Back to School Part II #51: Killer Coach (dir by Lee Friedlander)


For the past three weeks, Lisa Marie has been in the process of reviewing 56 back to school films!  She’s promised the rest of the TSL staff that this project will finally wrap up by the end of today, so that she can devote her time to helping to prepare the site for its annual October horrorthon!  Will she make it or will she fail, lose her administrator privileges, and end up writing listicles for Buzzfeed?  Keep reading the site to find out!)

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The 2016 film Killer Coach premiered on Lifetime on July 30th.  At the time, I suspected that it was probably being released specifically to capitalize on all of the attention that was being paid to the Summer Olympics in general and Michael Phelps in specific.  After all, Killer Coach is a film about a swimmer in trouble and, as you might guess from the title, a lot of that trouble has to do with her coach.

Now, I have to admit that I kinda ignored the Olympics this year.  I’m as shocked as anyone by that but, quite frankly, I just wasn’t feeling it.  2016 has sapped the enjoyment out of a lot of events that you could previously depend upon.  Hopefully, I’ll regain my excitement in 2018 because I’d hate to miss the curling.  Along with not being into the Olympics this year, I also have an intense fear of drowning and movies that feature people trapped underwater tend to give me nightmares.  With all that in mind, I was worried that Killer Coach might not be for me.  However, I still watched it because it was on Lifetime.  You know how that goes.

Well, I shouldn’t have worried.  Killer Coach was pure Lifetime goodness, even if it never quite reached the wonderful heights of The Perfect Teacher or Babysitter’s Black Book.  Though the film may have been advertised to exploit all the attention being given to the Olympics, it was not necessary to be a swim fan to appreciate it.  As for the drowning scenes — well, there were a few but they didn’t traumatize me.  In the best Lifetime tradition, Killer Coach is pure entertainment.  No need to worry about trauma.

As for the film, it’s about Samantha (Javicia Leslie).  Sam is a smart and popular high school student.  She also has the potential to be one of the best swimmers in the country and is looking forward to going to college on a swim scholarship.  Who knows?  Olympics medals may be in her future!  As for Sam, she’s mostly just looking forward to a future with her boyfriend (Cameron Jebo).

Sam’s coach, Gina (Keesha Sharp), puts her under constant pressure.  Nothing is ever good enough for Gina.  That’s what a coach is supposed to do, right?  The only problem is that Gina is also Sam’s mother and it’s obvious that she’s reliving her own past as a championship swimmer through her daughter.  Gina is so intense that Sam is happy that the new assistant coach appears to be so laid back.  Even better, Bryce (Tom Maden) is hot!

Of course, he’s also kind of crazy.  After a one night stand, he grows obsessed with Sam and starts stalking her.  It’s actually kind of a nice reverse on the typical Lifetime storyline.  Usually, it’s a student stalking a teacher.

Anyway, there’s more to the story than just that.  Bryce is fueled by more than just obsession and Gina has secrets in her own past.  I didn’t really care about any of that and I could have done without it.  The film is far more interesting when it just focuses on Bryce as a crazed authority figure.

Killer Coach is well-filmed by veteran Lifetime director Lee Friedlander and he keeps the story moving along quickly.  Leslie is sympathetic as Samantha and Maden is memorably unhinged as her stalker.  Killer Coach is an above average Lifetime film and definitely an entertaining way to spend two hours.

Back to School Part II #41: She’s Too Young (dir by Tom McLoughlin)


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“Guess what, guys!  I’ve got syphilis!”

— Actual Line Of Dialogue From She’s Too Young (2004)

Yes, indeed, 14 year-old Dawn (Miriam McDonald) has syphilis.  But she’s not the only one!  It turns out that there’s a syphilis epidemic raging at Dawn’s Canadian high school.  It all comes down to a 16 year-old aspiring man-whore named Nick (Mike Erwin) and Nick really isn’t that concerned about it.  When the school’s counselor informs him that he’s patient zero in the syphilis epidemic, Nick holds out his arm and says, “Give me my magic bullet and I’ll be on my way.”  Nick also jokingly refers to syphilis as being “the big S.”

