Horror Song of the Day: Call of Ktulu (by Metallica)


Metallica’s “The Call of Ktulu” is like an eerie soundtrack to something ancient and terrifying lurking just beneath the surface. The whole song feels like a slow, deliberate wake-up call for an otherworldly monster straight out of Lovecraft’s nightmares. Without any lyrics, it’s the music itself that tells the story—starting off quiet and haunting, then gradually building layers of tension like the air getting heavier before a storm, pulling you into an unsettling experience of growing dread.

What’s cool is how each instrument adds its own flavor to that feeling. Cliff Burton’s bass rumbles low and deep, almost like the sea itself is grumbling, while the guitars slowly creep in with sharp, sometimes almost claw-like riffs. Lars Ulrich’s drums keep everything feeling urgent without rushing it, like the heartbeat of something big and unstoppable. It’s not just playing metal riffs; it’s like they’re painting a picture of a cosmic beast stirring from an ancient sleep, and you can’t look away even though you’re scared.

Interestingly, “The Call of Ktulu” was initially started by Dave Mustaine before his dismissal from Metallica, but it ultimately became a collaborative piece among all four original band members. Released as part of their 1984 album Ride the Lightning, the song reached new heights when performed with the San Francisco Symphony Orchestra on the live album S&M. The legendary composer Michael Kamen arranged and conducted the orchestral parts, adding sweeping strings and powerful brass that turned the track into an apocalyptic ritual of sound, blending Metallica’s heavy riffs with symphonic grandeur and amplifying the song’s cosmic horror vibe to an unforgettable level.

Horror Song of the Day: The Thing The Should Not Be (by Metallica)


If you’re into heavy music with a dark, spooky vibe, Metallica’s “The Thing That Should Not Be” is a must-listen. The song draws heavy inspiration from H.P. Lovecraft’s stories about ancient sea monsters and forbidden gods — you can feel that eerie cosmic horror flowing through the lyrics and music. Unlike their faster, thrashy songs, this one’s slower and heavier, building this oppressive, almost underwater atmosphere that really pulls you into a different world. The sounds perfectly suit a cosmic horror soundtrack, like you’re hearing something ancient waking up beneath the surface.

Every member of Metallica brings something special here. James Hetfield’s vocals nail that storytelling vibe, like he’s warning you about unspeakable horrors. Kirk Hammett’s guitar solo adds a weird, haunting layer with its echoing bends and wild tone, totally fitting the Lovecraftian theme. Cliff Burton’s bass work gives the song a thick, gnarly depth that makes everything feel huge and otherworldly, while Lars Ulrich’s steady drumming drives the mood without rushing it. Together, they craft this dense, crushing atmosphere that feels like it could be the soundtrack to a cosmic nightmare.

If you want to hear the song take on an epic new dimension, check out the S&M version with the San Francisco Symphony. The orchestra adds massive, cinematic power, turning the track into a full-on cosmic horror soundtrack. The strings and brass layer in this grand, haunting sound that makes the whole thing feel even more apocalyptic and intense. It’s like Metallica took their already heavy and spooky song and gave it the kind of scale and depth that only a symphony can provide. Definitely worth a listen if you want to experience cosmic horror in both metal and orchestral form.

The Thing That Should Not Be

Messenger of fear in sight
Dark deception kills the light
Hybrid children watch the sea
Pray for father, roaming free

Fearless wretch
Insanity
He watches
Lurking beneath the sea

Great old one
Forbidden site
He searches
Hunter of the shadows is rising

Immortal
In madness you dwell

Crawling chaos, underground
Cult has summoned, twisted sound
Out from ruins once possessed
Fallen city, living death

Fearless wretch
Insanity
He watches
Lurking beneath the sea

Timeless sleep
Has been upset
He awakens
Hunter of the shadows is rising

Immortal
In madness you dwell

[Guitar solo]

Not dead which eternal lie
Stranger eons death may die
Drain you of your sanity
Face the thing that should not be

Fearless wretch
Insanity
He watches
Lurking beneath the sea

Great old one
Forbidden site
He searches
Hunter of the shadows is rising

Immortal
In madness you dwell

Music Video of the Day: Hero of the Day by Metallica (1996, directed by Anton Corbijn)


This video was directed by Anton Corbijn.  If you were a rock star in the 90s, Anton Corbijn probably directed a music video for you.

In this video, a young man (George Clemens) discovers that Metallica is inescapable.  Even on television, every channel features either a show or a commercial that features the members of the band.  For someone who has access to 24-hour Metallica television, the young man doesn’t seem to care about much.  Not even his girlfriend can get much of a response from him.  He would rather just fantasize about monsters fighting.   

Enjoy!

Music Video of the Day: No Leaf Clover by Metallica (2000, directed by Wayne Isham)


No Leaf Clover is one of two original compositions to appear on Metallica’s 1999 live album, S&M.  S&M stood for Symphony and Metallica and any other possible interpretation was just a coincidence.  (Sure!)

Directed by Wayne Isham, this video features both Metallica and the San Francisco Symphony bringing the song to life.  This was also the second to last Metallica video to feature bassist Jason Newsted.

Enjoy!

Music Video of the Day: The Memory Remains by Metallica, featuring Marianne Faithfull (1997, directed by Paul Andresen)


There are many reasons why Jason Newsted is one of the greatest bassists of all time.  Beyond his talent, there’s his honesty.  Newsted is someone who is going to shoot straight, no matter what the question may be.  For instance, in 2002, Newsted was asked if, as a heavy metal fan, he would have bought Metallica’s 1997 album, Reload.

Newsted, who had left Metallica the previous year, replied, “Not if I heard ‘The Memory Remains‘ first.”

The Memory Remains might not be Metallica’s song.  Newsted was definitely right about that.  But it does have a memorable video, one that shows that, once the band broke their previous “no videos” stance, they quickly figured out how to use the format to their advantage.

This video was shot at the Van Nuys Airport and it had a budget of $400,000.  The room that they are performing in was actually a constructed box.  The room moved while the band remained stationary on a platform, which created the impression of the band playing while on a giant swing.  Marianne Faithfull adds her vocals as well.

Enjoy!

 

Music Video of the Day: King Nothing by Metallica (1997, directed by Matt Mahurin)


The music video for King Nothing was shot in Park City, Utah in December of 1996.  I could not find any information on who had to pick up all those crowns after shooting ended but hopefully, they were paid well.

This video was directed by photographer Matt Mahurin.  Mahurin directed his first music video in 1986 and he’s been churning them out ever since.  Among the artists that Mahurin has worked with: Disturbed, Goo Goo Dolls, Marilyn Manson, Tom Waits, Alice in Chains, Queensryche, R.E.M., Tracy Chapman, and U2.

Enjoy!

Music Video of the Day: For Whom The Bell Tolls by Metallica (1992, directed by Doug Freel and Jean Pellerin)


This video for For Whom The Bells Tolls was filmed at a show at the San Diego Sports Arena in 1992.  When Beavis and Butt-Head watched this video in 1995, Beavis said he was the show and Lars pointed straight at him.

Enjoy!