Late Night Retro Television Reviews: CHiPs 1.10 “Highway Robbery”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Baker meets an old friend and Ponch is nearly commits a crime.

Episode 1.10 “Highway Robbery”

(Dir by Nicholas Colasanto, originally aired on December 1st, 1977)

There’s a man on a motorcycle who is driving up and down the highways of California.  Whenever he comes across a traffic jam, he pulls up to people’s car and snatches whatever he can.  One man loses his wallet and his watch.  A woman has her purse taken.  When Ponch and Baker arrest him, the thief is revealed to be Leo Norrison (David Wilson), an old high school classmate of Baker’s.

Baker and Leo used to play on the school’s football team.  As Baker explains it, Leo was the student that everyone looked up to.  He was “Mr. Most Likely To Succeed.”  However, Leo fell on hard times after high school.  He won a scholarship to play football in college but then he flunked the entrance exam.  He joined the army but ended up losing his temper and striking his captain.  Now, with a dishonorable discharge on his record, Leo is unemployable and bitter.

Baker offers to help Leo out and Leo seems to appreciate the offer.  But, soon enough, Leo is back to stealing purses.  When Baker and Ponch arrest him for a second time, it’s clear that Leo will not be getting any more chances at redemption.

Wow, what a sad story for an episode of CHiPs!  Larry Wilcox can be a bit of a stiff actor but he actually did a really good job in this episode.  Baker couldn’t believe that his high school hero was now a petty criminal and Leo couldn’t believe that Baker had ever looked up to him.  As I watched this episode, I found myself wondering how many of my old high school classmates were now in jail.

Of course, this episode wasn’t all sad.  For instance, there was a rather lengthy scene that centered around a minor accident involving a traveling circus.  One of the circus’s elephants helped to pull a truck over to the side of the road.  Good elephant!

And then there was Ponch’s storyline.  In this episode, Ponch is even more cringey than usual.  He has grown obsessed with a model in an ad for suntan lotion, to the extent that he’s constantly putting on suntan lotion and he has a cut-out of the ad hanging in his locker.  When Ponch learn that the model is a friend of Getraer’s family, Ponch begs Getraer to set him up on a blind date.  Getraer says it’s not a good idea but Ponch insists.  Finally, Getraer relents.

Ponch shows up at the model’s house and discovers that Getraer is already there, having a glass of brandy with the model’s father (James Beach).  They tell Ponch that “Janey” will be right down.  When Janey (Wendy Fredericks) finally does come down to meet her date, Ponch is shocked to discover that …. SHE’S 15!

Getraer mention that Janey looks older in photographs.  Baker and two other officers — Fitz (Lew Saunders) and Grossman (Paul Linke, a future series regular) — step into the living room and start laughing.  Getraer laughs.  Janey’s father laughs.  Janey accepts Ponch’s flowers and then rests her head on his shoulder as the credits role….

So, just to repeat — SHE’S FIFTEEN!

Obviously, Ponch didn’t know that but still, it’s bizarre to see Janey’s father laughing about a 30 year-old showing up at the house to go on a date with his fifteen year-old daughter.  Getraer essentially set Ponch up to potentially commit a felony and everyone thinks its hilarious.  As the end credits rolled, I kept expecting Chris Hansen to step in the room and demand that everyone have a seat and explain what exactly it is they though they were doing.

Weird episode.  The stuff involving Leo was surprisingly well-done for this show.  The stuff with Ponch was truly cringe-inducing.  I mean, even if Janey had been an adult, Ponch’s obsession with her would have been creepy.  In the end, Baker’s friend went to jail and Ponch was thoroughly humiliated.  I guess it all balances out.

Horror Film Review: The Beast With A Million Eyes (dir by David Kramarsky, Lou Place, Donald Myers, and Roger Corman)


The 1955 film, The Beast With A Million Eyes, has three credited directors and reportedly, Roger Corman also stepped in and took over the direction as well, even though he received no screen credit.  That’s a lot of directors for a relatively simple sci-fi/horror film.  Reportedly, the problem with the directors came from the fact that The Beast With A Million Eyes was a non-union production and, after one day of production, the unions threatened to picket the set and basically shut down production unless the entire cast and crew signed up for the guilds.  The unions eventually got their members and their money but all of the drama set production so far behind that Roger Corman stepped in, fired award-winning cinematographer Floyd Crosby, and proceeded to finish up the film himself.

As for the film itself, it takes place in the California countryside.  Allan Kelly (Paul Birch, who was one of the first guys to get killed in The War of the Worlds and later played the dying alien in Corman’s Not Of This Earth) has no use for modern society and he has moved his family to a ranch in the California desert.  His family is not particularly happy about this.  His wife, Carol (Lorna Thayer), hates being isolated from the world.  Their teenage daughter, Sandy (Dana Cole), is lonely and has a strained relationship with her mother.  The only thing that makes Sandy happy is her boyfriend (played by Dick Sargent, who would later take over the role of Darin on Bewitched) and her dog.  Perhaps the worst part of living out in the desert is that their handyman is a weirdo known as Him (Leonard Tarver).