Meanwhile, Nick’s girlfriend, Hannah (Alexis Dziena), is shocked to discover that she has a mouth sore, despite having never had intercourse with Nick.  Uh-oh … it turns out that syphilis is a lot easier to contract than she originally believed!  Luckily, her incredibly overprotective mom (Marcia Gay Harden) is doing her best to make sure that nobody in Canada ever gets syphilis again.  If that means going from house to house and announcing, “My daughter has syphilis!,” that’s what she’s going to do!

One of Hannah’s best friends is Dawn.  Her other best friend is Becca (Megan Park), who regularly sneaks off to a motel with her boyfriend.  Seriously, every teenager in town is having sex, except for Hannah.  That said, Hannah does try to convince her photographer friend, Tommy (Joe Dinicol), that it’s time that they both lose their respective virginities.  Tommy, however, refuses and says, “We have ages to do that…”

(Really? A teenage boy turning down sex?  Maybe he’s just worried about getting syphilis…)

Anyway, after Dawn reveals that she has syphilis, every student at the high school is forced to get a blood test.  Becca gets pretty mad about being inconvenienced and decides that she doesn’t want to hang out with either Dawn or Hannah anymore.  (Even worse, her ultra religious parents threaten to send her to private school!)  While Dawn can at least hang out with her mother and her younger sister, Hannah now has no one to be friends with.  After all, Nick’s has apparently succumbed to an internet pornography addiction, Tommy rejected her, and her mother is too busy telling everyone in the neighborhood that Hannah has syphilis.  So, Hannah spends all of her time hanging out on a website and chatting with Dawn (whose user name is Dawn69 and I’m sure that’s just meant to be a coincidence).

The site, by the way, is called Teenplaya.com.  I don’t know if Teenplaya.com is a real site and I’m not planning on finding out.  Any site called Teenplaya.com is probably going to be crawling with all sorts of viruses, not to mention syphilis…

(“Lisa,” you’re saying, “you can’t catch syphilis from a website…”  Whatever.  That’s the same thing they told Napoleon before they sent him to Elba and we all know how that worked out.)

I have spent a lot of time on this site defending Lifetime films but occasionally, I do see a movie that pretty much lives up to every single pre-conceived notion that people have about Lifetime films in general.  She’s Too Young is one such film.  It’s so overwrought and earnest and it has so little understanding of the way that teenage girls actually talk that She’s Too Young actually is a classic of a certain kind.  It’s like the Reefer Madness of Canadian STD films.

Speaking as a Degrassi fan, one of the things that made She’s Too Young especially memorable was that Dawn was played by Miriam McDonald.  On Degrassi, McDonald played Emma Nelson and, in a two-part episode that was considered to be too controversial to air in the United States, she contracted gonorrhea.  It’s interesting to compare the rather level-headed and always honest approach of Degrassi to the far more histrionic style of She’s Too Young.

(On Degrassi, when Emma finally told her stepfather that she was sick, he assured her that she would be okay and that the most important thing was that she learn from this experience.  In She’s Too Young, when Hannah confesses that she’s sick, her mother responds by running around the neighborhood and telling everyone that her daughter has syphilis.)

For all the talk about how the original Mother, May I Sleep With Danger is the ultimate over-the-top and unintentionally funny made-for-TV film, I would argue that She’s Too Young is actually far more memorable.  From the overwrought dialogue to the overwrought performances to the painful sincerity of the film’s intentions, She’s Too Young is a classic that deserves a James Franco-produced remake.

Back to School Part II #33: No One Would Tell (dir by Noel Nosseck)


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Do you remember when Chris Brown performed The Man In The Mirror at the 2010 BET Awards?  It was during a tribute to Michael Jackson and Brown broke down crying while singing the song.  Afterwards, he accepted an award and he said, “I let you all down before, but I won’t do it again.  I promise you.”

