Memoirs of an Invisible Man (1992, directed by John Carpenter)


An accident at a laboratory renders stock analyst Nick Holloway (Chevy Chase) invisible.  CIA agent David Jenkins (Sam Neill) wants to recruit Nick to be an assassin but Nick doesn’t want to kill people.  He just wants to make his date with Alice (Daryl Hannah).  With Jenkins and his agents in pursuit, Nick flees to a beach house belonging to his friend George (Michael McKean) and tries to figure out what to do with his life now that no one can see him.  Fortunately, Alice is staying at the beach house too.  Nick and Alice fall in love but Jenkins is close behind.

Based on a science fiction novel by H.F. Saint, Memoirs of an Invisible Man started out as a vanity project for Chevy Chase, who felt that the film’s mix of comedy and drama would establish him as a serious actor.  The project went through a series of directors, including Ivan Reitman and Richard Donner, but in the end no one wanted to work with the special effects necessary to create the impression of invisibility and, even more importantly, no one wanted to work with Chase.  When the film was finally offered to John Carpenter, he was reluctant to do another studio film because of his bad experience with They Live.  He finally agreed because it had been four years since his last film.

The special effects in Memoirs of an Invisible Man are still impressive and the chase scenes show off Carpenter’s abilities as an action director.  The movie flopped with critics and audiences but that was not Carpenter’s fault.  Carpenter keeps the story moving and gets good performances out of Sam Neill and even Daryl Hannah.  The problem with the movie is that Chevy Chase is miscast as an action hero and he tries too hard to give a serious performance.  Carpenter later said he wanted to add more comedy to the film and to emphasize Chase’s talent for physical comedy but Chase refused to do so.  Chase also resented wearing the blue bodysuit that would be used to render him invisible onscreen and often removed the suit early, ruining whatever else Carpenter had planned to shoot during the day.  You can add John Carpenter to the long list of directors who have said they will never work with Chevy Chase again.

One good thing did come out of Memoirs of an Invisible Man.  Carpenter met and enjoyed working with Sam Neill.  (Memoirs of an Invisible Man probably would have worked better in Neill and Chase had switched roles.)  Neill would go on to star in Carpenter’s next film, In The Mouth of Madness.

18 Shots From 18 John Carpenter Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, Through the Shattered Lens wishes a happy 72nd birthday to one of the patron saints of the movies, John Carpenter!  Though often criminally underrated, John Carpenter is one of the most important filmmakers in modern film.

Every sci-fi spoof that you’ve seen owes a debt to Dark Star.  For that matter, so do quite a few serious sci-fi films, like Alien.

Every horror film owes a debt to Carpenter’s direction of Halloween.

How many apocalyptic, dystopian films have been influenced by Escape From New York?  While today it’s somewhat of a cliché for people to say that they have to escape from New York, John Carpenter imagined it long before Bill De Blasio made it into a reality.

Prince of Darkness and In The Mouth of Madness are two of the only films to capture the feelings of existential dread and the ominous atmosphere of H.P. Lovecraft’s most effective stories.

They Live may have been critically dismissed when it was released but today, many see it as being a work of prophecy.

“I wanted a vanilla twist.”  With Assault on Precinct 13, John Carpenter taught viewers that sometimes, it’s better to just take whatever ice cream you can get.

Meanwhile, films like The Thing, Big Trouble In Little China, The Fog, and others continue to find new fans every day.

Christopher Nolan may have Hans Zimmer but John Carpenter needs only himself to create a memorable musical score!

Even a film like Carpenter’s remake of Village of the Damned has a few undeniably effective moments!

Our point is that John Carpenter is one of the best around and, today, on his birthday, we’re going to honor him.  It’s not just 4 shots from 4 films for John Carpenter!  Instead, it’s time for….

18 Shots From 18 John Carpenter Films

Dark Star (1974, dir by John Carpenter, DP: Douglas Knapp)

Assault on Precinct 13 (1976, dir by John Carpenter. DP: Douglas Knapp)

Halloween (1978, dir by John Carpenter, DP: Dean Cundey)

The Fog (1980, dir by John Carpenter, DP: Dean Cundey)

Escape From New York (1981, directed by John Carpenter, DP: Dean Cundey)

The Thing (1982, dir by John Carpenter, DP: Dean Cundey)

Christine (1983, dir. John Carpenter, DP: Donald M. Morgan)

Starman (1984, dir by John Carpenter. DP: Donald M. Morgan)

Big Trouble in Little China (1986, dir by John Carpenter, DP: Dean Cundey)

Prince of Darkness (1987, dir by John Carpenter, DP: Gary B. Kibbe)

They Live (1988, dir by John Carpenter, DP: Gary B. Kibbe)

Memoirs of an Invisible Man (1992, dir by John Carpenter, DP: William A. Fraker)

In The Mouth of Madness (1994, dir by John Carpenter, DP: Gary B. Kibbe)

Village of the Damned (1995, dir by John Carpenter, DP: Gary B. Kibbe)

Escape From L.A. (1996, dir by John Carpenter, DP: Gary B. Kibbe)

Vampires (1998, dir by John Carpenter, DP: Gary B. Kibbe)

Ghosts of Mars (2001, dir by John Carpenter, DP: Gary B. Kibbe)

The Ward (2010, dir by John Carpetner, DP: Yaron Orbach)