5 Documentaries That I Saw in 2014: Bansky Does New York, Captivated: The Trials of Pamela Smart, The Last Patrol, Private Violence, Stop At Nothing: The Lance Armstrong Story


So, here it is 2015.  That means that next week, I’ll be posting my picks for the best and the worst of 2014.  However, before I do that, I need to get caught up on reviewing what I saw in 2014.  So, let’s get started with 5 quick reviews of 5 documentaries that I saw in 2014.

http://www.youtube.com/watch?v=mhDGWVaPspE

 Banksy Does New York (dir by Chris Moukarbel)

To be honest, any film about Banksy is going to start with the automatic handicap of not being Exit Through The Gift Shop.  No matter how good or bad the other documentary may be, it’ll never be as good as Exit Through The Gift Shop.  Banksy Does New York is no exception.

Banksy Does New York chronicles the artist’s wonderfully subversive “31 works of art in 31 days” tour through New York City.  For 31 days, new Bansky graffiti and installations appeared throughout New York City.  It was up to the city’s residents to track down and discover Bansky’s latest work.  (Making things difficult is that New York City, at that time, was being ruled by a tyrannical philistine named Michael Bloomberg, a man who has all the personality of a James Bond villain.)  With Banksy remaining predictably off-screen, Bansky Does New York instead focuses on the aficionados who spent 31 days trying to track down Bansky’s work before it was destroyed by the jack booted thugs of the Bloomberg administration.

And that’s where Banksy Does New York struggles because, ultimately, Banksy is always more interesting than the majority of the people who claim to love him.  Ultimately, the documentary is valuable as evidence that Bansky’s New York tour actually happened but it provides little real insight.

Captivated: The Trials of Pamela Smart (dir by Jeremiah Zagar)

Captivated tells the true story of Pamela Smart, a teacher who was accused of convincing two of her students to murder her husband.  As the film shows, the Smart trial became a big media event and movies were made that were based on the crime and … *yawn.*

Sorry.

Usually, I love true crime documentaries but Captivated just bored me to tears.  As far as the film’s point about media and celebrity are concerned — oh my God, who cares!?  It’s been made so many times!  I’m sorry but I refuse to get excited over any more documentaries that serve to only make the same point that’s been made by hundreds of other documentaries and self-impressed think pieces.  If you can’t offer me any more insight than I might find in an article on Salon, then why should I pretend to be impressed?

The best part of Captivated were the clips that they showed from other, better films that had been inspired by the case.

The Last Patrol (dir by Sebastian Junger)

In this sad but ultimately triumphant documentary, filmmaker Sebastian Junger walks across America with two veterans who have recently returned from Afghanistan and a combat photographer.  Along the way, they talk about the war, the struggle to adjust to being back home, and what the future holds.  They also talk to several people that they meet during the journey and ask them what they think about America.  One thing that quickly becomes apparent is that everyone — regardless of whether they supported the war or not, regardless of whether they like Barack Obama or not — seems to share a similarly pessimistic outlook as far as the future of America is concerned.  Ultimately, The Last Patrol becomes less a celebration of America and more a tribute to the ability of humans to survive bad times.  It definitely makes for interesting viewing.

Private Violence (dir by Cynthia Hill)

Private Violence is probably one of the most important documentaries to have been released in 2014.  I first saw it on HBO and I’d recommend that everyone else keep an eye out for it as well.  In a stark and matter-of-fact way, it follows the story of Deanna Walters, an Oklahoma police officer who was abducted and, over a four-day period, savagely beaten by her estranged husband.  The film shows Deanna’s attempts to both rebuild her life and her struggle to get legal justice.  (Despite nearly killing her, Deana’s husband was not initially arrested for the crime.)  Working with Deanna and other abused women is Kit Gruelle, a former victim of domestic abuse who is now an advocate and who leads the viewer through the frustrating and often infuriating world of the courts, law enforcement, and shelters.  Anyone who thinks that domestic abuse is not a problem or that victims were “asking for it,” should be forced to watch Private Violence over and over again.