This, of course, was about a year after Brown had pled guilty to physically abusing Rihanna.  I remember being on twitter during Brown’s performance and seeing literally thousands of tweets from people talking about how brave Chris Brown was and how amazing his performance had been.  Chris Brown was looking at the man in the mirror and asking him to change his ways.  Chris Brown was promising not to let anyone else down by nearly killing any future girlfriends.  A lot of people on twitter claimed this was amazing.  I thought it was disgusting and I tweeted out my opinion.  I really didn’t give a fuck if Chris Brown was asking the man in the mirror to change his ways.  The man in the mirror was (and is) an abusive asshole.  The man in the mirror beats women.  The man in the mirror is not capable of changing his ways.  “FUCK THE MAN IN THE MIRROR!” I tweeted.

And, oh my God, the reaction my little twitter rant inspired.  What was especially disturbing was that the majority of people who tweeted me in Brown’s defense were other women.  Yes, they all agreed, Chris Brown had beat Rihanna but he admitted what he had done, he was asking the man in the mirror to change his ways, and hey, Rihanna probably deserved it.

My favorite excuse — and this was used by quite a few of Brown’s defenders — was this: “Only God can judge Chris Brown.”  Well, you know what?  I asked God and he says Chris Brown’s an abusive asshole.

I’m tempted to say that it amazes me that Chris Brown still has fans but actually, it doesn’t.  Sadly, when it comes to a celebrity, people are willing to make excuses for almost anything.  If you ask most people, they’ll say that they’re against domestic abuse and they think abusers should suffer the worst punishment imaginable.  But when the abuser is someone who they know (or, in the case of a celebrity like Chris Brown, someone who they feel they know), the excuses start.  The equivocations are heard.  The blame is assigned to everyone but the abuser.  We start hearing bullshit about how people make mistakes and only God can judge.

In short, people are willing to talk but when it matters, they rarely act.

That’s also the theme of a powerful and sad movie called No One Would Tell.  No One Would Tell was originally made for television in 1996 and it still shows up fairly regularly on Lifetime.  Though the names and certain details have been changed, it’s based on a true story.  In fact, the film feels like it’s based on several true stories.  The plot of No One Would Tell is one that has occurred and continues to occur on far too regular of a basis.

Stacy Collins (played by Candace Cameron, before she added the Bure to her name) is a 16 year-old high school student.  She’s quiet, shy, and insecure.  When she first starts to date a popular jock named Bobby Tennison (Fred Savage), it seems like a dream come true.  But soon, Bobby starts to show another side.  He’s controlling and possessive.  He grabs her wrist hard enough to leave bruises.  He shoves her into a wall when they have an argument.  When she wears a skirt that he thinks is too short, he grabs her in the school hallway and demands that she change immediately.  When she isn’t home to answer his calls, he assumes that she most be cheating on him.  And, when she finally breaks up with him, he kills her.

What’s infuriating is that, throughout the film, Bobby’s abuse is witnessed by all of his and Stacy’s friends.  Everyone sees him push her.  Everyone sees the bruises.  Everyone knows that Bobby is unstable and that Stacy is afraid of him.  And yet, nobody says a word.  Nobody does a thing.  Instead, they just make excuses for Bobby’s behavior.  Some of them even blame Stacy.  No one is willing to get involved and it eventually costs Stacy her life.

For a TV movie from the mid-90s, No One Would Tell holds up surprisingly well.  Admittedly, Fred Savage overacts in the role of Bobby (and maybe it would have been better if the role had been played by Eric Balfour, who appears as Bobby’s best friend) but Candace Cameron does a perfect job as the tragic Stacy, capturing both her insecurity and her vulnerability.  Some of the film’s best moments are the ones shares by Cameron and Michelle Phillips.  In those scenes, we see how Stacy learned how to make excuses for Bobby’s behavior from watching the way that her mother made excuses for the men who similarly abused her.  No One Would Tell is a powerful film, one that offers an unflinching look at abuse and one that dares to demand that its audience take a stand.

