track him down and gets him released.  Jonathan borrows some money from Mark so that he can go get drunk.

Later, walking along the beach, Jonathan sees a young woman named Jennifer (Leann Hunley) who looks just like his wife did when they first got married.  Jennifer attempts to commit suicide by walking into the ocean.  Jonathan saves her life.  It turns out that Jennifer is suicidal because her boyfriend dumped her.  Jonathan tells her that her boyfriend isn’t going to care that she killed herself.  In fact, he’ll probably brag about it to all of his friends.

Long story short, it’s obvious that Jonathan and Jennifer are falling in love.  Meanwhile, Mark is looking for some way to occupy himself and considers accepting a job at the camp for the blind that he and Jonathan visited earlier in the season.  Finally, this is a two-parter so we’ll see how everything works out next week!

I will say that this was a nice change-of-pace for the series.  Seeing Jonathan finally get mad after four seasons of doing whatever he was assigned to do was interesting and Michael Landon’s anger and sadness felt very real.  Victor French also did a good job of portraying Mark’s sadness over not being able to help his best friend.  This was an episode where Highway to Heaven‘s unabashedly earnest and emotional approach really paid off.

Late Night Retro Television Review: Highway to Heaven 4.16 “Back to Oakland”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark rejoins the police force and discovers that things have changed since he last wore the blue.

Episode 4.16 “Back to Oakland”

(Dir by Michael Landon, originally aired on February 3rd, 1988)

Jonathan and Mark return to Mark’s old hometown of Oakland, California.  When Mark stops by his old precinct, he discovers that most of the police force is home with “blue flu,” protesting budget cuts.  Mark volunteers to return to active duty for a few days.  He’s paired up with his former partner, Frank Lawler (Kenneth Kimmins).

Mark, however, discovers that things have changed in his absence.  Cops are viewed with suspicion by the people that they are supposed to be serving.  And Frank is an unrepentant racist who expects Mark to have his back no matter what.

Jonathan, meanwhile, gets a job as a security guard at an all-black apartment complex.  “You’re the first white man to ever work here,” he’s told by the landlady (Fran Bennett).  The landlady’s son, Albert (Guy Killum), doesn’t trust white people and resists Jonathan’s attempts to reach out to him.

When Albert is caught shoplifting by Mark and Frank, Frank takes him into a back alley.  Frank removes his handcuffs and dares Albert to take a swing at him.  Mark steps out of the store just in time to see Frank shoot and kill Albert.

“He attacked me!” Frank says.

“I put cuffs on him,” Mark says.

In the end, Mark refuses to cover for Frank.  Jonathan arranges for Albert’s younger brother (Kenny Ford, Jr.) to meet with Frank’s son (Mark Sussman).  The episode ends with the two of them introducing each other.

This episode was Highway to Heaven at its most earnest and heartfelt.  I imagine there are some that would complain that this episode attempts to “both sides” the issue of racism.  Both Albert and Frank are portrayed as being obsessed their hatred of another race.  That said, only one of the two men is portrayed as being in a position to kill the other and potentially get away with it.  The scene of Mark, who has spent the entire series bragging about his time as an Oakland cop, taking a stand and telling the truth about what happened in the alley is surprisingly powerful.  Mark does the right thing and he does it without hesitation.  Is the ending of the episode a bit naive?  Perhaps.  But it’s so sincerely done that it’s hard not to appreciate the show’s intentions.

In other words, this episode was an example of what Highway to Heaven did well.  It’s not subtle but it’s so heartfelt that the viewer can’t help but be moved.

Late Night Retro Television Review: Highway to Heaven 4.15 “Time In A Bottle”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, it’s another courtroom drama on Highway to Heaven.

