We Watched Perry Mason: The Case of the Skin-Deep Scandal (1993, Dir. by Christian I. Nyby II)


Alana Westbrook (Morgan Fairchild), the ruthless owner of a cosmetics company, is murdered after she announces that she is actually 60 years old and owes her youthful appearance to a miracle skin cream.  Her husband (Patrick O’Neal) is charged with the crime but he’s lucky enough to have Perry Mason (Raymond Burr) as his attorney.  Perry thinks that the murderer is an eccentric gigolo (David Warner) but, for once, Perry might be wrong.  Meanwhile, Ken Malansky (William R. Moses) gets involved with a corporate spy (Lauren Lane) who might know more than she says.

Lisa and I watched this one earlier today.  We really enjoyed it!  It’s the most soapy of all the Perry Mason films that I’ve watched so far.  Morgan Fairchild was great as the murder victim and all of the suspects were enjoyably weird.  What I really enjoyed about this movie was that it featured people who appeared, in different roles, in other Perry Mason films.  Patrick O’Neal went from being the victim in Perry Mason Returns to being the accused here.  David Warner went from being the victim in The Case of the Poisoned Pen to being a suspect here.  This was also a second Perry Mason film for Jonathan Banks but instead of being a tough guy like he was the first time, he was a skin cream creator this time.  This movie understood that people will kill for clear skin.

This was one of the last of Raymond Burr’s Perry Mason films (it aired the same year that he died) and, with the returning actors, it feels like a tribute to Burr and the role that he made his own.

 

Retro Television Review: St. Elsewhere 1.16 “The Count”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

It’s time to go under the knife in Boston.

Episode 1.16 “The Count”

(Dir by Kevin Hooks, originally aired March 8th, 1983)

Harold Beaumont (Michael Halsey), an adult film actor better known as The Count, has checked into St. Eligius.  Of course, Dr. Samuels immediately recognizes him because Samuels is obsessed with porn.  Dr. Annie Cavanero does not recognize him but, once she learns what he does for a living, she has to tell him that she finds his work to be offensive because Dr. Cavanero’s entire personality pretty much revolves around getting offended by stuff.

It’s not much of a plot.  There’s a process server (William G. Schilling) who wants to serve the Count with a courts summons so Samuels and Cavanero help the Count hide and disguise his identity.  It’s silly and dumb story that involves the two of the least likable members of the show’s regular cast.

Meanwhile, Dr. Wendy Armstrong (Kim Miyori) comes to suspect that one of the hospital’s heart surgeons, Dr. Larry Andrews (Peter Michael Goetz), is giving pacemakers to people who don’t actually need them.  She takes her concerns to Dr. Craig.  Craig, an old friend of Dr. Andrews, is initially dismissive but he later confronts Dr. Andrews and finds out that Armstrong was correct.  Dr. Andrews explains that it takes a lot of money to fund his lifestyle.  This story was an improvement over the Count but it perhaps would have had more power if it had been someone like Dr. Ehrlich who suspected that Dr. Andrews was giving people pacemakers that they don’t need.  Ehrlich actually has a complicated relationship with Dr. Craig and his own less-than-stellar record as a resident would have added some ambiguity to storyline.  Dr. Armstrong, on the other hand, has been portrayed as being hypercompetent and a bit self-righteous and, if we’re going to be honest, she’s kind of a boring character.

Speaking of Dr. Ehrlich, he is getting fed up with living with Fiscus.  Howie Mandel is driving someone crazy?  Who could have seen that coming?

This week’s episode was pretty forgettable.  The story involving Dr. Andrews had potential but choosing to make the show’s least interesting characters the center of an entire episode was a decision that really didn’t pay off.