No One Would Tell is a film that should be watched by anyone who thinks that the man in the mirror can change his ways.

Back to School Part II #29: A Friend To Die For a.k.a. Death of a Cheerleader (dir by William A. Graham)


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Over the past couple of year, I’ve had so much fun making fun of Tori Spelling’s performance in the original Mother, May I Sleep With Danger? that I almost feel like I have an obligation to review a movie in which she gave a halfway decent performance.

That film would be another 1994 made-for-TV-movie.  It was apparently originally broadcast as A Friend To Die For but most of us know it better as Death of a Cheerleader.  That’s the title that’s used whenever it shows up on Lifetime.  There actually was a time when Death of a Cheerleader used to show up on almost a monthly basis but that was a while ago.  Lifetime has since moved on to other movies about dead cheerleaders.

Technically, as my sister immediately pointed out when I made her watch the movie, the title isn’t quite correct.  Though Stacy Lockwood (Tori Spelling) does try out for and is named to her school’s cheerleading squad, she never actually gets to cheer.  Instead, shortly after the school assembly in which her selection is announced, Stacy is found stabbed to death.  But really, Death of A Future Cheerleader doesn’t quite have the same ring to it.

As for who killed Stacy … well, it’s no secret.  This is one of those true crime films where the murderer is not only portrayed sympathetically but is the main character as well.  Angela Delvecchio (Kellie Martin) was a high school sophomore who was obsessed with trying to become popular.  She looked up to Stacey and desperately wanted to be her best friend.  (Why she didn’t just offer to bribe Stacey, I don’t know.  Maybe she hadn’t seen Can’t Buy Me Love….)  When Stacey got a job working in the school office, so did Angela.  Of course, the school’s somewhat sleazy principal (Terry O’Quinn, coming across like John Locke’s worst nightmare) only made it a point to talk to Stacey and pretty much ignored Angela.  When Stacey applied to work on the yearbook, so did Angela.  When Stacey tried out for cheerleading, so did Angela.

In fact, the only time that Angela stood up to Stacey was when Angela was taunting the school’s token goth (played by Kathryn Morris).  That turned out to be a mistake because Stacey never forgave her.  When Angela invited Stacey to a party, Stacey was reluctant to go.  When Stacey did finally accept the invitation, Angela stabbed her to death.

A Friend to Die For/Death of a Cheerleader is based on a true story and the film tries to lay the blame for Angela’s crime on the affluent neighborhood she was raised in.  Just in case we missed the message, the film actually features a Priest (played by Eugene Roche) who says that the community put too much pressure on Angela to succeed.

Uhmmm….okay, if you say so.

Seriously, this is a pretty good little true crime film and both Tori Spelling and Kellie Martin give really good performances but this whole “It’s society’s fault” argument is typical, mushy, made-for-TV, bourgeois liberal BS.  Angela picked up the knife, Angela committed the crime, end of story.  That said, A Friend To Die For is pretty good as far as these movies go.  I already mentioned the performances of Spelling and Martin but also keep an eye out for Marley Shelton, who gets a really good scene in which she explains that she never liked Stacey that much while she was alive.

You can watch A Friend To Die For/Death of a Cheerleader below!

 

What Lisa Watched Last Night #155: Backstabbed (dir by Doug Campbell)


Last night, I watched the latest Lifetime original film, Backstabbed!

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Why Was I Watching It?

Well, the obvious answer is that I was watching it because it was on Lifetime and, as everyone knows, I love anything on Lifetime.  The other reason is that I haven’t done many entries in What Lisa Watched Last Night this year.  I wanted to correct that!

(And here we are…)

What Was It About?