Episode 4.15 “Time In A Bottle”

(Dir by Michael Landon, originally aired on January 20th, 1988)

A homeless man who goes by the name of Humphrey Bogart (Henry Bal) is arrested for trying to steal a bottle of cheap wine from a liquor store.  The hard-nosed assistant D.A. (Robin Strasser) charges him with a felony.  Jonathan and Mark recruit Humphrey’s friend, Matthew (John Rubinstein), to defend him in court.  Matthew may be homeless but he’s also a lawyer!

It turns out that a corrupt city councilman (Alan Fudge) wants to crack down on the homeless because he wants to turn the homeless district into a commercial area.  If you already guessed that this episode ends with Matthew leading a march of homeless people into a city council meeting while they chant “We will be heard,” then you’ve obviously seen quite a few episodes of Highway to Heaven.

Highway to Heaven frequently did stories about the homeless and I really can’t criticize the show for that.  This was an issue that Michael Landon obviously cared a lot about and the show was usually so earnest and sincere that you could overlook just how heavy-handed it often was.  The homeless people on Highway to Heaven are always a lot more clean-cut and polite than the ones that I used to yell at me when I worked in downtown Dallas.  On Highway to Heaven, the homeless are always funny and philosophical and they have wonderful lessons to teach everyone.  In Dallas, they come up to your car window while you’re stuck in traffic.  In order to visit my aunt when she was dying at Medical City last month, I had to endure being shouted at and occasionally threatened by all sorts of people.  By the end of it, I was running red lights because paying a fine was less annoying than having that guy whole lived at the Forest/Central intersection calling me the C-word while I was waiting for the light to change.

(That’s not say that the homeless should not be treated with compassion or helped because they certainly should.  I’m just saying that this habit that some people have of idealizing and infantilizing anyone living on the streets is, in many ways, as destructive as just ignoring the problem.)

As for this episode, it was a bit too preachy for its own good.  And I know what you’re going to say.  “It’s Highway to Heaven, it’s always preachy.”  That’s true to an extent but the first three seasons were also a bit less self-righteous than the fourth season has been.  The first three seasons featured characters who were often misguided but who were also capable of being redeemed.  In the past, this episode would have been about the city councilman seeing the error of his ways.  This season, though, the city councilman is just evil because he is.  It’s a far more heavy-handed approach to take and, as a result, far less effective.

This is another episode where one impassioned speech manages to change everyone’s mind.  If only things were as simple in the real world.

Late Night Retro Television Review: Highway to Heaven 4.14 “Country Doctor”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark and Jonathan meet yet another grouchy old man.

Episode 4.14 “Country Doctor”

(Dir by Michael Landon, originally aired on January 13th, 1988)

Grouchy old Dr. Hudspeth (Roscoe Lee Browne) is getting older and his health is suffering but if he retires, who will take over his practice?  Jonathan and Mark come together to show Dr. Hudspeth the importance of having faith in other people and also how much everyone in the town has come to love him.

This episode was sentimental in the typical Highway to Heaven way.  Grouchy old man are always secretly saints on this show.  That said, this episode didn’t do much for me because the doctor was a little bit too grouchy.  That’s a polite way of saying that Roscoe Lee Browne yelled almost all of his line and never quite came across as being as great a doctor as he was supposed to be.  Browne wasn’t alone.  Everyone in this episode overacted, including Michael Landon and Victor French.  Considering how over-the-top the show tends to be with everyone delivering their lines normally, having people shout pushed the show over the edge.

In the end, this was Highway to Heaven on autopilot.

Late Night Retro Television Review: Highway to Heaven 4.13 “A Mother’s Love”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Mark is abandoned in the park.

Episode 4.13 “A Mother’s Love”

(Dir by Michael Landon, originally aired on January 6th, 1988)

It’s time for Jonathan and Mark to start a new assignment!  This week, Jonathan gets to be a teacher (again!) and Mark gets to be …. homeless.