 (Though the film was submitted for consideration for the Best Documentary Feature Oscar, it was not about the Koch brothers so it didn’t make the list of semi-finalists.)

http://www.youtube.com/watch?v=yIoNRXTy-F8

Stop At Nothing: The Lance Armstrong Story (dir by Alex Holmes)

I’ve always had mixed feelings about Lance Armstrong.  On the one hand, I really didn’t care much about him when everyone thought he was a hero.  But then, when it was revealed that he essentially cheated his way to the top, I suddenly found myself wondering what it was like to be literally one of the most hated people in the world.  Personally, I found it interesting that, suddenly, not only was it socially acceptable to hate another human being but it was practically expected.  You could look at anyone on the street and know that person probably hated Lance Armstrong.  It was all a bit overboard, I thought.

Anyway, Stop at Nothing: The Lance Armstrong Story is a collection of talking head interviews with people who knew Lance Armstrong before his career was destroyed and, essentially, they spend most of the film talking about how much they all hated Lance before the scandal and how much they hate him now.  I’ve never heard so much ill will directed at a cancer survivor.  Stop at Nothing will be interesting to people who want to have their negative feelings about Lance Armstrong justified but it really doesn’t add anything new to the story.

Quickie Review: Dodgeball – A True Underdog Story (dir. by Rawson Marshall Thurber)


What is there to say about Dodgeball – A True Underdog Story other than it’s a no-brainer of a hilarious movie that doesn’t aspire to lofty heights. What it does do is come out firing with some of the funniest physical comedy and one-liners since The Farrelly Brothers’ Something About Mary. First time director Rawson Marshall Thurber does a good enough job to keep the laughs coming one right after the another to keep Dodgeball from becoming too repetitive.

The movie is a riff from the stock underdog sports genre with a Peter La Fleur (played by Vince Vaughn with his usual sardonic wit) having to find a way to save his Average Joe’s Gym from being foreclosed by his bank and turned by a rival hi-tech gym next door into a parking lot. Who else would be the perfect foil for Vince Vaughn’s Peter La Fleur but none other than Ben Stiller as the former-fatty turned workout fitness Nazi, White Goodman. Goodman’s Globo Gym is a state-of-the art, sterile and BALCO-like gym where insults and making its members feel ugly, fat and useless is the way to clean health and the perfect bod.

Already, within the first fifteen minutes, we know who to root for and who to boo. In one corner we have the Average Joe’s guys played with comedic timing by Justin Long, Stephen Root, Chris Williams, Alan Tudyk and Joel Moore. Stiller’s Goodman and his consigliere Me’Shell (Jamal Duff channeling Barry White) with a hand-picked ringer of a dodgeball team he calls the Purple Cobras. With the two sides set the dodgeball carnage begins as Average Joe’s must win the Las Vegas Dodgeball Invitational to earn the $50,000 needed to save the gym. To round out the Average Joe’s team will be the bank accountant who ends up sympathizing with the Joe’s, Kate Veatch (played by Stiller’s real-life wife, Christine Taylor) and Patches O’Houlihan (Rip Torn in a scene-stealing role).

Rip Torn is hilarious as the acerbic and insane former dodgeball great Patches O’Houlihan. He pretty much gets all the best one-liners in the movie the moment he appears on the screen. He coaches the Average Joe’s team by browbeating them, insulting them and, failing that, throwing wrenches at them to help them in learning the 5 D’s of dodgeball: Dodge, duck, dip, dive, dodge. In fact, I would say that if it wasn’t for Rip Torn’s character dominating the middle part of the movie, I think Dodgeball‘s constant ball to the groin shots would’ve gotten old. Instead Patches O’Houlihan constantly gave people watching a reason to laugh out loud.

Dodgeball – A True Underdog Story is a movie that the Academy voters will not go about showering with praises and awards, but I’m sure most of them will be watching it and laughing out loud like the rest of the general public. Dodgeball is one hilarious, one-liner after one-liner ball to the nuts funny and it doesn’t aspire to be anything else but that. This movie will never get old with each viewing and will continue to make people laugh out loud.