It’s about lies, love, sex, murder, and the crazy world of real estate.  Whenever I watch a movie about real estate, I always wait for someone to yell, “You moved the headstones but you left the bodies, didn’t you!?  YOU LEFT THE BODIES!”  That didn’t happen in this movie but seriously, real estate is crazy!

Paulette Bolton (Josie Davis) is one of the top real estate people in California but the people who work for her have a tendency to end up dead.  That’s because Paulette kills them and a lot of other people.

Paulette has a new protegé: Shelby (Brittany Underwood).  Shelby has just received her real estate license and … oh no!  Is she thinking of going into competition against her psychotic mentor?

Well, that might not turn out for the best…

What Worked?

One of my favorite things about Lifetime movies is that everyone always lives in such a nice house.  Lifetime understands that its audience not only likes to see what people are wearing but where they live as well.  Backstabbed was pretty much all about houses.  Paulette had a great house.  She and Shelby were competing to sell an even better house.  Even Shelby’s house was nice and she was supposed to be poor!

In the role of Paulette, Josie Davis was totally and completely insane.  She delivered one of the greatest over-the-top performances in Lifetime history and the film was all the better for it!  Among the supporting cast, Kevin Spirtas was fun as a decadent home owner and, oddly enough, former Texas Congressman Henry Bonilla had a role as well.

What Did Not Work?

I have to admit that I struggled to follow the plot.  It may have been because it’s the Labor Day weekend and I was dividing my attention between the film and my niece and nephew but still, I had a hard time keeping track of why, exactly, Paulette kept killing people.  Fortunately, Josie Davis killed people with such panache that it wasn’t a major problem.

“Oh my God!  Just like me!” Moments

“That’s my dress!” I yelled when, at one point, Paulette showed up wearing a pretty red dress that looked identical to one that I have hanging in my closet.  Then Shelby showed up, also wearing a red dress that looked identical to another one that I have hanging in my closer and again, I yelled, “That’s my dress!”

At that point, my niece pointed at the TV and went, “That’s Lisa Marie’s dress!”  She’s so cute.

Lessons Learned

Real estate is murder!

And I look good in red…

Film Review: Indiscretion (dir by John Stewart Muller)


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Indiscretion is a strange one.

(And by strange, I mean dull and kind of pointless.)

This film premiered on Lifetime last Saturday but, as I watched it, it quickly became obvious that it wasn’t originally produced for Lifetime.

For one thing, the film was shot on location in Louisiana.  Instead of letting Montreal or Toronto stand in for a generic American city, this film was actually shot on the streets of New Orleans.  (Unfortunately, the film also made New Orleans seem kind of boring.)

Secondly, Indiscretion turned out to be one of those films where the soundtrack would suddenly go silent whenever a character said anything stronger than “damn.”  It was odd because you would see a character very obviously saying something like, “Fuck you,” but you wouldn’t be able to hear the voice.  I guess that was to protect the gentle sensibilities of the viewer but what about people who read lips?

And finally, Indiscretion didn’t feature any of the usual Lifetime actors.  Instead, it starred Mira Sorvino as a frustrated wife and Cary Elwes as her politician husband.  Sorvino’s real-life husband, Christoper Backus, played the troubled sculptor who has an affair with Sorvino and then ends up stalking her family.

So, no, Indiscretion was clearly made to, at the very least, be released straight to video.  It was not meant for commercial television.  And yet, somehow, it ended up making a somewhat awkward premiere on Lifetime.

Anyway, Indiscretion starts out well enough.  It doesn’t waste any time arranging for Sorvino and Backus to meet at a fund raiser and for them to end up having a passionate affair.  Sorvino, of course, claims that it was just a weekend fling and that she loves her husband.  Backus refuses to believe her and soon, he’s worming his way into her family.  He befriends her husband and even gets to go on a hunting trip with the governor of Louisiana.  He also ends up having an affair with Sorvino’s teenage daughter.

