Music Video of the Day: Addams Groove by MC Hammer (1991, directed by Rupert Wainwright)


As far as videos about Christina Ricci chopping off MC Hammer’s head are concerned, this is probably the best.

Addams Groove was the theme song for 1991’s The Addams Family.  The video opens with MC Hammer losing his head but it turns out that not even decapitation can silence Hammer.  Hammer eventually ends up fighting with Raul Julia over Anjelica Huston, proving that anything was possible in the 90s.  It’s easy to laugh at a video like this today but, back in 1991, videos like this were a big deal and it was a rare for any film to be released with an accompanying music video.  This song was MC Hammer’s last top ten hit in the United States.  It also received a Razzie nomination for Worst Song of the Year.

Though the film was the directorial debut of Barry Sonnenfeld, this video was directed by Rupert Wainwright, who was responsible for directing most of MC Hammer’s videos.  He also did the video for N.W.A’s Straight Outta Compton.  Wainwright would eventually go on to direct Stigmata and the remake of The Fog.

Enjoy!

One Tough Bastard (1996, directed by Kurt Wimmer)


When the wife and the daughter of John North (Brian “The Boz” Bosworth) are gunned down by a mysterious gunman (Jeff Kober), North refuses to accept that they were just the victims of a robbery gone wrong.  Working with a tough street kid (DeJuan Guy) who needs a mentor to show him that violence is not the solution to all of the world’s problem, North sets out to discover the truth and get revenge in the most violent ways possible.  What North discovers is that the gunman who killed his family works for a corrupt FBI agent named Karl Slavak (Bruce Payne) and that Slavak is selling guns to a drug lord named Dexter Kane (played by … wait for it … MC HAMMER!)

You would think that any movie featuring M.C. Hammer as a drug lord would be worth seeing but the man who brainwashed a generation into making “U Can’t Touch This” jokes is actually pretty forgettable as Dexter.  This movie was made when Hammer had dropped the M.C. from his name and he was trying to reinvent himself as a harder-edged rapper.  That reinvention didn’t work because there’s absolutely nothing edgy about M.C. Hammer (much like Will Smith, he was the rapper whose music wouldn’t cause your parents to have an aneurysm) and One Tough Bastard proves it.

Instead, One Tough Bastard is worth seeing because of the epic meeting between two action stars who epitomized everything great about straight-to-video movies in the 90s, Brian Bosworth and Bruce Payne!  The Boz may have been a bust as a football player but he was a good action star, delivering one-liners and viscous beat downs with aplomb and, unlike some action stars (*cough* Seagal *cough*), he could play the dramatic scenes without embarrassing himself.  With his long hair and his nosering, Bruce Payne may be an unlikely FBI agent but he’s a great villain and he has no fear of shouting almost all of his dialogue.  Add in Jeff Kober and you’ve got a dumb but fun movie that’s enlivened by three actors who know how to be convincingly tough on camera.

One Tough Bastard lives up to the promise of its title.

Cleaning Out The DVR Yet Again #16: Zoolander 2 (dir by Ben Stiller)


(Lisa recently discovered that she only has about 8 hours of space left on her DVR!  It turns out that she’s been recording movies from July and she just hasn’t gotten around to watching and reviewing them yet.  So, once again, Lisa is cleaning out her DVR!  She is going to try to watch and review 52 movies by Wednesday, November 30th!  Will she make it?  Keep checking the site to find out!)

zoolander_2_poster

On October 14th, I recorded Zoolander 2 off of Epix.

A sequel to the 2001 cult hit, Zoolander 2 came out earlier this year and got absolutely terrible reviews and quickly vanished from theaters.  Watching the film last night, I could understand why it got such terrible reviews.  Zoolander 2 is not only a terrible movie but it’s also a rather bland one.  Somehow, the blandness is even more offensive than the badness.

Zoolander 2 opens with Justin Bieber getting assassinated and Derek Zoolander (Ben Stiller) being forced to come out of retirement and discover why pop stars are being targeted.  And, of course, Zoolander can’t do it without the help of Hansel (Owen Wilson)!  Penelope Cruz is in the film as well, playing  Zoolander’s handler and essentially being wasted in a role that could have been played by anyone.

Oh!  And Will Ferrell returns as well.  Ferrell gives a performance that essentially shouts out to the world, “Fuck you, I’m Will Ferrell and no one is going to tell Will Ferrell to tone his shit down!”

Actually, I think everyone in the world is in Zoolander 2.  This is one of those films that is full of cameos from people who probably thought a silly comedy would be good for their image.  For instance, there’s a huge number of journalists who show up playing themselves.  Matt Lauer shows up and I get the feeling that we’re supposed to be happy about that.  There was a reason why people cheered when the sharks ate him in Sharknado 3.

You know who else shows up as himself?  Billy Zane!  And Billy Zane has exactly the right type of attitude for a film like this.  He shows up and he mocks the whole enterprise by giving the Billy Zaniest performance of Billy Zane’s career.  For that matter, Kiefer Sutherland also shows up as himself.  I’m not really sure what Kiefer was doing in the film but he makes sure to deliver all of his lines in that sexy growl of his.  Kiefer knows what we want to hear.

You may notice that I’m not talking about the plot of Zoolander 2.  That’s largely because I couldn’t follow the plot.  This is an incredibly complicated film but it’s not complicated in a funny way.  Instead, it’s complicated in a way that suggests that the film was made up on the spot.  It’s as if the cast said, “We’re all funny!  Just turn on the camera and we’ll make it work!”

The problem with Zoolander 2 is obvious.  The first film pretty much exhausted the comic possibilities of making a spy film about shallow and stupid models.  Don’t get me wrong — the first film did a good job but it’s not like it left any material untapped.  But I would ask you to indulge me as I imagine an alternate reality.

Consider this: Terrence Malick was reportedly a huge fun of Zoolander.

Let’s take just a minute to imagine a world in which Ben Stiller asked Terrence Malick to write and direct Zoolander 2.  And let’s say, just for the sake of argument, that Malick agreed!

Just think about it — 4 hours of Zoolander and Hansel staring up at the sky and thinking about nature.  “What is this thing that causes the heart of man to beat?” Zoolander asks.  “Are we nature or has nature become us?” Hansel replies.

That would have been a fun film!