Seriously, Mark is dropped off in the park and told to live there.  Eventually, Jonathan shows up and gives Mark a tent and some cooking supplies.  That was nice of him but still, you have to wonder why Mark always seems to get assignments that are designed to aggravate him.  “Thanks for giving up your independence to work with my angel,” the show’s version of God seems to be saying, “Now, here …. go live in the park.”

Also living in the park are four brothers whose mother has recently died.  They’re living in a van and are trying to not get sent to foster care.  Fortunately, there’s a teacher at Jonathan’s new school who regrets that she never had a family.  Guess who is going to end up adopting four kids!

This was pretty much the epitome of Highway to Heaven, sweet-natured, sentimental, shamelessly manipulative, and so earnest that it worked even when it shouldn’t have.  That said, I hope Jonathan will put a good word in for Mark.  The guy deserves at least one easy week!

Late Night Retro Television Review: Highway to Heaven 4.12 “With Love, The Claus”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

Merry Christmas!

Episode 4.12 “With Love, The Claus”

(Dir by Michael Landon, originally aired on December 23rd, 1987)

Jonathan and Mark find themselves working for a lawyer named Paul Burke (John Calvin).  It’s the Christmas season and they help Paul out by taking his son to Newman’s Department Store.  The kid wants to talk to Santa.  What the kid doesn’t know is that there are several Santas at Newman’s.  They work in shifts and they’re pretty cynical.  However, the newest Santa (Bill Erwin) takes his job very seriously because …. he is Santa!

So, why is Santa working at a department store instead of getting things ready up at the North Pole?  This episode never really explains.  Instead, we get Santa taking offense when he’s asked to help the store sell it’s latest toy.

Santa says that there’s no way he’s going to push machine guns.  He’s about peace and love!  His boss, Mr. Grinchley (Robert Casper), threatens to fire him.  Santa doesn’t react well to that.

Santa ends up unemployed and with nowhere to live.  Jonathan arranges for Paul to represent Santa in a lawsuit that Santa has filed against Newman’s Department Store.  The lead counsel for Newman’s just happens to Paul’s ex-wife, Donna (Wendie Malick).

You can probably guess where all this is going, right?  Santa eventually ends up in jail after the chairman of Newman’s files a lawsuit against him.  Santa says that he can’t stay in jail because Christmas Eve is approaching.  Maybe Santa should have thought about that earlier.

This episode owed a lot to one of my favorite Christmas movies, Miracle on 34th Street.  Of course, Miracle on 34th Street featured Edmund Gwenn, who gave a delightful performance as Santa.  This episode features Bill Erwin, who basically plays Santa as being a half-crazed grump who won’t stop complaining.  Seriously, this episode may feature the most unlikable Santa Claus this side of Rudolph The Red-Nosed Reindeer.  I don’t know why Michael Landon directed Erwin to play Santa as if Santa was plotting to kill all of his enemies but it definitely wasn’t the right approach.

Seriously, Santa is really self-righteous in this episode.

I hate to criticize a Christmas episode and, as always, I’m sure that Michael Landon had the best and the sincerest of intentions.  But this episode just didn’t work for me.  Santa was too much of a jerk.

Late Night Retro Television Review: Highway to Heaven 4.11 “In With The In Crowd”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan brings vengeance to a high school.

Episode 4.11 “In With The In Crowd”

(Dir by Michael Landon, originally aired on December 9th, 1987)

This week, Jonathan and Mark are cops, assigned to a ritzy private school where a student recently died of an overdose.  They’re working with Denise Kelly (Lar Park Lincoln), an undercover cop who is pretending to be a student in order to uncover the identity of and arrest the school’s main dealer.  Unfortunately, the dealer figures out that Denise is a cop and he orders another student (Tom Hodges) to testify that Denise seduced him to get information.  Suddenly, it looks like Denise might lose her job and even get charged with a crime herself!

Mark, feeling protective of Denise and also guilty that he stopped recording Denise’s conversation with the student who subsequently accused her, decides to go undercover himself.  He tells drug dealing student Ray Russo (Jason Oliver Lipsett) that he’s actually a dealer himself.  Ray, however, sees through the ruse and knocks Mark out before injecting him with pure cocaine.