(Or, at the very least, he takes some pictures of her, which Sorvino later discovers.  It’s a sign of how haphazardly constructed this film is that you’re never quite sure what’s going on with Backus and Sorvino’s daughter.  Backus also uses one of those old Polaroid cameras to take pictures.  Apparently, troubled artists don’t use digital cameras.)

The problem is that, after the first, artfully-shot sex scene, the film itself slows down to an interminable crawl.  It’s as if the film’s director, editor, screenwriter, and producers all forgot that the audience has already seen a hundred movies just like this one.  Nothing surprising happens and, unlike the best Lifetime films, Indiscretion never winks at the audience or indirectly acknowledges the clichéd nature of its narrative.  The whole thing is just painfully dull and no amount of mood lighting is going to change that.  There is a little twist at the end but most viewers will probably be so bored with it all that they probably won’t even notice.  That’s just the type of film this is.

If you want to see an entertainingly over-the-top and pulpy film about people having sex in New Orleans, I would suggest checking to see if Zandalee is still available on YouTube.

Cleaning Out The DVR, Again #40: The Wrong Child (dir by David DeCoteau)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by the end of July 11th!  Will she make it!?  Well, I guess she did since this is the 40th review!!!  YAY!)

The Wrong Child

Finally, we have reached the end.  Two and a half weeks ago, I started the process of reviewing all forty of the films that I recorded between the start of March and the end of June.  It hasn’t always been easy, within the two and a half week time frame that I set for myself, to watch and review all of these films but I’ve managed to do it.  As soon as I publish the review that you’re reading right now, I will be able to say that I have officially cleaned out my DVR.

So, what was the final film waiting to be watched on my DVR?  It was The Wrong Child, which originally aired on June 26th on the Lifetime channel.

In The Wrong Child, Vivica A. Fox plays Renee.  Like many Lifetime heroines, Renee would appear to have it all.  She has money, glamour, a teenage daughter, and a tragic backstory.  (Her first husband was killed several years ago in a traffic accident.)  She also has a wonderful house, which regular Lifetime viewers might recognize as being the same house from The Wrong Roommate.  She has recently remarried.  Her new husband is Charles (Gary Daniels), an architect who may or may not have a few secrets of his own lurking in the past.

One day, Andrew (Robbie Davidson) shows up at the house.  Andrew is a handsome and apparently normal teenager.  He explains that his mother has recently died of stomach cancer but, before she passed, she informed him that Charles is his father.  Charles is skeptical but Renee and her daughter welcome Andrew into the family.

Of course, it turns out that Charles was correct to be suspicious.  Andrew is a sociopath, the type of guy who takes pictures of strangers while they’re out jogging and who also is totally willing to murder anyone who might have any evidence that his name is not actually Andrew.  Andrew may be crazy but he has a very specific reason for tracking down Charles and his new family.

The Wrong Child is a pretty standard Lifetime B-movie but director David DeCoteau always brings a certain flair to even the most predictable of thrillers.  You know that Andrew is crazy as soon as you see him but Robbie Davidson still gives a really good and rather chilling performance.

Add to that, there’s the house!  I loved the house when it appeared in The Wrong Roommate and I loved it even more in The Wrong Child.  Here’s hoping that the house appears in another wrong film soon!

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Well, that’s it!  Two and a half week and 40 movies later, I have now officially cleaned out my DVR!  Now, I can get to work on filling it up again!

Cleaning Out The DVR, Again #39: Full Out (dir by Sean Cisterna)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by the end of July 11th!  Will she make it!?  Keep visiting the site to find out!)

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The 39th film on my DVR was Full Out, which aired on Lifetime immediately after Center Stage: On Pointe.  

I enjoyed Full Out when it first aired and I enjoyed it even more when I watched it a second time.  It’s a truly enjoyable and inspiring dance film and it’s one of the best films to have appeared on Lifetime this year.  Not only is it wonderful to watch but it’s a Canadian film, which is always a good thing.  It features not one, not two, not three, but FOUR Degrassi actors!

