Song of the Day: The Fool On The Hill, performed by Joe Pesci


It’s often forgotten that, before he became an award-winning actor, Joe Pesci pursued careers as both a stand-up comedian and a singer.  Here he is, performing a lounge version of The Beatles’ Fool On The Hill for his 1968 album, Little Joe Sure Can Sing!

Scenes That I Love: Elizabeth Taylor Enters Rome In Cleopatra


Today would have been the 94th birthday of one of the greatest film stars of all time, Elizabeth Taylor!

Today’s scene that I love comes from 1963’s CleopatraCleopatra is often dismissed as the film that nearly bankrupted a studio but it’s enjoyable if you’re in the right mood and you’ve got four hours of free time.  Elizabeth Taylor may not have been a historically accurate Cleopatra but who cares?  It seems appropriate that the most glamorous woman of what was then the modern world played the most glamorous woman of the ancient world.

In this scene, Cleopatra arrives in Rome with all of the fanfare befitting the world’s most beautiful and powerful woman.  Keep in mind that this scene was done in the days before AI.  Every costume was real.  Every extra was real.  Everything about this scene was real.

4 Shots From 4 Films: Special Elizabeth Taylor Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of the greatest films stars ever, Elizabeth Taylor!  And you know what that means.  It’s time for….

4 Shots From 4 Elizabeth Taylor Films

A Place in the Sun (1951, dir by George Stevens, DP: William C. Mellor)

Boom! (1968, dir by Joseph Losey, DP: Douglas Slocombe)

Night Watch (1973, dir by Brian G. Hutton, DP: Billy Williams)

The Driver’s Seat (1974, dir by Giuseppe Patroni Griffi, DP: Vittorio Storaro)

Live Tweet Alert: Join #FridayNightFlix for Detention!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  2003’s Detention!

If you want to join us this Friday, just hop onto twitter, find Detention on Prime or Tubi, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Music Video of the Day: Long Shot by Katy Perry (2005, dir by Glen Ballard)


This video was shot early in Katy Perry’s career, as you can probably guess just from the basic and rather simple style of the music video.  Long Shot was originally intended to appear on what was intended to be Perry’s second album.  Unfortunately, that album was shelved but Long Shot still found an audience when it was covered by Kelly Clarkson.

It is today’s music video of the day because I’ll always root for the long shots.

Enjoy!

Late Night Retro Television Review: Highway to Heaven 5.9 “Choices”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark get into the detective business.

Episode 5.9 “Choices”

(Dir by Michael Landon, originally aired on June 30th, 1989)

Working as private investigators, Mark and Jonathan are approached by a Vietnamese couple who are looking for the two sons that they gave up for adoption many years ago.  They gave the boys up so that they could escape Vietnam and live in America, safe from communism.  Now, the father (Dr. Haing S. Ngor) wants to bring his sons back to Singapore, despite the fact that both of them have been adopted by good people and the oldest has been accepted to a prestigious college.

This was an above average episode of Highway to Heaven.  It was undoubtedly heavy-handed and there were more than a few minutes where the dialogue was a bit too spot-on for its own good.  But ultimately, the episode was so earnest and heartfelt that the viewer couldn’t help but forgive the show’s flaws.  This particular episode was very well-acted, especially by Dr. Haing S. Ngor.  A Cambodian who lost most of his family after the Khmer Rogue came to power and attempted to return the country to “Year Zero” by killing off anyone who was considered to be too educated or cosmopolitan, Dr. Ngor survived by disguising the fact that he was an educated doctor.  After the fall of the Khmer Rogue, Ngor made his way to Thailand and eventually to America.  He won an Oscar for playing a character who suffered much as he suffered in The Killing Fields (a film about communist atrocities that has the gall to unironically include John Lennon’s Imagine on the soundtrack).  In this episode, Ngor gives a strong performance as a stubborn man who struggles with the fact that his sons have grown up in his absence.  Tragically, seven years after this episode aired, Dr. Ngor was murdered in his driveway.  Though a group of gang members were arrested and convicted of his murder, it’s always been known that his murder was ordered by Pol Pot, the leader of the Khmer Rogue.

The final season of Highway to Heaven has been uneven but this was a good episode.

Retro Television Review: Decoy 1.22 “Reasonable Doubts”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, Casey deals with two brothers who may or may not be guilty of a crime.

Episode 1.22 “Reasonable Doubts”

(Dir by Teddy Sills, originally aired on March 10th, 1958)

An office is robbed and the manager is shot.  As Casey Jones tells us in her narration, the difference between this robbery and countless others is that someone got a good look at the robber.  Lawrence Osler (Joe Warren) is arrested for the crime.  However, Lawrence’s sister, Julia (Anna Minot), is convinced that Lawrence is innocent and she thinks that Lawrence’s younger brother, John (Thomas A. Carlin), can prove it.  Casey agrees to go undercover as a friend of Julia’s who has agreed to pay Lawrence’s bail.  Her assignment is to get John to talk.  Julia thinks that Casey is going to exonerate both the brothers but, in reality, Casey is trying to put John in jail with Lawrence.

“It wasn’t very nice,” Casey ruefully tells us.  But, Casey goes on to note, neither is robbing an office and putting a man in the hospital.

Casey discovers that Lawrence is innocent.  It was John and his shady buddy Oscar (Edward Walsh) who robbed the place.  John was willing to let Lawrence take the fall because he thought Lawrence would be acquitted in court.  But now, Oscar is trying to frame Lawrence.  Will John take responsibility for his own actions?

This episode probably sounds more interesting than it is.  With only a 30 minute running time, there’s not much room to generate any sort of suspense as to which brother is guilty.  Lawrence is obviously innocent from the start and John is obviously guilty.  It doesn’t take Casey long to figure this out but she can’t really do anything about it until Oscar shows up unexpectedly and casually reveals that truth about what happened.  This is one of those episodes where the viewer feels like Casey just got lucky.  As well, most of the action too place indoors so there weren’t any of the 1950s New York location shots that so often added life to this series.

That said, Beverly Garland was great as always.  Her regret over manipulating Julia added an extra dimension to the story.  As Casey said, “It wasn’t nice.”  In the end, Julia saves one brother but loses another.

4 Shots From 4 Films: Special James Wan Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we wish a happy birthday to one of the directors who brought the horror genre back to box office life in the aughts and 2010s, James Wan!  It’s time for….

4 Shots From 4 James Wan Films

Insidious (2011, dir by James Wan, DP: John Leonetti))

The Conjuring (2013, dir by James Wan, DP: John Leonetti)

Aquaman (2018, dir by James Wan, DP: Don Burgess)

Malignant (2021, dir by James Wan, DP: Michael Burgess)