Retro Television Review: The Last Fling (dir by Corey Allen)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1987’s The Last Fling!  It  can be viewed on YouTube and Tubi.

Phillip Reed (John Ritter) is an attorney who has never gotten married, despite all of his friends trying to set him up with single women.  Even his law partner (Scott Bakula) worries about how Phillip’s love life is going.  Phillip’s married best friends (Paul Sand and Kate Zentall) think that Phillip is scared of commitment.  Phillip’s mother (Paddi Edwards) thinks he’s gay.  Joanne Preston (Shannon Tweed) enjoys sleeping with him but she owns a lot of cats that make him sneeze.  And since he’s played by John Ritter, you better believe that every sneeze is more dramatic than the last.

Gloria Franklin (Connie Selleca) is engaged to marry Jason Elliot (John Bennett Perry) but she worries that her rigidly controlled lifestyle has caused her to miss out on enjoying her time as a single person.  When she finds out that Jason is going to go to Las Vegas for a wild bachelor party, she decides to have one last fling of her own.

Phillip and Gloria meet each other at the zoo.  (Again, because Phillip is played by John Ritter, there are multiple shots of him making monkey noises while looking at the gorillas.)  Gloria tells Phillip that her name is Marsha Lyons.  Their meeting leads to Phillip and Gloria/Marsha spending the weekend in Mexico together.  (A very young, pre-Saved By The Bell Mario Lopez shows up as the kid who gives them their renal car.)  Despite an unseen mishap that causes their car to catch on fire, Phillip and Gloria spend a romantic night at a villa.  When Phillip wakes up the next morning, he’s convinced that he’s finally found the woman with whom he wants to spend the rest of his life.  However, Gloria is already gone.  She leaves behind a video confession, in which she tells Phillip that she’s going to be getting married.

Phillip returns to Los Angeles, determined to track down the mysterious Gloria and stop that wedding.

The Last Fling is an uneven romantic comedy.  It starts out as an amiable and sweetly funny film, with both Connie Sellecca and John Ritter giving likable performances.  But once Phillip returns from Mexico and starts searching for Gloria, it gets a bit too manic for its own good.  Instead of being a funny movie about two human beings looking for love, it instead becomes a live-action cartoon with John Ritter running from one location to another while being chased by Gloria’s husband-to-be.  The movie ends up getting so frantic that it actually becomes a bit annoying, which is a shame considering how things started.  By the end of the movie, Phillip is so obsessive that it’s hard not to feel that Gloria would be better off just staying single and maybe spending the next weekend in Mexico with Scott Bakula.

The director of The Last Fling played Buzz in Rebel Without A Cause.  Fortunately, no one plays chicken in this movie.

Retro Television Review: Indict & Convict (dir by Boris Sagal)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s Indict & Convict!  It  can be viewed on YouTube.

There’s been a murder!

The wife of Assistant District Attorney Sam Belden (William Shatner) has been found, shot to death.  Making things especially awkward is that the body of her lover is found next to her.  Though Belden is the obvious suspect, he has an alibi for the time of the murders.  He claims that he was in Las Vegas, attending a convention.  Two gas station attendants remember seeing him filling up his car with gas at around the same time that his wife and her lover was being shot.

Attorney General Timothy Fitzgerald (Ed Flanders) is not so sure that Belden is innocent.  He instructs two of his top prosecutors to check out Belden’s story and to see if there’s enough evidence to not only indict but also to convict.  Bob Matthews (George Grizzard) is a veteran prosecutor and he’s the one who narrates the story for us.  Assisting him is Mike Belano, who is played by the always likable Reni Santoni.  Just three years before this movie aired, Santoni played Harry Callahan’s partner in Dirty Harry.  There was just something about Santoni’s friendly but determined demeanor that made him perfect the role of the supportive partner or assistant.

The film is very much a legal procedural, with the emphasis on not only the investigation but also on the strategies and the techniques that are used in the courtroom by Matthews and defense attorney DeWitt Foster (Eli Wallach).  In many ways, it feels like a forerunner to Law & Order.  Usually, I love court procedurals but Indict & Convict was a bit too slow and high-minded for its own good.  Maybe it’s because I’ve been spoiled by all of the legal shows that I’ve seen but I have to admit that I spent a good deal of Indict & Convict wanting the prosecutors to get on with it.  Flanders, Grizzard, Santoni, and Wallach were all ideally cast but the film itself sometimes got bogged down with all the debate about the best way to win a conviction.  It’s a shame because the story itself is an intriguing one and I actually enjoyed the movie’s use of spinning newspaper headlines to let us know what had happened in between scenes.  Also, as a classic film fan, I enjoyed seeing Myrna Loy as the judge.  She didn’t get to do much other than say, “Sustained” and “Overruled,” but still …. Myrna Loy!

Most people who watch this film will probably do so out of the hope of seeing some trademark Shatner overacting.  William Shatner doesn’t actually get to say much in this film.  He spends most of the running time sitting silently at the defense table.  Towards the end, he does finally get a chance to deliver a brief speech and it’s everything you could hope for.  Shatner takes dramatic pauses.  Shatner emphasizes random words.  Every line is delivered with the subtext of, “Pay attention, Emmy voters!”  Eventually, Shatner would learn the value of laughing at oneself but apparently, that lesson had not yet been learned when he did Indict & Convict.