Full Out tells a true story and what a story it is!  Ariana Berlin (Anna Golja) is a talented gymnast who is bound for Olympic glory when she and her mother (Ramona Milano) are involved in a devastating traffic accident.  While Ariana survives the accident, she spends five days in a coma.  When she awakens, she discovers that she has two broken legs, two collapsed lungs, a broken wrist, a broken collarbone, and several cracks ribs.  A metal rod has been placed in her leg and her doctors tell her that she’ll never compete again.

At first, Ariana is bitter.  Not only does she miss the Olympics but she also has to watch as her best friend (played by Sarah Fisher) goes in her place and wins a silver medal.  Ariana lashes out at her friends and her family.  Everyone is prepared to give up on her, except for her physical therapist, Michelle (Asha Bromfield).  Michelle teaches Ariana hip hop dance and introduces Ariana to her dance troupe.  Through dance, Ariana starts to gain back her confidence.  Michelle eventually asks Araina to coach the dancers for an upcoming audition to join a famous dance team.

In fact, Ariana has become so confident that she feels ready to return to gymnastics.  She is accepted at UCLA, where her coach is the demanding Valorie Kondos Field (Jennifer Beals).  However, Ariana struggles to balance both gymnastics and dance.  Can she have both or will she be forced to make a difficult choice?

Full Out is an incredibly positive and likable film, one that made me feel good both times that I watched it.  The acting is wonderful, the story is inspiring, and the dancing is pure joy.  Watch this when you’re in a bad mood or when you’re feeling hopeless and it will immediately cheer you up, I promise!

As I’ve mentioned a few times in the past, this has been a good year for Degrassi actors appearing in Lifetime films.  Full Out sets some sort of record by featuring four Degrassi actors!  Sarah Fletcher (who played conflicted Christian Becky Baker on Degrassi and also starred in The Stepchild) plays Ariana’s best friend and occasional rival.  Jake Epstein, who played bipolar musician/photographer Craig Manning on Degrassi, appears as one of Ariana’s coaches.  Ramona Milano, who played Drew and Adam’s mom on Degrassi, plays Ariana’s mom.  (Interestingly enough, on Degrassi, Sarah Fletcher’s Becky was a potential girlfriend to both Drew and Adam.)  And finally, Anna Golja, who plays bitchy Zoe on Degrassi, gives a great and empathetic performance as Ariana Berlin.

In fact, everyone is great in Full Out.  WAY TO GO, CANADA!

Cleaning Out The DVR, Again #38: Center Stage: On Pointe (dir by Director X)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by the end of July 11th!  Will she make it!?  Keep visiting the site to find out!)

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The 38th film on my DVR was Center Stage: On Pointe, which premiered on Lifetime on June 25th.

Center Stage: On Pointe is the third film in the Center Stage series.  The first film, which was released in 2000, is one of those films that, at the time, you pretty much had to see if you were into ballet.  The second film, Center Stage: Turn It Up, aired on the Oxygen Network in 2008 and laid much of the groundwork for what happens in On Pointe.

At the start of On Pointe, Jonathan Reeves (Peter Gallagher), the head of the American Ballet Academy, has a problem.  The Academy is still doing great work but it’s not bringing in much money.  Unfortunately, the ABA has developed a reputation for being stodgy.  It needs to be shaken up.  It needs new dancers who are going to challenge the teachers even as the teachers challenge them.  Over the objections of just about everyone else at the ABA, Reeves decides that it’s time to bring modern dancers into the Academy.

Reeves and his choreographers (including Kenny Wormald’s Tommy Anderson, the male lead from Turn It Up) set out to recruit dancers to compete at a camp where the winners will be invited to join the Academy.  Among those dancers: Bella Parker (Nicole Munoz).  Bella is the younger sister of Kate Parker (Rachele Brooke Smith), whose story was previously told in Turn It Up.  Seeking to escape from her famous sister’s shadow, Bella auditions under a false name.  However, everyone immediately knows who she is.  It’s not easy being Kate Parker’s sister.