Now, I should mention that, when I was growing up, my family moved around a lot.  I spent a while living on a few farms that were owned by my aunts, uncles, and grandparents.  Even after we finally settled down in Texas, I would still frequently visit their farms.  I enjoyed visiting the farms, even though I’m pretty much a city girl at heart.  I can say that The Beast With A Million Eyes definitely captured the isolated feel of country life.  Watching the film, I could feel the heart of the unforgiving sun.  I could feel the feeling of tall grass against my bare legs.  And, at times, I could even remember the sound of roosters in the distance and crickets and grasshoppers chanting in the night.

Fortunately, my family was never bothered by aliens while we were on the farm.  Unfortunately, the same cannot be said for the family at the center of The Beast With A Million Eyes.  An alien decides to test its invasion plan on the family.  First, the animals turn against the family, including the poor family dog.  (This is probably not a film to watch if you feel about dogs the way that I feel about cats.)  Then, the handyman suddenly turns against the family as well.  The alien is taking over the minds of the living beings around, starting with animals and then moving on to humans.  Can the family defeat the aliens?  And will nature ever be the same?

Hey, I liked The Beast With A Million Eyes!  Usually, when the film has a lot of directors, it results in a disjointed mess but The Beast With A Million Eyes actually had an interesting story and a lot of country atmosphere.  As opposed to the stereotypically perfect 50s family, the family at the center of The Beast With A Million Eyes is believably dysfunctional but, in the end, they have to come together to save the humanity.  I just hope the rest of the world would be willing to do the same.

Lisa Reviews An Oscar Nominee: Five Easy Pieces (dir by Bob Rafelson)


First released in 1970, Five Easy Pieces tells the story of a lost man named Bobby Dupea (Jack Nicholson).

When we first meet Bobby, he’s working at a California oil field.  He likes to go bowling.  He has a girlfriend named Rayette (Karen Black), who is a country music-obsessed waitress.  His best friend is Elton (Billy “Green” Bush), a friendly redneck with a memorable laugh.  Bobby may have a girlfriend and Elton may be married but that doesn’t stop either one of them from going out at night, getting drunk, and trying to pick up women.

Bobby seems to be just another blue-collar guy with a grudge against the bosses but it doesn’t take long to realize that there’s something different about him.  Bobby may be friends with Elton but it’s obvious that the two of them come from very different background.  No matter how much he tries to hide it, Bobby is smarter than everyone else around him.  When he and Elton get stuck in a traffic jam, Bobby spots a piano sitting on the back of a pickup truck.  Getting out of his car, Bobby yells at everyone who is honking and then climbs up to the piano.  He sits down, he puts his fingers to the keys and he starts to play.  Knowing Bobby, you’re expecting him to just bang the keys and make noise.  Instead, he plays beautiful music.

Later, Bobby steps into a recording studio.  Paritia (Lois Smith), a neurotic woman, is playing the piano.  The recording engineers joke about her lack of talent.  Bobby glares at them, annoyed.  It quickly becomes apparent why Bobby is so protective.  Paritia is Bobby’s sister.

Bobby, it turns out, comes from a wealthy family of musicians.  Everyone in the family has dealt with the pressure to succeed differently.  Paritia continues to play, despite not having much talent.  Bobby’s older brother, the buffoonish Carl (Ralph Waite), plays violin and has staid home with their father (William Challee).  Bobby, on the other hand, ran away from home.  He’s spent his entire life trying to escape from both his talent and his family.  However, when Paritia explains that their father has suffered from two strokes and might not live much longer, Bobby reluctantly decides to return home and try to make some sort of peace with his father.

It’s not as easy a journey as Bobby would have liked.  For one thing, Rayette demands to go with him.  On the drive up to Washington, they pick up two hitchhikers (Helena Kallionetes and Toni Basil), one of whom is obsessed with filth.  In the film’s most famous scene, an attempt to get a simple lunch order modified leads to Bobby losing control.

See, that’s the thing with Bobby.  In many ways, he’s a jerk.  He treats Rayette terribly.  While his family is hardly perfect, the film doesn’t hide from the fact that Bobby isn’t always the easiest person to deal with.  And yet, you can’t help but sympathize with Bobby.  If he seems permanently annoyed with the world … well, that’s because the world’s annoying.  And, to Bobby’s credit, he’s a bit more self-aware than the typical rebel without a cause.  When one of the hitchhikers praises his temper tantrum at the diner, Bobby points out that, after all of that, he still didn’t get the order that he wanted.

In Washington, Bobby tells Rayette to stay at a motel and then goes to see his family.  Bobby seems as out-of-place among his wealthy family as he did hanging out in the oil fields with Elton.  He ends up cheating on Rayette with Carl’s fiancee, a pianist named Catherine van Oost (Susan Anspach).

And then Rayette shows up for dinner…

Five Easy Pieces is a sometimes funny and often poignant character study of a man who seems to be destined to always feel lost in the world.  Bobby spends the whole movie trying to find a place where he can find happiness and every time, reality interferes with his plans.  Nicholson gives a brilliant performance, playing Bobby as a talented guy who doesn’t really like himself that much.  Bobby’s search for happiness leads to a rather haunting ending, one that suggests that some people are just meant to spend their entire life wandering.

Five Easy Pieces was nominated for Best Picture but lost to Patton.