Mark’s in coma.  Denise feels like there’s no point in fighting crime.  Seeking revenge, Jonathan calls a school assembly and specifically accuses Ray of being the school’s main dealer.  Ray pulls out a gun and then  runs out of the school.  He gets in his car and starts the engine.  As he’s speeding down the street, Ray sees that Jonathan is sitting in the passenger’s seat.  Ray shoots at him, twice.  Jonathan, untouched, says that Ray should look in the back seat.  Ray sees the spirit of the girl who died over an overdose.  The terrified Ray is so distracted that he crashes into a truck and his car explodes.

JONATHAN KILLED A GUY!

WOW!

That’s something I never thought I’d see on Highway to Heaven.

Now, to be clear, Ray was a very, very bad guy.  He tried to murder Mark.  He sold the drugs that killed the student.  He brought a gun to school.  There really wasn’t much hope that Ray would ever reform but still, Jonathan killing him seems to go against everything that Highway to Heaven was usually about.  Highway to Heaven usually emphasized the idea of redemption and that everyone — even the worst among us — could change their ways.  Part of the appeal of the show was that it was so unapologetically earnest.  Ray getting blown up may have been emotionally satisfying but it just seemed to go against everything that the show was about.

In the end, Mark wakes up and Denise is cleared of all the accusations against her.  Jonathan and Mark leave for their next assignment.  Who knows who Jonathan will kill next!

Late Night Retro Television Review: Highway to Heaven 4.10 “A Dream of Wild Horses”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, we will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Amazon Prime, Tubi and other services!

Episode 4.10 “A Dream of Wild Horses”

(Dir. by Michael Landon, originally aired on December 2nd, 1987)

In this episode, traveling angel Jonathan Smith (Michael Landon), and his companion Mark Gordon (Victor French) arrive at a struggling ranch where the widow Billie Harwood (Gail Strickland) is trying to keep her late husband’s legacy alive while caring for her young son Richie (Jason Horst) and aging father Jet Sanders (Richard Farnsworth). It seems that Jet, the patriarch of the family, sort of lost his will to live when he lost his wife and then his son in law, a man he truly thought of as a son. As Jonathan and Mark arrive on the scene, the family members are all at a breaking point. Jet wishes he would just die and quit being a burden. Billie is completely overwhelmed with the ranch, and you get the feeling she’s never truly mourned the loss of her husband. And Richie, who needs someone to love him and pay attention to him, instead is mostly ignored by his family. Jonathan, Mark, a pack of wild horses, and some divine compassion turn out to be just what the family needs to find the inspiration to start putting the pieces of their lives back together. 

Directed by Michael Landon, “A Dream of Wild Horses” is everything I would expect from this series. Considering this episode was in season 4, it’s possible the formula was starting to wear thin with viewers back in 1987, but I thoroughly enjoyed it. For a man like me who loves a good western, I especially enjoyed the ranch setting, the wild horses, and the presence of veteran, Oscar nominated actor Richard Farnsworth as Grandpa Jet Sanders. He’s believable as the man who’s lost his purpose in life, but he’s even better when he turns things around at the end. One of the things I like about this series is the way Jonathan always knows exactly what buttons to push to get the characters going in the right direction. From bluntly telling Grandpa that he needs to quit feeling sorry for himself, to offering the widow a shoulder to cry on, and helping both of them see how much Richie needs their love and guidance, Jonathan’s genuine compassion is something this world really does need. Skeptical viewers may even roll their eyes, but I choose to accept the episode’s inspiring messages at face value. There have been times in my own life when I just needed someone else to care, and this series leans into those types of interactions. This family was broken, and Jonathan and Mark helped turn things around for them by simply caring. Things may be more complex and nuanced in the real world, but the simple act of caring will always be powerful.