The camp turns out to be absolutely beautiful (even if it did remind me a bit of Camp Crystal Lake from Friday the 13th) but the dance world is a competitive and often unforgiving one.  Not only is there tension between the ballet students and the modern dancers (and that tension is one of the most realistic aspects of the film) but one of the instructors appears to be obsessed with trying to destroy Bella.  Will Bella and her fellow dancers survive the grueling camp?  Will Bella ever escape her sister’s shadow?  And will the ABA manage to change with the times?

You already know the answers.  There’s not a surprising moment to be found in Center Stage: On Pointe but the film is well-shot, the music is great, and the dancing is amazing.  Yes, some of the performances could be better but when you’ve got dancers who can move as well as the ones in this cast, it really doesn’t matter whether or not they’re the greatest actors in the world.  This is a dance movie, after all.  The dance scenes are amazing and that’s what is important.

(By the way, fans of Dance Moms may be interested to know that Chloe Lukasiak has a small role in Center Stage: On Pointe.  And, though she may no longer be a member of ALDC, she’s still a great dancer.)

Cleaning Out The DVR, Again #36: Killer Assistant (dir by Danny J. Boyle)


(Lisa is currently in the process of trying to clean out her DVR by watching and reviewing all 40 of the movies that she recorded from the start of March to the end of June.  She’s trying to get it all done by the end of July 11th!  Will she make it!?  Keep visiting the site to find out!)

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The 36th film on my DVR was Killer Assistant (also known as simply The Assistant.)

Killer Assistant originally aired on Lifetime on June 20th and it won major points from me just because of the title.  Though often underappreciated, administrative assistants are the glue that hold most offices together.  If there were no administrative assistants, the entire world would literally stop spinning so I’m always happy whenever I see a movie in which the assistants finally get their revenge.

The assistant of the title is … well, he claims his name is David (Brando Eaton).  That’s not his real name, of course.  And he’s really not from a small town in upstate New York despite what he tells everyone.  He may be a shady character who stole someone else’s identity but that doesn’t mean that he’s not a good assistant!  He especially proves to be invaluable to Suzanne Austin (Arianne Zucker), an editor at a fashion magazine.  As Suzanne struggles to put together the magazine’s 50th anniversary edition (all the while being watched by her boss, who bare a probably not coincidental resemblance to Anna Wintour), David proves to be a great source of ideas.  When Suzanne thinks that she’s seen her husband (George Stults) cheating on her, David proves to be a great source of comfort.

Which is another way of saying that they end up having a one night stand.  How passionate do things get?  So passionate that the sex scene is actually shown in slow motion.  (You know that Lifetime is getting serious when they start using the slow mo.)  However, the next morning, Suzanne announces that the previous night was a “mistake” and tells David that he is fired.

David, however, has other ideas.  After all, he already went through the trouble of attacking one of Suzanne’s other assistants just to make sure that he’d be able to keep his job.  David tells Suzanne that he’s not going anywhere.  He’s going to continue to answer the phones for her and schedule meetings for her.  And if she has a problem with that, he’ll just show everyone the little film that he made of the two of them during the previous night.

So, Suzanne is stuck with David.  And David is now flirting with her rebellious teenage daughter, Calista (Natalie Lander).

Anyway, Killer Assistant is rather ludicrous but I enjoyed it because 1) it was about a crazy administrative assistant and 2) it took place at a fashion magazine and was, therefore, full of bitchy dialogue.  Plus, Brando Eaton did a really good job in the role of David.  He was just so clean-cut, helpful, and cheerful, no matter what terrible things he was plotting.  As I watched the film, I found myself imagining a possible spin-off in which Suzanne is a guest judge on Project Runway and David blackmails her into praising the ugliest dress.  It was fun!

(For those keeping track of my efforts to clean out my DVR, that’s 36 films down and 4 to go!)